Wednesday, March 27, 2013

Tribute to a Legend: The 10th Anniversary of Leslie Cheung’s Passing


As most of you already know, April 1st 2013 marks the 10 year anniversary of superstar Leslie Cheung’s death.  Given how important Leslie was to the HK entertainment industry, there will undoubtedly be a lot of tributes and events taking place in the next few days to honor his memory.  The event that I’m really looking forward to this year is the special tribute concert that Leslie’s former manager Florence Chan will be putting together, during which some of Leslie’s closest friends in the entertainment industry will gather together with his fans at the HK Coliseum and perform many of his greatest hits.

Even though 10 long years may have passed since Leslie left us, the memory of him and his tremendous contributions to the entertainment industry continue to live on in our hearts.  Of course, nothing can replace the pain that many of us went through when we found out that one of our most beloved entertainers decided to leave us forever…and not surprisingly, many of us still find it difficult to come to terms with this horrible fact.  Regardless of whether you’re a fan of his or not, I’m sure you would agree that Leslie was a charismatic entertainer and overall great person who impacted the lives of many, many people – be it his friends, colleagues, fans, and even people whom he didn’t even know!  

No one knows what the future will bring and in the case of the HK entertainment industry especially (depending on how you look at it), the outlook may not necessarily be a positive one – but no matter what happens in the coming years and what direction things end up going, one thing’s for sure:  Leslie will always be an important part of HK entertainment history – an absolutely irreplaceable legend whose influence and impact will continue to be felt for decades to come!

For my personal tribute to Leslie this year, I’ve decided to ‘re-visit’ some of the older posts I wrote about him on my blog and in so doing, ‘re-live’ some of those past ‘Leslie moments’ – be it happy moments or sad ones – that had made me either laugh or cry at some point.  I’ve included the links to some of these past blog posts below in the event that anyone who reads this is interested in ‘re-visiting’ as well (though one ‘disclaimer’ I have to make is that this list is NOT all-inclusive, since I only update my blog whenever I have time and so there may be a lot of things that I wanted to write about but didn’t get a chance to yet).

A few last words....

Rest in peace, Leslie!   No matter what happens, you will forever be in our hearts…MISS YOU MUCH!! 


.*******.










Thursday, March 21, 2013

Latest HKTV/CTI update: Information on HKTV’s new series “The Menu” (導火新聞線)


It’s been awhile since HKTV (CTI) held a press conference announcing upcoming series that they’re working on. Of course, this doesn’t mean that HKTV stopped  filming series – in fact, they’ve actually been working hard filming quite a few new series, it’s just that they haven’t been making formal announcements recently.   Not sure if they’re trying to keep things relatively low key now or something but I’ve noticed that overall, the ‘noise’ seems to have died down a bit (those who have been following this whole free TV licensing thing probably know what I mean).

In any case…. HKTV finally announced another new series a few days ago – though to be honest, I’m not sure if I would call this series ‘new’ persay because I’ve already known about this series for months.  HKTV actually included a trailer clip for the series already back when they did their sales presentation in December and throughout the past couple months, there has been much talk about this series on Weibo, so for me, it was pretty much just waiting for them to ‘officially’ announce it.

Back when I summarized my thoughts about HKTV’s sales presentation (those interested can read it here), I had already expressed an interest in this series and was pretty much just waiting for more information to come out.  Well, after seeing the cast list and reading the official plot summary, I’m definitely still interested! 

Just for the record, I’m not a fan of any of the 3 leads at all, but in this case, it’s fine because I like most of the supporting cast and also the storyline sounds refreshing.  I honestly can’t remember TVB doing a news media themed series in a long time (if ever) and certainly not one as intense as what this series (HKTV’s attempt) sounds like it will be (I recommend watching the trailer clip for the series – it was quite gripping!).  Also, like I said in my earlier post, this will be the first time that Noel Leung gets to do a ‘villain’ type role (she will play the ‘ruthless, ethically questionable’ chief editor described in the summary), which is definitely different from the ‘goody goody’ type roles she always used to get at TVB, so that will definitely be interesting to watch.

I’ll definitely be keeping an eye out for more information about this series – that’s for sure! :0)

.----.

Latest HKTV/CTI update:  Information on HKTV’s new series “The Menu” (導火新聞線)

Source: HK Channel, Sina Weibo

Translated by:  llwy12 






HKTV held a blessing ceremony for its new media-themed series The Menu (導火新聞線) today.  Led by the series’ script coordinator Poon Man Hung (潘漫紅) [TN: former TVB scriptwriter who helmed the popular medical drama The Hippocratic Crush (On Call 36 小時)] and main director Ben Fong (方俊華) [TN:  former TVB director with dramas such as Moonlight Resonance (溏心風暴之家好月圓) to his credit], the cast and crew will join forces to create a brand new series that explores the theme of safeguarding freedom of the press while simultaneously pushing the boundaries of news reporting ethics and morality.   To increase the series’ dramatic element, the storyline will bring the rush of minute by minute news gathering techniques to the forefront through the depiction of newspaper reporters’ unwavering efforts to uphold societal righteousness and ethics in the midst of uncovering the truth about the movement to stifle freedom of the press.

The Menu features a cast consisting of both veteran and newcomer actors/actresses, including Kate Yeung (楊淇), Catherine Chau (周家怡), Noel Leung (梁小冰), Gregory Wong (王宗堯), Shek Sau (石修), Samuel Kwok (郭峰), Benji Chiang (姜文杰), etc.   During today’s press conference, the cast gathered on stage and introduced each of the characters that they would be portraying in the series.  Afterwards, the cast and crew were led by HKTV’s Managing Director To Wai Bing (杜惠冰) in a blessing ceremony to offer best wishes in advance for a smooth production and filming process.

.***.

The Menu (導火新聞線)

Creative Producer:  Lam Siu Chi (林少枝)
Copy Editor (Scriptwriter):  Poon Man Hung (潘漫紅)
Main Director:  Ben Fong (方俊華)


Cast: Kate Yeung (楊淇), Catherine Chau (周家怡), Noel Leung (梁小冰), Gregory Wong (王宗堯), Shek Sau (石修), Benji Chiang (姜文杰), Samuel Kwok (郭峰), Felix Lok (駱應), Dexter Young (楊天經), Anita Chan (陳穎), Li Fung (李楓), Brian Wong (黃澤), Maggie Wong (黃美), Lee Hong Kit (李鴻杰), Kwan Wai Lun (關偉倫), Chan On Ying (陳安), Cherry Pau (鮑康), Rachel Lam (林熹), Jones Lee (李忠希), Leung Kin Ping (梁建平), Eddie Li (李雨陽), etc.


Plot Summary:

Supervising and maintaining an orderly society has always been a responsibility that the Media should partake in and support –however, the perception of the news media is oftentimes synonymous with the promotion of violence, sex, bloodiness, and overall havoc in society.  The series will revolve around 3 female news agency workers with very different philosophies on life who, in efforts to gather material for publication of their free newspaper Smart Post (囧報), engage in nearly daily arguments and conflicts.  The chief editor of the newspaper is a woman driven by profit who does not hesitate in publishing unscrupulous, sensationalist reports, even if it means sacrificing moral reporting standards and ethics.  At the same time, the agency’s supervisory staff and reporters are filled with an almost patriotic desire to make the voices of the weak and vulnerable in society heard loud and clear, while simultaneously bringing to light society’s many injustices.  In the face of reality – that is, a commercialized society and the injustices that go along with it -- a newspaper that even those in the same industry look down upon, continues to persevere;  ultimately motivated by different goals, its staff continues to struggle daily to reveal – and, in some cases, hide – the truth.  In such a pressure-filled environment, how will the news agency’s staff uphold righteousness while at the same time protect their own reporting aspirations?

Tuesday, March 19, 2013

My ‘TVB Rant’ # 23: TVB expanding into Mainland market – good news or bad news?


First off, my apologies to those who have been actively following my blog, as I recognize that I’ve been doing a poor job keeping it updated lately – some things came up and I just haven’t been able to dedicate as much time to it as I would like.  Though I’ve continued to stay on top of the latest ‘happenings’ in the HK entertainment world, I unfortunately haven’t found the chance to ‘blog’ about stuff or do too many translations lately, so I’ve actually got a long list of stuff that I would like to post about still – hopefully I’ll get a chance to do so more consistently in the coming months.

Anyway, back to the post at hand….

I know I haven’t ‘ranted’ about TVB in a long time – of course there has been plenty of stuff to rant about the past few months (probably enough for several posts actually…LOL), but as I said earlier, I’ve had a lot going on, so haven’t had time to gather all my thoughts into a coherent post until now. 

Amongst the many TVB-related ‘happenings’ worth ranting about lately, one piece of news from the past few days got me worked up enough to rant about at the moment:  recently, TVB outlined in more detail their ‘plans’ for expanding into the Mainland China market (they already started doing so a little while back with the creation of TVBC – the Mainland China arm of TVB – but didn’t really talk too much in detail about their plans until now). 

Before I go into my actual rant, let me set the background for this post by briefly summarizing what TVB’s plans are in the Mainland (based on an interview that Virginia Lok did with ND Daily, which was published yesterday – link to original article here).

In summary, the plans are as follows:

.—The goal this year is to elevate the status of TVB artists in the Mainland.  Therefore, any programs that TVBC invests in, TVB will recommend its own ‘contracted’ artists (primarily their own ‘biological’ children who are under management contract) for the programs.

.—More ‘collaborative’ series (series where HK artists will collaborate with Mainland artists – similar to what they did in the series Drive of Life, Growing Through Life, etc.) will be filmed.  TVB will provide the scripts and the artists while SMG (the production company that TVB is collaborating with in Mainland) will provide the filming locations and equipment.

.—TVB siu sangs and fadans will formulate ‘teams’ that will travel to Mainland and collaborate with various ‘teams’ of artists over there.  Also, TVB will continue to seek out other Mainland TV stations and film/TV production companies to collaborate with as well.  Artists who rarely ever film in Mainland (those mentioned in the interview include Moses Chan, Fala Chen, Wayne Lai, Kate Tsui, etc.) will eventually be heading up North one after another…

.—One of the goals that Virginia Lok (as head of the Artists Management Department) has been actively pursuing is to push the current ‘second tier’ TVB artists (VL mentions artists such as Eliza Sam, Christine Kuo, Rebecca Zhu, Oscar Leung, etc. in the interview)  up to ‘first tier’ fadan / siu sang level.  With many of the ‘first tier’ artists heading to Mainland, this will open up the door for TVB to further push this goal in the upcoming year.

.—As for the question of where their scripts will come from (since TVB will be providing the scripts and most of their long-time scriptwriters already left the company), Virginia Lok stated that they are ‘encouraging’ more variety in scripts by having them come from different sources – for example:  Eric Tsang will be writing some scripts specifically tailored for TVB; artists such as Wong Cho Lam will continue to provide ideas and outlines of scripts for TVB’s scriptwriters to work with. 

.—This year, TVB will be sending 10 of its singers to participate in the popular Mainland singing contest “Voice of China”.   [Note:  VL didn’t elaborate on this so not sure if she means TVB-groomed singers such as those who came out of their own singing contest “The Voice” or their so-called ‘actors/actresses turned singers’ – my guess is that she means their “The Voice” singers, as I’m assuming that TVB isn’t going to be foolish enough to send their actors and actresses (most of whom can’t sing to save their lives) to a Mainland singing contest where everyone is levels above them…it would be way too embarrassing….]

.—Lastly, according to Virginia Lok, they are hoping to reach a wider audience in HK – meaning break the tradition of catering to ‘housewife’ audiences only and instead try to appeal to more younger audiences. [TN:  Hmmm…not sure how true this part is because VL’s boss – TVB’s Assistant General Manager Au Wai Lam – stated in an interview for TVB Magazine last year that they will continue to cater to housewife audiences in the future because that’s the majority of the audience pool in HK].

In a nutshell – towards TVB’s ‘lofty’ goal of establishing TVBC and expanding into the Mainland market, TVB’s director of external affairs Tsang Sing Ming had this to say:  “We believe that with this method [creation of TVBC], it will encourage some of the siu sangs and fadans who were previously interested in leaving to stay behind now.  At the same time, it will also attract those ‘heavyweight’ artists who already left – such as Charmaine Sheh, Sheren Tang, etc. – to return.  The ‘worth’ (aka salaries) of TVBC artists will be calculated according to Mainland market rates.”   [TN:  I guess this means TVBC artists won’t have to work for ‘dirt cheap’ measly salaries like their HK counterparts do:  good news for those who get ‘chosen’ to be TVBC artists, but definitely bad news for those who remain behind in HK and must continue to ‘slave’ for peanuts (unfortunately, this is majority of the artists currently at TVB – especially the veteran third/fourth line ones….)]


.********.


Now that the background is laid out,  here goes the rant…..

To be very honest, I actually don’t really give a damn about TVB expanding into the Mainland market, as I don’t watch Mainland series anyway and I’m not planning to watch in the future either (doesn’t matter if some of my favorite artists film in the Mainland – the series just don’t interest me).  So basically, what they decide to do over there is not my problem – that’s for the Mainland entertainment world to ‘worry’ about.

The piece that I’m most concerned about is how this expansion into the Mainland thing is going to affect TVB in HK – both the quality of series overall as well as the artists who will be ‘left behind’ so to speak. 

In terms of artists, I’m referring specifically to those third/fourth/fifth tier ‘green leaf’/’gam cho’ artists who are not ‘popular enough’ (meaning they are not on the ‘most favored’ list) to be given the time of day by TVB.  What’s going to happen to these talented green leaf artists who, under the current ‘system’, are already largely ignored and neglected by TVB?  What are the options?  Continue to work slave hours for cheap TVB at below market salaries that are barely enough to make ends meet in the hopes that 20 years down the road (if they make it that far) they will finally be able to climb to ‘recognizable’ status?  Or get out now while there’s still a chance and find something better to do than to work for a company that doesn’t give a damn about them (and never will as long as there are other more ‘popular’ artists to tend to)?

Of course, the ideal situation would be for these artists to ‘have a way out’ in the form of being able to continue doing what they love best (acting) in their own home territory (Hong Kong) -- namely, having the option to work for a different TV station in HK that better suits their needs.  Unfortunately, with this whole free TV license thing still in limbo (and no clear end in sight), the options are very limited – artists who still want to film TV series in HK must either work for slave-driving TVB or the ‘most likely soon to fold’ ATV (newsbrief: ATV’s top exec James Shing recently announced at FILMART that they will go back to producing series again – hmmm…given ATV’s current situation, let’s see if that actually pans out or not).  HKTV is probably the best option out there for most of these artists, but until they get their license (which could take a LONG time), it’s still a bit of a risky choice.

Oh and how about the quality of future series that TVB produces?  I mean, you’d think that TVB learned its lesson from the drastic decline in the quality of their series the past decade or so – just when you think that the quality couldn’t get any worse, now they’re planning on mixing in more ‘collaborative’ series  in the years to come, despite the fact that those types of series were never well-received by HK audiences (understandably so). 

And even with the collaborative series thing aside, the quality will still continue to suffer because the fact of the matter is, many of the ‘second tier’ artists that TVB is planning to promote JUST DON’T CUT IT – majority of the them need to go through acting training big time (oh and while they’re at it, some of them should go through ‘Cantonese as a Second Language’ courses as well…). 

Hmmm….all this makes me think whether TVB’s move to expand into the Mainland market is really because they want their artists to be ‘more known’ in Mainland (as they claim) or they’re actually motivated by something else (like greed and the hunger for power, for example).  I mean, honestly, TVB already has a huge problem with lack of capable artists at home (HK) -- instead of trying to ‘expand’ their empire further, shouldn’t they be more concerned with ‘fixing’ the issues they have at home first (by investing in acting training and changing some of their antiquated policies for example)?

The piece that gets me really worked up about this whole thing is the fact that TVB is so adamantly opposed to opening up the market in HK to allow more free TV stations in (and are doing everything in their power to prevent new licenses from being issued).  Sure, I understand the ‘argument’ about trying to protect business interests and profits, etc. but fact of the matter is, those are just excuses because anyone with common sense knows that TVB is not going to go bankrupt just because more TV stations are added to the mix.  I mean, let’s be real – we’re talking about a company that makes billions of dollars every year and while most companies are struggling to even survive, they are still turning over a hefty profit year after year (and now with the full-fledged expansion into the Mainland market, they will be raking in even more profit due to the lucrative market over there).  Given the great prospective and outlook in their favor, why does TVB need to continue selfishly holding on to their monopoly in HK when they know full well that they are stifling the growth of the industry (and threatening people’s livelihoods in the process)?

Bottom line – I don’t have the answer to whether TVB’s expansion into the Mainland is a good thing or bad one, as it really depends on the way you look at it.  But I do know that for me at least, I’m not too thrilled about it (for the reasons stated above).  Whatever the case, let’s see where this decision of TVB’s ends up leading...