Showing posts with label Deno Cheung 張松枝. Show all posts
Showing posts with label Deno Cheung 張松枝. Show all posts

Saturday, December 29, 2012

Interview with former TVB veteran actor Deno Cheung: The ‘spoiled young master’ endures with all his might

Here's an article I came across last week about another 'veteran' former TVB green leaf artist whom I 'grew up' watching (well, sort of):  actor Deno Cheung. 

I actually first started noticing Deno in the series Untraceable Evidence where he played a rookie cop who reported to Bowie Lam's character (it was also the first series where I started to notice Koo Ming Wah as well).  Even though I do remember Deno also from DIF 2 (his first series) where he also played a rookie cop (though reporting to Michael Tao this time), his role was really not as significant compared to the one in UE -- plus he had mostly 'group' scenes, so he didn't really stand out. 

For me, the 2 series that really caused me to get to know Deno more and appreciate his acting were Rural Hero and Plain Love II.  He had pretty significant roles in both series (in fact, if I remember correctly, in Rural Hero, I believe he was even billed as '3rd male lead' after Roger Kwok and Jackie Lui) and his performances in both really left an impression on me.  To be honest, even though I don't really consider the 'spoiled younger master' role a villain persay (especially not in Plain Love II, since Deno's 'Young Master Wing' in that series actually does turn good in the end if I recall correctly), the article was definitely correct in saying that Deno has turned that particular type of role into his 'specialty' over the years -- nowadays, whenever I think of a spoiled young master, the first person who comes to mind is Deno!

Deno left TVB in June of this year and currently works for HKTV (CTI) -- so far, he has filmed 2 series for HKTV (Three Sides of Shape Doctors and Police Boundaries) and I'm sure there are more in the works.  I had actually read an interview that Deno did a couple months back where he talked about why he left TVB and since then, there's been a lingering question in my mind that I don't think I'll ever find out the answer to:  Deno is one of those artists who has both the looks as well as acting talent plus good work ethics (which is a rare combination actually), so you'd think that TVB would be 'jumping' to promote him, right?  Um, well, apparently not, since it looks like TVB pretty much 'ignored' him for most of his 18 year tenure with them (I mean, he's probably been in close to 100 series but yet, he only had a handful of 'decent' roles....such a huge imbalance!) -- that's the part that doesn't make much sense to me.  Oh and I'm sorry, but to not give your employees a pay raise for 12 years when they've obviously been performing above standard throughout that time is just completely WRONG (and I'm speaking from the perspective of an employer as well as a business person here)!!  No wonder Deno made the decision to leave TVB!  Even though HKTV doesn't have their license yet, at least Deno is getting opportunities over there that he never would have gotten if he had stayed with TVB (not to mention he's getting better treatment as well as respect from his new employer).

Anyway....back to the article -- it's actually a pretty interesting read, as it reveals quite alot about Deno as well as about his former employer (TVB).  Hope you enjoy reading it as much as I did!

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Interview with former TVB veteran actor Deno Cheung:  The ‘spoiled young master’ endures with all his might

Source:  HKChannel
 
Translation:  llwy12
 


Having toiled silently at TVB for 18 years, Deno Cheung (張松枝) is best known for his villain roles, which he started playing back in 1999 when he portrayed the role of a spoiled, rich young master in the series Plain Love II (茶是故鄉濃) – since then, that ‘spoiled young master’ image stuck with him and had become his ‘specialty’ role of sorts over the years.  Fortunately for him, audiences seem to like and appreciate Deno’s villain roles – when fans bump into him on the street, they ‘chide’ him for being ‘such a bad person’ [referring to his characters in the series], but yet at the same time, they have smiles on their faces.  This little bit of ‘recognition’ can be attributed to the years of hard work and effort that Deno put in to building his career.  At one point, Deno reveals his experience of almost going into shock while filming a particularly strenuous scene, yet at the end of the day, he endured it with all his might and successfully completed the filming.

Deno Cheung entered the industry when he was 20 years old.  He recalls how he was swimming at a beach in Shek O one day where, coincidentally, a commercial was being filmed – the PA (production assistant) went over to him and asked if he wanted to participate, and just like that, his filming career began.  In those first few years, Deno filmed commercials for all sorts of products, including toothpaste, M&Ms, real estate, etc.   During the height of the karaoke craze in the early 90s, Deno switched to filming karaoke MVs (music videos) – in 4 short years, he filmed close to a thousand MVs and got the opportunity to work with some of HK’s most popular singers at the time, such as Kelly Chen (陳慧琳), Cass Pang (彭羚), etc.  Deno recalls those early years with fondness:  “Back then, we filmed 4 days a week and sometimes, we would even travel offsite to various locations.”  Asked about his experience filming the MV for music queen Kelly Chen’s hit ‘Care Too Much About You’ (對你太在乎), Deno smiled and praised Kelly’s down-to-earth personality:  “I remember how much she loved talking about food!  During filming, she would constantly ask what we would be eating for lunch and where we should eat when we got off work!”


No pay raise for 12 years

It turns out that filming MVs was actually only a ‘side job’ for Deno – his ‘real’ job was in mechanics:  “My friend had a company that specialized in buying second hand cell phones from Japan, refurbishing them in HK, then selling them in Mainland China -- since I had studied mechanical engineering, I was the one responsible for refurbishing the phones.  It wasn’t really a full time job, so I still had time to film MVs on the side.”  So with 2 salaries coming in, life must have been worry-free then?  With a slight smile, Deno replied:  “Worry-free?  Of course not -- in fact, the work was quite arduous!  Later on, I joined a certain company [TVB] and in a few years, that ‘double income’ was gone.”

In 1994, through a friend who worked behind-the-scenes at TVB, Deno was introduced to the station’s manager of the artists’ department at the time, Hsiao Siu Ming (蕭笑鳴).  [TN:  蕭笑鳴  left TVB not too long after Virginia Lok took over the Artists’ Department in 2004;  she is the wife of TVB’s production head Tommy Leung (梁家樹) and the mother of TVB actress Toby Leung (梁靖琪)].   After meeting with ‘Ba Jeh’ (Hsiao Siu Ming’s nickname), Deno signed with TVB and with that, started his 18 year ‘relationship’ with the company.  Deno expressed that his early years with TVB were the happiest – at one point, he was practically filming non-stop and participated in so many series that he was able to accumulate over 290 ‘shows’ in one year!  However, all of that changed in 2000 when, during the filming of the series Gods of Honour (封神榜), TVB held up Deno’s schedule for 7 months, yet only had him film for 3 days – as a result, Deno didn’t have enough ‘shows’ to fulfill his contract and had to rely on his meager salary from previous months to survive.  Luckily, the next year, producer Lau Shi Yu (劉仕裕) invited him to participate in the series Country Spirit (酒是故鄉醇), which allowed him to ‘recover’ the lost wages.  Deno revealed that for 12 years, he was never given a pay raise, which definitely made life difficult:  “Luckily, I consistently had work and was very careful about spending money – at least eating the boxed lunches at TVB helped me save a lot of money on food!”


Filming action scenes in extremely hot weather almost sent him into shock

As the saying goes:  ‘One minute on stage takes ten years of practice/hard work (台上一分鐘,台下十年功) – this has definitely been true in Deno Cheung’s case.  Deno expressed that from the moment he joined TVB and filmed his first series, he was already ‘learning’ from the many experienced artists he collaborated with – one of those artists was actor Michael Tao (陶大宇):  “Back when I participated in Detective Investigation Files 2 (刑事偵緝檔案II), I got the chance to work closely with Michael practically every day.   Every time we had scenes to film together, I would practice by looking through the script and try to memorize all his lines, then imagine myself filming the scene in his position – when it came time to actually film the scene, I would observe the way Michael did it and see if there were any similarities with the way I practiced it – this was my way of learning.  After that, I started doing the same thing with every series and slowly, it helped me learn a lot about acting – more importantly though, it also helped me develop a good memory.    I remember back when I filmed Eternal Happiness (再生緣), I had a scene with Raymond Lam (林峯) where my character had 5 pages of dialogue – we did that scene in one take!  Another time, when filming a scene for Country Spirit with Paul Chun (秦沛), my character had 3 full pages of dialogue for that particular segment.  At first, I thought that since I was somewhat of a ‘newcomer’ at the time, Paul Gor wouldn’t pay much attention to me, but then, as I was practicing that particular scene with the director, Paul Gor heard me reciting those 3 pages of dialogue practically in one breath – when he noticed me practicing that scene, he immediately told the people around me to keep the noise level down so that I could concentrate.  Seeing him do this truly made me feel very happy in my heart!”

In one of his last series with TVB, 2012’s Three Kingdoms RPG (回到三國), Deno played the historical character of Zhao Zi Long (趙子龍) – his performance was very well-received by audiences.  Deno expressed that even though he already knew going into it that the character wouldn’t have much screen time, it was still important for him to do the best job he possibly could with it:  “The action choreographer told me that at the end of the day, I’m the one in front of the audiences and so how much effort I put in to doing the action scenes, the audiences will definitely notice.  The 2 days that we spent filming those scenes were very grueling and arduous.  Coincidentally, that was also the time when the extras [temporary workers] went on strike – originally I was told that there would be 50 extras filming the scenes, however when I arrived, I found out that there were no extras at all due to the strike.  Therefore, the production team had to call around last minute and eventually were able to find 10 students from the acting classes and 5 stuntmen to serve as extras – since we would have to re-use the same people as extras in the other scenes, we couldn’t have the cameras focus on them too much, so the cameras ended up being focused more on me and showing them fighting in the background with their backs toward me.  This meant that I would actually have to be the one ‘fighting’ the entire time – throughout the filming, I felt like I had ‘died’ 4 times because we were filming outside under extremely hot weather with heavy costumes and armor.  In between some of the fighting sequences, I would have to rest for 5 to 10 minutes to catch my breath and drink water – it was so strenuous that I almost went into a state of shock!  I ended up drinking 8 bottles of water just filming those scenes alone!”  Looking back now, Deno expressed that even though the filming was exhausting, the memory of that collaboration was a happy one, as he was able to work together with the production team to overcome the difficulties and finish the scenes.

In many of the series he participated in, Deno often played similar characters:  the spoiled young master, the chap who betrays his triad boss, and other similar ‘villain’ characters – towards this, Deno laughed and stated:  “Sure I would like to play other types of characters such as comical ones for example, but it rarely happened.  Actually, come to think of it, producer Poon Ka Tak (潘嘉德) helped me a lot in the beginning, as he was the one who initially gave me the ‘good guy’ roles to play, such as the ones in Rural Hero (離島特警), Untraceable Evidence (鑑證實錄), The Awakening Story (婚前昏後), etc., but later on, even he started asking me to do villain roles too…haha!  In terms of the ‘spoiled young master’ character, producer Lau Shi Yu (劉仕裕) was actually the first one to have me play this type of role back during Plain Love II (茶是故鄉濃) – from that time on, I continued playing that role.”   Even though Deno did play a lot of typecasted roles, at least his performances were well-received by audiences – in fact, a netizen recently suggested that Deno should get together with other ‘known villains’  [artists who regularly play villain characters in series] such as Timothy Cheng (鄭子誠), Ricky Wong Chung Tong (王俊棠), Wong Man Piu (黃文標), and Cheng Kar Sheng (鄭家生) to film a ‘battle of the villains’ series:  “Hey, if you send the idea to HKTV (CTI), there’s a huge possibility it might happen, as there is a lot of flexibility with their series – it could be 5 episodes, 10 episodes, even more!  Since there’s 5 of us, we could do a 5 episode series and it would only take 1 week to air!”

Friday, August 24, 2012

Follow up Post: Details on 3 Additional CTI Series Announced Recently

Recently (a couple days ago), CTI held a press conference announcing the newest series that the company will start filming soon (a medical drama starring Frankie Lam and John Chiang). This is actually the 6th series that has been officially announced, with more to be announced in the upcoming months/weeks (2 more I know of for sure is Felix Wong's series with his daughter Adrian and also Maggie Cheung's series with Prudence Liew).

I actually posted a little bit about the first 3 series that CTI had announced awhile back ago (you can read about those 3 series here)...but now with more series being announced (and the 'revelation' of more artists who have joined CTI), I figured it would be an appropriate time to post a ‘followup’ detailing the remaining 3 series that have already been announced -- including the official plot summaries and cast lists that were released during the press conferences that were held for each series. I decided to do this post partly for those whom I've been discussing CTI's series with in forums and on my blog (you know who you are...LOL!), but also partly for myself, since there is so much information out there now that it's easy to get confused.

Hope this provides a bit of clarification (and insight) as to what CTI has in store for HK audiences when they finally 'open their doors' sometime next year (depending on when the government decides to issue their license).

Also, due to some discussions I’ve had with various people over the past few months, I felt the need to clarify a few things...

For the record, the reason why I’ve been posting a lot of stuff about CTI on my blog is NOT because I support CTI (because to be honest, I really can't 'support' them right now because 1) they're too new and I don't have enough info / history to go off of yet and so I refuse to blindly support a person / company until I know more, and 2) I still have some reservations about the company and its chairman Ricky Wong) nor is it because I want to see the downfall of TVB....[sure, I criticize TVB alot -- probably to the point of being annoying to some people -- but that's because my family and I have supported TVB for more than 3 decades and it pains me to see how 'far from the tree' they have fallen, so my constant 'constructive' criticism is my last ditch attempt to hopefully pound some sense into the (lame) management over there before they run the station to the ground (some people feel they already have)].

Rather, I post about CTI and its series because 1) they’re pretty much the only one out of the three stations that are actually filming series right now, and 2) as a long-time follower / supporter of the HK television industry in general, I'm disappointed with how much the industry has deteriorated and strongly feel that in order for the industry to 'get back on its feet', (healthy) competition is definitely necessary because, well, competition drives improvement (yes, that's the business person in me talking again...). So essentially, I guess you could say that I support the overall cause of having new free-to-air TV stations in HK because I want to see the industry flourish again. Some people may think that this is wishful thinking on my part (which I'm ok with), but I'm actually looking forward to the day when all the TV stations can co-exist together and produce quality programming for us viewers -- after all, isn't that what a TV station at its core should ultimately be about?

Anyway, here are the details on 3 more series that CTI has announced over the past 2 months -- filming has already started on all 3 series:

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The Second Life (第二人生)

Copy Editors: Lee Yee Wah (李綺華) and Suen Ho Ho (孫浩浩)
Main Director: Chan San Hap (陳新俠)

Filming Dates: July 2012
Length: 15 episodes

Cast: Wilfred Lau (劉浩龍), Terence Yin (尹子維), Bondy Chiu (趙學而), Joey Tang (鄧建明), Patrick Lui (雷有暉), Ann Ho (何紫綸), Maria Chen (陳霽平), Samuel Kwok (郭峰), Anita Chan (陳穎妍), Bonnie Wong (黃文慧), Wong Ching (王青), Mannor Chan (陳曼娜), Nick Chong (莊兆麟), Emily Wong (王歌慧), Ricksen Tam (譚晴), Wong Mei Kei (黃美棋), Cherry Pau (鮑康兒), Chan On Ying (陳安瑩), Jim Bing Hei (詹秉熙), Annie Cheung (張雅麗), Joyce Giann Wong (黃瑩), etc

Plot Summary:
After living for several decades, when one has reached middle age, we start to complain about the pressures and failures that we’ve experienced and regret those ‘missed opportunities’ from the past. But for someone who doesn’t have any dreams or aspirations, what is the point of living a life of such uselessness? The series will explore how the main characters, while going through a low period in their lives, will encounter a situation that gives them the opportunity to change history – however, once the history is changed, they discover that their lives did not become better than it was before. This makes them realize that instead of constantly fretting about the past, why not seize the opportunities they have presently and live life to the fullest?

Additional Notes: This is one of those ‘tales of encouragement’ series that will explore various relationships between siblings, family, friends, and lovers.



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Police Boundaries (警界線)

Creative Producer: Chu King Kei (朱鏡祺)
Copy Editor: Lau Siu Kuan (劉小群)
Main Director: So Man Chong (蘇萬聰)

Filming Dates: Mid-July (movie) / Mid-October (TV series)
Length: 21 Episodes

Cast:  Liu Kai Chi (廖啟智), Dominic Lam (林嘉華), Leila Tong (唐寧), Lawrence Chou (周俊偉), Joman Chiang (蔣祖曼), Annie Liu (廖安麗), Philip Keung (姜皓文), Crystal Leung (梁寶琪), Lui Hei (呂熙), Deno Cheung (張松枝), Cheng Ka Sheng (鄭家生), Felix Lok (駱應鈞), Lam Lei (林利), Yu Mo Lian (余慕蓮), Luk Chun Kwong (陸駿光), etc.

Plot Summary: 
Haivng a clear separation between black and white, placing heavy emphasis on discipline – both are the most important ‘boundaries’ for a cop. But if those boundaries are broken through and cops collaborate with crooks, the investigative process as well as the probability of cracking the case becomes limitlessly greater. A 12 year undercover agent living on the edge, a hot-tempered cop who once broke out of jail after he was framed for crime, a ‘King of Robbers’ who was once jailed for a crime he didn’t commit and now specializes in robbing crooks, a ‘spinster’ female cop who had never fired a single shot in her life and relies on her wits as well as life experiences to ‘figure out’ criminals, a fugitive from the law who is obsessed with female cops but always puts righteousness ahead of all else, and finally a high-ranking female officer who is also a military weapons expert – together, they will match wits as well as match strength. Out of this will come not only love, hate, and sparks, it will also break all boundaries – joining forces to crack cold cases and locate criminals, it creates an entirely different battlefield. Through blood, tears, life, and death, these most ‘hot-blooded’ of cops and criminals manifest the brilliance of human nature, leaving behind one touching, heart-stopping story after another.

Additional Notes: The series will technically be 20 episodes, as the first episode will be a movie that sets up the scene and the story will continue on in the TV series. Also, CTI’s chairman Ricky Wong specially arranged for all the artists participating in this series to take lessons at a real life firing range using real guns.




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Three Sided Face Doctors (三面形醫) [Not official English title]

Copy Editor: Choi Ting Ting
Screenwriters: Sin Siu Ling, Man Kin Fai, Ho Lo Yan
Main Director: Kwan Shu Ming

Filming Dates: September
Length: 20 Episodes

Cast:  Frankie Lam (林文龍), John Chiang (姜大衛), Wilson Tsui (艾威), Kate Yeung (楊淇), Sam Chan (陳宇琛), Leanne Ho (何思諺), Lesley Chiang (姜麗文), Rain Lau (劉玉翠), Benji Chiang (姜文杰), Queenie Chan (陳莉敏), Rachel Lam (林熹瞳), Lee Cheuk Ling (李卓寧), Yetta Tse (謝珊珊), Deno Cheung (張松枝), Carlos Chan (陳家樂), Yan Ng (吳日言), Maria Chen (陳霽平), Philip Keung (姜皓文), Wong Gwan Bun (黃冠斌) , Damon Law (羅貫峰), etc.

Plot Summary:
Humans are naturally born to love beauty. Alot of people put on makeup, do beauty treatments, some even opt for plastic surgery -- but there are probably not many people who are willing to look directly into a mirror and comfortably, naturally, peel away their glamorous 'outer skin' and reveal the rawest, most hidden side of themselves. That's why all along, doctors are only able to heal our physical bodies, but not our hearts. Ultimately, the 'root cause' of alot of illnesses does not stray far from what we call 'humanity' (renxing)!

Utilizing the story of a plastic surgeon joining a franchised medical treatment conglomerate as basis and adding in a 'discussion' of a few recent controversial 'hot topics', the series will attempt to critique the value system of mainstream modern society in the hopes of inspring the general public to reflect on the definition of 'beauty' and how it relates to their own value system. At the same time, it hopes to be the 'voice' for different levels of people in society and thereby resonate with audiences.

Additional Notes about series:   Through the story of doctors and their patients as well as the various inner and outer conflicts that a medical treatment conglomerate experiences, hope to demonstrate the 'real' side of humanity.  This will be the first series in HK television history to present the 'true face' of medical surgeries.  There will be a television version as well as a web version of the series -- the web version will reveal the real life process involved in plastic surgeries.