Showing posts with label Carol Cheng 鄭裕玲. Show all posts
Showing posts with label Carol Cheng 鄭裕玲. Show all posts

Wednesday, December 19, 2012

TVB Anniversary Awards 2012: Recap of the Winners + My Thoughts

TVB’s annual Anniversary Awards show took place much later than usual this year, which isn’t too surprising given the fact that TVB had to wait until their 2 anniversary series finished airing so that both programs could be included in the awards ceremony.

This year’s awards show was also different from previous years because of the new ‘rules’ that TVB set in efforts to attract more audiences to watch and participate in the show.  Instead of having TVB executives and producers determine the winners for all award categories, TVB chose instead to have the 3 biggest award categories – Best Actor (TV King), Best Actress (TV Queen), and Best Series – be determined 100% by audience vote (what they call the OVPP system).  Since I already stated my opinion multiple times about the OVPP thing and why I don’t feel that it’s a good idea, I’m not going to rehash that ‘argument’ here.  But I will say that TVB pretty much used the whole OVPP thing as a ‘gimmick’ in efforts to ‘change up’ the awards show and also get more audiences to watch as well as participate (which seemed to have worked, since the latest update is that the ratings for the show shot through the roof:  ratings averaged 36 points, peaking at 41 points….even higher ratings than TVB’s series!!).

Unlike last year’s award ceremony, which I had no interest in watching whatsoever (though I still ended up watching and writing up a recap post on it), I was actually interested this year because there were quite a few artists and series nominated that I actually like…plus I was curious to see how the whole OVPP thing would turn out (and whether the Miss HK voting fiasco would repeat itself or not).

Overall, I felt that the results were satisfactory and I wasn’t too surprised with who ended up winning (well, except for in 1-2 categories that is).  The awards were pretty evenly distributed this time around and the people whom I expected to win did (for the most part). 

Of course, the biggest surprise for me was the presentation of the “Outstanding Artist” awards to the 5 ‘veteran’ artists – even though I already knew that TVB was going to have this ‘new’ award this year (it was announced a few weeks ago), I had no clue what the criteria would be or who the nominees were, since TVB didn’t release any details about it.  Prior to the awards show, there was widespread speculation in the Media that this award was created as a ‘consolation prize’ to calm the backlash that erupted over the blatant omission of certain artists from the nominations list (i.e. Ben Wong, Raymond Cho, Linda Chung, etc.) – in fact, I even saw some Media outlet ‘claim’ that they had the ‘official list of winners’ from TVB and those 3 names (Ben, Raymond, Linda, etc.) were on it as the ‘winners’ of this award!  Obviously, that ‘report’ turned out to be BOGUS (again, be careful what you read in the Media and don’t believe everything you read / hear!).  The purpose of the “Outstanding Artist” award turned out to be completely different – it wasn’t a ‘consolation prize’ for those not nominated, but rather a ‘professionalism’ award to recognize those veteran artists who’ve worked hard for years and show professionalism both at work and outside of it.  Sure, people can say that this was pretty much a ‘pork’ award, but hey, the way I see it, at least TVB made the effort to recognize those artists (even if they probably only did so because of the external ‘pressure’ from HKTV and not wanting to lose those artists to competitors).  In any case, I’ll talk more about the winners for this award below and my feelings about it.

The other overall comment I had is that I was a bit disappointed with the lack of ‘meaningful’ presenters this year.  Every year, the ‘highlight’ of the anniversary awards show for me isn’t necessarily the nominees or the award winners (since I’ve lost confidence in TVB’s awards in the past decade, so I could really care less who won) – rather, I tune in to watch the awards mainly because of the presenters, since most years, TVB manages to invite artists / entertainment industry people whom we haven’t seen in a long time to present for them.  Also, the ‘speeches’ that the presenters give are usually the most interesting (and usually the funniest) part of the entire show.  I’ll talk a little bit about some of the presenters who were at the ceremony, but outside of those few, there really wasn’t much ‘excitement’ in this area this year.

Ok, so with all that said, here’s the list of the winners, my thoughts / opinion on their wins, and comments about the actual show itself.

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Lifetime Achievement Award:  Liza Wang
(Award presented by TVB’s Deputy Chairman Norman Leung)

.-- Even though I absolutely can’t stand Liza Wang, I’m actually ok with TVB giving her this award because she truly has contributed a lot to the industry and so for that, she does deserve to be recognized.  Plus I would much rather they give Liza this award than to keep giving her a spot in the Top 5 for TV Queen just to please her (which they didn’t do this year – thank God!).  I mean, seriously, must she get nominated for TV Queen each time she participates in a series?  How about saving that spot for the younger ones fadans who actually ‘need’ the TV Queen award more than she does?

.-- Anyway, I honestly didn’t pay much attention to Liza’s acceptance speech because, well, frankly I really didn’t care much – just wanted them to get the segment over with and move on.

.-- One comment about this segment of the awards ceremony:  Um, in the future, can TVB please not have Norman Leung speak?  I mean, ok fine, have him present the award if needed, but gosh, please don’t let the man open his mouth!   Not only does he speak incredibly SLOW, he’s also very incoherent (honestly, Sir Run Run Show is 104 years old and he probably speaks more clearly than Norman Leung!).  Also, most people probably didn’t notice, but Mr. Leung got some information wrong in his speech (when he was recounting some of the series that Liza participated in) – my mom and I were literally sitting there scratching our heads and wondering:  Huh?  I don’t hear Norman Leung giving long speeches too often, so I’m not sure if he speaks that way normally or if he was just really nervous that night (though I had the same feeling about his speech last year too – CRINGEWORTHY!). Argh!


Most Improved Female Artist:  Mandy Wong
(Award presented by Lawrence Cheng, Chin Kar Lok, and Janice Man)

.—First, a word about the presenters:  it actually did make sense for TVB to invite Lawrence and Chin Kar Lok to present this particular award (which is pretty much the ‘Best Newcomer’ award) because 1) Lawrence is currently one of the ‘main instructors’ for TVB’s newly revamped Acting Classes (he’s responsible for cultivating TVB’s new batch of ‘talents’, hence the connection to the newcomer award) and 2) Chin Kar Lok was one of the first winners of the ‘Most Improved’ award (as Lawrence reminded us during his ‘speech’) back in the 90s when the Anniversary Awards first started (back when they had the award separated into ‘drama’ and ‘non-drama’ categories) – so as the ‘big brother’, it was most appropriate for him to present the award to his ‘juniors’.  As for Janice Man – well, she’s a ‘newcomer’ to the film industry (and music too, right?) so that made sense too – though honestly, she didn’t really say much, since Lawrence and Kar Lok did most of the talking, so she probably didn’t really need to be there…

.— In terms of the winner….of course, the ‘expected’ winner in this category was Mandy, so no surprise there.  Actually, she is long overdue for this award already, as she actually should have already gotten it last year, but since she didn’t, then it only makes sense for her to get it this year. 

.—I definitely agree with Mandy winning this award because this year truly was ‘her year’ – not only was she in a lot of series this year, she also performed well in all of them…in some cases, even ‘stealing the show’ from the leads.  TVB definitely made a wise choice by giving this award to Mandy instead of the others who were nominated….in fact, I would venture to say that if TVB had pulled an ‘upset’ and given the award to someone else, all hell would have broken loose.


Most Improved Male Artist:  Oscar Leung
(Award presented by Lawrence Cheng, Chin Kar Lok, and Janice Man)

.—This was probably the only other category I actually ‘cared’ about going into the awards show because I really really wanted Oscar Leung to win.  Oscar pulled off excellent performances in pretty much every series he participated in this year and truly did deserve to win -- so yes, I am definitely glad he did win!  I actually don’t remember if Oscar was nominated last year or not but to me, he has always been a pretty solid actor, even back around the time that he started – seeing such promising young actors like Oscar do well makes me very happy because it reinstates some of the hope in the TV industry that I had lost years ago!

.—I will admit that  I was a little worried in the beginning whether TVB would choose to give the award to Him Law instead of Oscar….now don’t get me wrong – Him is a good actor too and certainly deserving of the Most Improved award as well (though to be honest, both Him and Oscar are sort of past the ‘newbie’ stage already….but hey, getting that award is better than getting nothing, right?) – but this year, Oscar definitely ‘stood out’ more in terms of his acting, as he had a wider range of roles that required more versatile acting versus Him’s roles this year pretty much being the same from one series to another.  Definitely very happy for Oscar!!

.—Lastly – I liked Oscar’s acceptance speech….it was touching to hear him thank all the people who had helped ‘teach’ him and give him advice over the years….and definitely very ‘sweet’ of him to thank his girlfriend Tina, who has stuck with him through thick and thin for the past 10 years.  Good for him!



Best Host of a Variety Program:  Luisa Maria Leitao (“Telling Maria”)
(Award presented by Mak Ling Ling and Lee Sing Chak)

.—This was not a surprise at all, as everyone was pretty much expecting Luisa to take this award.  Out of all the nominees, she was definitely the best one – not to mention her popularity soared big time this year due to her interview program being so well received.  I have no problems with Luisa winning at all – in fact, I’m very happy that she is also finally getting the recognition she should have gotten a long time ago (she’s been in the industry for 30 years).  Lastly – she also gave one of the most moving speeches of the night (especially the last part of her speech when she thanked her ex-boyfriend for all the support he had given her and helping to promote the program).



Outstanding Artist Award:  Chin Kar Lok, Benz Hui, Sunny Chan, Lee Sing Cheong, Dodo Cheng
(Award presented by Eric Tsang)

.—As I said earlier, I was pleasantly surprised with this award because I had no clue whatsoever that TVB would choose to ‘recognize’ its veteran artists (though it makes sense now given the volatile situation with additional stations vying for licenses).

.—First, let’s talk about Eric Tsang presenting this award.  Definitely a very appropriate choice given Eric’s tenure and status in the industry – plus he’s one of the few artists currently at TVB who was actually around when these veteran artists were still active and knows them very well (of course, he has collaborated with most of them in some way or another as well).  Eric’s ‘speech’ introducing each of the artists was very touching (and ‘humorous’ in the case of Chin Kar Lok) – good job in this area!

As for the winners of the award – all of them were definitely well-deserved.  I liked how TVB did the ‘surprise’ element with this award, as none of the 5 artists knew that they were going to get this award until their names were called to go on stage.

.—Chin Kar Lok – to be honest, I may not be too fond of Kar Lok as an actor, but I definitely admire and respect him as a person.  I remember the first time I knew of him was back in the mid-90s when he ‘replaced’ Jordan Chan as one of the co-hosts of Super Trio (he went on to host for many years alongside Eric Tsang and Jerry Lamb).  I’ve seen him in many hosting gigs since then and also I’ve seen him in series too – but his biggest contribution I feel is his role as action choreographer for movies, which is really his strength (plus it’s something that he’s been doing for years and recently won an award for).  So yes, totally deserving of this award because of his contributions to the industry but also his good overall attitude as well.


.—Benz Hui  -- I was absolutely ecstatic that Benz FINALLY got recognition – not just for his contributions to the TV (and movie) industry, but also for his great attitude and personality off-screen as well!   As Eric stated in his introduction, Benz was one of the graduates of TVB’s very first Acting Class (back in 1971-72) and he has pretty much worked for TVB since that time (40 years!!).  I myself grew up watching Benz in series after series (he was especially active back in the 80s) and over the years, he has become one of my favorite ‘green leaf’ actors of all time!  As an actor, he is brilliantly talented (he can do comical, serious, villain, grassroots, etc. – absolutely versatile!).  As a person – well, the introduction that TVB put together about Benz described him perfectly in my opinion – he definitely brings joy and laughter to everyone, no matter where he goes, as he has a truly infectious sense of humor that just endears him to everyone. 

From my recollection, in the 40 years that Benz has worked for TVB, he hasn’t gotten a single award (though as he said, from day one, he has never thought about getting any awards), so for him to get one now is definitely long overdue.  No wonder Benz was so touched (he almost cried, though he was able to hold it in and use his trademark sense of humor to lighten the mood) – I mean, I was almost in tears too (tears of joy that is) seeing one of my favorite artists finally get ‘rewarded’ after so many years!  Absolutely well-deserved!!


.—Sunny Chan – I was equally surprised when Sunny’s name was called because despite his great acting talent (obviously he’s one of my favorite actors as well), he has never been ‘recognized’ by TVB for any type of award (even though he did get nominated a few times, but was never in ‘serious’ contention).  I’ve liked Sunny as an actor since he started in the 90s – which is why for the past decade (ever since Sunny returned to TVB after a brief stint at ATV), I’ve been ticked off at TVB for giving him such lame roles in equally lame series and for ‘warehousing’ majority of his series.  To be honest, he can give any of the TV Kings from the past decade a run for their money in the area of acting, yet he is so under-promoted and under-utilized that it’s ridiculous – especially since he is a lead actor and has been since the 90s!  As a person, I have the utmost respect and admiration for Sunny, especially in the last few years after I found out how great of a father he is and all the sacrifices that he was willing to make for his autistic son – definitely a man of honor who absolutely deserves to be rewarded!

I’m so glad that TVB finally ‘woke up’ and recognized how much talent Sunny has as an actor (maybe, just maybe, I’ll stop being pissed at them now for ‘neglecting’ Sunny all these years)!   And I absolutely enjoyed Sunny’s acceptance speech (haha…Eric Tsang was spot on when he said that Sunny will ‘talk your ear off’ if he got the chance…but hey, that’s part of what makes him so endearing!) – you could totally tell that Sunny was overjoyed at getting the award (he was like a big kid who just got a big present…LOL!).  Great job, Sunny!


.—Lee Sing Cheong – I was pleasantly surprised that Lee Sing Cheong got an award because he has also been with TVB for decades and never got much recognition up until now!  He’s another actor I grew up watching (I started watching him in series when he actually still had hair…hehe!) and needless to say, he’s definitely another one of my favorites.  Lee Sing Cheong has always been a very versatile, talented actor who can take pretty much any type of role and run with it – he can be a ruthless villain one minute, a benevolent father the next minute, or a comedic sidekick the next minute.  He is tremendously underrated as an actor and absolutely deserves more recognition than he has ever gotten – which is why I was so happy to see him get this award.  It was obvious from his acceptance speech that he didn’t know about the award either (since TVB told him to attend the awards ceremony because they were going to have him present an award – though they never told him who he would be presenting to…turns out that was just an ‘excuse’ to get him to attend so they could ‘surprise’ him with the award).  Lee Sing Cheong was very moved by the gesture and even though he didn’t cry, other artists did shed a few tears because they were so happy for him (Myolie gave him a standing ovation and Fala was wiping tears from her eyes) – though it was very emotional for me as well, it was at the same time very heartwarming to see.  Congratulations and absolutely well-deserved!!


.—Dodo Cheng – the 5th Outstanding Artist award went to Dodo Cheng, which absolutely makes sense in my opinion because in all the years that she has been in the industry, Dodo is pretty much the ‘epitome’ of professionalism (if anyone needs examples of this, let me know!).  I loved her as an actress back in the 70s/80s (when she was with TVB) and even when she went into movies, I still enjoyed her works.  For me personally, I feel it’s a pity that she stopped acting and decided to do hosting full time instead because she’s an absolutely talented actress (though of course, she’s a great host as well – one of the best there is in the industry).  Definitely well-deserved and a natural choice to win this award! (And I loved how Dodo didn’t miss a beat – right after her speech, she continued right into her duties of wrapping up the segment for a commercial!)



Favorite Female TV Character:  Kate Tsui (as ‘Pat Chan’ in Highs and Lows)
(Award presented by Myolie Wu and Kevin Cheng)

.—There was no top 5 this year – pretty much all 10 nominees in the category were ‘finalists’, which I felt was kind of weird.  They should have at least narrowed it down to Top 5 like they did previous years – at least make the award more ‘important’ (especially since the award already has a ‘negative’ stigma of being a ‘consolation prize’).  I don’t know about others, but for me, the way they did this award, I really wasn’t too excited about the award itself – when they announced the winner, it was pretty much like: ‘oh ok – next?’

.—I actually have no comment about Kate winning because this year, I actually have not paid a whole lot of attention to the performances of the females – just like last year and the year before, none of the performances from the ladies stood out much to me, so as long as whoever wins in this category makes sense and doesn’t create backlash, then I’m fine with it.



Favorite Male TV Character:  Kenneth Ma (as ‘Cheung Yat Kin’ in The Hippocratic Crush)
(Award presented by Ng Man Tat and Benz Hui)

.—Compared to the Female Fav character award, the Male one was definitely much more ‘exciting’, probably because the male performances were definitely better this year and majority of the characters / artists nominated I felt deserved to win.

.—Again, no Top 5 for this category, which was a bit weird, but ok fine (though it would have made things more interesting to narrow the list and only pick one person from it). 

.—Of course, since I loved the series The Hippocratic Crush and loved Kenneth’s character in it, I’m absolutely fine with him winning – though as I said earlier, I would have been fine with any of the others winning as well (yes, even Raymond – his ‘Happy Sir’ character truly was a departure from the types of characters he used to play and in my opinion, it’s one of the more decent roles he’s had in the past couple years). 

.—Kenneth definitely gave a great speech – I loved how he was so honest in saying that people seem to not want the Favorite Male Character award because the person who receives it usually won’t get TV King, but he’s totally fine with it and doesn’t mind getting that award every year if no one wants it!  Haha…silly Kenneth!  One thing I like about Kenneth is that he is one of the few artists who actually thanks all the behind-the-scenes people in his speeches (i.e. the scriptwriters, costume, hair and makeup, etc.) – I respect him for that, especially since the behind-the-scenes people usually never get any type of recognition whatsoever.

.—The highlight of this segment for me was definitely the presenters – Tat Gor and Uncle Benz!  TVB made a great choice putting these 2 ‘funny men’ together – their ‘banter’ back and forth was absolutely hilarious!!   I already talked about Benz earlier, so not too much more comment there…but I was absolutely thrilled to see Tat Gor again!  Since he moved his career to Mainland, I had not seen any of Tat Gor’s works in recent years, so I was definitely starting to miss him – especially since he’s one of my favorite comedic actors (though he’s also very versatile and can do a variety of other roles as well).  Based on his presentation speech, he has not lost his comedic timing one bit!   Love it!



Best Supporting Actress:  Nancy Wu (Gloves Come Off)
(Award presented by Mandy Wong)

.—TVB did this award differently this year by first announcing the Top 2 artists in this category (basically the 2 artists who received the most number of votes).  Both artists were invited to the front of the stage and allowed to give a brief ‘acceptance’ speech – then they were given the envelope with the name of the winner and the person who doesn’t get the award is responsible for presenting the award to the winner.

.—Honestly, I didn’t like the way they did this because it was too awkward – especially since they didn’t set aside enough time for it.  The whole segment was so rushed, I sort of got ticked off at how ‘messy ‘ it was.

.—The top 2 finalists in this category were Nancy Wu and Mandy Wong.  Of course, I’m not surprised about Nancy, since she was the ‘hot favorite’ going into the awards and pretty much the one expected to win.  But I WAS surprised about Mandy getting the second highest number of votes – I honestly thought the ‘battle’ for Supporting Actress was between Nancy and Elena Kong (whom I felt was the only one out of the rest of the nominees who had a real chance at beating Nancy)…ah well, I guess it doesn’t make a difference now…

.—Anyway, absolutely fine with Nancy winning this award – in fact, she actually should have gotten this award a long time ago…glad TVB finally ‘recognized’ her, but really wish they would have done so earlier!



Best Supporting Actor:  Koo Ming Wah (Divas in Distress)
(Award presented by Power Chan)

.—Same format as the Supporting Actress award, except that this segment ran more smoothly – less awkward and the timing was a lot better.

.—The 2 finalists were (obviously) Power Chan and Koo Ming Wah.  To be honest, I love both actors, so it’s really hard for me to choose who I would have wanted to win – I’m pretty much ok with either one winning, though as I said before, I really wished this category would have been a tie so that both of them could win! 

.-- One thing I will say is that I was thrilled to see these 2 great actors FINALLY getting the recognition they deserve – it was definitely a very emotional moment for me seeing the 2 of them up there and seeing how much support both of them were getting from everyone (especially Power Chan, since I’ve been following his career since the 80s and pretty much grew up watching him). 

.—I absolutely loved Power’s ‘thank you’ speech, even though it was only 2 sentences!  It was so sweet of him to tell his wife and daughter how much he loved them (and kudos to the other artists for applauding when he made his ‘declaration’).  Awww, Power is such a good man!  Love him and continue to support him!

.—Koo Ming Wah gave a great speech as well – he was very emotional and thanked pretty much everyone – from TVB to the series producers and behind the scenes staff to his family to the fans who supported him.  I’m very happy for him, as he definitely deserved the award for his performance (though as I said earlier, Power was also equally deserving).



Best Variety Program:  Map of Happiness
(Award presented by Chung King Fai and Jerry Lamb)

.—I will be honest and say that I was surprised that Map of Happiness won because I absolutely thought that Telling Maria had this award in the bag.  Not sure what happened here because the result was totally unexpected in my opinion….but I’m not really going to complain because I did watch Map of Happiness and it WAS a pretty good program…one of the better ones that TVB has made over the years.

.—About the presenting:  Hahaha….at first I wasn’t sure why they had Jerry Lamb present with King Sir, but as soon as Jerry opened his mouth, I instantly remembered:   one of Jerry’s ‘hidden talents’ is that he is able to do an absolutely ‘dead-on’ impersonation of King Sir.  Omg, his impersonation was SO good (and it was funny to hear all the artists chuckling in the background…LOL!)



Best Informational Program:  Pilgrimage of Hope
(Award presented by Chung King Fai and Jerry Lamb)

.—Not much comment about this category, since I didn’t watch this program at all (though I do know some stuff about it based on reading up on it).



Best Actress (TV Queen):  Tavia Yeung (Silver Spoons, Sterling Shackles)
(Award presented by Miriam Yeung)            

.—Top 5 in this category:  Tavia Yeung (Silver Spoons, Sterling Shackles), Michelle Yim (The Confidant), Charmaine Sheh (When Heaven Burns), Linda Chung (Witness Insecurity), Kate Tsui (Highs and Lows)    

.—My honest opinion:  Doesn’t matter to me, since, like I said earlier, I wasn’t too impressed overall with the performances from the females this year.  I’m fine with the Top 5, since those were the same artists I expected to get into the ‘final’ list anyway.  Plus none of those who got into Top 5 are my favorites anyway…though if I had really had to pick based on performance, I probably would have picked Charmaine because she had the most impactful and difficult performance out of the 5.

.—My only other comment – not sure if I liked Tavia’s speech…I actually felt she was doing fine until she mentioned the part about Liza Wang – not sure what the point was of that?



Best Actor (TV King):  Wayne Lai (The Confidant)
(Award presented by Deanie Ip)                     

.—Top 5 in this category:  Damian Lau (Silver Spoons, Sterling Shackles), Moses Chan (The Last Steep Ascent), Raymond Lam (Highs and Lows), Wayne Lai (The Confidant), Kenneth Ma (The Hippocratic Crush)

.—I will say that I was surprised Wayne won because with the whole OVPP thing, I was thinking for sure that Raymond Lam had the award in the bag due to his large fan base.  Don’t get me wrong…I’m happy that Wayne won and from an acting standpoint, his skills are unquestionable – but is he really more ‘popular’ than Raymond to the point that he would receive more votes than him (this is assuming that TVB didn’t mess with the results that is)?  I’ve actually been thinking about this question the past few days and it’s actually starting to make more sense to me now….Wayne’s fan base isn’t really as small as we think – over the past 4-5 years, he has gained a lot of fans, especially after he became leading actor status – not only do the ‘housewives’ (and other audiences) love him, he also has a lot of support from his colleagues and others whom he’s worked with.  I mean, why else has TVB been promoting him so much and treating him so well when he’s not even a ‘biological son’ of theirs (and he’s still not as far as I know)?  It’s because Wayne is a ‘cash cow’ for TVB due to his overwhelming popularity with their main demographic – the ‘housewife’ audiences (and for those who think that the ‘housewife’ audiences don’t know how to use a computer or mobile app to vote – well, there is such a thing as having their kids do it for them, right?).  Of course, no complaints here, since I adore Wayne – it’s just that I wasn’t expecting him to win this time around…but he did and I’m very happy for him!

.—Wayne actually gave a very good speech – he was very calm, composed, coherent, and was able to thank everyone he wanted to thank with making it seem rushed or awkward….of course, I shouldn’t be surprised because Wayne has always been a very well-spoken person.  And with this being his third TV King win, he has ‘experience’ enough now to keep his composure during these types of events and not break down.

.—Lastly, a word about the presenter:  Deanie was very elegant as usual but also funny in her own unique way.  I liked how she was able to make a comment about each of the top 5 nominees – then when she got to Kenneth, she asked “Who is Kenneth Ma?” (obviously she doesn’t watch much TV…haha).  That part was funny!



Best Series:  When Heaven Burns
(Award presented by Ng See Yuen)

.—Top 3:  The Hippocratic Crush, The Confidant, When Heaven Burns

.-- A lot of people were surprised that WHB won Best Series, considering it was the 2nd lowest rated series of the year and it didn’t appeal to majority of TVB’s audience demographic:  the housewives.  Back when the series aired, there were complaints galore about the ‘cannabalism’ theme (which turned out to be over-exaggerated) and the ‘differentness’ of the series that caused majority of housewives not to understand what the series was about or what they were watching.  It wasn’t until after the series aired that people really started picking up on this series (primary reason was because of the addictive sub-themesong, which spread like wildfire, and also the ending of the series, which was very well-done and a definite departure from TVB’s standard fare).  I actually find it kind of ironic that audiences only started liking the series after it aired – to the point that TVB parted from tradition and specially placed all episodes of the series on MyTV for an entire week so that netizens who missed the series when it aired on TV could watch in its entirety!   With netizens literally ‘adoring’ this series and even dubbing it as a ‘godly’ series, it’s not surprising in the least that majority of the audiences would vote for WHB as the Best Series.

.-- The part that WAS surprising – that TVB actually allowed WHB to win!  Given that majority of the main cast already left TVB (Charmaine, Bowie, etc.) and most of the behind-the-scenes people are gone too (scriptwriter Chow Yuk Ming already left TVB a few months back and producer Jonathan Chik will be leaving at the end of this month), plus the ratings were pathetically low, I didn’t think that TVB would allow it to get anything!

.—Lastly…about Ng See Yuen presenting…again, another surprise because he’s the President of the HK Film Workers Association and recently took the lead in holding a press conference urging the government to issue additional free-to-air licenses to other TV stations (and thereby ‘opposing’ TVB’s firm stance on the issue).  The press conference just occurred last week (so still ‘fresh’ in a sense), so it felt a bit weird (to me at least) that TVB would turn around and invite him to present one of the night’s biggest awards.

Thursday, October 11, 2012

Oriental Daily Interview with Felix Wong [Part 4]: “Never in my dreams did I think about becoming a lead actor so quickly!”

Here's part 4 of Felix Wong's interview with Oriental Daily....

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Oriental Daily Interview with Felix Wong [Part 4]:    “Never in my dreams did I think about becoming a lead actor so quickly!”

Source:  Oriental Daily

Translation:  llwy12





Back during his youth, Felix Wong had his heart set on becoming the Chinese version of Pele [TN: famous Brazilian soccer player], however when that dream failed, he ended up joining TVB’s Acting Class instead. After playing bit parts and many ‘ke le fe’ roles, Felix finally had the opportunity to collaborate with established actors/actresses such as Chow Yun Fat, Dodo Cheng, etc. – it was from these ‘senior’ artists that he was able to learn a lot more about acting, eventually developing a life-long interest in the craft. In addition, the right timing as well as luck were other factors that aided Felix on his path to becoming one of the most popular leading actors at TVB back in the 80s.



*** Felix speaks:

When I was young, I actually never thought about becoming a celebrity. Back when I was in school, I had my heart set on becoming a soccer player – in fact, I had even gotten to the point of participating in tryouts. I remember at the time, out of the 2000 candidates who participated, only the top 3 would be chosen to become soccer players – unfortunately, I came in at number 4.

Later on, one of my neighbors suggested I try applying for TVB’s Acting Class – she even got an application and submitted it for me. I actually was not interested in becoming an actor, but seeing all the effort that the neighbor put in to help me, I figured I’d just go to the interview session to please her. I remember one of the things we had to do during the session was read and recite some dialogue – I pretty much just made a half-hearted attempt to recite the lines and get it over with, thinking that would be the end of it. To my surprise, I received a phone call from TVB that night telling me that I had been accepted into the class without having to do a second interview!


Happy, carefree Acting Class days

I was barely 18 years old when I entered the Acting Class. Those were good times, as I basically got to study acting for free, plus I’d get to hang out with classmates such as Michael Miu (苗僑偉), Tam Yuk Ying (譚玉瑛), etc. – those days were very happy and carefree. After 6 months or so, I started getting bit parts in various series, playing roles such as a soldier, a customer at a restaurant, etc. At the time, I got the chance to work with Fat Gor (Chow Yun Fat 周潤發) a lot – even though he was already a big star at the time, he never put on airs and in fact was always very willing to help teach newcomers. He would often approach us on his own and give us acting tips or other advice – learning so much from him helped me to slowly cultivate my interest in acting.


Benefited from the 80s ‘poaching’ crises

At one point back in the 80s, TVB also encountered a ‘poaching’ crisis which resulted in a shortage of siu sangs. Never in my wildest dreams did I think that I’d get the chance to play a lead role 3 months after I graduated from Acting Class – in ‘normal’ circumstances, this would have been impossible! I remember the first series I filmed where I was in the male lead role was The Lonely Hunter 《過客》[1981] . At the time, Dodo Jeh [Dodo Cheng 鄭裕玲] and Uncle Yeung Kwun (楊群) [TN: his co-stars in the series] gave me lots of advice and support, which helped me get into my character easier. When the series aired, it was quite well-received by audiences and from that moment on, my acting career officially began.

Monday, January 9, 2012

News Article: Mingpao Special Feature: A career in review – looking back at TVB producer Lee Tim Sing’s Top 5 series

Here's a MUST READ article for 80s TVB fans (well, it sort of extends back to the 70s as well).

As most of you probably know, 'golden' producer Lee Tim Sing (李添勝) has plans to retire next year -- for the past 43 years, he has been responsible for producing many many TVB series, most of which we would consider 'classics'. With his anticipated retirement at the end of next year (as well as the recent success of his latest series "Bottled Passion"), Mingpao Weekly did a special feature on Lee Tim Sing, interviewing him about 5 of the top series he had produced in his career.

I'm sure that many old-school TVB fans have probably watched the 5 series discussed in this article at some point in their lives -- if so, here's some behind-the-scenes information about those series, as recounted by Tim Gor himself.

As an 80s/90s TVB fan (and the 70s to some extent), I definitely enjoyed reading this article! Whether you are a fan of TVB or not, if you've watched any of the 5 series mentioned, I hope that this article will help shed some light on things that perhaps were not previously known about the series.

Anyway, enjoy!! :-)

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Article originally published on January 7th, 2012

Mingpao Special Feature: A career in review – looking back at TVB producer Lee Tim Sing’s Top 5 series

Source: Mingpao Weekly, Issue 2252


Now that “Bottled Passion” has ended and his next series “Stairway to Heaven” is in post-production, TVB golden producer Lee Tim Sing (Tim Gor) has started preparing for his newest series “Detective Columbo” – actor Wayne Lai will star in this new series, which could very well be Tim Gor’s last production prior to retirement: “Unless something unexpected comes up, yes, this will most likely be the last one.” TV fans are surely hoping for something ‘unexpected’ to happen! After spending 4 decades in the industry, will Tim Gor miss the work? “It’s not really a matter of missing or not. I’m already 65 years old – it’s truly time for me to step down.”

With a career that spans 43 years and numerous hit series to his credit, Tim Gor does not wish to deliberately pick any one series as his ‘representative’ work: “I put my heart and soul into every single series I produce and each time, I strive to make the best series possible – though of course, it’s not always possible!” With limited production resources, of course it may not always be possible to achieve the best visual effects, however when it comes to choosing suitable actors and actresses for his series, Tim Gor certainly has an eye for talent. From a casting perspective, Tim Gor feels that “The Duke of Mount Deer” (1984) and “The Emissary” (1982) were ‘very close to perfection’, while classics such as “The Fate” (1981) and “The Good, the Bad, and the Ugly” (1979) had ‘golden couple’ Chow Yun Fat and Dodo (Carol) Cheng – two of his ‘beloved’ artists whom Tim Gor collaborated with often back in the day. Of course, the most ‘memorable’ experience for him was producing 1985’s grand anniversary series “The Yang’s Saga” in which every single artist employed by TVB at the time participated: “Back then, whenever we had a war to fight, everyone was invigorated!” [TN: the ‘war’ was between TVB and ATV: at that time, TVB produced the series to ‘fight’ ATV’s highly rated inaugural Miss Asia Beauty Pageant].

Looking at the state of TVB nowadays, does Tim Gor’s spirit and vitality still exist?


‘Close to perfect’ casting: Tony Leung (梁朝偉) and Andy Lau (劉德華) in “The Duke of Mount Deer” 《鹿鼎記》and “The Emissary” 《獵鷹》

In April of 1969, Lee Tim Sing joined TVB and was given the worker’s identification number of ‘365’ – perhaps it was fate that from that day forward, Tim Gor would work ‘365 days’ a year, every year, producing series for the small screen.

Having experienced the ‘golden era’ of TVB [back in the 70s, 80s, and early 90s] as a producer, it is of course difficult for Tim Gor not to lament TVB’s dire state today: “Back in the day, TVB truly had many great talents – in addition to the Five Tigers, there were also the more ‘mature’ actors such as Chow Yun Fat, Adam Cheng, Simon Yam, etc. – so in a sense, casting for series was easy!” A ‘classic’ example of this – TVB’s popular 1984 Jin Yong remake, “The Duke of Mount Deer”: “If at that time, our ‘artists vault’ did not consist of an actor named Tony Leung, the series definitely would have lost a lot of its vibrancy!” As Tim Gor describes it, Tony Leung’s portrayal of ‘Wai Siu Bo’ was akin to a ‘once in a lifetime’ opportunity – since then, the character has become ‘extinct’ so to speak: “When I had Jordan Chan (陳小春) play that role [in the 90s remake], it was a different feeling -- even Tony Leung himself, if he were to do the same role years later, would not be able to pull it off with the same freshness and purity as the original portrayal, since he would have gone through more experiences and his acting matured.”

Thinking back to that time, when TVB’s then Head of Production Lau Tin Chi (劉天賜) called Tim Gor into his office to give him the ‘marching orders’ to start production on “The Duke of Mount Deer”, Tim Gor’s first reaction was: “Ok, then Tony Leung will play Wai Siu Bo and Andy Lau will play Emperor Hong Hei!” Tim Gor revealed that the first time he cast Tony in one of his series was in 1982’s “The Emissary” – he did so primarily because Tony at that time was “a short, young boy who had a pleasant face and was obedient – the perfect fit to play Barbara Chan (陳敏兒)’s younger brother!” However, as filming of the series progressed, Tony’s meticulous acting and focus caused Tim Gor to see him in a new light: “Of course, when most audiences watch series, they will only pay attention to the main leads playing their roles in the front, but as a producer, I have to pay attention to those in the background as well. In “The Emissary”, Tony only played a supporting role and when [main leads] Andy and Barbara were playing their parts in the front, he would usually only be in the background – yet, the way he remained so focused and absorbed in the scene – it was obvious that in the future, that was the type of actor I wanted to work with; after all, who would want to work with a wandering spirit with no focus?”

Andy Lau’s situation was similar to Tony’s – the reason he got the ‘golden’ opportunity to be male lead in “The Emissary” was also because of his ‘background focus’: “In the series “The Lonely Hunter” (1981), there was a scene where a group of youth from the Acting Classes were cast as school students and had to perform the song ‘On the Songhua River’. I was in the control room and noticed that one of the students was especially enthusiastic and put 100% effort into performing that scene, so I asked my assistant to write down that student’s name. When it came time for me to start filming on “The Emissary” (in 1982), the first person that I thought about to play the lead role of a youngster from the police academy was that name I had written down: Andy Lau.”

Therefore, when it came time to film “The Duke of Mount Deer”, Tony and Andy were the first choice to play Wai Siu Bo and Emperor Hong Hei: “I would have to say that the casting for that series was close to perfection – even [veteran actor] Chun Wong playing the role of Mao Sap Bat was so well-suited!” The role that had the most ‘controversy’ at the time was Kiki Sheung playing ‘Ah Ngo’ – Tim Gor admits that back then, when he had decided to cast her in the role, there were definitely some people who objected: “As a producer, I cannot be wishy-washy – once the decision has been made, need to follow through with it. If I were to switch artists around all the time, not only would the artists themselves be unhappy, it would also affect the production. In addition to focusing on the quality of the series, I also need to be concerned with the artists’ feelings.” In deciding to cast Kiki for the role, Tim Gor states that her ‘obstinate’ personality was perfectly suited to the character: “If you say that Kiki is not pretty enough for the part, I probably wouldn’t refute you, but the character of Ah Ngo is the illegitimate daughter born out of wedlock to Chan Yuen Yuen and Lee Chi Sing and from childhood, was raised by a one-armed nun – based on her experiences, the character is supposed to have a self-determined, independent kind of stubbornness about her…Kiki definitely had this temperament that made her perfect for the role.”

In Jin Yong’s popular wuxia novels, anything is possible, however adapting the novels to the small screen is a challenge unto itself, both for the cast and crew alike. Tim Gor responds with a smile: “The scene where Wai Siu Bo finds the treasure was especially difficult to film, as there are limitations to what we are able to do in the studio. We did the best we could at the time, building a special set with an underground passage and tried to make the ‘treasure’ as realistic as we could….but of course, there will always be comparisons made! Look at all the Western films with those types of scenes – all the pillars, stones, etc. always look so grand – then take a look at ours…can’t compare!” When that scene was being filmed, Tim Gor had to give special instruction to the director to be careful with the camera angles and make the scene as short as possible: “No point in embarrassing ourselves!”

At this point in the interview, the scene in TVB’s recent anniversary series “Curse of the Royal Harem” where the Emperor and Empress are ‘riding’ in that makeshift balloon comes to mind….aiye….


Andy Lau and Deanie Ip’s mother/son relationship in “The Emissary”

In the 70s, TVB’s biggest competition was RTV [TN: Rediffusion Television, which later became ATV] and during that decade, a big focus for both stations was filming police dramas. After years of filming heavily male-oriented police investigative series, Lee Tim Sing (Tim Gor) suddenly had a thought – instead of filming regular police dramas, why not film a series about police cadets?: “Just like that, the series “The Emissary” was born!”

Prior to this series, Andy Lau did have some acting experience, however since this was his first time in a lead role, a bit of nervousness was unavoidable: “If you ask me whether Andy’s acting skills were always proficient, I would tell you ‘of course not!’ In the beginning, his acting was extremely stiff – my assistant would tell me: ‘that’s not going to work!’ to which I would reply: ‘give him a few more days and he’ll be fine!’” Tim Gor had a lot of confidence in Andy and very carefully helped him figure out where the problem was: “In times like that, you absolutely cannot yell at the actors because if you do, the situation becomes worse. Plus, at that time, it wasn’t completely Andy’s fault – during filming, there were a lot of people in the studio and it was quite noisy – unless you’re used to that type of filming environment, it’s difficult not to become slightly intimidated. As a producer, as long as you understand the circumstances, then it’s no big deal – the more at ease the artists are, the better the acting becomes. A few days later, when I bumped into Andy in the makeup room, I gave him a pat on the shoulder and told him: ‘You’ve been doing much better!’”

Of course, let’s not forget that Andy also had great ‘teachers’ to learn from, as other artists participating in the series included Deanie Ip (葉德嫻), Paul Chun (秦沛), Lau Kong (劉江), etc. – all of them were veteran artists who are known for their solid acting skills: “The veteran artists were very willing to help teach the younger artists at that time; after all, helping the younger artists was the same as helping themselves, since it meant everyone could get off work on time.” In real life, Deanie Ip and Andy Lau truly have a special ‘mother/son’ relationship and have remained close even now, 30 years later – with regard to Tim Gor’s role in bringing these two together, he states: “Actually, there really wasn’t any special reason why I decided to cast Deanie Ip in the series. My intention at the time was to create a very close-knit, unique mother/son relationship where the two of them could joke with each other and act like sister and brother rather than mother and son. I knew Deanie from years back, around 1972 or so, when I was still in an assistant (場務員) role and she was already singing in “Star Show” – later on, we got the chance to collaborate on a series – I remember that every time I saw her, I noticed that she was always smiling, so she was perfect for the ‘happy mother’ character I had in mind for “The Emissary”.”


‘Golden’ pairing of Chow Yun Fat (周潤發) and Dodo Cheng (鄭裕玲) in “The Good, the Bad, and the Ugly” 《網中人》and “The Fate” 《火鳳凰》

Talking about ‘classic’ collaborations – Tim Gor’s 1979 production “The Good, the Bad, and the Ugly” created the ‘golden’ pairing of Chow Yun Fat (Fat Jai) and Carol (Dodo) Cheng: “Chow Yun Fat’s acting skills are unquestionably great and Dodo is an actress I love collaborating with! I remember back when CTV (Commercial Television) closed down, TVB had bought a lot of that station’s series. One of my scriptwriters at the time told me I should go watch Dodo Cheng’s performance in those series – to be honest, in the past, what time would I have to check out CTV’s series?” [TN: Dodo Cheng started her television career at Commercial Television in the mid 70s – when CTV went bankrupt and TVB bought them out in 1978, she became a TVB artist].

As soon as Tim Gor saw Dodo’s performance, he knew immediately that she was a talented actress – but, how she ended up becoming part of the ‘golden pairing’ with Chow Yun Fat was partly due to fate and the right timing. As we all know, in the series “The Good, the Bad, and the Ugly”, Fat Jai was also paired up with actress Cora Miao (繆騫人) and part of the storyline revolved around which woman he would ultimately choose: “The original plan [for the storyline] was that when a man [Fat Jai’s character Cheng Wai] is faced with two women – one who is a perfect match for him in terms of background, education, and thought process and who he had once been in love with [Dodo’s character Fong Hei Mun] and the other who is his dream ‘goddess’ and who understands him well, takes care of him, and is very considerate of his thoughts and feelings [Cora’s character He Ying] – who will he ultimately choose?”

Before the writers had a chance to make a decision, fate already made the choice for ‘Cheng Wai’: “After Cora Miao resigned in the middle of filming the series, the answer was already obvious, as there was no other choice – Fat Jai will definitely be paired with Dodo in the end. Any other characters who were added as love interests after that (Susanna Au Yeung for example) were all ‘facades’ whose purpose was to ultimately bring Fat Jai and Dodo together and move their relationship forward.” Back when the series aired, TVB claimed to have received 200 letters from audiences on a daily basis complaining about ‘Cheng Wai’ being paired with a different love interest as well as requesting that he and ‘Fong Hei Mun’ reunite. When the pair did get back together in the finale, it appeared that TVB had complied with the audiences wishes, but in reality, Tim Gor already had that ending in mind long ago: “Actually, as soon as He Ying was written out of the script [the character died in a car accident], the storyline of Cheng Wai ultimately getting back together with Fong Hei Mun was already set. When Cora quit, we had to ‘give up’ a lot of the storyline that we had originally planned for her – for instance, we had written that George Lam (林子祥)’s character was originally going to fight Cheng Wai for He Ying, but in the end, his character was forced to ‘disappear’. With much of the storyline gone, there was a huge hole that we had to fill and on such short notice, it was not feasible to switch over artists who were currently filming other series, so in the end, we picked Susanna Au Yeung (歐陽佩珊).” When Tim Gor asked for Susanna’s help to participate in the series, he was very up front with her: “It was necessary to be honest from the start that her character (Au Hui Wah) was ultimately going to die – I told her that it was definitely unfair to her and I felt sorry having to wrong her like that, but since we lost Cora, we really didn’t have much choice.”

In the end, Susanna’s character is killed while trying to save Cheng Wai and his mother and later on, he gets back together with Fong Hei Mun – the series ends with the famous ‘last scene’ where Fat Jai and Dodo kiss for close to 35 seconds, which at that time, was billed as the ‘marathon kiss of the century’: “We never planned the timing of the kiss itself – my only request during filming was that the cart pushing the camera do one full circle. The cart had to be pushed slowly because if it went too fast, the cameraman would get upset – after practicing the speed a few times, we did the official take with Fat Jai and Dodo…we finished in one take.” Why not film a few more takes so that there would be more options to choose from? “Camera film was expensive in those days: it cost almost a dollar a foot, and that didn’t include printing and developing – if you film too many excess scenes, the company didn’t like it!”

The ratings for the series went through the roof and there was also much praise from the audiences. However, there were a few audiences who questioned a few aspects of the storyline: “Some people complained that it didn’t make sense for Fat Jai’s character to ruin his career and life by stealing $100,000 in order to help his mother [played by the late Tang Bik Wan (鄧碧雲)], as he could have easily borrowed that money. When I heard that complaint, I was puzzled – why would someone go borrow $100,000 from someone else for no good reason, especially considering that was the year 1979?” At the time, there were also complaints that Liu Wai Hung (廖偉雄)’s character Cheng Chan eating 30 hamburgers in one shot was unreasonable, to which Tim Gor responded: “Yes, I understand that it is difficult for an ordinary person to eat 30 hamburgers all at once, but the purpose of that scene was to show how foolish and ridiculous the character’s thought process was as well as demonstrate the concept of new immigrants wanting to try Western trends [eating a hamburger].” Indeed, the character of ‘Cheng Chan’ had a huge effect on HK audiences and even helped to coin the phrase ‘Ah Chan’ as a nickname for new immigrants settling in HK from Mainland China: “During that time, it was common for HK people to go back to visit their ancestral relatives in the villages and oftentimes, they would exaggerate how HK was a ‘land of gold’, which caused a lot of Mainlanders to come here illegally. I basically ‘borrowed’ the idea after listening to several brothers from the village tell their stories and based the character on this. As for why we chose the name ‘Ah Chan’ – well, that was due to a lot of the stereotypical nicknames that were prevalent in our old society.”

While “The Good, the Bad, and the Ugly” reflected the struggles of ordinary citizens trying to survive everyday life, Tim Gor’s series “The Fate”《火鳳凰》reflected a different type of struggle – one on a more psychological and emotional level involving the upper eschelons of society. Once again, Chow Yun Fat and Dodo Cheng were paired together – was this arranged by the company given the couple’s popularity from earlier? “No – the most important thing for me is the character and how suited the artist is to portray the role. The main character in “The Fate” is the adopted son of a former triad king and starting from the first scene, there are already scenes involving his background – when it comes to portraying ‘grassroots’ characters, Fat Jai definitely has a knack for it!”

Dodo’s character in the series is the daughter of a rich lawyer, so in order to emphasize the importance of her family’s background, Tim Gor specially purchased a real leather sofa worth ten thousand dollars (remember, this is back in 1981) to use as part of the setting for the scenes involving her home: “Of course, the company complained about the expense, but from my perspective, the family is affluent and in order to match the background and storyline, it made sense to have an expensive sofa – would you expect them to have a sofa made from cheap fabric in their home? Besides, I only bought that one piece of furniture!” Tim Gor was persistent, but it paid off: “Sure, I got yelled at a little, but I don’t care – as long as I’m able to put the investment to good use and it pays off, those people will stop complaining.”


Filming grand production anniversary series “The Yang’s Saga” 《楊家將》

In 1985, the ‘golden couple’ of Chow Yun Fat and Dodo Cheng was taken to a different level – both became ‘deities’! In the grand anniversary series “The Yang’s Saga”, Fat Jai played Lui Dong Bun and Dodo played Ho Sin Gu [TN: historical characters], however both roles were only cameos that they agreed to do to help the company [TVB] fight a war: “At the time, the ratings for flagship program EYT had dropped drastically (and the company had to battle ATV’s Miss Asia pageant finals) – in order to fight back, the company ordered that all their resources be utilized for a grand production and filming had to commence 10 days from the order being handed down. Back then, the organization and structure of the company was strong – as soon as the order was received, we notified the Artists department and they immediately posted letters to all the artists’ lockers letting them know to be prepared. Artists such as Fat Jai, Dodo, Maggie [Cheung] all had series that they were currently filming, so they were asked to return for 1 or 2 days only to film cameo roles as ‘deities’. The director at that time was Johnnie To (杜琪峰) and he asked me how deities were supposed to appear, as it’s not ‘realistic’ to have them just walk out – after some thought, I realized he was right. The result was that we created a precedent by utilizing 18 wires all at once to have all the deities ‘fly’ out in the first scene of the series!”

The reason why the historical story of the Yangs was chosen for this series was primarily due to the short timeframe with which the series needed to be filmed and released: “If we had done a modern series instead, we would have had to spend too much time explaining the story to audiences and promotion of the series would be too strenuous – however as soon as we say “The Yang’s Saga”, everyone already knows the story.” With the popularity of the 5 Tigers at the time, it made sense that they would be recruited to play major roles in the production: “Michael Miu, Felix Wong, Andy Lau, and Tony Leung were arranged to play the roles of the 4th, 5th, 6th, and 7th Yang brothers, all of whom carried much of the storyline – the personalities and mannerisms fit perfectly.” (Kent Tong did not participate because he was on hiatus due to Barbara Yung’s passing).

In the studio, everyone was originally in high spirits and ready to fight the battle, however after filming nonstop for a few days without any sleep, the situation became a bit volatile: “Everyone hadn’t slept for days, many people were in bad moods, and people were complaining. Johnnie To was pretty much yelling at people left and right – if the crew did their jobs quickly, then of course everything would be fine, but if they slowed down a little bit, then he would get upset and yell. At this point, I had no choice but to be the mediator and help settle things.” But Tim Gor also was filming without rest, right along with them: “Yes, but if I got upset too, we’d be dead! I had to keep the big picture into consideration.”

Tim Gor is definitely deserving of the title ‘natural born leader’!

Wednesday, September 14, 2011

Weibo Fever # 7: The Return of a Classic – E.Y.T. Skit “The Shrimp Family (蝦仔爹哋)”



70s/80s TVB fans take note! Those of you who miss TVB’s famous long-running flagship variety show “Enjoy Yourself Tonight” (known as E.Y.T for short), which ran for 27 years (from November 1967 to October 1994) are in for a treat – one of the most popular skits from the show is coming to a theater near you! Well, sort of….

Long time TVB fans may remember “The Shrimp Family (蝦仔爹哋)”, a hilarious skit within the E.Y.T. program that starred veteran comedic actor Lo Hoi Pang, comedic (and serious) actress Meg Lam, singer/actor Louie Castro, singer/actor Tam Bing Mun, and actresses Jamie Chik, Helena Law, and Sandra Ng (main cast) plus cameos from many famous HK stars throughout the 70s, 80s, and early 90s. The skit played out live in front of audiences every week (the E.Y.T. program aired every night, Monday to Friday, back then) and much of the dialogue was ad-libbed right on the spot by the actors and actresses (especially the immensely talented and funny Lo Hoi Pang) each time.

I pretty much grew up watching E.Y.T. and I remember laughing so hard at the skits (especially “The Shrimp Family”) that my insides would hurt afterwards! And it was definitely a lot of fun to see which famous celebrity would ‘guest star’ each time and also see how Lo Hoi Pang would make up dialogue on the spot and ‘trick’ the other artists, causing them to burst out laughing instead of saying their lines (that’s the beauty of doing the skit live!). The skit was definitely one of the highlights of E.Y.T. and will go down in HK entertainment history as one of the “classic” skits of all time.

As a treat for us ‘old-timer’ fans, the cast of “The Shrimp Family” will be re-uniting next this month (September 20th to 23rd) and the skit will be turned into a stage play, complete with musical numbers, singing, and dancing. And that’s not all – due to Louie Castro and Jamie Chik’s connections in the industry, they have invited many of their famous friends from within the HK entertainment industry to participate in the stage play, taking on cameo roles!

In addition to the regular cast consisting of Lo Hoi Pang, Meg, Jamie, and Louie, plus ‘newer generation’ artists Hanjin Tan, Jerry Lamb, and Oscar Leung, here’s just a partial list of some of the ‘guests’ who will also be participating (I’m sure that long-time TVB watchers will recognize most, if not all, the names): Dodo Cheng, Teresa Mo, Felix Wong, Michael Miu, Eric Tsang, Nat Chan, Susanna Kwan, Annie Liu, Elvina Kong, Michelle Yim, Yu Mo Lian, and Mak Jing Ting (formerly known as Mak Lai Hung). It was recently announced that a few famous singers will also join the cast with cameo roles, including Eason Chan, Miriam Yeung, and Sammi Cheng.

Wow such a stellar veteran cast and so many great guest stars, this will definitely be an awesome event! Just reading the cast list and seeing all of the ‘behind the scenes’ pictures (as well as reading all the articles and posts on Weibo) already made me feel as though I have been transported back to the ‘Golden Era’ of the 1980s and definitely brings back so many awesome memories! My only regret is that I don’t live in HK, so I won’t be able to watch the stage play live (darn!) – I guess all I can do is read up on it and also hope (more like pray hard) that they will end up doing a tour of sorts and perhaps come to the U.S. to perform (pretty please with a cherry on top?!?!?!). NOTE TO THOSE WHO LIVE IN HK: If you’re a long-time TVB fan and/or HK entertainment follower, you have to go watch this!

Anyway, here are a few pictures from the behind the scenes dress rehearsals and practices in preparation for the ‘main event’ in a few weeks (courtesy of Louie Castro’s Weibo).

There will definitely be more follow up posts to come on this...but in the meantime, enjoy!!

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All Photos credited as listed.