I know this post might be a little ‘early’ considering there are still 2 TVB series for 2012 that have yet to air [the 2 anniversary series Silver Spoons Sterling Shackles (名媛望族) and The Confidant (大太監) ] but I wanted to do this post anyway, especially since all the other series have already aired (for the most part) so I feel it’s appropriate to share my thoughts on those – plus I’m only interested in watching 1 of the 2 anniversary series anyway and there’s no point holding back this post because of that one series.
Before I go into my commentary on this year’s series, there are a few ‘disclaimers’ that I have to make (yes, I’m anal about this kind of stuff, so my apologies if this seems too long-winded):
** When I refer to ‘2012 series’ in this post, I am using TVB’s Anniversary Awards as the ‘basis’ for the timing – so that means the series aired right after last year’s Anniversary Awards (which took place at the beginning of December last year) are considered 2012 series, even if they technically aired in 2011 (which is why I included both Bottled Passion and When Heaven Burns in this post) .
** Those who’ve been following my ‘rants’ for awhile probably know that my definition of ‘watching’ a series is different from most people’s and the ‘criteria’ I apply for whether I like a series or not is most likely different from mainstream audiences. This has especially been the case in the past decade or so when the quality of TVB’s series started to decline year after year and so I couldn’t bring myself to continue watching their series as ‘religiously’ as I used to (hey, my time is precious nowadays so I’m not going to waste it).
Out of all the series that aired this year, I’ve only actually ‘watched’ 4 to 5 of them in their entirety -- meaning that I watched the entire series from the beginning to end without skipping a single episode or a single scene. All the rest of the series I either only watched partially (which could range from a few episodes only to as much as 2/3rds of the series) or didn’t even bother watching period.
** As with all of my TVB rants, the below is strictly my personal opinion and doesn’t represent majority opinion. Therefore, those reading this post are welcome to disagree with me, as I respect different opinions and don’t mind hearing what others have to say (that is, as long as you don’t bash me for having an opposing opinion). It most likely won’t change my opinion, but it does give me some good ‘food for thought’.
** The below is only a summary of thoughts that come to mind about each of the series and is NOT considered a review of any of the series whatsoever (actually, this ‘recap’ is my LAZY way of sharing my thoughts without having to write a lengthy review…LOL). However, if I did happen to write a review for any of the series mentioned, I included the link to it as well in case anyone was interested in reading it.
** Note that I didn’t comment on every single series aired – only the ones that I felt like saying something about. However, I did list the rest of the series that aired this year at the bottom of this post just as a point of reference.
**Lastly, there is NO particular reasoning behind the way I listed the series – I pretty much just went with what came to mind as I was writing up this post.
Ok, so with all that out of the way, here’s a recap of my thoughts on some of this year’s series:
1) Bottled Passion (我的如意狼君)
Now that majority of 2012’s series have aired, I can safely say that BP was definitely my favorite series of the year! True, the ending absolutely sucked and I wish producer Lee Tim Sing (as well as the scriptwriters) would have done a better ending because of how negatively the ending detracted from the series – but overall (with exception of the ending), the series was quite well-written and pretty much the entire cast put in excellent performances (if it weren’t for the ending, I would have voted this series as the ‘Best Series of the Year’ in terms of awards and such…LOL). Also, this is the first series in probably the last 5 years or so that was truly an emotional roller coaster for me when watching it – I cried a lot during most of Raymond Wong and Niki Chow’s scenes (especially near the middle and end of the series) as well as some of the other heartwarming scenes in the series, but at the same time, I also couldn’t help smiling at some of the ‘light-hearted’ moments interspersed throughout the series (most of the Raymond Cho / Claire Yiu scenes as well as the Raymond Wong / Eric Li scenes).
I’m actually not going to comment too much on the series in this post, since I already wrote a lengthy review about it back in January after the series finished airing. But I will say that I’m currently re-watching BP again and enjoying every minute of it (it’s been less than a year since the series debuted and this is already the 3rd time that I’ve re-watched the series…goes to show how much I liked the series…LOL). Too bad that this series (and its cast) won’t get much recognition at the Anniversary Awards, since most audiences seem to have forgotten about this series already due to it airing so early (and in a ‘cannon fodder’ timeslot I must add)…such a pity!
Link to Series Review: Bottled Passion
Link to Themesong Lyrics translation: ‘Dawn Blossoms Picked at Dusk’
2) The Hippocratic Crush (On Call 36小時)
Out of all the series that have aired this year so far (not counting the 2 anniversary series), I feel that this series truly deserves to be called ‘Best Series of the Year’ because it was the most well put together in so many aspects -- from the near flawless script (a lot of the dialogue in this series was very beautifully written), to the logical plot and flow of storyline (the flow actually made sense and I found very little to criticize), to the good performances from majority of the cast (with a few exceptions of course)….combined with a great ending, this series had all the elements necessary to make it ‘best series’ in my opinion! It’s rare to have a series (especially nowadays) that blends all the elements so well (usually the cast is great but the script sucks or vice versa or both), plus have an ending that is very well done and ties up most of the loose ends without using the traditional cheesy TVB formula (i.e.: tragic ending, group BBQ, wedding scene, etc.) – in my opinion, the ending to THC was the best ending of the year!
Again, I won’t comment too much about this series here because I already said most of what I wanted to say in the review I wrote several months ago. In all likelihood, I will probably be re-watching this series again very soon (especially if the upcoming new series being aired don’t pique my interest). Oh, and just for the record – I am NOT looking forward to the sequel…in fact, I probably won’t even watch the sequel out of ‘protest’ because I was so adamantly opposed to TVB doing a sequel in the first place (I list out the reasons why in my review).
Link to Series Review: The Hippocratic Crush
Link to Themesong Lyrics translation: ‘Serial Drama’
3) Witness Insecurity (護花危情)
Despite a lot of the bad reviews for this series and the fact that the script was hugely flawed and the ending sucked as well, I actually did like this series overall – especially the first half of the series (I do state in detail in my review the reasons why I liked this series, so again, not going to say much here).
Currently this series is still in the number one spot on the ratings chart for this year (whether the series deserves it or not is another story) and if it can maintain its spot, it’s probably a good sign that the series or its cast will be a force to be reckoned with at the Anniversary Awards in December (though to be honest, I highly doubt that WI will stay in its position given that Highs and Lows is still airing and the 2 anniversary series will very likely be ratings winners – all 3 have the potential to knock WI out of the number one spot). Either way, I personally don’t really care, since ratings are not a factor that I consider anyway when I watch series (though of course it’s a driving force in the entertainment industry and for TVB when they determine who to give awards to). To me, whether the series is enjoyable to watch is more important…
Link to Series Review: Witness Insecurity
Link to Themesong Lyrics translation: ‘The Most Blissful Thing’
4) Tiger Cubs (飛虎)
This was another series this year that I liked enough to watch from beginning to end – and pretty much the only one where I will look forward to watching a sequel WITH THE ORIGINAL CAST if they decide to make one (if you haven’t figured it out already, I’m generally very much opposed to making sequels to series – especially TVB series – so the fact that I’m advocating a sequel to this series shows that it makes sense to do one).
It has actually been a long time since TVB has taken a production this seriously – from the costumes to the script to the action sequences, etc. – it was obvious that a lot of effort had been put into research and prep work. I also liked the fact that they (the production team / scriptwriters) stayed true (for the most part) to the concept of what the SDU truly does (tactical operation team that doesn’t get involved in the investigation of cases) rather than try to change things to suit their needs (like other series sometimes do).
Oh and I’m definitely glad that for this particular series, TVB chose to forego the whole romantic storyline thing and instead put most of the focus on the actual profession itself (SDU team) – the way that they kept the romantic storylines at a minimum (they touch on it, but don’t develop in detail) and focus more on the SDU missions and the police investigations made the series more fast-paced and meaningful (I actually learned a thing or two from watching this series…LOL!).
Too bad this series was aired on the weekends though because that timeslot really killed the ratings overall…true, it ‘broke records’ in terms of ratings for that particular timeslot, but the overall ratings sucked – the series didn’t even make it into Top 10, which means it likely won’t get much recognition at awards time (not that I care much about the awards anyway….but it annoys me to see good performances possibly not get recognized…)
5) When Heaven Burns (天與地)
I will admit that I barely watched a third of this series because, well, frankly speaking, the series that producer Jonathan Chik + scriptwriter Chow Yuk Ming have come up with in recent years just don’t appeal to me (I can’t even remember the last Jonathan Chik / Chow Yuk Ming series that I watched entirely from beginning to end – last one might have been back in the 90s some time….). But the ending was pretty good though and the MV concept was quite well-done (though I actually had to read commentary afterwards in order to truly understand the ending…haha…).
Of course I didn’t write a review on this series (since I barely even watched it), but I did put together some overall thoughts about the little I did watch back when I translated and posted the sub-theme song lyrics on my blog (link to that post here). That post pretty much sums up my thoughts on this series.
6) Gloves Come Off (拳王)
Given the sports-oriented theme, I definitely would NOT have chosen to watch this series on my own accord (sorry, but I generally find sports-oriented series / movies very boring, probably because I’m not into sports myself). The main cast also didn’t appeal much to me either, but since I like most of the supporting cast (i.e. Raymond Wong, Power Chan, Nancy Wu, Eric Li, Lau Kong, etc.), plus the series came on TV, I ended up watching it. In all honesty, the first half of the series was pretty good – in fact, the first few episodes especially were very well done. Unfortunately though, in typical TVB fashion, the series pretty much ‘fell apart’ in the second half – that’s the part when they started focusing on relationship issues between the main characters and so the series started to get extremely draggy…plus it didn’t help that the main story (about the whole boxing thing) started to go nowhere and didn’t really come back into play again until near the end of the series. Also, some of the characters were very poorly written and lacked development, which was annoying and definitely detracted from my overall viewing experience with this series – basically the only character who I feel was appropriately developed and stood out to me was Nancy Wu’s deaf girl character….everyone else I pretty much found were either underdeveloped or their characters ended up being annoying. Needless to say, I ended up skipping a lot of the series – to the point that I didn’t even bother tuning in to the finale episode (though I still found out about how the series ended later on).
7) Daddy Good Deeds (當旺爸爸)
This was actually one of the more watchable series from this year -- for a light-hearted comedy, this series definitely does deliver the goods. One of the things I enjoyed most was the witty dialogue, which was delivered with the right amount of comedic timing by the cast – the unique thing about the script was the rhyming dialogue that was interspersed throughout the series, which I felt was quite clever, especially since the way they worked that dialogue in, it sounded very natural and effortless (at certain points, I didn’t even realize the dialogue rhymed until someone pointed it out to me).
The other thing I liked about the series were the pop culture references, many of which were unique to HK culture. This is where I need to give props to the scriptwriters for being brave enough to go down this route because it’s definitely risky, since having too many HK pop culture references and ‘inside jokes’ that most likely only Cantonese-speakers would understand / appreciate limits the potential for this series to break out into other markets. But I guess as long as the HK audiences are able to relate and appreciate the series, that’s what matters most, since the ratings are based on HK audiences. Oh, and I have to mention the ‘guest star’ thing that they did in this series – though it wasn’t unique (TVB has done it before in other series), it was definitely fun to see who would pop up next and under what circumstances. I had read somewhere that some audiences felt the ‘guest star’ thing was merely a ‘gimmick’ to get people to continue chasing the series (curiosity factor) -- yes, that’s probably true but my thought on this is that as long as they incorporated the guest stars in a way that made sense (and didn’t just put them in randomly for the heck of it), then gimmick or no gimmick, I’m fine with it.
One last note….originally, I decided to watch this series primarily because of Steven Ma (since this was his last series with TVB) and Ha Yu (just because I grew up watching his series…haha) – of course, both of them didn’t disappoint in terms of their performances and I definitely enjoyed watching them….but in terms of ‘breakthrough’ performance in this series, Edwin Siu was definitely the one – he absolutely deserves some praise for his portrayal of ‘Ah Yap’, as he was truly pretty funny and his ‘obsession’ with finding his long-lost sweetheart was quite cute (plus his ‘chemistry’ with Steven and the rest of the cast was quite good). Overall, I’d say that this was an enjoyable series!
8) The Greatness of a Hero (盛世仁傑)
Even though I liked this series a lot (to the point of having re-watched it a few times already), I’m not going to comment much on it in this post because I actually don’t consider this a 2012 series. The series was actually produced 3-4 years ago and had already aired overseas (outside of HK) way back in 2009. I have no clue why TVB decided to warehouse this series in the first place or why they decided to all of a sudden air this series in their ‘golden’ timeslot so many years later (especially since some of the artists in the main cast no longer work for TVB). To me, it’s kind of stupid to air a series overseas and even release it on DVD, then ‘premiere’ it in HK years later as though it were a ‘brand new’ series -- given today’s technology, most HK audiences probably already saw the series on the internet back when it aired overseas anyway, so what’s the point of airing it as a ‘new series’ in HK? Kind of awkward if you ask me….seemed more like a space-filler series than anything else….
9) King Maker (造王者)
I’m generally not into ‘political thriller’ type series, but I decided to watch this one primarily because of the strong cast (when I say ‘strong’, I’m referring to the ‘acting’ piece, since the main cast consisted of established character actors who are known for their acting skills). Plus this was supposed to be a ‘follow up’ series to The Greatness of a Hero because of the collaboration between Kent Cheng and Wayne Lai – since both actors are among my favorites, I was definitely looking forward to watching the 2 of them match wits again!
To be honest, I can’t really say that I ‘enjoyed’ watching this series because some parts were a bit too slow and draggy, but overall I was able to ‘appreciate’ the series for the great acting performances from most of the cast (save for a few). Kent was excellent in his portrayal of ‘Tung Chiu’ and even though some audiences felt his acting was ‘exaggerated’, I actually beg to differ – his character was very complicated from a mental / emotional standpoint and in my opinion, the way Kent chose to portray the character was perfect…I actually don’t feel that anyone else would have been able to bring forth the ‘frustration and anguish’ component of his character as well as he did. Wayne was good too in his role, but I sort of felt he didn’t stand out much because the character of ‘Yu Jing’ seemed too much like the ‘usual fare’ for him – his character definitely wasn’t as complicated and interesting as Kent’s. As for the rest of the cast – let’s just say that overall, I was fine with most of the performances pretty much except for Natalie Tong….sorry, but I just can’t stand her in ancient series because she’s not a good fit for them – the way she says her lines and her body language, etc. are just way too ‘modern’ and it makes her performance unconvincing (just like she did back during Life and Times of a Sentinel, I felt that she was ‘reciting’ her lines rather than actually ‘performing’ her lines – maybe that’s why I felt there was little emotion to her performance…).
In comparisons to its supposed ‘sister’ series TGOAH, I have to say that King Maker is on a completely different level altogether – the plot and storyline for KM was way more complicated and the dialogue was more arduous. Both series are worth watching though!
10) Divas in Distress (巴不得媽媽…)
Ok, I will be honest and say that I initially had absolutely no intention of watching this series whatsoever, since I can’t stand Liza Wang (never liked her, both as an actress and as a person) and I knew she would be playing another one of those irritating bxxch characters again in this series, which meant that I would be forwarding through majority of her scenes so I wouldn’t get a headache from listening to her yell and scream at people (LOL). I also wasn’t too fond of most of the cast either (um, sorry, but Chin Ka Lok and newbie actress Eliza Sam being cast as the leads in the series really turned me off)…. so even less motivation to watch.
I actually decided to watch this series primarily because of producer Poon Ka Tak (he also produced THC as well as a lot of my favorite series from the 90s, such as DIF and UE) and even though I was disappointed with the series overall (the script was all over the place and a few of the characters were underdeveloped….plus there were other things as well), there were some good things that came out of the series – for example, the overwhelming support and recognition that veteran actor Koo Ming Wah got for his portrayal of ‘So Kei’! He was absolutely the highlight of this series and if it weren’t for him, I definitely would not have even bothered sitting through the series at all (I did forward through majority of the episodes though, so I guess I technically didn’t sit through the ‘entire’ series per se…LOL). I also did end up liking some of the other supporting cast’s performances too though (i.e. Lee Sing Cheong, Mimi Chu, King Sir, etc.)
Interestingly enough, the series got high ratings and surprisingly, even made it into Top 3 on the ratings chart! Though on the one hand, the high ratings is a ‘good’ thing for supporters of Koo Ming Wah (like myself) in that it raises the chances for him to get the Best Supporting Actor award at the Anniversary awards ceremony (he’s pretty much the most deserving one to snatch that award so far this year), but on the other hand, that also means the other less outstanding (and less deserving) performances in the series also have a bigger chance at getting an award (not going to name names but I’m sure most people know which ‘performances’ I’m talking about). Ah well – I’m probably not going to like the results of this year’s anniversary awards anyway, so it doesn’t really matter, I guess….
11) Highs and Lows (雷霆掃毒)
I wasn’t planning on watching this series either since I don’t like majority of the cast, but due to Michael Miu and Ben Wong, plus a potentially interesting storyline, I decided to give the series a shot. Quite honestly, the series did start off pretty strong with the action-packed scenes and the interesting first case, but the plot really started to drag around the 5th or 6th episodes and unfortunately, it continued to drag throughout the rest of the 2nd week of airing. Also, the ‘wishy-washy’ nature of the plot – especially the whole thing about trying to figure out who is the ‘black cop’ and who isn’t -- really started to frustrate me…in addition, quite a few elements of the plot don’t make any sense and the slow pace of some of the cases made the middle part of the series difficult to sit through. I also feel that the storyline surrounding Michael is very poorly developed – it started off strong in the first few episodes with him going undercover and such, but lately, it seems the focus is more on his relationship struggles with Elaine Ng (another actress I can’t stand). Oh and maybe it’s just me, but the plot and characters in this series reminds me too much of Lives of Omission….I’m starting to wonder if TVB’s scriptwriters got lazy again and lifted ideas from LOO, then repackaged it into a different series thinking that we audiences won’t notice? In any case, I already dropped the series….though I’ll probably still tune in for the finale just to see what happens (and to see whether the ‘spoilers’ that just came out about the ending are true or not….)
12) The Last Steep Ascent (天梯)
You would think that based on producer Lee Tim Sing’s good name alone (plus seeing how much I loved his previous series Bottled Passion and TLSA is supposed to be similar in terms of the love story theme and the pre-modern genre), that would be enough motivating factor for me to give this series a try? Under normal circumstances, that probably would have been the case, especially since there are quite a few of Tim Gor’s past series that I liked – but with this series…well, um, NO. Why? Two main reasons:
.—The story: TLSA is supposed to be ‘loosely based’ on the real life story of a husband who built a 6000 step ‘ladder of love’ for his wife. I’ve read the original [real-life] story (several times in fact) and it truly is a very touching love story – it brings tears to my eyes every time I read it. Unfortunately though, the series itself pretty much has NOTHING to do with the original story except for like the first and last episodes – everything else in the story is pretty much made up. In fact, producer Lee Tim Sing himself said that he had to add other elements to the story (such as the family inheritance battle and love triangle storylines) because the original ‘love ladder’ story itself is not enough material for a 20+ episode series (he said that if he were to stick only to the original story, it would only be enough for 5 episodes or less). Call me hard-headed if you want, but I’m just one of those people who can’t stand adaptations (whether TV series or movies) that stray too far from their original works (unless I haven’t read the original story or book yet – in which case I’m less likely to care). Plus, as much as I like Lee Tim Sing, he unfortunately has a track record for taking huge liberties when it comes to producing series based on original stories / books (most of the series that I like of his are non-adaptations) – based on everything I’ve read, this series is no exception in terms of the ‘huge liberties’ part…so in order not to frustrate myself, I chose to pass on this series after only watching the first 2-3 episodes.
.—The cast: The other reason why I’m not interested in watching this series is because I don’t like majority of the main cast. Maggie Cheung is a good actress, but she’s just not my ‘cup of tea’ in terms of actresses that I like to watch onscreen (don’t ask me why, but she’s just never appealed to me for some reason) – I don’t dislike her, so I have no problems watching a series with her in it, but I definitely wouldn’t ‘purposefully’ watch a series just because of her. As for Moses Chan….well, to be honest, I’m sort of sick of him now and can’t bear to watch him onscreen anymore – he’s had way too many OTT roles over the past few years, to the point that nowadays when he tries to go back to those serious, dramatic-type roles, it’s just not convincing anymore (plus I find his performances bland and boring nowadays anyway so even more reason not to watch). Kenny Wong is a decent actor, but unfortunately, he’s extremely boring to watch (not sure if it’s him or the characters he’s given to play), so knowing that he is the second male lead in this series diminished my desire to watch. And lastly, there’s Aimee Chan, who is considered the second female lead in this series – no offense to her fans, but I really can’t stand Aimee’s acting….yes, part of it is the poor Cantonese (which is one of my pet peeves and annoys the hell out of me), but also something about her acting just comes across very unnatural and ‘fake’ to me (I heard that her acting had actually improved in this series, but um, sorry, still not interested). Outside of the main cast, I heard that the supporting cast performances have been quite good though….
** Spoiler Alert***
Even though I haven’t been watching TLSA, I’m still planning on tuning in for the finale episode, primarily because that’s one of the few episodes that actually talks about the original ‘love ladder’ story (curiosity factor for me) – plus I just found out that there will be a special guest star in the last episode: Raymond Wong will be making a cameo appearance as one of Maggie’s grown sons – I read that he will be in at least half of the last episode (I’ve been re-watching Bottled Passion again lately, so obviously I’m in the ‘Raymond’ mood right now…LOL).
13) Ghetto Justice 2 (怒火街頭2)
I started watching this series only because my mom was watching it and I was curious to see if it would live up to the ‘hype’ of the first installment (which I actually didn’t finish watching either). Given the fact that I’m NOT a Kevin Cheng or Myolie Wu fan (in fact, I can’t stand either of them in terms of acting), I’m actually not surprised that I dropped this series barely a third of the way into it (though I did continue watching some of the Raymond Cho scenes throughout the rest of the series because I just love the guy too much…haha!)
The biggest turnoff with this series for me was the fact that TVB cast so many ‘non-Cantonese’ speakers in this series and gave a few of them pretty heavy roles. As mentioned earlier, this is one of my biggest pet peeves because, well, when I watch a series, I want to be able to understand what the characters are saying without having to resort to subtitles (having to read subtitles distracts from the viewing experience and is extremely annoying!). I know people will probably think I’m anal for harping on this point, but I don’t care – to me, the language thing is a ‘basic requirement’: if you’re going to film a Cantonese series, then learn to speak decent Cantonese – otherwise, don’t take on a ‘lead’ role and ‘torture’ us audiences with having to listen to your broken Cantonese in every episode! (I’m actually more ticked off at TVB on this one than at the artists, since the casting decisions lie with TVB). For some of the episodes, I felt like I should have just put the sound on mute and read the subtitles instead (yes, it was THAT bad) – needless to say, I’m glad I dropped this series as quickly as I did!
14) L’Escargot (缺宅男女)
Obviously, I watched this series because of Michael Miu and even though his performance was good (Sonjia Kwok’s performance wasn’t bad either), the overall plot / storyline wasn’t anything to shout about. I mean, it was interesting in the beginning to see how Michael’s huge family handled living together in such a small, cramped space and the various challenges they faced because of it, but halfway through the series, that premise started getting ‘old’. Plus I felt the plot was all over the place, so not surprisingly, I lost interest in the series fairly quickly.
With that said though, there were definitely a few standout performances in the series , mostly from Oscar Leung and Mandy Wong (though to be honest, I sort of got annoyed with Mandy’s character after awhile). But the thing that REALLY ruined this series for me was the stupid love triangle storyline thing between Ron Ng, Linda Chung, and Michael Tse! Linda’s character was just downright annoying and throughout the series, I just felt like slapping her silly (I ended up forwarding through a lot of her scenes in the second half); no comment on Ron’s performance because I never pay attention to him anyway in any of the series he’s in (for some odd reason, I always find his performances bland and boring); and Michael Tse – well, let’s just say that I was still in my ‘boycott Laughing Gor’ mood back when I watched this series, so I didn’t pay much attention to him either (plus his character in the series was a jerk anyway).
Overall, I guess you could say that I didn’t like this series much so it was probably wise that I forwarded through majority of the series and only watched a few episodes here and there….would have been a time-waster for me to sit through majority of it!
15) No Good Either Way (衝呀！瘦薪兵團)
I barely watched half of this series, so I’m probably not the best person to be commenting on it. But I will say that the first thought that comes to mind about this series is that I felt like I was watching a sitcom rather than an actual series (perhaps because several of the cast members -- for example, Stephen Au, Florence Kwok, Celine Ma, etc -- are ‘sitcom regulars’?). Plus there were quite a few people from the sitcom Be Home For Dinner in this series as well, so I guess it’s not too surprising that I would get the ‘sitcom feel’ from it.
Overall, I felt that the series was decent and I actually did like the pairing of Ruco Chan and Kristal Tin – but I also sort of felt this series was a waste of their talent because the characters they portrayed really weren’t that interesting. I mean, I’m happy that both of them got lead roles, but still….I definitely prefer to see them collaborate in a more interesting series if possible…
.---.
To round out the list, here are the rest of the series (not including sitcoms) that aired this year (in no particular order)….I don’t have anything particular to say about these series because I barely watched them – I basically included them in this post merely as a point of reference :
Wish & Switch (換樂無窮)
Let it Be Love (4 in Love)
Queens of Diamonds and of Hearts (東西宮略)
House of Harmony and Vengeance (耀舞長安)
Three Kingdoms RPG (回到三國)
Master of Play (心戰)
.****.
That pretty much does it for my ‘recap’ of this year’s series….I may end up doing a follow up post after I watch The Confidant, but not sure yet at this point….depends on whether I end up liking the series or not….
LL's Musings 小賢角落
Showing posts with label "The Hippocratic Crush On Call 36小時". Show all posts
Showing posts with label "The Hippocratic Crush On Call 36小時". Show all posts
Friday, October 19, 2012
Friday, March 23, 2012
Review of TVB Series “The Hippocratic Crush”《On Call 36小時》(2012)
Main Cast (partial list): Kenneth Ma (馬國明), Tavia Yeung (楊怡), Him Law (羅仲謙), Mandy Wong (黃智雯), Ben Wong (黃智賢), Nathan Ngai (魏焌皓), Candy Chang (張慧雯), Benjamin Yuen (袁偉豪), Derek Kok (郭政鴻), Gigi Wong (黃淑儀), Raymond Cho (曹永廉), Wilson Tsui (艾威), Mary Hon (韓馬利), Paisley Wu (胡蓓蔚), Bak Yan (白茵), Kyle Tse (謝卓言), Marcus Kwok (郭田葰), Candice Chiu (趙希洛), Brian Tse (謝東閔), Catherine Chau (周家怡), King Lam (林景程)
** Disclaimer: This series is about doctors working at a hospital. I'm not in the medical field and am not entirely familiar with much of the terminology used in the medical industry. Therefore, I apologize ahead of time if there is any medical terminology that is misused in the course of writing this review. If anyone reading this is in the medical field and would like to clarify any incorrect terms used, please feel free to let me know. Thanks. **
“The Hippocratic Crush” [referred to in the rest of this review as THC] is one of TVB’s newest series that just finished airing this past week. Those who know me know that I’m not too fond of most of the series that TVB has produced in the past decade or so (for various reasons) and therefore I rarely bother to finish watching a TVB series completely (from beginning to end) anymore nowadays. When I first started watching this particular series, I honestly thought that it would go down the same path (I’d watch the first few episodes, get bored with it, and not bother finishing it) because 1) there were a lot of ‘newbies’ in the cast and in general, I try to stay away from series with too many newbies due to the fact I usually get extremely frustrated with the horrible acting of newbies (and unfortunately, TVB has a bad track record when it comes to casting newbies in series who can’t act to save their lives); and 2) based on the stuff that I had read of the series beforehand, it really sounded like this series would be another “Healing Hands” wannabe [the series was being billed as ‘the younger version of “Healing Hands”’] and since I wasn’t fond of HH in the first place, I wasn’t too interested in watching a similar series that seemed to be yet another lame attempt by TVB to piggyback off the success of a previous franchise.
To my surprise, this series exceeded my expectations and I ended up not only liking the series, I actually ended up ‘falling in love’ with it (to the point that I actually felt like re-watching the series almost immediately after the finale aired…LOL). The newbies in the series weren’t too bad and a few of them actually did pretty good jobs given that this was their first series (though part of it was due to the way their characters were written)…most of all though, this series was nothing at all like “Healing Hands” – in fact, the way the series was written and the storyline flowed made it way better than HH in my opinion (more on this later).
Indeed, there is truly A LOT to like about this series – the awesome script with beautifully written and memorable dialogue, the well-developed characters (the main ones at least) that are written realistically in such a way that we are able to see their flaws and can relate to them on a personal level, the way the storyline flowed naturally to the point that we (the audiences) didn’t have to exert a whole lot of effort trying to watch and understand the series, and lastly, the acting in this series was absolutely superb….practically the entire cast (even the newbies) put in great performances!
For me, an important element in watching a series is whether I feel an emotional attachment to the characters in the series and alot of this has to do with how natural and convincing the acting is. I feel that this is one area where a lot of TVB’s series in the past decades have been lacking – the ‘emotional relevance’ aspect. Granted, the lack of emotional relevance could be due to bad scripts or bad acting or both (as well as a combination of other things), but to me, I've felt that in the past decade, TVB has been more concerned with churning out worthless series in efforts to promote their favorites rather than truly focusing on giving us audiences (and many long-time followers of TVB dramas) a sincere, high quality drama. With THC, I feel that that TVB has finally broken this cycle by delivering a well-written, well-produced, well-acted, and overall well put together series (though whether they will be able to keep up the momentum with their upcoming series remains to be seen – personally, I highly doubt that the consistency will be there).
Ok, so with all that said (believe it or not, I’m actually just getting started…LOL), on to the actual analysis….
SCRIPT / STORYLINE
As I mentioned above, one of the biggest draws to this series is the excellent, well-written script. It’s been a long time since I’ve come across a script written this beautifully, with so much heartfelt dialogue [no, not the ‘cheesy’ type] and so many memorable lines.
With this being a medical drama, putting together the script is definitely no easy feat, as the writers have to do their research so that the medical piece is presented in a way that is true to the profession, yet not too overly technical for regular TV audiences. At the same time, the storyline still has to be both engaging and realistic so that audiences can relate and want to continue ‘chasing’ the series – trying to keep the script well-balanced is definitely a huge challenge.
In terms of the ‘medical drama’ part, I feel that I really need to praise the writers (Poon Man Hung & Suen Ho Ho) as well as producer (Poon Ka Tak) for their “sincerity” with the script and the overall production – throughout the entire process (from writing the script to actual filming), the team actually had 2 real-life doctors on the set serving as consultants, helping to give advice on various aspects of working at a hospital and also ensuring that the surgery scenes were done as realistically as possible. In addition, one of the actors in the series – Marcus Kwok (who played neurosurgery trainee Tong Han Bong) – is a doctor in real life (he was a hospital emergency room doctor back when he lived in Australia) and so he was able to provide some guidance with the medical piece as well.
If I had to describe the script for this series in one word, I would have to say – REALISTIC. In a nutshell, that’s truly the essence of what made this series so unique. All of the characters in the series are portrayed in a way that we as audiences can relate to, even those of us who are not in the medical field, because they are presented to us so realistically. The doctors in the series are portrayed not as ‘superheroes’ who can always be counted on to save lives, but rather, they are ordinary, flawed human beings just like the rest of us – they make wrong decisions, they do things that are irrational and at times selfishly unreasonable, they go through periods of not knowing what they want in life, they have their ‘off’ days where nothing seems to go as planned and they let their frustrations get the best of them – in other words, they are regular people driven by their emotions just like us, except with the added pressure of the work they do. This made each of the characters very ‘relatable’ for us as audiences – for me personally, I found myself disliking a few of the characters in the beginning but then as the series progressed, I eventually grew to like them.
Overall, the storyline also flowed extremely well – most of the scenes were done very meticulously, which helped to keep the storyline engaging and the emotional level high….to the point that it didn’t feel like we were watching a drama series, but rather we were right there in the middle of the action. Hand in hand with this is the dialogue -- it’s very obvious that the writers put a lot of thought into coming up with the dialogue in this series, as much of the dialogue was heartfelt, meaningful, and really made the audiences reflect on how it applies in our own lives. I especially liked the ‘montage’ segments where a series of short yet related scenes were tied together simply by Zi Yu’s (Tavia Yeung) narrative in the background – there may not have been any exchange of dialogue between the characters in those segments, yet the emotions conveyed were especially poignant and touching.
Here are a few examples of the scenes where some of my favorite dialogue occurred (NOT all-inclusive, as there were way too many great scenes with great dialogue – too difficult to list them all):
.-- the scene where Andy’s grandmother (Helena Law) dies – the last dialogue she has where she expresses her thoughts about death and regrets was really moving (and so true too!).
.-- the entire memorial service segment for Yat Hong (Nathan Ngai) – the speeches that both Jing Jing (Candy Chang) and Yat Kin (Kenneth Ma) gave were so heartfelt, moved me to tears…
.-- both scenes where Yat Kin (Kenneth Ma) proposes to Ji Yu (Tavia Yeung) -- the one at their colleagues’ wedding as well as the one at the hospital…those scenes definitely had the BEST dialogue in the entire series!
.-- all of the scenes where Ben (Benjamin Yuen) reprimands Mei Suet (Mandy Wong) – absolutely loved all of Ben’s ‘speeches’
Lastly, I have to say that it’s really too bad that the 2 main scriptwriters for the series (Poon Man Hung and Suen Ho Ho) already left TVB (they work for CTI now) because they truly did an excellent job with the script for this series. Their departure is definitely TVB’s loss!
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CAST / CHARACTERS
This is another one of those series that proves you don’t necessarily need an ‘all-star’ ensemble cast in order for a series to be successful – the right mix of talented artists, veterans, and newbies (plus a good script of course) can also create a ‘runaway’ hit.
On first glance, the cast for this series may not seem very impressive, especially considering how almost a third of the main cast consists of newcomers with little to no acting experience. Yet, somehow, the chemistry of the cast was excellent and each person – whether lead, supporting, or guest star – gave it their all, resulting in well-acted, high quality performances from practically everyone in the cast. Now THAT is definitely a rare occurrence in TVB series, especially in the past decade.
Unlike my past reviews, I’m actually not going to go into too much detail about the characters themselves, since this series just finished airing and most people have already seen the series. Also, the cast is quite large, so it would be too difficult to do a detailed analysis of every single character.
So to start off with the main cast….
Kenneth Ma (Cheung Yat Kin) – nicknamed ‘Yat Kin Tau’, he is a neurosurgery final year trainee who later becomes a neurosurgeon specialist. I really like the way the character of Yat Kin Tau was written (actually, I like the way all the characters were written to be honest) – his character is very well-developed in that the focus isn’t just on him being a doctor and saving lives, rather there’s also a huge focus on his life as an ‘ordinary’ person outside of work – plus there’s the emotional transformation that he goes through, especially in the second half of the series when he encounters one setback after another. This made his character very realistic in the sense that we are able to relate to him as a person. Without a doubt, Yat Kin was definitely my favorite character in this series!
In terms of Kenneth’s performance in this series….well, let me put it this way – the first word that came to my mind after watching Kenneth’s performance here was: WOW!!!! His acting in this series was excellent, outstanding, superb, awesome, etc. (I could go on and on with the adjectives!). He delivered each line of dialogue with such great precision, every facial expression and body gesture was done perfectly, which I applaud him for because that's one of the areas that is the most difficult when it comes to acting -- having the right facial expressions at the right times for the right situations! Kenneth’s performance was so natural and realistic that he was able to make his character Cheung Yat Kin became a real person to me and I couldn’t resist feeling emotionally attached to him. This was especially true during the last 5 episodes of the series when his character is going through difficult times with the loss of his brother and finding out the woman he loves has a potentially life-threatening illness -- he did the emotional scenes so perfectly that I couldn't help but be drawn in by his performance. I absolutely felt for him during all the emotional scenes and found myself laughing and crying with him in many of the episodes.
Kenneth definitely has a way of conveying emotion well through his eyes – this was especially apparent during the scene where his character Yat Kin performs surgery on his brother Yat Hong (who is gravely injured after an accident) but is unsuccessful and he ends up dying from his injuries – even though most of Kenneth’s face was covered with a surgeon’s mask during that time, the intense emotion of that scene was still apparent just based on the ‘acting’ he did with his eyes! Another great scene that really showcased Kenneth’s strong acting skills was the ‘crying’ scene with Tavia at the basketball court (where Yat Kin releases his feelings of frustration and guilt over his brother’s death) – his crying was so sincere and heartfelt that I could totally feel his pain and ended up crying as well [to be honest, I really felt like reaching out and just saying -- NO, IT'S NOT YOUR FAULT!!!]. The other part that I was absolutely impressed by with that scene is that Kenneth was still able to say his dialogue so CLEARLY and with so much emotion! Alot of times, when I watch crying scenes, I actually cringe because so many of the artists nowadays can't seem to cry and talk clearly at the same time, so when they do crying scenes, the dialogue gets all jumbled (I have to rely on reading the Chinese subtitles on the screen to understand what they're saying...) -- on top of that, alot of them can't get the emotion right either, so the crying scenes end up being just so lame and unconvincing. But with this particular scene -- everything was done perfectly: the crying, the dialogue, the emotion.....BRILLIANT!
I’ve always felt that Kenneth has a certain ‘sincerity’ about him when it comes to his acting – perhaps that’s why most of the characters he plays are so endearing to me (I really enjoyed his performance in “A Fistful of Stances” and absolutely ‘adored’ him in “Speech of Silence”…also liked most of his other performances in between…). Out of all the male artists from his ‘generation’ (those who started in the late 90s/early 2000s), he’s pretty much the only one whom I’ve liked since the beginning (and the only one who has been able to evoke an emotional response from me when watching his series). It’s really a shame that all these years, he was never really promoted as much compared to the others from his ‘group’ despite his acting skills being so much better than some of the others (aiye, TVB and their politics!). Well, I’m glad that Kenneth is finally getting the recognition he deserves now, after his well-received performance in THC – he absolutely deserves it! And yes, I am going to throw my name in the hat to support him for TV King this year (I know he won’t win, but I would love to at least see him in the Top 5). Definitely looking forward to more great acting from him!
Tavia Yeung (Fan Ji Yu) – nicknamed ‘Yu Jai’, she’s also a final year trainee, though her specialty changes from neurosurgery (since her father is a renown neurosurgeon) to cardiothoracic surgery later on in the series. I will admit that I found Yu Jai a bit annoying in the beginning of the series because she seemed to carry a lot of bias with her and allowed it to cloud her judgment at times, to the point that she would refuse to listen to what others had to say, even if it was the truth. Luckily her personality changes later on in the series (still a bit stubborn, but in a good way – maybe that’s why she matched so well with Yat Kin? LOL) and I actually found myself liking her (though not as much as I liked Kenneth’s character, of course).
This series definitely changed my impression of Tavia as an actress – maybe it’s the way her character was written or perhaps she has truly matured in her acting now. In the past, Tavia has always been on my ‘tolerable’ list in terms of actresses (meaning that I didn’t hate her, but I wasn’t fond of her either). I actually felt that she had potential when she started off (in the late 90s), but unfortunately, TVB didn’t do a very good job with her career because in the last 7 to 8 years, they either gave her too many ‘similar’ roles (i.e.: “Rippling Blossom”, “Yes Sir, Sorry Sir”, “Men With No Shadows”, etc.) or they gave her roles that didn’t fit her (i.e.: “Beyond the Realm of Conscience”) -- since her characters always seemed to be similar, it made her acting come across as the same as well…the result is that I slowly became tired of her and just didn’t want to see her in series anymore. Also, she was one of the actresses whom I felt didn’t do crying scenes very well – the crying always appeared forced and exaggerated to me (I especially hated the crying scenes in “Mysteries of Love” and “Men with No Shadows” – I pretty much cringed every time I saw a crying scene and didn’t even bother finishing either series). In THC though, my experience was completely different – her crying scenes were done really well and she was truly able to bring out the emotional element in her scenes. And for the FIRST TIME, I actually enjoyed Tavia’s performance! I felt that she portrayed the character of ‘Fan Ji Yu’ perfectly, bringing out the character’s professionalism as well as reserve and determination, yet showing that she’s only human and will go through those same ‘breakdown’ moments that most of us do when we encounter tough situations. In fact, I went from disliking her character in the beginning (as I mentioned above, her character was a bit annoying in the first few episodes) to liking her character a lot and actually rooting for her and ‘Yat Kin’ (Kenneth) to get together!
After seeing Tavia’s performance in THC, it dawned on me that TVB has perhaps been taking the wrong direction with her career – I feel that Tavia is actually better suited for ‘professional’ roles (i.e.: doctor, lawyer, etc.), especially at this point in her career. Both her recent role as a doctor in THC and as a lawyer in “The Other Truth” were well-received by audiences and can be considered ‘breakthrough’ roles for her. For the record, despite how much I liked Tavia’s performance in this series, I’m still not a fan of hers by any means (and I don’t think I ever will be), but I do want to see her do well and hope that TVB will do the right thing when it comes to managing her career.
Kenneth / Tavia pairing -- Ok, I admit that I'm definitely a 'Yu-Tau’ (Yu Jai + Yat Kin Tau) fan after watching this series! I absolutely adored the Kenneth / Tavia pairing – they had such awesome chemistry throughout the series, even though the two of them don’t officially become a couple until the very last episode. Of course, I would have loved for Yat Kin and Yu Jai to have gotten together earlier in the series, but I realize now that it was actually better the way their relationship progressed slowly because that’s part of what made the relationship so poignant and endearing. I really like how their relationship was portrayed in the series, as it was not the typical ‘cheesy’ romantic formula that TVB likes to use: from the start, even when they were just colleagues working in the same hospital, their relationship was a rocky one, with Yu Jai misunderstanding Yat Kin in the beginning and letting her personal bias get in the way of seeing the type of person he truly was. Throughout the series, the relationship between Yat Kin and Yu Jai develops gradually (they go from colleagues to friends and then eventually to lovers) – they grow to love each other after overcoming various misunderstandings and hardships…in a sense, they had to build their relationship from scratch and to me, the path that they took to get there is more in line with what a real-life couple would go through. I have to say that I absolutely enjoyed every scene between Kenneth and Tavia in this series, whether it was an intense emotion-filled scene or a relaxed, playful one (which definitely says something about how well their relationship was written, given that there have not been very many on-screen couples that I’ve liked in the past decade or so). I will definitely miss ‘Yu-Tau’ now that the series is over!
Him Law (Yeung Pui Chung) – nicknamed ‘Onion’, he is a first year neurosurgery trainee (I believe the official term is ‘houseman’?). He’s really the opposite of what we would consider a doctor to be like, as he’s a bit ‘messy’ (his shirt is always untucked and his hair is somewhat disheveled in some scenes) and he has a very playful attitude (which at times is mistaken for being lazy). Underneath all that though, he’s really a good doctor who cares a lot about his patients, which becomes more apparent once he finally ‘cleans up his act’ – plus he has a great sense of humor!
I really enjoyed Him Law’s portrayal of Pui Chung in this series – he made the character very human and very lovable from the beginning (pretty much no matter what mistakes Pui Chung made, it was hard to be mad at him for long because he just had that ‘cuteness’ about him that made audiences like me want to easily forgive him…lol). Him is definitely one of those younger generation actors with huge potential to become an established actor one day – it’s amazing that he’s relatively new in terms of acting (he started in movies in 2005 and only started filming TV series in 2008 – prior to that, he was a lifeguard) and pretty much had no acting training or experience when he started in the industry, yet his acting is way better than many of TVB’s current ‘popular’ siu sangs! Now I’m not just saying this because he did a great job in THC – the reality is, he has delivered consistently solid performances in all of the series that he’s been in since 2008, to the point that in a few of his previous series (“Suspects in Love” and “Your Class or Mine” for example), he even ‘out-performed’ many of his ‘seniors’ (veteran actors such as Joe Ma, Bobby Au-Yeung, etc.). I’ve always found Him’s acting very natural and convincing, so there’s no doubt in my mind that he CAN act, he just needs a little more polish and also a forum where he can continue to cultivate his skills – unfortunately though, he’s not a TVB-managed artist (to my understanding), which means that most likely TVB is not going to invest much time or energy in promoting him. If he’s going to continue working for TVB in a greater capacity, let’s hope that Him will be able to reach his potential there and not become a ‘victim’ of TVB’s notorious politics like many of the talented actors who came before him.
Mandy Wong (Hung Mei Suet) – she is also a first year neurosurgery trainee (houseman) and is Yu Jai’s long lost biological sister. Mei Suet has a very strong, bold personality – she is overconfident, smug, and often unwilling to accept defeat or failure. Also, after she finds out that Yu Jai is her sister, she becomes very ‘competitive’ and constantly wants to be better than her (whether it’s her love life or career), which causes her to do things that are irrational and immature. I actually hated her character in the beginning because of all the things she does (plus I just found her outright rude and annoying) – luckily though, she’s not a bad person at the core and after she makes a huge mistake at the hospital that almost costs a patient his life, she finally listens to the advice that her colleague (and later her boyfriend) Ben gives her and changes her ways. In the last 5 episodes of the series, she actually becomes quite likable!
Just like Him Law, Mandy is another one of those artists who is particularly gifted in the area of acting, though the difference with her is that she actually graduated from the HK Academy of Performing Arts and also participated in TVB’s Acting Classes. I was actually surprised to read that she’s a former Miss HK (2007 pageant, where she made it to the Top 5 in the finals) because my impression of the Miss HK contestants from the past decade is that very few of them (if any) can actually act (huge difference from the Miss HKs of the 70s/80s/90s). Even though I respect Mandy as an actress and feel that she definitely has the potential to become a strong actress some day, I’m just not very fond of her on a personal level – I can’t explain why because I actually don’t know why….maybe because she comes across as a bit ‘diva-ish’ to me and that happens to be one of my pet peeves? Well, whatever the case, Mandy definitely did a good job in this series from an acting standpoint, though it probably would have been better if her character was a bit more developed (since she’s pretty much just ‘there’ for like the first third of the series and only becomes ‘part of the action’ about midway through the series).
Benjamin Yuen (Lau Bing Chan) – his character is actually named Benjamin in the series (haha..I wonder how that happened?) and he’s also a senior trainee (3rd year?) specializing in Orthopedics. His character is portrayed as a ‘playboy’ whose main interest outside of work is inviting his female colleagues out on dates. He’s one of Yat Kin’s best friends and together with their other good friend (Derek Kok’s character Lui Siu Yik), they all hang out together after work – their relationship is like brothers. Ben’s character is actually quite interesting because the impression he gives everyone is that he’s very nonchalant and doesn’t take love relationships seriously, but later on in the series, we find out that all of that is actually a façade to help him cope with a previous failed relationship. Even though it always seems like he’s very carefree and takes everything lightly, he’s actually the most observant out of the group and stands up for his friends when it’s most needed. Surprisingly, Ben was actually one of my favorite characters in the series – I really liked the way his character would reprimand Mei Suet whenever it was appropriate and set her back on the right path. And I also loved the brotherly relationship between him and Yat Kin as well as Siu Yik – their chemistry in this series was excellent!
In terms of Benjamin as an actor –this is actually the first time that I’ve ever seen him in a significant role (or it could be that I just never paid attention in the past because his roles never really stood out) and I was pleasantly surprised by the way he ‘delivered the goods’ with his performance in this series. I use the word ‘surprised’ because he’s the Mr. HK winner from 2007 and everyone knows how I feel about beauty pageant winners from the past decade – my impression has always been that they can’t act and are better off keeping whatever job they had prior to participating in the pageant. This is the first time that I’ve actually liked a performance from a Mr. HK pageant winner! Anyway, I’m glad that Ben had a standout role in this series – let’s see if he keeps up the momentum with his upcoming series.
Ben Wong (Chong Bok Mun) – Ben plays a senior neurosurgeon and is Yat Kin’s superior. As always, Ben put in a fine performance and even though I wasn’t too fond of his character in the beginning (because he would always get all jealous and worked up over something that he thought existed but really didn’t), his character sort of grew on me as the series progressed and I ended up liking him a lot, especially in the last few episodes in the series when he finally ‘wakes up’ and realizes he was wrong all along. I’ve always liked Ben as an actor since back in the “Kindred Spirit” days, so I was happy to see him as part of the cast – he was one of the reasons why I chose to watch this series in the first place and he definitely did not disappoint!
Nathan Ngai (Cheung Yat Hong) – Nathan plays Kenneth’s younger brother Yat Hong; he was seriously injured in a car accident during his youth and as a result, he is confined to a wheelchair for life. Even though he is disabled, he does not let that get in the way of living his life to the fullest – he pretty much approaches life with a very upbeat, positive attitude. To be honest, I don’t know anything about Nathan except that he’s a newbie and this was pretty much his first significant role in a series. I liked his performance though and I must say that for a newbie, his acting is not bad – in fact, a few of his scenes actually moved me to tears (which rarely ever happens when I’m watching a newbie performance). Sounds like I will be paying more attention to his performances in the future!
Candy Chang (Gan Jing Jing) – Candy plays a trainee / intern at the hospital, but I honestly can’t remember what her specialty was – all I remember is that she is good friends with Him Law’s character Pui Chung and later becomes Yat Hong’s girlfriend (though they’re only together for a few hours due to Yat Hong dying in an accident). I don’t know a whole lot about Candy either except that she’s another one of those beauty pageant winners, though I do remember that she was one of the ‘Star Ladies’ in the variety show “All Star Glam Exam” hosted by Grasshoppers. TVB must really like her because this was her very first TV series, yet she already had a significant role (I guess you could say she was third female lead after Tavia and Mandy)...hmmmm….well, in terms of performance, I actually don’t think she was that great– the way she said her dialogue, I could totally tell that she was a newbie. I guess I would say that her performance was ‘tolerable’, though I’m not too interested in watching future performances from her – I’m pretty much going to wait until she proves herself with her performances in upcoming series.
Gigi Wong (Wong Siu Ying) – the mother of Yat Kin and Yat Hong; she works at the hospital as a cleaning lady (I think?). Gigi was absolutely brilliant in her role, especially during the episodes when her beloved son Yat Hong is injured and subsequently dies – her portrayal of a mother’s reaction upon losing her son was soooo convincing and heartwrenching, I couldn’t help crying throughout all of those scenes. Of course, I’m not surprised that Gigi put in such a good performance because my mom is actually a fan of hers and I’ve been watching her series since I was little – the younger generation may not realize it, but Gigi was actually one of TVB’s most popular fa dans in the 70s and back then, was known for her acting as well as her looks. She was retired for many decades and only returned to the industry recently (well, relatively recently – about 10 years ago). I loved her performance in this series – another great performance from a veteran actress!
Derek Kok (Lui Siu Yik) – Derek plays a nurse (yes, a nurse) at the hospital; he is Yat Kin’s good friend and is a single father with a young son named Lung Jai. To be honest, I really didn’t see the point of Derek’s character in this series – I mean, he has a relatively decent amount of screen time, but he really doesn’t do much to advance the storyline. For me, it seemed that pretty much anyone could have been placed in his role because the character itself was kind of useless (except to provide some comedic relief every once in awhile) – in fact, his character could have been cut out of the series completely and I doubt anyone would have noticed the difference! Derek is one of the most underrated actors in TVB – I grew up watching his performances throughout the 80s / 90s and he’s one of the best ‘green leaf’ actors from that generation that is still around. It’s really a pity that TVB has been giving him sucky roles in the past few years (can’t remember any significant or ‘breakout’ role that he’s had in the past 5 years or so) – not sure what they have against him (probably TVB politics at play again), but I really wouldn’t be surprised if he ends up leaving TVB due to the lack of recognition for his talent.
Wilson Tsui (Fan Chi Ngok) – Wilson plays Tavia’s father and also happens to be a renown neurosurgeon; he’s also Yat Kin’s (Kenneth) teacher and mentor. Wilson is another great veteran actor from the 80s generation whom I also grew up watching. He’s very talented and his acting skills are excellent, but personality wise, he’s not the vocal type and so all these years, he’s pretty much been relegated to playing either villain roles or insignificant fourth/fifth line roles. If I remember correctly, this is one of the few times that he actually plays a famous doctor and I actually feel he did a great job (though there are audiences out there who feel that he doesn’t fit the role). Whatever the case, I liked his performance and especially enjoyed his chemistry with Tavia and Kenneth. Unfortunately though, we won’t be seeing him in any more TVB series because his contract already expired last month and he has already signed with Ricky Wong’s CTI. Such a shame – another talented actor who served TVB for over 30 years has left the company!
Raymond Cho (Chin Ho Tak) – Ray is a cardiothoracic surgeon and is Yu Jai’s superior (after she switches to that specialty midway through the series). Ray didn’t have very much screen time in the series (darn!) but the few times he did appear, he made a significant impact. Even though he doesn’t appear too often, I still enjoyed his performance in the series and absolutely loved his character – the scene in episode 23 (or was it 24?) where Yu Jai goes to Dr. Chin’s house for dinner and he advises her to tell her family about her illness was one of my favorite scenes from the series – the interaction between him and the actress who played his wife during that scene was absolutely sincere and natural! Of course, I was hoping to see more of Ray, since he’s one of my favorite actors, but given the storyline and the huge cast, I could understand why his screen time would be limited. Oh well….
Kyle Tse (Andy Law On Dik) – Kyle plays an orthopedic first year trainee; in the series, there was actually a storyline involving him and his grandmother (played by Helena Law). Just like with the others, I don’t know much about Kyle except that he’s a newbie and his acting definitely needs polish (he had the same problem as Candy in that the acting was a bit stiff and the way he said the dialogue made it obvious he lacked experience). I actually didn’t mind his performance, but that’s because he had the benefit of acting opposite Helena Law, who was absolutely EXCELLENT in her role as his grandmother. The scenes between Andy and his grandmother were able to move me to tears primarily because of the way the story was written as well as the awesome acting of Helena – if it weren’t for her, those scenes probably would not have had as huge of an impact.
Paisley Wu (Tou Kar Mun) – Paisley plays the Head Nurse (not sure if that’s the right term) at the hospital and is Lui Siu Yik’s superior (she becomes his girlfriend later on). Just like with Derek’s character, Paisley’s character Tou Kar Mun is another one of those characters whom I feel didn’t need to be in the series. The storyline involving her and Derek’s Siu Yik was a little weird and really did not have much to do with the overall plot / storyline at all – to me, it was pretty much a filler. This was one area of the otherwise awesome script that I didn’t like – I would rather that they remove the storyline involving Derek and Paisley completely and instead spend more time on the other sub-stories. If I were the writer, I definitely would have written this piece differently. With regard to Paisley’s performance – did anyone else think that her performance was a bit too OTT? The way she talked sounded like a little girl throwing a tantrum – I sort of got annoyed with her voice after awhile….maybe she should stick to her ‘day job’ as a singer rather than trying to venture into acting….
“The Hippocratic Crush” versus “Healing Hands”?
A lot of people have been trying to compare THC to one of TVB’s classic doctor series, “Healing Hands” (HH) – in fact, the HK Media now refer to Kenneth as ‘the new generation Paul Ching’ (Lawrence Ng’s character in HH)! If you want to hear my honest opinion – THC is a way better series than HH. I’m actually one of the few people who was not fond of the original HH in the first place (don’t shoot me!) – all these year’s, I’ve only watched the HH trilogy once and pretty much refuse to re-watch any of the installments because I just didn’t like the series overall. The main reason is because despite the strong cast (many of whom were my favorites at the time), I felt that the storyline in HH was way too “messy” and didn’t flow. And the way the relationships were done in that series was so lame (please don’t get me started on the whole Paul and Jackie thing in HH…absolutely hated that storyline!) – I didn’t feel anything for any of the characters and was pretty much annoyed with most of the series (which is why I only watched it once – didn’t want to frustrate myself by sitting through the series again). In THC, the characters and their relationships were written in such a way that we as audiences were able to relate on an emotional level.
The reason why THC is better than HH in my opinion is because THC portrays doctors more realistically – the premise of the series is that doctors are ordinary people and will go through the same trials and tribulations that the rest of us do -- whereas HH goes with the more ‘stereotypical’ approach of putting doctors on a ‘pedestal’ as a very unattainable and unapproachable profession. For example: in THC, when the doctors get off work, they go home and spend time with their family or ‘hang out’ at each other’s homes or play basketball (or some other sport) together….in HH, when the doctors get off work, they all meet up at some fancy bar to sip red wine and chase after pretty girls – the impression I get is that they’re pretty much ‘living the good life’, which is not in line with what we ordinary folks do in our daily lives.
CONCLUDING THOUGHTS
As I said earlier in this review, “The Hippocratic Crush” is one of the best series that I’ve seen from TVB in years – from the script to the acting to the overall production, the series was very well-put together. It’s been awhile since I’ve watched a series where there was very little to complain about -- even the ending to the series was done well, which is VERY RARE when it comes to TVB series (as a point of reference: out of all of 2011’s series, I only liked the ending to 1 series -- all the rest I didn’t care for).
I actually loved the way they did the ending to THC – it was not tragic, but it wasn’t ‘happily ever after’ either…the way they did it was perfect and very fitting to the overall theme of the series. In fact, I loved the ending so much that after the finale aired, I kept re-watching that last scene several times (couldn’t get enough of Yat Kin and Yu Jai holding hands and calling each other ‘husband’ and ‘wife’…LOL).
As much as I will miss the ‘Yu-Tau’ pairing now that the series is over, I’m actually not too keen on watching a sequel to this series that continues their story, primarily because I already know that TVB is going to completely screw things up by going the ‘love triangle’ route (which is their typical formula). I’m sure many fans of the series will agree with me when I say that I don’t want to see ‘Yu-Tau’ separated in the sequel – and I absolutely don’t want the series to follow in the “Healing Hands” mold where the relationships are poorly done in the sequels and the male lead ends up having one girlfriend after another because his other half always ends up dying (argh….that was the other thing I hated about HH).
In terms of recommendation – it’s obvious that I loved this series and would absolutely recommend watching it, especially since my review only ‘scratches the surface’ and doesn’t even do justice to how good the series is. My only real complaint overall is that the series was way too short, resulting in some parts being a bit too rushed (episode 21 is a great example of this) -- there were certain sub-stories that had so much potential and could have been further developed, but weren’t. They definitely should have made this series 30 episodes instead of 25 – an additional 5 episodes would have been perfect to develop a few of the sub-stories and tie up some of the loose ends a little better.
Lastly, I wanted to make one comment regarding ratings and awards. Those who know me know that I’ve never been one to care about ratings or awards (especially TVB awards) because they mean absolutely nothing to me and will never affect my opinion of a series. However, seeing that both ratings and awards mean a lot in the HK entertainment industry and can pretty much be considered the ‘determining factor’ on whether someone becomes popular or not (it’s sad, but that’s the reality unfortunately), then for the sake of the artists and the crew who did such an awesome job in this series, I sincerely hope that both the artists and the series will get the recognition they deserve come awards time (at least the ratings for the series were high, so that definitely helps!). Of course, with TVB’s stupid politics, there’s no telling what will happen – but seriously, if no one gets any recognition at all during awards time (which I hope doesn’t happen), I am really going to consider boycotting TVB!
** Disclaimer: This series is about doctors working at a hospital. I'm not in the medical field and am not entirely familiar with much of the terminology used in the medical industry. Therefore, I apologize ahead of time if there is any medical terminology that is misused in the course of writing this review. If anyone reading this is in the medical field and would like to clarify any incorrect terms used, please feel free to let me know. Thanks. **
“The Hippocratic Crush” [referred to in the rest of this review as THC] is one of TVB’s newest series that just finished airing this past week. Those who know me know that I’m not too fond of most of the series that TVB has produced in the past decade or so (for various reasons) and therefore I rarely bother to finish watching a TVB series completely (from beginning to end) anymore nowadays. When I first started watching this particular series, I honestly thought that it would go down the same path (I’d watch the first few episodes, get bored with it, and not bother finishing it) because 1) there were a lot of ‘newbies’ in the cast and in general, I try to stay away from series with too many newbies due to the fact I usually get extremely frustrated with the horrible acting of newbies (and unfortunately, TVB has a bad track record when it comes to casting newbies in series who can’t act to save their lives); and 2) based on the stuff that I had read of the series beforehand, it really sounded like this series would be another “Healing Hands” wannabe [the series was being billed as ‘the younger version of “Healing Hands”’] and since I wasn’t fond of HH in the first place, I wasn’t too interested in watching a similar series that seemed to be yet another lame attempt by TVB to piggyback off the success of a previous franchise.
To my surprise, this series exceeded my expectations and I ended up not only liking the series, I actually ended up ‘falling in love’ with it (to the point that I actually felt like re-watching the series almost immediately after the finale aired…LOL). The newbies in the series weren’t too bad and a few of them actually did pretty good jobs given that this was their first series (though part of it was due to the way their characters were written)…most of all though, this series was nothing at all like “Healing Hands” – in fact, the way the series was written and the storyline flowed made it way better than HH in my opinion (more on this later).
Indeed, there is truly A LOT to like about this series – the awesome script with beautifully written and memorable dialogue, the well-developed characters (the main ones at least) that are written realistically in such a way that we are able to see their flaws and can relate to them on a personal level, the way the storyline flowed naturally to the point that we (the audiences) didn’t have to exert a whole lot of effort trying to watch and understand the series, and lastly, the acting in this series was absolutely superb….practically the entire cast (even the newbies) put in great performances!
For me, an important element in watching a series is whether I feel an emotional attachment to the characters in the series and alot of this has to do with how natural and convincing the acting is. I feel that this is one area where a lot of TVB’s series in the past decades have been lacking – the ‘emotional relevance’ aspect. Granted, the lack of emotional relevance could be due to bad scripts or bad acting or both (as well as a combination of other things), but to me, I've felt that in the past decade, TVB has been more concerned with churning out worthless series in efforts to promote their favorites rather than truly focusing on giving us audiences (and many long-time followers of TVB dramas) a sincere, high quality drama. With THC, I feel that that TVB has finally broken this cycle by delivering a well-written, well-produced, well-acted, and overall well put together series (though whether they will be able to keep up the momentum with their upcoming series remains to be seen – personally, I highly doubt that the consistency will be there).
Ok, so with all that said (believe it or not, I’m actually just getting started…LOL), on to the actual analysis….
SCRIPT / STORYLINE
As I mentioned above, one of the biggest draws to this series is the excellent, well-written script. It’s been a long time since I’ve come across a script written this beautifully, with so much heartfelt dialogue [no, not the ‘cheesy’ type] and so many memorable lines.
With this being a medical drama, putting together the script is definitely no easy feat, as the writers have to do their research so that the medical piece is presented in a way that is true to the profession, yet not too overly technical for regular TV audiences. At the same time, the storyline still has to be both engaging and realistic so that audiences can relate and want to continue ‘chasing’ the series – trying to keep the script well-balanced is definitely a huge challenge.
In terms of the ‘medical drama’ part, I feel that I really need to praise the writers (Poon Man Hung & Suen Ho Ho) as well as producer (Poon Ka Tak) for their “sincerity” with the script and the overall production – throughout the entire process (from writing the script to actual filming), the team actually had 2 real-life doctors on the set serving as consultants, helping to give advice on various aspects of working at a hospital and also ensuring that the surgery scenes were done as realistically as possible. In addition, one of the actors in the series – Marcus Kwok (who played neurosurgery trainee Tong Han Bong) – is a doctor in real life (he was a hospital emergency room doctor back when he lived in Australia) and so he was able to provide some guidance with the medical piece as well.
If I had to describe the script for this series in one word, I would have to say – REALISTIC. In a nutshell, that’s truly the essence of what made this series so unique. All of the characters in the series are portrayed in a way that we as audiences can relate to, even those of us who are not in the medical field, because they are presented to us so realistically. The doctors in the series are portrayed not as ‘superheroes’ who can always be counted on to save lives, but rather, they are ordinary, flawed human beings just like the rest of us – they make wrong decisions, they do things that are irrational and at times selfishly unreasonable, they go through periods of not knowing what they want in life, they have their ‘off’ days where nothing seems to go as planned and they let their frustrations get the best of them – in other words, they are regular people driven by their emotions just like us, except with the added pressure of the work they do. This made each of the characters very ‘relatable’ for us as audiences – for me personally, I found myself disliking a few of the characters in the beginning but then as the series progressed, I eventually grew to like them.
Overall, the storyline also flowed extremely well – most of the scenes were done very meticulously, which helped to keep the storyline engaging and the emotional level high….to the point that it didn’t feel like we were watching a drama series, but rather we were right there in the middle of the action. Hand in hand with this is the dialogue -- it’s very obvious that the writers put a lot of thought into coming up with the dialogue in this series, as much of the dialogue was heartfelt, meaningful, and really made the audiences reflect on how it applies in our own lives. I especially liked the ‘montage’ segments where a series of short yet related scenes were tied together simply by Zi Yu’s (Tavia Yeung) narrative in the background – there may not have been any exchange of dialogue between the characters in those segments, yet the emotions conveyed were especially poignant and touching.
Here are a few examples of the scenes where some of my favorite dialogue occurred (NOT all-inclusive, as there were way too many great scenes with great dialogue – too difficult to list them all):
.-- the scene where Andy’s grandmother (Helena Law) dies – the last dialogue she has where she expresses her thoughts about death and regrets was really moving (and so true too!).
.-- the entire memorial service segment for Yat Hong (Nathan Ngai) – the speeches that both Jing Jing (Candy Chang) and Yat Kin (Kenneth Ma) gave were so heartfelt, moved me to tears…
.-- both scenes where Yat Kin (Kenneth Ma) proposes to Ji Yu (Tavia Yeung) -- the one at their colleagues’ wedding as well as the one at the hospital…those scenes definitely had the BEST dialogue in the entire series!
.-- all of the scenes where Ben (Benjamin Yuen) reprimands Mei Suet (Mandy Wong) – absolutely loved all of Ben’s ‘speeches’
Lastly, I have to say that it’s really too bad that the 2 main scriptwriters for the series (Poon Man Hung and Suen Ho Ho) already left TVB (they work for CTI now) because they truly did an excellent job with the script for this series. Their departure is definitely TVB’s loss!
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CAST / CHARACTERS
This is another one of those series that proves you don’t necessarily need an ‘all-star’ ensemble cast in order for a series to be successful – the right mix of talented artists, veterans, and newbies (plus a good script of course) can also create a ‘runaway’ hit.
On first glance, the cast for this series may not seem very impressive, especially considering how almost a third of the main cast consists of newcomers with little to no acting experience. Yet, somehow, the chemistry of the cast was excellent and each person – whether lead, supporting, or guest star – gave it their all, resulting in well-acted, high quality performances from practically everyone in the cast. Now THAT is definitely a rare occurrence in TVB series, especially in the past decade.
Unlike my past reviews, I’m actually not going to go into too much detail about the characters themselves, since this series just finished airing and most people have already seen the series. Also, the cast is quite large, so it would be too difficult to do a detailed analysis of every single character.
So to start off with the main cast….
Kenneth Ma (Cheung Yat Kin) – nicknamed ‘Yat Kin Tau’, he is a neurosurgery final year trainee who later becomes a neurosurgeon specialist. I really like the way the character of Yat Kin Tau was written (actually, I like the way all the characters were written to be honest) – his character is very well-developed in that the focus isn’t just on him being a doctor and saving lives, rather there’s also a huge focus on his life as an ‘ordinary’ person outside of work – plus there’s the emotional transformation that he goes through, especially in the second half of the series when he encounters one setback after another. This made his character very realistic in the sense that we are able to relate to him as a person. Without a doubt, Yat Kin was definitely my favorite character in this series!
In terms of Kenneth’s performance in this series….well, let me put it this way – the first word that came to my mind after watching Kenneth’s performance here was: WOW!!!! His acting in this series was excellent, outstanding, superb, awesome, etc. (I could go on and on with the adjectives!). He delivered each line of dialogue with such great precision, every facial expression and body gesture was done perfectly, which I applaud him for because that's one of the areas that is the most difficult when it comes to acting -- having the right facial expressions at the right times for the right situations! Kenneth’s performance was so natural and realistic that he was able to make his character Cheung Yat Kin became a real person to me and I couldn’t resist feeling emotionally attached to him. This was especially true during the last 5 episodes of the series when his character is going through difficult times with the loss of his brother and finding out the woman he loves has a potentially life-threatening illness -- he did the emotional scenes so perfectly that I couldn't help but be drawn in by his performance. I absolutely felt for him during all the emotional scenes and found myself laughing and crying with him in many of the episodes.
Kenneth definitely has a way of conveying emotion well through his eyes – this was especially apparent during the scene where his character Yat Kin performs surgery on his brother Yat Hong (who is gravely injured after an accident) but is unsuccessful and he ends up dying from his injuries – even though most of Kenneth’s face was covered with a surgeon’s mask during that time, the intense emotion of that scene was still apparent just based on the ‘acting’ he did with his eyes! Another great scene that really showcased Kenneth’s strong acting skills was the ‘crying’ scene with Tavia at the basketball court (where Yat Kin releases his feelings of frustration and guilt over his brother’s death) – his crying was so sincere and heartfelt that I could totally feel his pain and ended up crying as well [to be honest, I really felt like reaching out and just saying -- NO, IT'S NOT YOUR FAULT!!!]. The other part that I was absolutely impressed by with that scene is that Kenneth was still able to say his dialogue so CLEARLY and with so much emotion! Alot of times, when I watch crying scenes, I actually cringe because so many of the artists nowadays can't seem to cry and talk clearly at the same time, so when they do crying scenes, the dialogue gets all jumbled (I have to rely on reading the Chinese subtitles on the screen to understand what they're saying...) -- on top of that, alot of them can't get the emotion right either, so the crying scenes end up being just so lame and unconvincing. But with this particular scene -- everything was done perfectly: the crying, the dialogue, the emotion.....BRILLIANT!
I’ve always felt that Kenneth has a certain ‘sincerity’ about him when it comes to his acting – perhaps that’s why most of the characters he plays are so endearing to me (I really enjoyed his performance in “A Fistful of Stances” and absolutely ‘adored’ him in “Speech of Silence”…also liked most of his other performances in between…). Out of all the male artists from his ‘generation’ (those who started in the late 90s/early 2000s), he’s pretty much the only one whom I’ve liked since the beginning (and the only one who has been able to evoke an emotional response from me when watching his series). It’s really a shame that all these years, he was never really promoted as much compared to the others from his ‘group’ despite his acting skills being so much better than some of the others (aiye, TVB and their politics!). Well, I’m glad that Kenneth is finally getting the recognition he deserves now, after his well-received performance in THC – he absolutely deserves it! And yes, I am going to throw my name in the hat to support him for TV King this year (I know he won’t win, but I would love to at least see him in the Top 5). Definitely looking forward to more great acting from him!
Tavia Yeung (Fan Ji Yu) – nicknamed ‘Yu Jai’, she’s also a final year trainee, though her specialty changes from neurosurgery (since her father is a renown neurosurgeon) to cardiothoracic surgery later on in the series. I will admit that I found Yu Jai a bit annoying in the beginning of the series because she seemed to carry a lot of bias with her and allowed it to cloud her judgment at times, to the point that she would refuse to listen to what others had to say, even if it was the truth. Luckily her personality changes later on in the series (still a bit stubborn, but in a good way – maybe that’s why she matched so well with Yat Kin? LOL) and I actually found myself liking her (though not as much as I liked Kenneth’s character, of course).
This series definitely changed my impression of Tavia as an actress – maybe it’s the way her character was written or perhaps she has truly matured in her acting now. In the past, Tavia has always been on my ‘tolerable’ list in terms of actresses (meaning that I didn’t hate her, but I wasn’t fond of her either). I actually felt that she had potential when she started off (in the late 90s), but unfortunately, TVB didn’t do a very good job with her career because in the last 7 to 8 years, they either gave her too many ‘similar’ roles (i.e.: “Rippling Blossom”, “Yes Sir, Sorry Sir”, “Men With No Shadows”, etc.) or they gave her roles that didn’t fit her (i.e.: “Beyond the Realm of Conscience”) -- since her characters always seemed to be similar, it made her acting come across as the same as well…the result is that I slowly became tired of her and just didn’t want to see her in series anymore. Also, she was one of the actresses whom I felt didn’t do crying scenes very well – the crying always appeared forced and exaggerated to me (I especially hated the crying scenes in “Mysteries of Love” and “Men with No Shadows” – I pretty much cringed every time I saw a crying scene and didn’t even bother finishing either series). In THC though, my experience was completely different – her crying scenes were done really well and she was truly able to bring out the emotional element in her scenes. And for the FIRST TIME, I actually enjoyed Tavia’s performance! I felt that she portrayed the character of ‘Fan Ji Yu’ perfectly, bringing out the character’s professionalism as well as reserve and determination, yet showing that she’s only human and will go through those same ‘breakdown’ moments that most of us do when we encounter tough situations. In fact, I went from disliking her character in the beginning (as I mentioned above, her character was a bit annoying in the first few episodes) to liking her character a lot and actually rooting for her and ‘Yat Kin’ (Kenneth) to get together!
After seeing Tavia’s performance in THC, it dawned on me that TVB has perhaps been taking the wrong direction with her career – I feel that Tavia is actually better suited for ‘professional’ roles (i.e.: doctor, lawyer, etc.), especially at this point in her career. Both her recent role as a doctor in THC and as a lawyer in “The Other Truth” were well-received by audiences and can be considered ‘breakthrough’ roles for her. For the record, despite how much I liked Tavia’s performance in this series, I’m still not a fan of hers by any means (and I don’t think I ever will be), but I do want to see her do well and hope that TVB will do the right thing when it comes to managing her career.
Kenneth / Tavia pairing -- Ok, I admit that I'm definitely a 'Yu-Tau’ (Yu Jai + Yat Kin Tau) fan after watching this series! I absolutely adored the Kenneth / Tavia pairing – they had such awesome chemistry throughout the series, even though the two of them don’t officially become a couple until the very last episode. Of course, I would have loved for Yat Kin and Yu Jai to have gotten together earlier in the series, but I realize now that it was actually better the way their relationship progressed slowly because that’s part of what made the relationship so poignant and endearing. I really like how their relationship was portrayed in the series, as it was not the typical ‘cheesy’ romantic formula that TVB likes to use: from the start, even when they were just colleagues working in the same hospital, their relationship was a rocky one, with Yu Jai misunderstanding Yat Kin in the beginning and letting her personal bias get in the way of seeing the type of person he truly was. Throughout the series, the relationship between Yat Kin and Yu Jai develops gradually (they go from colleagues to friends and then eventually to lovers) – they grow to love each other after overcoming various misunderstandings and hardships…in a sense, they had to build their relationship from scratch and to me, the path that they took to get there is more in line with what a real-life couple would go through. I have to say that I absolutely enjoyed every scene between Kenneth and Tavia in this series, whether it was an intense emotion-filled scene or a relaxed, playful one (which definitely says something about how well their relationship was written, given that there have not been very many on-screen couples that I’ve liked in the past decade or so). I will definitely miss ‘Yu-Tau’ now that the series is over!
Him Law (Yeung Pui Chung) – nicknamed ‘Onion’, he is a first year neurosurgery trainee (I believe the official term is ‘houseman’?). He’s really the opposite of what we would consider a doctor to be like, as he’s a bit ‘messy’ (his shirt is always untucked and his hair is somewhat disheveled in some scenes) and he has a very playful attitude (which at times is mistaken for being lazy). Underneath all that though, he’s really a good doctor who cares a lot about his patients, which becomes more apparent once he finally ‘cleans up his act’ – plus he has a great sense of humor!
I really enjoyed Him Law’s portrayal of Pui Chung in this series – he made the character very human and very lovable from the beginning (pretty much no matter what mistakes Pui Chung made, it was hard to be mad at him for long because he just had that ‘cuteness’ about him that made audiences like me want to easily forgive him…lol). Him is definitely one of those younger generation actors with huge potential to become an established actor one day – it’s amazing that he’s relatively new in terms of acting (he started in movies in 2005 and only started filming TV series in 2008 – prior to that, he was a lifeguard) and pretty much had no acting training or experience when he started in the industry, yet his acting is way better than many of TVB’s current ‘popular’ siu sangs! Now I’m not just saying this because he did a great job in THC – the reality is, he has delivered consistently solid performances in all of the series that he’s been in since 2008, to the point that in a few of his previous series (“Suspects in Love” and “Your Class or Mine” for example), he even ‘out-performed’ many of his ‘seniors’ (veteran actors such as Joe Ma, Bobby Au-Yeung, etc.). I’ve always found Him’s acting very natural and convincing, so there’s no doubt in my mind that he CAN act, he just needs a little more polish and also a forum where he can continue to cultivate his skills – unfortunately though, he’s not a TVB-managed artist (to my understanding), which means that most likely TVB is not going to invest much time or energy in promoting him. If he’s going to continue working for TVB in a greater capacity, let’s hope that Him will be able to reach his potential there and not become a ‘victim’ of TVB’s notorious politics like many of the talented actors who came before him.
Mandy Wong (Hung Mei Suet) – she is also a first year neurosurgery trainee (houseman) and is Yu Jai’s long lost biological sister. Mei Suet has a very strong, bold personality – she is overconfident, smug, and often unwilling to accept defeat or failure. Also, after she finds out that Yu Jai is her sister, she becomes very ‘competitive’ and constantly wants to be better than her (whether it’s her love life or career), which causes her to do things that are irrational and immature. I actually hated her character in the beginning because of all the things she does (plus I just found her outright rude and annoying) – luckily though, she’s not a bad person at the core and after she makes a huge mistake at the hospital that almost costs a patient his life, she finally listens to the advice that her colleague (and later her boyfriend) Ben gives her and changes her ways. In the last 5 episodes of the series, she actually becomes quite likable!
Just like Him Law, Mandy is another one of those artists who is particularly gifted in the area of acting, though the difference with her is that she actually graduated from the HK Academy of Performing Arts and also participated in TVB’s Acting Classes. I was actually surprised to read that she’s a former Miss HK (2007 pageant, where she made it to the Top 5 in the finals) because my impression of the Miss HK contestants from the past decade is that very few of them (if any) can actually act (huge difference from the Miss HKs of the 70s/80s/90s). Even though I respect Mandy as an actress and feel that she definitely has the potential to become a strong actress some day, I’m just not very fond of her on a personal level – I can’t explain why because I actually don’t know why….maybe because she comes across as a bit ‘diva-ish’ to me and that happens to be one of my pet peeves? Well, whatever the case, Mandy definitely did a good job in this series from an acting standpoint, though it probably would have been better if her character was a bit more developed (since she’s pretty much just ‘there’ for like the first third of the series and only becomes ‘part of the action’ about midway through the series).
Benjamin Yuen (Lau Bing Chan) – his character is actually named Benjamin in the series (haha..I wonder how that happened?) and he’s also a senior trainee (3rd year?) specializing in Orthopedics. His character is portrayed as a ‘playboy’ whose main interest outside of work is inviting his female colleagues out on dates. He’s one of Yat Kin’s best friends and together with their other good friend (Derek Kok’s character Lui Siu Yik), they all hang out together after work – their relationship is like brothers. Ben’s character is actually quite interesting because the impression he gives everyone is that he’s very nonchalant and doesn’t take love relationships seriously, but later on in the series, we find out that all of that is actually a façade to help him cope with a previous failed relationship. Even though it always seems like he’s very carefree and takes everything lightly, he’s actually the most observant out of the group and stands up for his friends when it’s most needed. Surprisingly, Ben was actually one of my favorite characters in the series – I really liked the way his character would reprimand Mei Suet whenever it was appropriate and set her back on the right path. And I also loved the brotherly relationship between him and Yat Kin as well as Siu Yik – their chemistry in this series was excellent!
In terms of Benjamin as an actor –this is actually the first time that I’ve ever seen him in a significant role (or it could be that I just never paid attention in the past because his roles never really stood out) and I was pleasantly surprised by the way he ‘delivered the goods’ with his performance in this series. I use the word ‘surprised’ because he’s the Mr. HK winner from 2007 and everyone knows how I feel about beauty pageant winners from the past decade – my impression has always been that they can’t act and are better off keeping whatever job they had prior to participating in the pageant. This is the first time that I’ve actually liked a performance from a Mr. HK pageant winner! Anyway, I’m glad that Ben had a standout role in this series – let’s see if he keeps up the momentum with his upcoming series.
Ben Wong (Chong Bok Mun) – Ben plays a senior neurosurgeon and is Yat Kin’s superior. As always, Ben put in a fine performance and even though I wasn’t too fond of his character in the beginning (because he would always get all jealous and worked up over something that he thought existed but really didn’t), his character sort of grew on me as the series progressed and I ended up liking him a lot, especially in the last few episodes in the series when he finally ‘wakes up’ and realizes he was wrong all along. I’ve always liked Ben as an actor since back in the “Kindred Spirit” days, so I was happy to see him as part of the cast – he was one of the reasons why I chose to watch this series in the first place and he definitely did not disappoint!
Nathan Ngai (Cheung Yat Hong) – Nathan plays Kenneth’s younger brother Yat Hong; he was seriously injured in a car accident during his youth and as a result, he is confined to a wheelchair for life. Even though he is disabled, he does not let that get in the way of living his life to the fullest – he pretty much approaches life with a very upbeat, positive attitude. To be honest, I don’t know anything about Nathan except that he’s a newbie and this was pretty much his first significant role in a series. I liked his performance though and I must say that for a newbie, his acting is not bad – in fact, a few of his scenes actually moved me to tears (which rarely ever happens when I’m watching a newbie performance). Sounds like I will be paying more attention to his performances in the future!
Candy Chang (Gan Jing Jing) – Candy plays a trainee / intern at the hospital, but I honestly can’t remember what her specialty was – all I remember is that she is good friends with Him Law’s character Pui Chung and later becomes Yat Hong’s girlfriend (though they’re only together for a few hours due to Yat Hong dying in an accident). I don’t know a whole lot about Candy either except that she’s another one of those beauty pageant winners, though I do remember that she was one of the ‘Star Ladies’ in the variety show “All Star Glam Exam” hosted by Grasshoppers. TVB must really like her because this was her very first TV series, yet she already had a significant role (I guess you could say she was third female lead after Tavia and Mandy)...hmmmm….well, in terms of performance, I actually don’t think she was that great– the way she said her dialogue, I could totally tell that she was a newbie. I guess I would say that her performance was ‘tolerable’, though I’m not too interested in watching future performances from her – I’m pretty much going to wait until she proves herself with her performances in upcoming series.
Gigi Wong (Wong Siu Ying) – the mother of Yat Kin and Yat Hong; she works at the hospital as a cleaning lady (I think?). Gigi was absolutely brilliant in her role, especially during the episodes when her beloved son Yat Hong is injured and subsequently dies – her portrayal of a mother’s reaction upon losing her son was soooo convincing and heartwrenching, I couldn’t help crying throughout all of those scenes. Of course, I’m not surprised that Gigi put in such a good performance because my mom is actually a fan of hers and I’ve been watching her series since I was little – the younger generation may not realize it, but Gigi was actually one of TVB’s most popular fa dans in the 70s and back then, was known for her acting as well as her looks. She was retired for many decades and only returned to the industry recently (well, relatively recently – about 10 years ago). I loved her performance in this series – another great performance from a veteran actress!
Derek Kok (Lui Siu Yik) – Derek plays a nurse (yes, a nurse) at the hospital; he is Yat Kin’s good friend and is a single father with a young son named Lung Jai. To be honest, I really didn’t see the point of Derek’s character in this series – I mean, he has a relatively decent amount of screen time, but he really doesn’t do much to advance the storyline. For me, it seemed that pretty much anyone could have been placed in his role because the character itself was kind of useless (except to provide some comedic relief every once in awhile) – in fact, his character could have been cut out of the series completely and I doubt anyone would have noticed the difference! Derek is one of the most underrated actors in TVB – I grew up watching his performances throughout the 80s / 90s and he’s one of the best ‘green leaf’ actors from that generation that is still around. It’s really a pity that TVB has been giving him sucky roles in the past few years (can’t remember any significant or ‘breakout’ role that he’s had in the past 5 years or so) – not sure what they have against him (probably TVB politics at play again), but I really wouldn’t be surprised if he ends up leaving TVB due to the lack of recognition for his talent.
Wilson Tsui (Fan Chi Ngok) – Wilson plays Tavia’s father and also happens to be a renown neurosurgeon; he’s also Yat Kin’s (Kenneth) teacher and mentor. Wilson is another great veteran actor from the 80s generation whom I also grew up watching. He’s very talented and his acting skills are excellent, but personality wise, he’s not the vocal type and so all these years, he’s pretty much been relegated to playing either villain roles or insignificant fourth/fifth line roles. If I remember correctly, this is one of the few times that he actually plays a famous doctor and I actually feel he did a great job (though there are audiences out there who feel that he doesn’t fit the role). Whatever the case, I liked his performance and especially enjoyed his chemistry with Tavia and Kenneth. Unfortunately though, we won’t be seeing him in any more TVB series because his contract already expired last month and he has already signed with Ricky Wong’s CTI. Such a shame – another talented actor who served TVB for over 30 years has left the company!
Raymond Cho (Chin Ho Tak) – Ray is a cardiothoracic surgeon and is Yu Jai’s superior (after she switches to that specialty midway through the series). Ray didn’t have very much screen time in the series (darn!) but the few times he did appear, he made a significant impact. Even though he doesn’t appear too often, I still enjoyed his performance in the series and absolutely loved his character – the scene in episode 23 (or was it 24?) where Yu Jai goes to Dr. Chin’s house for dinner and he advises her to tell her family about her illness was one of my favorite scenes from the series – the interaction between him and the actress who played his wife during that scene was absolutely sincere and natural! Of course, I was hoping to see more of Ray, since he’s one of my favorite actors, but given the storyline and the huge cast, I could understand why his screen time would be limited. Oh well….
Kyle Tse (Andy Law On Dik) – Kyle plays an orthopedic first year trainee; in the series, there was actually a storyline involving him and his grandmother (played by Helena Law). Just like with the others, I don’t know much about Kyle except that he’s a newbie and his acting definitely needs polish (he had the same problem as Candy in that the acting was a bit stiff and the way he said the dialogue made it obvious he lacked experience). I actually didn’t mind his performance, but that’s because he had the benefit of acting opposite Helena Law, who was absolutely EXCELLENT in her role as his grandmother. The scenes between Andy and his grandmother were able to move me to tears primarily because of the way the story was written as well as the awesome acting of Helena – if it weren’t for her, those scenes probably would not have had as huge of an impact.
Paisley Wu (Tou Kar Mun) – Paisley plays the Head Nurse (not sure if that’s the right term) at the hospital and is Lui Siu Yik’s superior (she becomes his girlfriend later on). Just like with Derek’s character, Paisley’s character Tou Kar Mun is another one of those characters whom I feel didn’t need to be in the series. The storyline involving her and Derek’s Siu Yik was a little weird and really did not have much to do with the overall plot / storyline at all – to me, it was pretty much a filler. This was one area of the otherwise awesome script that I didn’t like – I would rather that they remove the storyline involving Derek and Paisley completely and instead spend more time on the other sub-stories. If I were the writer, I definitely would have written this piece differently. With regard to Paisley’s performance – did anyone else think that her performance was a bit too OTT? The way she talked sounded like a little girl throwing a tantrum – I sort of got annoyed with her voice after awhile….maybe she should stick to her ‘day job’ as a singer rather than trying to venture into acting….
“The Hippocratic Crush” versus “Healing Hands”?
A lot of people have been trying to compare THC to one of TVB’s classic doctor series, “Healing Hands” (HH) – in fact, the HK Media now refer to Kenneth as ‘the new generation Paul Ching’ (Lawrence Ng’s character in HH)! If you want to hear my honest opinion – THC is a way better series than HH. I’m actually one of the few people who was not fond of the original HH in the first place (don’t shoot me!) – all these year’s, I’ve only watched the HH trilogy once and pretty much refuse to re-watch any of the installments because I just didn’t like the series overall. The main reason is because despite the strong cast (many of whom were my favorites at the time), I felt that the storyline in HH was way too “messy” and didn’t flow. And the way the relationships were done in that series was so lame (please don’t get me started on the whole Paul and Jackie thing in HH…absolutely hated that storyline!) – I didn’t feel anything for any of the characters and was pretty much annoyed with most of the series (which is why I only watched it once – didn’t want to frustrate myself by sitting through the series again). In THC, the characters and their relationships were written in such a way that we as audiences were able to relate on an emotional level.
The reason why THC is better than HH in my opinion is because THC portrays doctors more realistically – the premise of the series is that doctors are ordinary people and will go through the same trials and tribulations that the rest of us do -- whereas HH goes with the more ‘stereotypical’ approach of putting doctors on a ‘pedestal’ as a very unattainable and unapproachable profession. For example: in THC, when the doctors get off work, they go home and spend time with their family or ‘hang out’ at each other’s homes or play basketball (or some other sport) together….in HH, when the doctors get off work, they all meet up at some fancy bar to sip red wine and chase after pretty girls – the impression I get is that they’re pretty much ‘living the good life’, which is not in line with what we ordinary folks do in our daily lives.
CONCLUDING THOUGHTS
As I said earlier in this review, “The Hippocratic Crush” is one of the best series that I’ve seen from TVB in years – from the script to the acting to the overall production, the series was very well-put together. It’s been awhile since I’ve watched a series where there was very little to complain about -- even the ending to the series was done well, which is VERY RARE when it comes to TVB series (as a point of reference: out of all of 2011’s series, I only liked the ending to 1 series -- all the rest I didn’t care for).
I actually loved the way they did the ending to THC – it was not tragic, but it wasn’t ‘happily ever after’ either…the way they did it was perfect and very fitting to the overall theme of the series. In fact, I loved the ending so much that after the finale aired, I kept re-watching that last scene several times (couldn’t get enough of Yat Kin and Yu Jai holding hands and calling each other ‘husband’ and ‘wife’…LOL).
As much as I will miss the ‘Yu-Tau’ pairing now that the series is over, I’m actually not too keen on watching a sequel to this series that continues their story, primarily because I already know that TVB is going to completely screw things up by going the ‘love triangle’ route (which is their typical formula). I’m sure many fans of the series will agree with me when I say that I don’t want to see ‘Yu-Tau’ separated in the sequel – and I absolutely don’t want the series to follow in the “Healing Hands” mold where the relationships are poorly done in the sequels and the male lead ends up having one girlfriend after another because his other half always ends up dying (argh….that was the other thing I hated about HH).
In terms of recommendation – it’s obvious that I loved this series and would absolutely recommend watching it, especially since my review only ‘scratches the surface’ and doesn’t even do justice to how good the series is. My only real complaint overall is that the series was way too short, resulting in some parts being a bit too rushed (episode 21 is a great example of this) -- there were certain sub-stories that had so much potential and could have been further developed, but weren’t. They definitely should have made this series 30 episodes instead of 25 – an additional 5 episodes would have been perfect to develop a few of the sub-stories and tie up some of the loose ends a little better.
Lastly, I wanted to make one comment regarding ratings and awards. Those who know me know that I’ve never been one to care about ratings or awards (especially TVB awards) because they mean absolutely nothing to me and will never affect my opinion of a series. However, seeing that both ratings and awards mean a lot in the HK entertainment industry and can pretty much be considered the ‘determining factor’ on whether someone becomes popular or not (it’s sad, but that’s the reality unfortunately), then for the sake of the artists and the crew who did such an awesome job in this series, I sincerely hope that both the artists and the series will get the recognition they deserve come awards time (at least the ratings for the series were high, so that definitely helps!). Of course, with TVB’s stupid politics, there’s no telling what will happen – but seriously, if no one gets any recognition at all during awards time (which I hope doesn’t happen), I am really going to consider boycotting TVB!
Friday, March 9, 2012
TVB series “The Hippocratic Crush” 《On Call 36小時》(2012): Theme Song Translation
“The Hippocratic Crush” is one of TVB’s newest series that is currently airing. There’s actually one more week to go before the series is over, so I’m going to save most of my commentary for afterwards, when I do the review of this series.
I will say though that I’m actually really enjoying this series, which is a bit of a surprise to me considering I wasn’t too interested in this series prior to it airing because I wasn’t too keen on the cast. After watching the first few episodes though, I couldn’t help but be impressed by the performances by some of the cast members (I’ll talk more about this in my review) – plus the script is pretty well put together for the most part (especially considering the various subplots in the series) and the storyline is quite engaging (though there are a few flaws that I’ll discuss more about later on in the review).
Anyway, for the purposes of this post, I’m going to focus primarily on the themesong for the series, which is called ‘Serial Drama’ (連續劇) and is sung by Joey Yung. I’m not a Joey fan by any means (and I’m still not a fan, despite how much I like this particular song), but I will admit that she did a good job performing this song – she definitely gave the perfect amount of emotion to the song to really bring out the essence of the song as it relates to the series. And definitely, the more I listen to the song, the more I feel that it suits the series extremely well (especially the lyrics).
Since I really enjoyed this song, I decided to go ahead and translate the lyrics into English. I must admit that this was quite a difficult task because some of the words used in the song sound best in Chinese and when translated into English, some of the ‘emotion’ and ‘feel’ is definitely lost. Also, some of the lyrics were a bit ‘deep’ and in essence, don’t sound good translated into English (with my translation, I sort of feel I didn’t do justice to some of the lyrics, but hey, I tried my best!).
One quick note…since I really liked the lyrics to this song, I did do a little bit of research on the person who wrote the lyrics -- Roy Lin (林日曦). When I found out who he was, it made a lot more sense to me why the lyrics were so ‘poetic’ and a little bit on the ‘difficult’ side to translate…Roy is one of the apprentice students of the HK music world’s most renown and talented lyricists – the ‘master’ of song-writing, Lam Jik (林夕) [those familiar with HK music will definitely know who he is]. Looking through the lyrics and listening to the song again, I can definitely sense the ‘Lam Jik influence’ in the song!
Below is the English translation of the song, along with a link to listen to the song from Youtube (note that I didn’t post the MV because I didn’t feel it was appropriate to do so due to copyright issues) . As is the case whenever I do song translations, the translation below is purely my own interpretation of the lyrics and so most likely will be different from other translations of the song that may be out there.
Lastly, if anyone has feedback regarding the theme song itself, please feel free to comment!
.---.
Link to song: 'Serial Drama'
Chinese lyrics credit to Roy Lin's Sina Blog
[Translated by: llwy12]
*** PLEASE CREDIT IF RE-POSTED!! THANK YOU! ***
連續劇
Serial Drama
電視劇《On Call 36小時》 主題曲
TV Series “The Hippocratic Crush” theme song
主唱: 容祖兒
Performed by: Joey Yung
作曲: 鄧智偉
Composed by: Tang Chi Wai
填詞: 林日曦
Lyrics by: Roy Lin
編曲: Johnny Yim
Music Arrangement by: Johnny Yim
開首的一篇是某某出生
The opening chapter starts with someone’s birth
媽媽給寶寶奉上這一生 頭一吻
A mother dedicates her entire life to her baby, a kiss on the forehead
開端之後或晴或暗
What follows this opening could be brightness or darkness
怎麼走就像連續劇也欠缺安穩
No matter how we move forward it’s like a serial drama, lacks steadiness
或者 於某集我可抬頭欣賞到你
Perhaps, in a certain episode I can lift my head and admire you
或者 一轉念便要失去你
Perhaps, upon second thought I’ll lose you
或者 轉折漸太多 遺忘怎擁抱你
Perhaps, the twists and turns gradually become too much and I forget how to embrace you
或者 擁緊偏已斷氣
Perhaps, as soon as we embrace tightly, the breathing has already stopped
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍想將你我這幕 演得更理想
Still want to perform this scene between us more ideally
能修補即管修補 不要再想 再一刻人便缺氧
Go ahead and fix what can be fixed, don’t hesitate anymore, one more moment and it will be lost
熟悉的歌曲 等與你合唱
A familiar song, I’m waiting to sing it with you
無人需要落寞的過場 前來鋪滿浪漫的過場
No one needs a lonely interlude, come forward to an interlude filled with romance
新一章怎可是你我分開
How can the new chapter be about our separation?
可否改寫得像你我當初還相愛
Can it be re-written like the beginning, when you and I were still in love?
只可惜上集難逆轉
Unfortunately, it’s too difficult to reverse the previous episode
傷感的下集仍然未播 我會修改
The next episode filled with sorrow has not aired yet, I will amend it
如果 當晚沒有分神來緊張佈置
If that night we hadn’t gotten distracted with nervously putting our feelings in order
如果 不必誤會再猜疑
If we did not misunderstand then suspect each other
如果 將對白說得平和 不加諷刺
If we had spoken our dialogue more placidly, without adding sarcasm
如果 真的可有下次
If there really could be a ‘next time’
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍然能拖緊彼此 走絕地雪霜
Still can hold on to each other tightly to walk through the dangerous snow and frost
如能重修好一雙 不要再想 再一刻人便缺氧
If able to reconstruct one pair, don’t hesitate anymore, one more moment and it will be lost
明知可一起 不要再獨唱
Knowing you can be together, don’t continue to sing solo
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍想將你我這幕 演得更理想
Still want to perform this scene between us more ideally
如能重修好一雙 不要再想 再一刻誰亦要退下場
If able to reconstruct one pair, don’t hesitate anymore, one more moment and everyone will need to leave the stage
多得你在場 多得我在場 天空也在場
Thankfully you are present, thankfully I am present, the sky is also present
演好這一章 呼吸太無常
Perform this chapter well, as breathing is too unstable
I will say though that I’m actually really enjoying this series, which is a bit of a surprise to me considering I wasn’t too interested in this series prior to it airing because I wasn’t too keen on the cast. After watching the first few episodes though, I couldn’t help but be impressed by the performances by some of the cast members (I’ll talk more about this in my review) – plus the script is pretty well put together for the most part (especially considering the various subplots in the series) and the storyline is quite engaging (though there are a few flaws that I’ll discuss more about later on in the review).
Anyway, for the purposes of this post, I’m going to focus primarily on the themesong for the series, which is called ‘Serial Drama’ (連續劇) and is sung by Joey Yung. I’m not a Joey fan by any means (and I’m still not a fan, despite how much I like this particular song), but I will admit that she did a good job performing this song – she definitely gave the perfect amount of emotion to the song to really bring out the essence of the song as it relates to the series. And definitely, the more I listen to the song, the more I feel that it suits the series extremely well (especially the lyrics).
Since I really enjoyed this song, I decided to go ahead and translate the lyrics into English. I must admit that this was quite a difficult task because some of the words used in the song sound best in Chinese and when translated into English, some of the ‘emotion’ and ‘feel’ is definitely lost. Also, some of the lyrics were a bit ‘deep’ and in essence, don’t sound good translated into English (with my translation, I sort of feel I didn’t do justice to some of the lyrics, but hey, I tried my best!).
One quick note…since I really liked the lyrics to this song, I did do a little bit of research on the person who wrote the lyrics -- Roy Lin (林日曦). When I found out who he was, it made a lot more sense to me why the lyrics were so ‘poetic’ and a little bit on the ‘difficult’ side to translate…Roy is one of the apprentice students of the HK music world’s most renown and talented lyricists – the ‘master’ of song-writing, Lam Jik (林夕) [those familiar with HK music will definitely know who he is]. Looking through the lyrics and listening to the song again, I can definitely sense the ‘Lam Jik influence’ in the song!
Below is the English translation of the song, along with a link to listen to the song from Youtube (note that I didn’t post the MV because I didn’t feel it was appropriate to do so due to copyright issues) . As is the case whenever I do song translations, the translation below is purely my own interpretation of the lyrics and so most likely will be different from other translations of the song that may be out there.
Lastly, if anyone has feedback regarding the theme song itself, please feel free to comment!
.---.
Link to song: 'Serial Drama'
Chinese lyrics credit to Roy Lin's Sina Blog
[Translated by: llwy12]
*** PLEASE CREDIT IF RE-POSTED!! THANK YOU! ***
連續劇
Serial Drama
電視劇《On Call 36小時》 主題曲
TV Series “The Hippocratic Crush” theme song
主唱: 容祖兒
Performed by: Joey Yung
作曲: 鄧智偉
Composed by: Tang Chi Wai
填詞: 林日曦
Lyrics by: Roy Lin
編曲: Johnny Yim
Music Arrangement by: Johnny Yim
開首的一篇是某某出生
The opening chapter starts with someone’s birth
媽媽給寶寶奉上這一生 頭一吻
A mother dedicates her entire life to her baby, a kiss on the forehead
開端之後或晴或暗
What follows this opening could be brightness or darkness
怎麼走就像連續劇也欠缺安穩
No matter how we move forward it’s like a serial drama, lacks steadiness
或者 於某集我可抬頭欣賞到你
Perhaps, in a certain episode I can lift my head and admire you
或者 一轉念便要失去你
Perhaps, upon second thought I’ll lose you
或者 轉折漸太多 遺忘怎擁抱你
Perhaps, the twists and turns gradually become too much and I forget how to embrace you
或者 擁緊偏已斷氣
Perhaps, as soon as we embrace tightly, the breathing has already stopped
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍想將你我這幕 演得更理想
Still want to perform this scene between us more ideally
能修補即管修補 不要再想 再一刻人便缺氧
Go ahead and fix what can be fixed, don’t hesitate anymore, one more moment and it will be lost
熟悉的歌曲 等與你合唱
A familiar song, I’m waiting to sing it with you
無人需要落寞的過場 前來鋪滿浪漫的過場
No one needs a lonely interlude, come forward to an interlude filled with romance
新一章怎可是你我分開
How can the new chapter be about our separation?
可否改寫得像你我當初還相愛
Can it be re-written like the beginning, when you and I were still in love?
只可惜上集難逆轉
Unfortunately, it’s too difficult to reverse the previous episode
傷感的下集仍然未播 我會修改
The next episode filled with sorrow has not aired yet, I will amend it
如果 當晚沒有分神來緊張佈置
If that night we hadn’t gotten distracted with nervously putting our feelings in order
如果 不必誤會再猜疑
If we did not misunderstand then suspect each other
如果 將對白說得平和 不加諷刺
If we had spoken our dialogue more placidly, without adding sarcasm
如果 真的可有下次
If there really could be a ‘next time’
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍然能拖緊彼此 走絕地雪霜
Still can hold on to each other tightly to walk through the dangerous snow and frost
如能重修好一雙 不要再想 再一刻人便缺氧
If able to reconstruct one pair, don’t hesitate anymore, one more moment and it will be lost
明知可一起 不要再獨唱
Knowing you can be together, don’t continue to sing solo
情人們一呼一吸相愛到底 結局或同樣
Lovers, with each breath, love each other to the end, even if the ending turns out the same
仍想將你我這幕 演得更理想
Still want to perform this scene between us more ideally
如能重修好一雙 不要再想 再一刻誰亦要退下場
If able to reconstruct one pair, don’t hesitate anymore, one more moment and everyone will need to leave the stage
多得你在場 多得我在場 天空也在場
Thankfully you are present, thankfully I am present, the sky is also present
演好這一章 呼吸太無常
Perform this chapter well, as breathing is too unstable
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