Showing posts with label Teresa Mo 毛舜筠. Show all posts
Showing posts with label Teresa Mo 毛舜筠. Show all posts

Monday, March 19, 2018

Entertainment Newsreel #5: Mostly movies and a little bit of TV news...


Lots of movie news this past week due to the start of FILMART + HK Film Festival and also award show season with the Asian Film Awards and Director's Guild Awards, so the focus this time will be on movie industry news.  There is some TV industry news too, but not as much compared to the recent happenings in the film world.

Also, FILMART actually just started yesterday but I didn't want to wait until the end of the week to do this post, since there is so much info already, so if need be, I'll do a follow up later in the week to cover whatever may emerge from there, whether movies or television (I actually have a feeling the news we are waiting for on OCTB will be announced at FILMART – just a hunch, no inside info or anything….anyway, I'll post something up once I hear further).


Movie industry news

ASIAN FILM AWARDS & DIRECTORS GUILD AWARDS

-          The big news coming out of the HK film world this week (aside from Leon's news but I'll get to that later) has to do with one of this generation's most prolific movie actors – Louis Koo.   This year's Asian Film Awards and Director's Guild Awards were held within days of each other and Louis won Best Actor at both award ceremonies (for his role in the movie Paradox, the much touted second installment in the SPL franchise).   As Louis himself said during his acceptance speech at the Asian Film Awards (which was held first), this is his first ever movie-related award so of course it means a lot to him.  I'm glad to hear him say this because in my opinion, being able to win at the Asian Film Awards is more "prestigious" than winning in one of HK's awards shows because the artists are going up against other artists / movies from across Asia – to be able to defeat other talented actors outside of Hong Kong is quite an accomplishment!  Congrats to Louis!!

-          Personally, I've never been a fan of Louis' acting, whether back when he was at TVB or after entering the movie world and filming boatloads of movies (honestly, the word "prolific" is an understatement – at one point, Louis seemed to be in every single movie out there, lol).  Don't ask me to explain why because I don't know – his acting just never appealed to me for some reason.  With that said though, I do have a lot of respect for Louis as a person and that respect has grown over the years after learning about his charity work (which he rarely talks about) as well as seeing his contributions to the film industry and his efforts at improving the industry as a whole.  [Sidenote: Louis was recently voted in as HKPAG (Hong Kong Performing Artists Guild) Chairman (taking over for previous Chairman Jackie Chan) and hearing his ideas on how he plans to support the industry was very encouraging!]  I'm happy for Louis with both his wins and I'm sure this is a boost of confidence for him heading into the HK Film Awards next month – he's up against some tough competition though so even though he is the "hot favorite" to take him the award there too, the results are hard to predict so let's see what happens.

-          At the Director's Guild Awards, the highlight of Louis' win is that people kept playfully teasing him about going up on stage and gracing the audience with his singing again.  This was actually a reference to Louis attending the annual HK Film Workers' Spring Dinner event last week  where he was pulled on stage during one of the performances and invited to sing a few lines from one of his songs with them.  Louis actually obliged (and was very gracious about it) – the video of him singing was uploaded online and of course it took the internet by storm, since it's very rare nowadays for Louis to be willing to open his "golden mouth" to sing.  So now, at every event, his colleagues as well as the reporters "tease" him about going on stage and singing for them – of course, Louis politely turns everyone down, but I love that he is so good-humored about it, even playing along with them in some instances and "pretending" to leave when the word "singing" is mentioned, lol.  It's rare for us to see Louis' playful side (he always looks so cool and serious) so I can definitely see why everyone is taking the opportunity to "tease" him while it lasts.  My respect for Louis actually went up a few notches this past week after seeing how he handled the whole "singing" thing….

-          On the Best Actress front – Sylvia Chang took home the Best Actress award at the Asian Film Awards for her performance in Love Education, which she also directed.  She wasn't able to repeat the win at the Directors Guild Award, however she did end up taking home the Best Director Award at that ceremony.

-          The winner(s) of the Best Actress award at the Directors Guild Awards ceremony were Teresa Mo for Tomorrow is Another Day and Stephy Tang for The Empty Hands.  Yes, you heard right – there were 2 winners for Best Actress because both actresses ended up in a tie and so the Guild decided to award both.  There's actually a funny story to this, which Teresa Mo told during her acceptance speech.  Teresa said that she threw away her husband Tony Au's voting form for these awards because he was away on a trip and she didn't feel it was right to vote on his behalf, even though she knew that he would've cast his vote for her in the Best Actress category anyway.  It turns out that 'one vote' mattered in this case, since it meant the difference between her winning the award and having to share it. 

-          The Best Actress race at the HK Film Awards next month will be interesting, as all three actresses -- Sylvia Chang, Teresa Mo, and Stephy Tang – are in contention for the coveted award (rounding out the category are Zhou Xun for Our Time Will Come and Chrissie Chau for 29+1).  The Directors Guild Awards is generally seen as a precursor to HKFA, as the winners there usually go in to win at the HKFA as well – true or not, I'm pretty sure they are not going to do another "shared win" thing at HKFA (can't remember the last time – if ever – that they had such a win at HKFA).  Personally, I'm rooting for Teresa (since she's an awesome actress and also one of my favorites) – this will be her 7th time being nominated for HKFA Best Actress so it's about time she won, though in all honesty, doesn't really matter to me who wins since I haven't watched any of the nominated films this year so can't really complain.  From various reports, I know that Stephy has done a great job this year and has already won multiple Best Actress awards already at other awards shows, so she is definitely the "hot favorite" going into HKFA, however I think both Teresa and Sylvia will give her a run for her money.  I'm fine with whoever ends up winning in this category. 


OTHER MOVIE-RELATED NEWS

-          Speaking of Louis Koo – I'm sure Louis fans will be happy to know that there is finally more news on the movie version of his "classic" TVB series A Step into the Past.  Rumors have been circulating for several years already that Louis plans to do a movie version of the series and invite back the original cast to participate.  It was confirmed last year that Louis will indeed be producing the movie and starring in it, but beyond that, there weren't a whole lot of details available.  Well, yesterday at FILMART, they unveiled the official poster for the movie and provided some more details as follows:

o   The Chinese name of the movie will be the same as the series but the English name will now be called Back to the Past. 

o   Louis's own production company One Cool Film will be producing this, which I assume means that Louis will be given the Executive Producer title for the project (I didn't catch who the director will be though), however this will also be a co-production with Mainland company Huace Pictures.

o   Filming is scheduled to begin at the end of the year.

o   Confirmed "original" cast from the series are Louis, Raymond Lam, and Jessica Hsuan (this is actually not surprising, as it was already revealed earlier on that both Raymond and Jessica signed to Louis' management company, so it makes sense that they would re-unite for this film).  

o   The big question now is whether other "original" cast members will return as well.  There was no mention of additional cast at FILMART (at least not yet), so no doubt there will be further announcements and possibly press conference forthcoming in the next few months.  Current speculation though is that most likely the rest of the cast won't return, since majority of them have retired from the industry already or are have other filming obligations, plus the movie is a co-production with Mainland, which means that they have to save a few of the "top" roles for Mainland artists. 

-          My take – I was never a fan of ASITP the series so I'm indifferent toward the news of a movie version now being filmed, but I know a lot of people out there loved the series, so if those of you reading this are a fan of the series, I'm curious to hear your thoughts – please feel free to comment!  The way I see it, one good thing about this production is that Louis is producing it himself and with how involved he had been in the series (supposedly he had even written parts of the original script) and how much he cared about it, at least you know he will put in the effort to make it good and not butcher it like others would (I'm sure people still remember the previous movie remakes of TVB series that were done by different companies and ended up being horrible / un-watchable).     

-          The other "big" movie industry news (though technically not really specifically movie-related but since the artist is a film actor now, figured putting it here was more appropriate) this week – this one is "hot off the press"….Heavenly King Leon Lai finally confirmed that he will become a dad soon.  For those who were not aware (which is kind of impossible given how big this news has been, lol), media reports had surfaced last week that Leon and his assistant Wing (she works for his record label A-Music) were dating and that Wing was photographed with a bulging belly, which in the HK media world, meant that she is "most likely" pregnant.  So of course, rumors started flying that Leon will be a dad soon, though he had yet to confirm anything.  Leon had actually attended FILMART yesterday and refused to say anything when reporters asked him, but then a few hours later he posted a formal announcement on his Facebook page confirming the news that he and his girlfriend are indeed expecting (I'm sure all the media outlets – Chinese and English – will be re-posting his FB post so not going to bother posting it here).  With Leon joining the ranks of fatherhood now, he is the last of the 4 Heavenly Kings to settle down and start a family (though whether he will marry Wing or not remains to be seen – there was no mention of marriage in the post, only that he will become a father soon).  Congrats to Leon!  Even though I'm not a fan of his, I'm still happy for him, as having a child is a huge milestone and deserves to be recognized.



TV Industry news

HKTV

-          The big news in terms of HKTV is that they have sold the rights to their series to i-cable arm Fantastic Television, who will be airing their series on their free-to-air channel starting on April 17th.  I won't go into detail here, since I already wrote up a  post on this a couple days ago and also stated my thoughts on this already.  Those that are interested can read that post here.


FOX ASIA

-          Fox Asia released a new extended trailer for their series Stain'd.  The trailer is 2 minutes, 12 seconds long and all 3 A-list leads – Anthony Wong, Kara Hui, Tse Kwan Ho – are featured.  This article from HK01 has a link to the trailer so you can watch it there, though I'm sure Fox Asia's webpage and also Youtube channel have it as well.  I actually haven't had a chance to watch it yet so can't really comment right now, but once I do get around to watching it, I'll definitely post something up about it.  Also, if I hear any news about when Fox Asia's series are scheduled to air, I'll make sure to post an update.


OTHER TV INDUSTRY NEWS

-          This one I'm actually excited about!!  If, like me, you're a fan of the TVB series Untraceable Evidence and have been "dying" for another Bowie Lam / Flora Chan collaboration (they did film Healing Hands together, but I wasn't a fan of that series / franchise so that doesn't really count, lol), rest assured that your (our) wish might be granted some time in the near future.  Bowie and Flora attended an event the other day (no, nothing related to entertainment stuff – it was an environmental / beach cleaning event that was sponsored by one of their mutual friends, former actress Sharon Kwok) and so reporters seized the opportunity to ask them when they are going to fulfill fans' wishes for them to collaborate again.  Bowie said that it's something he and Flora have talked about and that when they had their Untraceable Evidence cast reunion dinner a few weeks ago (I saw the pictures – ah, the memories!!!), he had already told Flora to save some room in her schedule for him.  Flora's answer was more of a "we'll see" response because she is currently working on her PhD in Education and so her schooling comes first (aside from her family of course).  She said that she had agreed to film that program about marriage for ViuTV because it fit her schedule for one, and two, they allowed her to produce the program and gave her free reign to do the program how she wanted, so she decided to add some educational elements to the show. 

-          Bowie opened his own production company recently and currently has a few scripts on hand that he is reading through (I wrote in my Entertainment Newsreel #4 about Bowie's plans to produce  and star in his own series – you can read the details here) – he said that from day one of opening his production company, he was already planning to invite Flora for another collaboration.  He said that there will definitely be another chance for them to collaborate again, but he can't confirm when that will be due to Flora's studies being her top priority right now.  Both of them are for it though, so it's just a matter of time. 

-          As a fan of the Bowie/Flora pairing in UE, I'm one of those waiting for them to collaborate again.  Now that Bowie has his own production company and the freedom to film whatever he wants, looks like we are closer than ever to seeing another collaboration between these two, the only thing is timing.  Flora did say during their joint interview that she also wants to collaborate with Bowie again, however she still has another 3 years to go in terms of her studies (for her PhD) so it will really depend on whether she is able to carve out some time in between.  I'm secretly praying that Flora will find the time in between her studies to take Bowie up on his offer.  PLEASE PLEASE Flora, please don't make us wait 3 years for another collaboration! 

Tuesday, April 9, 2013

My ‘TVB Rant’ # 24: Will the TVB ‘Name-Dropping’ Ever Stop??


I know I just ‘ranted’ about TVB a few weeks ago and to be honest, I didn’t think that I’d have to rant about them again so soon (LOL), but hey, when the situation presents itself, sometimes got to just let it out…

Recently, a few articles came out (in various newspapers and magazines) detailing how Eric Tsang has plans to produce a new series for TVB (filming to start in May) tentatively titled “Aerobic Girls” and will be casting many ‘heavyweight’ (aka ‘big name’) actors/actresses in the series – many of the actors/actresses will be ones whom audiences have not seen in a long time so it will definitely be something ‘to look forward to’ (his words, not mine).  Almost immediately after Eric opened his mouth (more like before he even finished speaking), speculations and rumors started to formulate about who those ‘long time no see’ actors/actresses would be.  One of the first names ‘dropped’ was award-winning film actor Tony Leung Ka Fai – he was of course an ‘easy target’ for the Media to ‘associate’ with this series, since Eric had very publicly ‘announced’ prior to this that Tony had approached him voluntarily to ask about ‘helping’ TVB out by filming TV series for them.  Around the same time, there were ‘rumors’ that the female leads being considered for the series included Teresa Mo, Veronica Ip, Vivian Chow (just to name a few) – the funny thing is that even though Vivian’s manager immediately denied the rumor and Vivian herself even said that the chance of her returning to TVB to film series was very slim (pretty much ‘zero’), there were still a lot of people out there who were ‘excited’ about seeing Vivian return and started talking about the series as though that particular ‘casting’ was a ‘done deal’ already. 

Of course now, several weeks later, the ‘rumored’ leads for the series have changed (I wonder what those people who previously insisted on the Tony / Vivian / Teresa / Veronica casting think now??) – the latest ‘rumor’ is that Lawrence Ng (aka Dr. Paul Ching – just had to point that out, since I know of at least 3 Lawrence Ngs in the HK entertainment industry and wanted to make sure people didn’t get confused…LOL) will be participating in the series and the ‘rumored’ female leads have changed to Teresa Mo, Flora Chan, and Sheren Tang.  As of right now, none of the 3 rumored female leads have confirmed anything and both Lawrence and Eric are remaining purposefully ‘vague’ about the whole situation (as he did before, Lawrence dropped a ‘hint’ that the 3 leads were actresses he had worked with before – um, yea, like that means anything...).

Ok, so now that I’ve laid it all out, you want to know what my thoughts are on this?  Well, here goes…

I’m pretty sure the piece about Lawrence participating in the series is true, since he as much as admitted it himself already (from what has come out so far, his role supposedly won’t be too significant, so not sure what he is so excited about…haha).  As for the other 3 ‘rumored’ female leads – well, let’s look at it based on the information we know: 

.-- Teresa Mo already said in an interview a few months ago (a Mingpao interview that I actually translated and posted on my blog for those interested in reading it) that she has no intention of going back to filming TV series because of the overwhelming guilt she felt in ‘neglecting’ her family for the 3 years (2008 to 2010) that she had returned to film for TVB earlier -- so she is basically going to focus primarily on her film career and on taking care of her family.   So to me, this means that the likelihood of her agreeing to this series is very slim (unless she decided to change her mind, which I doubt) – in any case, if it turns out she does agree to this series, I for one will definitely want to understand the reason why.

.—Flora Chan stated in an interview a little over a year ago that she was going back to school to get her Masters (and possibly a Doctorate later on) in English so that she can pursue a career in Teaching later on down the road.  She said that when her daughter is older, she plans on moving the family to the U.S. and teaching there (true to her word, she is currently enrolled at HKU and studying English).  Despite that interview, there continue to be ‘rumors’ every other month or so (literally) about Flora returning to TVB to film series (honestly, I’m tired of hearing about it myself….doesn’t the Media ever stop?).   She had said in that same interview that she was going to take a break from filming series for at least 2 years if not more.

However, according to the articles that have come out, Flora is supposedly in ‘final discussion’ with Eric and them on this series – they claim that Flora agreed to film this series because it would be during summer break when she has a few months off from school (so the ‘caveat’ is that the filming needs to be completed before the next semester begins).  I guess it could work out…but still not looking forward to this because the last time Flora returned, she got a really crappy script and made a really crappy series (that barely anyone bothered watching).

.—And finally, there’s Sheren – what are her chances of accepting this series?  Well, at this point, unless the script is finalized, the chance is ‘zero’ because she already learned her lesson from the ordeal she went through filming the WAB sequel and so going forward, will only film series that have a complete script.   Also, knowing the way Eric Tsang operates, I highly doubt Sheren will want to work with him because he does exactly the same thing scriptwriter Chow Yuk Ming does – ‘on the fly’ scripts that change from one day to the next…in fact, in many ways, Eric is way worse because he’s known for being ‘spontaneous’ when it comes to filming and could change things from one minute to the next (remember how Teresa said that she would get the script the morning of filming and a couple hours later, after she memorized everything already, as she’s getting ready to film the scene, she is told to ‘scrap’ everything she just memorized cuz the script changed – Eric had just come up with a new idea for doing the scene and so changed things on the spot).   Based on this, I highly doubt Sheren is going to accept the series, as I don’t feel that she is willing to put herself through all that torture for TVB’s sake (plus it’s not like she’s contracted with TVB anyway – she’s a free artist so she can do anything she wants pretty much).

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Obviously, I don’t look upon this particular ‘project’ of Eric’s very favorably – at this point, I truly feel that it’s all just Media hype.  And honestly, the name of the series itself (“Aerobic Girls”) already turns me off because it sounds so much like an ‘idol’ series (which I absolutely can’t stand).  I surely hope that the title will be changed because as of right now, based on the title alone, the series sounds lame (and it doesn’t help that Eric is producing it – most of his recent productions have pretty much been borderline ‘raunchy comedies’, so I can’t help but think that this one will be the same…).

Oh, and what about the script?  Again, knowing how TVB operates (some things never change), most likely the script is going to suck (as it usually does in these types of ‘grand’ productions with a supposed ‘all star’ ensemble cast).  In fact, that’s one of the (many) things I can’t stand about TVB – their mentality that as long as you stuff as many ‘big names’ or ‘popular artists’ (aka artists that audiences want to see) in a TV series as possible, you can pretty much take the ‘lazy’ route when it comes to the plot and script because the naïve HK housewife audiences aren’t going to know any better and aren’t going to care as long as the artists they like show up on their screens every night.  No, I’m actually not exaggerating because it’s pretty much a fact that HK audiences have an affinity for ‘familiarity’ (there’s actually been a lot of articles written about this over the past few decades) – it’s one of the (many) reasons why TVB has continued to be so ‘successful’ over the years despite serious decline in the quality of their productions and lack of talent.  This concept also explains the reason why for many years, TVB has been utilizing the strategy of inviting ‘old’ artists back to film for them (though there are other reasons as well, such as the lack of young talent to carry a series, for example).  If you want to see whether this is true or not – well, just take a look around you….if you were to tell friends and family around you (those familiar with HK entertainment of course) that TVB plans on bringing Andy Lau or Chow Yun Fat back to film series, what do you think their reaction would be?  And ‘why’ do you think they would react that way?  I rest my case….

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Some last thoughts about this whole ‘name-dropping’ trend from recent years….

Honestly, I’m sick and tired of all the ‘name-dropping’ that TVB (via the likes of Eric Tsang, for example) and the Media have resorted to the past 2-3 years in terms of artists they hope to ‘invite back’ to film series for them.  Some examples of ‘names’ that have come up:  Chow Yun Fat, Andy Lau, Carina Lau, Sandra Ng, Anthony Wong, Vivian Chow, (big) Tony Leung, Deanie Ip, Jacky Cheung….and the list goes on….pretty much anyone you can think of who was once associated with TVB in one way or another (which is pretty much 90% of the artists in the HK entertainment industry) is ‘fair game’ for a so-called ‘return’ to TVB – that is, unless you do what Gordon Lam did (kudos to you, Gordon!) and outright reject TVB with a firm ‘No! Absolutely not!’ [Gordon revealed in a few interviews recently that he was contacted by TVB inviting him to return and film series for them, but he outright rejected them without bothering to listen to any further details of the series from them.  He said he did so because he already knows what he wants in terms of future career path (which involves a career in film, not TV), so why not just be direct with them and say no instead of going back to do a meaningless project that does nothing for his career goals?]  You hit the nail on the head, Gordon!!  It takes guts to go against an established ‘giant’ like TVB and the fact that he did it so firmly and confidently (without being rude about it) definitely deserves praise in my book! (Boy I would have LOVED to see the look on those lame TVB execs’ faces upon hearing Gordon reject them so bluntly – seeing those fake, smug smiles wiped off their faces for even a minute would have provided one of those ‘priceless’ Kodak moments that no amount of money could buy!  LOL!).  So basically, if an artist gives any answer other than a firm ‘No!’, they will be caught in an endless ‘speculation’ game with the Media and general public (keep in mind that there are many audiences out there who will very readily believe anything the Media says without question).

This is why I absolutely get annoyed when TVB (and the Media) ‘jumps the gun’ and starts ‘leaking’ all this information out prior to anything being confirmed. What’s the point of doing this, since it’s a ‘no win’ situation for both sides if the collaboration doesn’t work out? The only 2 reasons I can think of are: 1) they ‘leak’ this stuff out as a means of publicity / hype for the series – so basically, it’s pretty much a ‘publicity stunt’; and 2) it’s a tactic employed by the company (TVB in this case) to ‘force’ the artist(s) to accept the offer, since all the pressure from the Media (and the audiences / fans) definitely does have an impact (take Francis Ng for example – part of the reason why he agreed to return to do TITS2 was because of audience pressure – he had said in an interview previous that initially, he wasn’t going to film the sequel because he doesn’t believe in doing sequels for sequels sake, but then everyone kept pestering him about it and because he felt the audiences (and fans) really wanted him to return to film the sequel, he gave in and did it).

In conclusion….I have a feeling this won’t be the end of this whole ‘name-dropping’ thing – in fact, this is just the beginning!  I’m sure that there will be many more instances of this in the months / years to come (especially if rival HKTV finally does end up getting their license). 

Let’s see who the next big ‘name drop’ will end up being (anyone want to venture to guess?)....I have a few ‘guesses’ in mind, but for now, let’s just ‘sit back’ and see what happens…

Wednesday, February 13, 2013

Mingpao Interview with actress Teresa Mo: The joys of staying at home

Happy Chinese New Year, everyone!!

Due to the busy CNY holiday, I’m just getting around to catching up on translations and blog stuff right now.  I finally got around to reading last week’s issue of Mingpao Weekly magazine and though there were quite a few interesting articles in there that I would love to translate if I had the time, I decided to just go with translating the ‘Shall We Talk’ interview instead.  The actress that MP interviewed this week is another one of my favorite veteran actresses:  Teresa Mo. 

I actually grew up watching Teresa in TV series, so of course, I’m pretty familiar with her works at TVB.  Thinking back now, it’s actually interesting to see how Teresa’s career path evolved over the past 3 decades and how she went from a ‘jade girl’ image to ‘funny woman tomboy’ image – as stated in the interview, it actually IS quite obvious that The Justice of Life was the turning point in her career (well, her television career at least) because many of her roles after that series were very different from what she played previously.  TJOL is actually one of my favorite series and pretty much the only Alex Man series that I actually adore enough to watch and re-watch over and over again (Alex is a good actor overall, but he’s just not the type I prefer when it comes to acting because he gets a bit too OTT in most of his performances).  Teresa’s character in the series (Ah Yuk) is actually my favorite (on the female side at least) – even though she was supposed to be one of the more ‘serious’ characters in the series, she ended being quite funny, especially in her scenes with Stephen Chow (those scenes when he’s trying to pursue her and she rejects him are especially funny – I still laugh a lot even now whenever I watch the promo clips for the DVD!).   Definitely a classic series and a ‘must watch’ for those who haven’t seen it (the cast was awesome and the script was well put-together…that series is definitely an example of  a great TVB comedy).

After Teresa moved on to the film world, I actually didn’t keep up with her as much, except in the early 90s when I was still in my HK movies mode (I sort of stopped following HK movies as religiously in the mid/late 90s because there just weren’t very many good movies worth watching anymore).  However for the movies I did watch of hers, I still enjoyed her performance a lot.  Of course, the movie role that I will always remember the most of hers was her tomboy character in All’s Well Ends Well – loved her pairing with Leslie Cheung in that movie (after so many years of not working together, they still had such awesome chemistry!)  In my opinion, Teresa is really quite underrated as an actress.  Even though she is well-known in the industry for her acting and has received her fair share of recognition, accolades, etc. from audiences, I feel that she is deserving of more in the area of acting – especially since she is the type of actress who can do both ‘serious’ and ‘comedy’ acting.  It’s rare in the industry to have an actress who can do both so well, so hopefully that effort doesn’t go to waste.

Oh and just a quick comment about Teresa’s return to TVB a few years ago – I will honestly say that I for one was quite happy because I loved her performance as well as her pairing with Wayne in Off Pedder.  Up until that point, I had pretty much stopped watching TVB sitcoms because they were boring and the casting and storyline couldn’t live up to what they were back in the 80s and 90s (loved the sitcoms from the 80s/early 90s!).  Teresa and Wayne were the main reason why I decided to watch OP and they definitely didn’t disappoint – their chemistry in the series was excellent and to be honest, they were really the driving force behind the series.  I actually don’t think that I would have enjoyed the series as much if either one of them weren’t in it. 

As for Teresa’s decision not to film TV series anymore – I’m actually ok with it, especially given the filming environment and politics at TVB (plus there aren’t too many male artists left at TVB who would match well with her anyway).  Besides, her family is and should be more important to her than her work – completely understandable!  Kudos to her for having her priorities right!

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Mingpao Interview with actress Teresa Mo:  The joys of staying at home


Translation:  llwy12









As soon as Teresa Mo (毛舜筠) arrived for her interview, she immediately asked the crew to show her exactly where the interview would be conducted and where she would be posing for pictures -- she is the type of person who needs to understand clearly what she is getting into so she can adequately prepare.  Last year, when she participated in her friend Eric Tsang’s (曾志偉) Lunar New Year comedy I Love Hong Kong 2012 (2012我愛HK喜上加囍), the script was done entirely ‘on the fly’, with the dialogue constantly being changed / added last minute – this year, instead of collaborating with Eric again, she decided to ‘change camps’ and participate in producer Raymond Wong’s (黃百鳴) Lunar New Year comedy Hotel Deluxe (百星酒店) instead. 

Asked whether she was ‘betraying’ Eric by filming for the ‘opposing’ camp (Raymond Wong), Teresa replied: “Just trying to make a living!!”  After saying this, she bursts out laughing. 

Her personality may be straightforward and blunt, but when it comes to certain matters, she can also be a bit stubborn – this is her ‘Mo Jeh’ style.

Back during the early days of her career, Teresa once played the character of Lin Dai Yu (林黛玉) [from the famous novel Dream of the Red Chamber], however at the time, she was criticized for being ‘wooden’ and not having Lin Dai Yu’s characteristic ‘sickly beauty’.  In reality though, Teresa can’t be more opposite than the characters she used to portray – she is the type of person who understands how to have fun and especially enjoys joking around.   The ‘turning point’ in her career came in 1989 -- while filming TVB series The Justice of Life (他來自江湖), Teresa was ‘inspired’ by fellow co-star Stephen Chow (周星馳) and after that, she started going on the ‘comedic’ path in her acting career, with later ‘representative works’ playing funny, tomboy-like characters.

After becoming a mother, Teresa toned down her acting a bit, taking on a more mature comedic style.  A few years ago, she returned to TVB once again (after 17 years away) and over a span of 3 years, starred in 2 sitcoms filming more than 400 episodes.  However, those 3 years ended up being very ‘painful’ for her:  “One time, my housekeeper called me at work to tell me that my daughter had contracted swine flu – I sat there in the studio and almost went crazy!”

After that experience, Teresa decided not to film TV series again.  Even the offer of a lead role in TVB’s 2010 anniversary series No Regrets (義海豪情), in which she would get to battle acting chops with old partner Wayne Lai (黎耀祥) as well as TV Queen Sheren Tang (鄧萃雯), did not succeed in swaying her decision to give up filming TV series.  For Teresa, satisfying her ‘acting bug’ pales in comparison to staying at home and spending quality time with her 2 daughters – choosing between family and career will always be one of the most difficult decisions an actress will need to make at some point in their lives.


Stephen Chow’s ‘Category III’ dialogue

When she started her acting career 30 years ago (1970s), Teresa Mo epitomized the ‘jade girl’ image, as she often portrayed refined, pure wholesome characters in both modern as well as ancient drama series:  at Rediffusion Television [ATV’s predecessor] she was often paired with Leslie Cheung (張國榮) in series with sweet, ‘puppy love’ relationship storylines and later, when she joined Commercial Television [now defunct], she played Lin Dai Yu.   After she joined TVB in the early 1980s, her career path pretty much continued in the same direction – that is, until she met actor Stephen Chow and collaborated with him in 1989’s anniversary series The Justice of Life.  The experience helped Teresa tap into her comedic potential and after that, she went on to become one of the HK television and movie industry’s rare, highly coveted comedic actresses.

“Filming that series with Stephen was the first time that I became interested in comedy.  I definitely learned a lot while filming with him – comedic rhythm, expressions, grasping comedic timing, etc.  I discovered that I actually had comedic potential as well – it was a good start for me!”

Stephen Chow has a penchant for changing dialogue in scripts – not just his own, but also the dialogue of those filming the same scenes with him.  Teresa admits that this ‘habit’ of his actually helped her acting career, as the ‘special training’ she received from him helped her refine her skills.

“He’s actually more suited for movies because a lot of the dialogue he comes up with is the ‘Category III’ type that would never pass television censors.  The interesting thing is that sometimes he would come up with dialogue for us too and would try to persuade us to say it.  I remember when we were filming The Justice of Life, there was a segment of the story where his character is pursuing me and so always tries to buy interesting stuff for me to eat – one time he bought a sausage and instead of saying what was in the script, he wanted me to say something else…I told him I won’t say it because it can’t be aired on TV.  Another time, he bought something else and ad-libbed some ‘colorful’ dialogue to go along with it – I told him that stuff won’t pass either, but he told me not to be concerned with it and to just say my lines and he’ll respond accordingly.  This would happen all the time and we often didn’t know if we should laugh or cry at his ‘creativity’!  One thing’s for sure though – every time we’d watch the playback of the scenes together, we’d laugh like crazy!”

After filming those 30 episodes, Teresa slowly went from being overly reserved and cautious with her acting to being more open and less restrained.  She came to realize that there was a ‘different’ way of doing comedy – it was like learning to ride a bicycle and finally finding a way to keep yourself balanced.



Moving to better environment for the kids

Subsequently, Teresa’s career took a comedic path, with her taking on ‘funny woman’ roles in various movies, such as a ‘small woman’ in 1992’s Legendary La Rose Noire (92黑玫瑰對黑玫瑰), a tomboy in 1992’s All’s Well End’s Well (家有囍事), seductress Poon Kam Lin in 1993’s Laughter of Water Margins (水滸笑傳), a bossy shrew in 1993’s All’s Well Ends Well Too (花田囍事), etc.  In practically all of these movies, there are jokes and dialogue that are borderline suggestive  -- Teresa expressed that after watching these movies, luckily her 2 daughters never asked her what the audiences were laughing at:  “Since they go to international schools, their English is better than their Chinese, so they don’t understand Cantonese jokes.  It’s the same as when I hear them laughing at English jokes, I have no clue what they’re laughing at either.”

The difference in language could be seen as a ‘sacrifice’, but also a blessing as well, since international schools actually have fewer exams.  Teresa’s eldest daughter is already 18 years old and when she enters college this year, she’ll truly experience the ‘pressures’ of studying for exams.

A few years ago, Teresa’s daughter studied at an international school where there was a bigger mix of Western students – she felt that the atmosphere at the school was too ‘open’ and was worried that her daughter would get the wrong message at school:  “The general atmosphere at the school was that it’s ‘common’ for 11 -12 year old kids to start dating – at times, the school would even hold parties and events for the kids to get to know each other on their own, without any parental or teacher supervision!  One time, my daughter came home from school and told me:  ‘Mom, a lot of girls in the U.S. already become mothers when they’re 12 years old!’  Hearing her say that scared me to death!”

Teresa (and her husband) decided that for the sake of their daughters, they should move to a better suited environment.  After moving the family from HK Island to Shatin, she enrolled her daughter in a more conservative Christian international school:  “We feel it’s a wiser choice that’s more in line with our values.  Currently both of our daughters attend the same school – it’s great!”


The swine flu scare

A few years ago, Teresa returned to TVB to film 2 sitcoms:  the 300+ episode Off Pedder (畢打自己人) and the 120 episode Some Day (天天天晴).   Within those 3 years, Teresa worked practically every day – the biggest sacrifice was not being able to spend quality time with her 2 daughters.

“Even when we talk about it now, they [her daughters] still complain about it!  They always ask me:  ‘Mom, do you remember how we would spend New Year’s back during those years?  We’d all be gathered on your bed watching TV and counting down, but because you’d be so tired and have to get up early the next day to film series, you’d always fall asleep in the middle.  Do you remember?  We remember!’”

At the time, her youngest daughter was only 7 years old – the one ‘blemish’ to her happy childhood was all because her mother couldn’t get any time off.

“Everyone thinks that filming sitcoms is more relaxing because of the 9 to 5 shift, but in reality, filming until 10pm or even later is normal.  With that type of schedule, if there’s a chance to finish work early and go home to have dinner with my daughters, I’m already very lucky.  On the weekends, we usual go off-site to film, so even less time to spend with my daughters.  This was the way things were for 3 years.”

The scariest experience was when Teresa’s housekeeper called her at work to tell her that her daughter was sent home from school because she had contracted swine flu:  “I was sitting there in the studio and practically went crazy.  All I wanted to do was get home as quickly as possible, but I had to finish 2 more scenes before I could leave.  I could barely concentrate on what I was doing, as all I could think about was my daughter’s condition: ‘How high is her fever?   How will I be able to quarantine her?, etc.’   My colleagues had never seen me like this!”

When Teresa returned home, the situation was worse than she imagined – her daughter had vomited all over the living room carpet due to a severe reaction to the medication that the housekeeper had given her and was lying on the bed with a 105 degree fever.  With her husband working in the Mainland at the time,  Teresa called up her neighbor -- good friend and ‘sister’ Ada Choi (蔡少芬) – who rushed over with husband Max Zhang (張晉) and helped to take her daughter to the hospital:  “Since the flu was contagious, the hospital wouldn’t take her in, so I had to stay home and be with her until she got well – there was no way for me to go to work.  Given the situation, I didn’t care whether she was contagious or not – I would rather I get the illness than to see her suffer!”

Teresa took 2 days off to be with her daughter until she got better.  Afterwards, she told herself:  “This filming series lifestyle won’t work for me, since I have children.  It has to stop!”


Originally invited to participate in anniversary series No Regrets

After being away from TVB 17 years, Teresa agreed to return to film series a couple years ago (2008) because of her mentor [TVB’s head of production] Catherine Tsang (曾勵珍) – however, due to the overwhelming sense of guilt that she felt towards not being able to spend time with her family for those 3 years she spent filming, she decided that after filming for the sitcom Some Day wrapped, she would not film any more series.

“I felt that it just wasn’t working out – it’s pointless to live this way.  No matter how much I love acting, it’s only going to have a negative effect.  That’s why I told myself that I’m not going to film TV series again – I had to tell myself that so I wouldn’t get soft-hearted and agree to film again.  Thinking back on the experience now, it still scares me.”

In the 3 years she was filming for TVB, there was no way for her to go on trips with her daughters -- this past Christmas and New Year’s, Teresa made up for it when the entire family went on vacation trips together:  “The whole family spending time together, very enjoyable!  For New Year’s, we went shopping, skiing, sight-seeing in Japan – it was only an 8-9 day trip, but we enjoyed every minute of it!  We talked about a lot of things too – it’s quality time that we got to spend together!”

Teresa first joined TVB more than 30 years ago [back in 1981] – back then, she was single and didn’t have kids, so it was fine for her to live the ‘no night no day’ filming TV series lifestyle.  If people think that filming series nowadays is arduous and exhausting, it was even more so back then!

“Back then, we didn’t have trailers for costumes and makeup like we do now – when filming off-site, we pretty much had to change right there in the street or hide out in the car.  Also, the makeup and costume people are much nicer now then what we got back then – in the past, they were very mean and would basically just ignore you.  If your hair got messed up and you asked them to help fix it, they’d yell at you and say they didn’t come here to help you fix your hair, then turn around and go back to what they were doing!”

When she returned to TVB 5 years ago, she agreed to film sitcoms, but didn’t dare to film regular series because she knew she wouldn’t be able to handle it:  “0630 [6:30AM start time] schedule every day – definitely couldn’t handle it, unless I’m prepared to drop dead afterwards!  This type of ‘system’ [TN:  filming night and day with little to no rest] can kill you – it’s very inhumane!  Tim Gor [producer Lee Tim Sing (李添勝)] had actually invited me to film No Regrets in a ‘love triangle’ storyline with Wayne [Lai] and Sheren [Tang], but I turned it down, so they had to change the script.  I’m actually very grateful to Tim Gor for seeking me out, as he had told me back when I was filming Off Pedder that he really liked my pace and I looked forward to the opportunity to work with him.  I asked whether there could be a ‘system’ for me to get some sleep, but unfortunately, TVB said ‘no’ and that the filming schedule had to be 0630.  In my heart, I really wanted to film the series, as I felt that getting the chance to battle acting chops with others who loved acting as much as I did was a very happy matter, but if I wouldn’t get to sleep, then I wouldn’t be able to enjoy it anyway.”


Still desires to win awards

In both sitcoms that Teresa filmed upon her return to TVB, she was paired up with 3-time TV King Wayne Lai (黎耀祥).  When it comes to this partner of hers, Teresa has nothing but praise and admiration.

“Wayne is a very mellow person – he doesn’t have a temper and never gets upset.  No matter what happens, his mood is always pleasant and no matter what you ask him, he always tries to accommodate.  Oh and he also has a superhuman memory!  Other actors only start to study the script when they get here and no matter how many times they look at the script, they still forget their lines, which can get quite frustrating.  But Wayne is different – he comes in, reads through the script, practices a little, and just like that he has all the dialogue memorized!  That’s why whenever the 2 of us have scenes together, we finish very quickly.  Also, we’re both very punctual – we start at 9am and after 1 or 2 takes, our scenes are done.  Definitely enjoy having such a great partner!”

For their Anniversary Awards, TVB had instituted a ‘One Vote Per Person’ system to have audiences vote for TV King.  Towards this, Teresa half-jokingly asked our reporter:  “Do you guys really believe that?”   As for Wayne winning TV King for the 3rd time,  she states:  “Wayne is always worthy of getting that award!  In fact, I registered my phone number just so I could vote for him!”

For herself, Teresa admits that she doesn’t have much affinity when it comes to awards.  In her 30 year acting career, she has never gotten any Best Actress awards, whether in television or movies.  Her only award was back in 2006, when she received HKFA Best Supporting Actress for her performance in the film 2 Young (早熟).

“My attitude towards awards is still ‘yes, I want it’ – I admit that I don’t have Wayne’s nonchalant attitude when it comes to awards.  To be honest, my feelings towards awards are a bit complicated – generally, I wouldn’t care whether I get an award or not because after so many years in the industry, HK audiences already know who I am in terms of acting.  But once you engage yourself in this ‘game’ [competing for awards], of course the natural reaction is to want to win – it’s just like when you sit down at the gambling table and place a bet, you’re not going to say ‘oh, doesn’t matter whether the winning number comes out or not’…of course you’re going to keep yelling out the number you bet on, hoping it comes out in the end!  With all that said though, at the end of the day, it truly is just a game.”

Nominated many times, but lost many times as well – how does she prevent herself from getting discouraged?

“Luckily, I have my faith.  I believe that God has his timetable – if he feels it’s not time yet, that’s fine, I’ll wait and leave it up to him.  Every time I lose the award, I always self-reflect on why I didn’t win – there are many factors, but the main reason is because my acting isn’t good enough yet.  Also, the comedy genre is still at a disadvantage in HK – even though in my opinion it’s sometimes much harder acting in a comedy than in a drama, the reality is that most people still think of comedies as lighthearted fun that doesn’t need to be taken seriously.”


Eric Tsang vs. Raymond Wong

Nevertheless, Teresa is still very willing to film comedies, as the ability to bring happiness and laughter to audiences is very satisfying.  Last year, she starred in Eric Tsang’s Lunar New Year movie I Love Hong Kong 2012, however this year, she ‘changed camps’ and decided to film Raymond Wong’s Lunar New Year comedy Hotel Deluxe instead.

Teresa expressed that filming for Eric takes some getting used to, as his scripts are usually done ‘on the fly’ – for someone like her who needs to sufficiently prepare ahead of time, it’s difficult to adjust.

“[When filming ILHK last year], I would rush them all the time to hurry up and get me the script.  They give me the script the night before and I study it, memorize it, but then when I go in the next morning, I realize it’s not the final version.  The funniest thing is that even the script you receive the day of filming or while in the makeup chair right before the scene, it’s still not the final one, so you shouldn’t spend too much time trying to memorize it because as soon as you get into place preparing to do the scene, Eric suddenly has a new idea – he’ll tell you to do ‘this this and this’ instead – I usually reply back with ‘what what and what?’ and ask him to slow down.  Doing things last minute like this makes me very nervous, as I’m the type of person who needs to know clearly what will happen when it comes to filming – I need to know the storyline, the dialogue, the logic behind the flow of the story, etc.  With Eric, preparing in advance is impossible – of course I complained about it, but it’s no use because he’s too busy and doesn’t have time to prepare the lines for you in advance.”

Teresa has played Eric’s wife many times already in movies and since they’re good friends, she understands his filming style and doesn’t fault him.  As for why she decided to ‘switch camps’ this year and film Raymond Wong’s LNY movie instead of Eric’s, Teresa expressed that when she filmed Raymond’s movie Love is…Pyjamas (男人如衣服) last year, she had already promised him that she would participate in his holiday film.  She had also already let Eric know in advance so that he could prepare and find someone else for his movie.

Both Love is…Pyjamas as well as Hotel Deluxe are directed by Vincent Kuk (谷德昭) – his directing style is entirely opposite from Eric’s in that he not only refuses to do ‘on the fly’ scripts, he also doesn’t allow actors to change his scripts.

“When it comes to the script, Vincent is always fully prepared before filming even starts.  His scripts are very meticulously written, so he doesn’t allow people to change the dialogue – if you want to change something, you have to discuss with him ahead of time.  Also, all the dialogue must be recited word for word from the script – can’t change even a single word!  This is both good and bad:  good is that the director has already fully prepared everything for you, so all you need to do is the acting – makes it easier to film other projects at the same time, since everything runs exactly according to schedule;  bad is that if the director isn’t good or doesn’t know what he’s doing, you’ll regret not having the chance to change things.”

For Hotel Deluxe, the filming takes place almost entirely at a 5 star luxury hotel in Qiandao Lake, so filming is very relaxed and comfortable.  In the movie, Teresa plays a slightly perverted manager and has many scenes with co-star and fellow comedic actress Sandra Ng (吳君如).


Her ‘artist’ husband

When we read through the names listed in the ending credits to renowned director Wong Kar Wai’s (王家衛) latest masterpiece The Grandmasters (一代宗師), one name in particular stands out:  Tony Au (區丁平).  Tony is not only a famous art director in the HK entertainment circle, he’s also Teresa Mo’s husband.

“He participated in the art direction for the gold building scene in the movie!”  Asked whether being married to an ‘artist’ is a difficult chore, Teresa responds in her usual humorous way:  “Being married to anyone is ‘difficult’!  In fact, 2 people in a relationship together is already difficult, as you really need to put in the effort to learn how to love each other and accept each other’s differences.  It’s a mutual thing – I accommodate him in certain things, but he also accommodates me too.” 

When he’s working, he ‘forgets’ about home?  “All men are like that, not just ‘artists’ --  HK men are especially that way – work always comes first!”

Monday, October 31, 2011

Book Review: 從零開始 (Now and Then) -- post #6…Leslie Cheung (張國榮)

Continuing with my 'book review' of "Cong Ling Kai Shi (Now and Then)", the next 80s/90s artist I would like to write about is late singer / actor Leslie Cheung.

** Disclaimer #1: The below is a recap of one of the chapters in the book and is written from my perspective – it is not by any means a direct translation of the entire chapter. For a detailed description of what this particular book is about, please refer to post #1.

** Disclaimer #2: This book does NOT tell the entire life story of Leslie, but rather focuses only on certain aspects of his life and career gathered from previous interviews with him (as well as the writer's own knowledge of him). Therefore, please understand that the below recap won't be 'all-inclusive'.


.--.

April 1st, 2003 -- a day when we tragically lost one of the HK entertainment industry's biggest stars: singer/actor Leslie Cheung. It was a sad day, one that most Hong Kongers (as well as Leslie’s fans everywhere) will never forget.

Though I don't live in HK, I've been an avid 'follower' of HK entertainment my entire life -- even before I knew how to talk, I was already watching HK TV series, movies, show and listening to HK music (though I didn't really know what was going on at the time) -- so for me, the HK entertainment industry has always been a huge part of my life. I grew up in the 80s, so there is definitely a special place in my heart for anything related to that time period -- including the artists who were active in the industry during that time. And of course, Leslie was one of them -- he was one of the biggest names in the HK music world at the time (and was already an established television actor prior to that) so of course everyone knew who he was. Though I can't really call myself a "fan" (in the true sense of the word, since I have a certain 'definition' in my mind of what being a 'fan' is about), I still adored Leslie, just like I adored all the other talented artists from that generation.

I remember vividly where I was and what I was doing the day news came out that Leslie had died. I had just gotten in my car and was driving to work (since I'm in the U.S., it was actually morning for me), listening to the radio (the local Cantonese language station that I normally listen to). As I stopped at a traffic light, my hand reached over to turn up the volume on the radio when an announcement came through (interrupting the program I was listening to): superstar Leslie Cheung had committed suicide, jumping to his death from the 24th floor of a famous HK hotel. The first thought that went through my mind at the time was: Is this some sort of cruel April Fool's joke? Because if it is, then whoever made it up should be sought out and publicly ridiculed for the rest of their life! Apparently, the hosts of the program thought the same thing and were even commenting on how "not funny" that news was and reprimanding the colleague who had given them the information. Not too long after that, as I parked my car in front of our building, the "confirmation" that none of us wanted to hear came through the radio: the report of Leslie's death was true. As some of the details started coming through, I just sat there in a state of shock, with my ears practically glued to the radio....needless to say, it was pretty difficult to concentrate at work, but I made it through and when I got home, the rest of the night was spent watching / reading the news and finding out as much information as I could.

Just like many of Leslie’s fans and other close friends have stated throughout the past 8 years: even now, so many years later, it’s still hard to accept the reality of Leslie truly being gone. Sometimes, when I watch his past performances, I can’t help but feel saddened at what we (the Chinese community as a whole) had lost.

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INTRODUCTION

To his many friends, colleagues, and fans, Leslie was known by the nickname ‘Gor Gor’ (elder brother). In terms of the story behind how Leslie got this nickname, there have actually been a few different ‘versions’ over the years, but in my opinion, the 2 ‘versions’ recounted in the book seem to be the most plausible, so those are the 2 that I’ve chosen to go with all these years.

.—Version 1: In 1993, Leslie collaborated with popular Taiwanese actress Brigitte Lin (林青霞) in the movie “The Bride with White Hair” (白髮魔女傳) directed by Ronny Yu. It was said that the cast and crew on the set liked to call Brigitte (who was a big star at the time) ‘Jie Jie’ (Big Sister) – therefore, in a joking manner, Leslie would say to her: “If you’re Jie Jie, then that means I’m Gor Gor!” From that moment on, the 2 ‘superstars’ would refer to each other as ‘Jie Jie’ and ‘Gor Gor’ – after awhile, people started getting used to the nickname and soon enough, Leslie started to become ‘Gor Gor’ to everyone else as well.

.—Version 2: In 2008, during the musical tribute concert that was specially organized to commemorate the 5 year anniversary of Leslie’s death, his good friend So Sze Wong (蘇施黃) recounted a completely different story about how Leslie got his nickname. We all know that Leslie loves to play Mahjong whenever he has time and many of his friends in the entertainment industry are his Mahjong ‘buddies’. As the story goes, a bunch of his Mahjong buddies were having a conversation one day and it was mentioned that someone in their group had the nickname ‘Gor Gor’ – actress Carina Lau (one of Leslie’s good friends and Mahjong buddies) mistakenly thought that the ‘Gor Gor’ they were referring to was Leslie. The friends didn’t bother to correct her and let her continue to believe that the ‘Gor Gor’ they were talking about was indeed Leslie (probably as a joke?) – therefore, from that point on, everyone started referring to Leslie as Gor Gor.

Interestingly enough, Leslie is affectionately known as ‘elder brother’ to almost everyone, however in his own family, he was actually the youngest child in the household.


CHILDHOOD / PERSONAL LIFE

Born the youngest of 10 children (3 of his siblings died at birth), Leslie’s original name at birth was Cheung Fat Chung (張發宗 ) – it wasn’t until later that he changed his name to Cheung Kwok Wing. His father (Cheung Wut Hoi) was a well-known tailor whose clients included many Hollywood stars who didn’t mind taking the long trip to HK to have him specially fit their suits for them. Leslie’s parents were very busy people and rarely had time to see their children – therefore, the children were placed under the care of their grandmother and it was only during special occasions (such as Chinese New Year) when the entire family would gather together for dinner. Leslie in particular was actually raised by his nanny, Luk Jie (六姐) and for him, she was one of the most important women in his life (aside from his mother) – Luk Jie loved and cared for Leslie as though he were her own son. It’s no surprise then that when Luk Jie passed away in 1991, Leslie was deeply grieved.

In terms of his relationship with his parents, Leslie once described it this way: “A lot of people ask me – Leslie Cheung, now that you already have everything, there should be no more regrets in life, right? Actually, in my childhood, I did not receive adequate love from my parents – to me, this is a huge regret.”

Even though Leslie’s relationship with his parents was not very close, he still loved his mother dearly. Unfortunately, the same couldn’t be said about his father – to the Cheung family, the father was viewed as the ‘source’ of much unhappiness for them and in fact, a few of the children were even estranged from him at some point (when Leslie’s eighth brother got married in 1986, he refused to invite his father to the wedding). In 1986, the author (Wong Lai Ling) asked Leslie whether he had a certain fear of marriage due to the way his parents’ marriage turned out, to which Leslie replied: “Yes, perhaps because my parents’ marriage was not happy, it affected me. When my dad was young, he was a ‘player’ who had many women – I actually had 2 mothers and both lived under the same roof at one point. But because there were too many conflicts, the mistress moved out right before I was born – she only has one adopted daughter and I haven’t seen either of them in over 20 years…if I were to bump into them in the street, I would not know who they are.” Leslie continued: “All along, my mom loved my dad very much, so a lot of times, she would just endure the pain he caused without a word. However, several years ago, my dad did something that my mom could not take and finally, they separated. Amongst the seven of us [Leslie & his siblings], only myself as well as another brother are still willing to call him ‘dad’. As far as the issues between my mom and dad, I’ve always tried to maintain a neutral position – after all, no matter what, he is still my dad.”

In his early teens, Leslie went to study in London – he attended a boarding school there and during his days off, he would go live at the home of a long-time family friend (the friend was late actor Alexander Fu Sheng’s sister) and also work part time at her restaurant, which had a band that performed regularly. It was at this restaurant that Leslie ‘performed’ publicly for the first time, singing with the band on the weekends.

After 4 years in England, he returned to Hong Kong, but due to the difference in education levels between the 2 regions, he ended up having to repeat certain courses – plus his exam results were not very good, so he decided to give up on school and try his luck in singing instead. He participated in the HK region pre-qualification round of the ‘Asia Singing Contest’ held by Rediffusion Television (ATV’s predecessor) in 1977 and with his rendition of the song ‘American Pie’, he won second place and was allowed to advance to the final level of the contest, representing HK. Despite his singing skill, Leslie was not able to make it into top 3 in the final contest, but not because he didn’t sing well (one of the judges on the panel of the contest had actually ‘rigged’ the scoring in favor of his own country’s contestants, so none of the contestants from HK made it into any of the top positions). Even though he lost the contest, Leslie’s talent was recognized by RTV and so he signed a 2 year contract with them, thereby officially becoming an RTV artist. That same year (1977), he also signed with his first record company (Polydor) and released his first album, ‘Day Dreaming’. With this, Leslie ‘officially’ began his career in the entertainment industry.


RELATIONSHIPS: THE WOMEN LESLIE ONCE LOVED

It’s no secret that when it came to his sexual orientation, Leslie was bisexual – even though he denied it early on, he did admit this fact later on in his career. Of course, we all know that the ‘significant other’ who accompanied Leslie during most of his life was his same sex partner Daffy Tong (唐鶴德). I’ll talk more about Leslie and Daffy’s relationship later on in this post, since there is a huge section about it in the book and this relationship was definitely an important one in Leslie’s life. However, for now, the focus will be on the women who were once a part of Leslie’s life: the girlfriends that he had after he entered the entertainment industry starting in the late 70s (and prior to meeting Daffy).


Teresa Mo: his first girlfriend

In 1977, while filming the series “Love Story” for RTV, rumors surfaced that 20 year old Leslie had fallen in love with his 17 year old co-star, Teresa Mo (毛舜筠). When asked about this, Leslie graciously admitted the relationship to reporters: “Yes! At first, it was only a promotional tactic for the series – when filming the promotional clip, we were asked to hold each other’s hand, so I jokingly told Teresa: ‘I’ll be your boyfriend, ok?’, to which she replied ‘Ok!’. After we finished filming the series, I felt that she was a very good girl, very cute, and we got along well, so I invited her to watch a movie together and hang out. Even though neither of us have ever expressed that we are really really in love with each other, I truly do like her a lot and I believe that she feels the same way about me. But, she has a lot of boyfriends. She and I are different in that regard – I am very dedicated and once I like a girl, I will continue to be good to her only.” Leslie also emphasized: “We are very serious about our relationship.”

Teresa was Leslie’s first girlfriend after he entered the entertainment industry (though she was not the first woman in his life – his ‘first love’ occurred when he was studying in England, but he was only with the girl for 2 weeks and they broke up). Even though he may not have realized it at first, Leslie was definitely smitten with Teresa the first time he saw her, to the point that he wanted to marry her not too long into their romance: “Towards her [Teresa], you can say that it was love at first sight. Not too long after we met, I was already in front of her with flowers, asking her to marry me.” Unfortunately, Leslie’s good intention backfired, as his sudden proposal actually scared Teresa, causing her to drift away from him. Of course, it’s understandable why Teresa would reject Leslie’s marriage proposal, as she was only 17 at the time, not even at legal age – plus Leslie was very young as well, so it probably wasn’t a good idea to get married at such a young age. Even though the romance between Leslie and Teresa did not last, the 2 still remained good friends even after they broke up (in fact, Leslie is good friends with Teresa’s current husband Tony Au Ding Ping).

Years later, during a TV program that she hosted for i-Cable, Teresa invited her good friend Leslie for a one-on-one interview, during which both very openly discussed their previous relationship. During that interview, Leslie told Teresa: “If back then you had agreed to marry me, it very possibly would have changed my life forever.”


Shirley Yim: a short-lived romance

In 1979, Leslie met a young woman while dancing at a local disco – her name was Shirley Yim (雪梨), the younger sister of actress Michelle Yim (米雪). Shirley was also an actress herself, just getting her start in the TV industry around that time. A year after that first meeting, Leslie and Shirley bumped into each other again during a charity sport event and that same evening, Leslie gave her a ride home. Not long after that, rumors started to surface that the two were dating. The next time the author met up with Leslie, she asked him about his relationship with Shirley and he graciously admitted it: “She can’t be counted as tremendously pretty, but she is very refined and a very interesting person. She told me that people usually call her by her nickname ‘baby elephant’.”

Again, this relationship was short-lived, as Leslie and Shirley were still young at the time and to a certain extent, were not entirely compatible. The couple tried hard to adapt to each other’s interests – Shirley liked to dance, so Leslie would accompany her to discos and Leslie liked for women to wear dresses, so Shirley would wear them occasionally to please him (even though she hated wearing dresses). However, having to constantly accommodate each other eventually took a toll on the relationship and it pretty much ended not too long after it started.


Ngai Si Pei: sweet young love

In 1981, while filming the RTV series “Agency 24”, Leslie again fell in love with his co-star, but this time it was actress Ngai Si Pei (倪詩蓓). A year later, when Ngai Si Pei was involved in a bitter contract dispute with RTV, Leslie immediately came to her defense and it was around that time that their relationship was made public. Their relationship lasted only two years.

Many years later, when asked about her relationship with her former lover, Ngai Si Pei praised Leslie for being a very romantic, good man: “When we were dating, neither of us had drivers licenses. Every time we went on a date, he would come pick me up and show up at the doorstep with a bouquet of yellow roses because he knew I liked that type of flower. We dated for close to 2 years – later on, I went to England to study fashion design and our relationship eventually dissolved.”

I personally don’t know too much about Ngai Si Pei, and unfortunately, there is very little information out there about her nowadays. In my research, I discovered that in addition to being one of Leslie’s former girlfriends, she was also linked to actor Kent Tong at one point (though it’s my understanding that they didn’t have a very good relationship at all). She married Asia’s ‘Cartoon King’ Wang Yuk Long in the late 1990s and they divorced 6 years later.


Cindy Yeung: from lovers to friends

In 1985, the author asked Leslie about his current love life and he revealed to her that his new girlfriend is someone he has known for 7 years already, but was never romantically involved with until now. The ‘girlfriend’ he was referring to was Cindy Yeung (楊諾思), the eldest daughter of Emperor Entertainment Group’s chairman Albert Yeung. In 1984, Leslie went to Albert Yeung’s house often, as he was a friend of the family’s and that year, he had to borrow the family’s swimming pool to film the cover of his latest album. With more opportunity to meet up and get to know each other better, Leslie and Cindy eventually started dating – however, they parted ways amicably a year later, though they still continued to remain good friends.

Currently, Cindy is a successful businesswoman overseeing part of her father’s business empire (she is in charge of Emperor Watch and Jewelry Company).


CAREER: THE LONG AND DIFFICULT ROAD TO FAME

Even with his natural talent and hard work, Leslie’s path to success in the entertainment industry was not an easy one at all. Despite a steady acting career in television, Leslie did not do too well on the music front early on in his career – not only were his first 2 albums (‘Day Dreaming’ from 1977 and ‘Lover’s Arrow’ from 1979) poorly received by the general public, he also did not have much luck with his performances or position in the music industry either. He once told the author: “I admit that at one point, I felt discouraged and disappointed – I would ask myself why I always ended up in a ‘secondary’ position? But I continued to bear with it and persevere. I remember one performance in particular where, in the hopes of accommodating the atmosphere at the time, I tossed the hat that I was wearing out into the audience – to my surprise, the hat was immediately tossed back up to me. I was very hurt and embarrassed by this and at the time, I just wanted to dig a hole in the ground and bury myself in it.”

Fortunately for Leslie, he had a chance meeting with Florence Chan (陳淑芬) in 1982; working for record company Capital Artists at the time, Mrs. Chan (as she is known in the industry) knew that Leslie had just ended his contract with Polygram and so she invited him to join Capital Artists as a singer. This proved to be the beginning of a ‘golden’ partnership, as it was after Leslie signed with Capital Artists and Mrs. Chan became his manager that he started to achieve fame and success as a singer. Their first collaboration in 1983, when Leslie released the song 風繼續吹 (‘The Wind Blows On’) was an instant hit and the next year (1984), Leslie’s singing career reached new heights with his first award-winning hit ‘Monica’. In 1985, with the release of his album 為你鍾情 (‘For Your Love Only’), he set records when the album achieved ‘double platinum’ status not long after it was released. [Note that currently, an album achieves Platinum status when it sells more than 1 million units – back in the 80s, I believe that number was higher, so for an album to achieve ‘double platinum’ in such a short amount of time is definitely a huge achievement!] That same year (1985), Leslie held his very first concert at HK Coliseum.

Another important person in Leslie’s career was music composer / producer Michael Lai (黎小田). Michael was actually one of the judges of the ‘Asia Singing Contest’ (the HK pre-qualification round) back when Leslie participated in the contest (Michael was RTV’s music director at the time). Michael remembered Leslie so vividly at the time because Leslie was the only contestant who actually dared to argue with him; Michael admired Leslie’s personality and respected his persistence – from that moment forward, they developed a close friendship (Michael became Leslie’s ‘god-father’) and they subsequently collaborated frequently on albums and concert performances.

To conclude this section about Leslie’s music career and his relationship with Florence Chan, I felt the need to include the subsequent paragraph recounting the final moments of Leslie’s life – after reading this section, I have to say that I admire Mrs. Chan’s strength in overcoming the tragedy of Leslie’s death:

Indeed, it can be said that Florence Chan was truly the one responsible for Leslie becoming the ‘superstar’ that he is. From 1982 on, Mrs. Chan became Leslie’s manager as well as close friend and confidante – for the next 2 decades, Mrs. Chan would become one of the most important women in Leslie’s life – their relationship was akin to that of mother and son. With the closeness of Leslie and Mrs. Chan’s relationship, I’m sure we can understand how painful it must have been for her to ‘witness’ Leslie’s death on that fateful day. As most of us know, Mrs. Chan was the last person to speak with Leslie on the phone prior to his death – she was scheduled to meet up with Leslie for tea that evening and had actually arrived at the Mandarin Oriental Hotel a few minutes before their scheduled time of 6pm. When Mrs. Chan checked the usual places at the hotel where Leslie usually frequented, she was not able to find him, so she called him to find out where he was. Leslie told her that he had stepped out for a bit and would be back shortly, so Mrs. Chan decided to wait for him (in reality, Leslie had not stepped out – he was actually on the 24th floor, writing a note and making a few phone calls). A few minutes before 6:41pm HKT (the moment Leslie jumped from the hotel), Leslie calls Mrs. Chan and tells her to wait for him near the entrance of the hotel – she immediately heads toward the specificed location and waits there for Leslie. Five minutes later, she hears a huge ‘thud’ sound and sees a crowd forming a few feet away from her – from where she was standing, she could vaguely make out the outline of a human body near where the crowd was -- she thought that perhaps there was an accident of some sort, but she did not dare move from the area she was standing to go look because she was afraid Leslie wouldn’t be able to find her once he arrived…..little did she know that her waiting would be in vain. Tragically, by the time she realized what had happened, Leslie was already gone.

.--.

ANITA MUI: LESLIE’S BELOVED ‘LITTLE SISTER’

Of course, it is impossible to write about Leslie without mentioning his long-time friend and ‘sister’ Anita Mui (梅艷芳). Leslie and Anita had a very special relationship, one that was rare and probably will never occur again in the HK entertainment industry. Leslie met Anita for the first time in 1982, when he signed with Capital Artists; that was also the same year that Anita won the New Talent Singing Contest and had also signed to the same record company – so it can be said that the two of them started on their path to fame together.

Prior to her death, Anita had described her relationship with Leslie this way: “A lot of people think that I’m a very ‘tough’ person -- it is only in front of Gor Gor [Leslie] that I can completely become myself once again. I can be a ‘woman’ again and no longer need to pretend to be strong, because I have him here to protect me – he is an elder brother who truly truly loves me and dotes on me very much.” She continues: “[Gor Gor] and I are great partners and confidantes. We started out together, working from scratch at Capital Artists. All I know is that when I have him around, I feel most at ease, and by the same token, when he has me around, he is also most at ease.”

In 1985, when Leslie held his first HK Coliseum concert, his special musical guest was none other than his ‘little sister’ Anita. It was actually Leslie’s idea to invite Anita as musical guest (not the company’s idea, as some people might think)…at the time, Leslie himself stated: “[Anita] and I are good friends and in the near future, she will be holding her own concerts, so I felt that she should have the opportunity to ‘test the waters’ and see how the audience reacts – for a singer, this is very important. During the show, when I heard the applause and cheers that the audiences gave to Anita, I thought in my heart: ‘Anita, you’ve succeeded!’” Thinking back to those early days in both their careers, Leslie and Anita constantly talked about how the two of them would travel all over the world together, performing at various venues and going through ‘thick and thin’ together – no matter how tiring or difficult things became, they had the assurance of knowing that they were in it together. Even during their travels, when they would stay at hotels, they would make sure to book rooms that had a common door so that in the event anything happened, they could be there for each other.

Having endured hardship and success together, it’s no surprise that Leslie and Anita developed such a strong bond. They were truly a ‘perfect match’ and ‘dream team’ in every aspect (except romantically), even though their personalities and hobbies were complete opposites. Anita was the bold, adventurous type who enjoyed high risk activities such as roller coasters and thrill rides, whereas Leslie could barely stand to go near those types of things because he had an incredible fear of heights (ironically, he chose to end his life by jumping off a building). Nevertheless, their different personalities did not prevent them from enjoying each other’s company and developing a ‘non-romance’ closeness that was practically unheard of (especially between a man and a woman) at the time. In describing how much Leslie meant to her, Anita stated that he knew her better than her own family – in fact, every time she met a new boyfriend, she would make sure to take him to meet her protective ‘big brother’ Leslie so he could give his blessing.

When Leslie passed away, Anita not only cried endless tears for him, she also was so upset that she was not able to eat for the longest time: “The first few days after his passing, my heart hurt so badly, I was barely able to speak – I felt that all of a sudden, I had aged 10 years. I would ask the Heavens non-stop: ‘Why did it have to be like this?’” During the last few months of Anita’s life, when she herself was courageously battling cancer, she met with the author one last time – during that interview, she stated: “[Leslie] is forever my elder brother! Our relationship is as close as……” she was not able to find an appropriate word to describe the relationship… “In any case, it’s not something that can be expressed in a few words; he is forever branded in my heart.”

On December 30th, 2003 – 8 months after her beloved Gor Gor passed away – Anita was finally reunited with him in Heaven.


RETIREMENT AND COMEBACK

It was in 1987, while at the height of his career, that Leslie told his friends for the first time that he wanted to retire from singing (though it was something that he had thought about numerous times in the past). At the time, most of Leslie’s friends didn’t believe that he was serious about retiring, but it turns out that his mind was already set: on December 21, 1988, Leslie kicked off his Farewell Concert Tour – his way of saying goodbye to his fans – and during the very last show held on January 22, 1990, he performed a special ‘hanging up the microphone’ ceremony to show that from then on, he would leave his singing career behind him.

After he left the music industry (as a singer that is), Leslie invested a lot more time into his movie career, as he wanted to focus on acting and also try his hand at directing some day. It definitely seemed that he had made the right decision to retire at that time, as his movie career started to soar (well, technically he was already a well-known movie actor by that time anyway, but it was in the early 90s that he truly achieved ultimate success in acting in terms of awards and international recognition).

I’m actually not going to go too much into Leslie’s movie career, as this is one area that most people are already familiar with. Instead, I am going to skip to the year 1995, when Leslie made his official comeback to the music industry. (The reason why I decided to focus on this aspect is because I feel it’s more important to understand Leslie’s inner thought process with regard to his retirement and comeback rather than recount which films he had starred in.) Just like starting off in the industry was not easy for him, returning was even more difficult – primarily because of all the ‘pressure’ that he had to deal with from the Media. During the contract-signing event marking his ‘official’ return in 1995, Leslie was surrounded by reporters who started firing questions at him left and right, asking him if he felt that he was ‘going back on his word’ by making a comeback…. Leslie patiently responded to the reporters’ questions: “My thought process has definitely changed. Back then, I was insistent on retiring, but I have matured now, so my thinking is no longer the same. After filming movies for so many years, I would be lying if I told you that I had not thought about singing again. You can say that I am going back on my word – regardless, my thought process has changed.” Indeed, Leslie’s decision to come out of retirement was not a brash one, as he had already considered it for 2 years before actually proceeding. During his return concert in 1997, Leslie told his fans: “Leaving the stage for 7 years, I have never regretted it – at the time, I had left wholeheartedly…having another concert now is a good thing, as I feel that my foundation is deeper – hopefully I can reach another peak in my career. If everyone where to ask me how long I hope to continue singing, I would respond: Forever….” (Though the Media did not seem to share in his ‘happiness’ of returning to singing, at least his fans did!)

One thing I don’t understand is -- with Leslie’s popularity and talent, shouldn’t people be happy that he decided to come out of retirement and release albums again? Since when is coming out of retirement and returning to the music industry a bad thing? Personally, it’s hard for me to understand the Media’s (and general public to some extent) method of thinking in this regard…why should it matter whether Leslie coming out of retirement meant that he ‘went back on his word’? I find it sad that the Media would choose to focus on the ‘negative’ aspect of his decision rather than the more important piece of how much joy his return brought to fans. Once again, this is another example of what is wrong with HK Media (a point that I had talked about earlier in the post about Danny Chan). It’s no surprise then that Leslie felt so disappointed in the Media at the time.

Unfortunately though, this would not be the last time that Leslie would be ‘hurt’ by the Media (in fact, this was only the beginning). In 2000, Leslie held what would eventually be the very last concert of his career and life (due to his passing 3 years later). His ‘Passion Tour’ concert series had special meaning for Leslie, as it marked the first time that he would serve as art director as well as singer for a concert -- to demonstrate how important the concert was to him, he specially invited renowned designer Jean Paul Gaultier to design all the costumes for the concert. One of Leslie’s goals for this concert was to express himself artistically (hence the long haired wig and the beard) – to some extent, he was able to achieve this goal, as many of his colleagues and industry people who saw the concert praised his efforts and told him that his concert was “true art”. After the opening show, when he happily met with reporters, all of them praised him in unison as well, telling him how great the show was – this gave Leslie confidence and truly made him believe the show was near perfection artistically….never in a million years could he have imagined that the reporters that night were merely giving him ‘lip service’: when the Media reports came out the next day, the ‘praise’ turned into severe criticism – a completely opposite reaction from what the reporters told him to his face the night before. Towards this, he was extremely disappointed and heartbroken. Even though the ‘Passion Tour’ eventually became a huge success on the international front and Leslie won many awards because of it, the HK Media’s harsh criticism had already done its damage…..

In November 2000, during his acceptance speech for the “Grand Salute Award” bestowed on him by Mingpao Weekly (for his work on the Passion Tour concerts), Leslie finally spoke the words that had been in his heart for several months [my apologies for the long excerpt, but this speech is a very important one and in order to do it justice, I felt the need to include the entire quote that was in the book]: “After the opening night performance, there were a lot of reporters who came backstage – the reaction I had gotten from them at that time was: ‘the show was absolutely awesome!’ However, the next day, when I opened the newspaper, what I saw was: ‘the long hair means that he is Zhen Zi [TN: a female ghost from a horror flick] and wearing a skirt means that he is a woman’, as well as other criticisms -- all of this only shows how superficial the Media is….sometimes, I feel that entertainers at our level should try things that no one else has done before and help set precedence; to be honest, during my 1997 concert, when I wore high heels onstage, I could understand being called a woman, but during this concert [Passion Tour], I never once thought of myself as a woman! Perhaps they [the Media] did not pay close enough attention – the ‘woman’ that they talked about in their reports actually has a mustache!”

Leslie continues: “On the 3rd day of the concert, Jean-Paul Gaultier [the renown designer who was responsible for Leslie’s wardrobe for the concert] emailed me from France – after I read the email, I almost fell to the floor. He wrote: ‘You Hong Kong people are ridiculous! In the future, NO international level designer will ever collaborate or work on HK shows again.’ I feel that this is something the HK Media needs to self-reflect upon because there are many of us entertainers whose level has already reached international standards. I recently held 10 shows in Japan and afterwards, the Japanese Media used the word ‘FANTASTIC!’ to describe the shows – at the same time, I was asked by other international Media outlets and concert organizers: ‘why is it that the Media in Hong Kong would choose to destroy and hurt its entertainers [with its reporting]?’”

Leslie’s words at that time were truly a reflection of what was in his own heart, but I’m sure that he also expressed the sentiments of all HK entertainers as well. He was very blunt in his criticism of the HK Media and I admire as well as respect him for that. Leslie’s personality has always been very straightforward and genuine -- it’s part of what endears him to so many people. Towards his personality, Leslie had this to say: “All these years, whether I encounter success or failure, I’ve always spoken what is in my heart. Unfortunately, this type of personality has brought me much pain and suffering.”


DAFFY TONG: LESLIE’S PARTNER UNTIL THE END

In January 1997, at the end of the 24th show of his post-retirement concert, Leslie publicly thanked 2 of the ‘most beloved’ people in his life. The first person was his mother Mrs. Cheung and the second one was his long-time partner, Daffy Tong: “Over 10 years ago, when I was at the lowest point in my life and had problems financially, this particular friend took several months worth of his salary and lent it entirely to me, helping me get through my crisis. Actually, I don’t have to say it, as you guys probably already know. Mom, he is your god-son, Mr. Tong.” Then, in 1999, during an interview with a radio show, Leslie once again spoke of the 2 most important people in his life – with this revelation, speculations over Leslie’s sexual orientation that had been running rampant for many years -- finally ended.

On April 1, 2003, Leslie’s sudden death not only shocked the entire entertainment industry, but also the entire Asian community worldwide. Unfortunately, within just hours after his death, the rumor mill was ‘ignited’ again: all kinds of speculations and rumors concerning Leslie’s death spread like wildfire, with the most ‘hurtful’ rumors coming from local gossip magazines and tabloids, which focused on Leslie’s sexual orientation and possible relationship issues as ‘reasons’ for his suicide. Due to the intensity of the rumors and the strong desire to allow Leslie to rest in peace, his family – including his partner Daffy – had to take a moment out of their immense grieving to refute some of the rumors that surfaced (shame on the Media for inflicting so much pain on a grieving family!!).

The below passages translated directly from the book demonstrate the frustration and anguish that Daffy especially had to go through :

With Leslie’s sudden death, Daffy was more hurt and grieved than anyone – yet in order to dispel rumors that were already surfacing, he agreed to be interviewed by reporters through the screen door of his home the morning of April 2nd (just hours after Leslie’s death). Daffy was wearing a white bathrobe, his eyes were red and swollen, his face was tired and worn. He told reporters: “Our relationship of more than a decade has always been good – there was never a ‘third party’ in our relationship and my feelings for him have never changed; all these years, my love for him has never wavered.” He also revealed that the first time Leslie had attempted to end his own life was back in November of last year (2002) – he said that Gor Gor suffered from depression and had been seeing various doctors for awhile already.

Unfortunately, Daffy’s confirmation of Leslie’s illness did not do much to dispel the ruthless rumors and speculations that continued to run rampant in the Media. In an attempt to quell the rumor mill, Leslie’s close confidante and manager Florence Chan stepped forward in Daffy’s (and Leslie’s) defense: “Leslie and Daffy met back in 1982 and since then, have been through thick and then together – their relationship all these years has always been good. In the past year that Leslie has been ill, Daffy has stood by him unwaveringly, taking care of him without complaint, their relationship stronger than ever. Leslie is already gone and Daffy is already in tremendous pain – what’s the point of inflicting even more pain on him? Leslie has always been very loyal in his relationships – in the past 20 years, his feelings for Daffy have never changed.”

In an interview with the author several days later, Daffy once again reiterated the unchanging devotion that he and Leslie had for each other – and he once again implored that the Media allow Leslie to rest in peace: “….In the past, whenever there were rumors about us, both Leslie and I would choose to remain silent and instead dispel those rumors through our actions – for example, going out together publicly to watch a movie or have dinner….but now, this is no longer possible…Leslie is already gone, there is no way for him to defend himself or refute the rumors, yet some people still choose to use written or verbal words to attack his spirit! The dead is already gone, let the rumors be buried as well! Instead [of focusing on the rumors], I hope that everyone can appreciate Gor Gor’s contributions and his great love and passion for his work….let’s allow Leslie to truly leave in peace!”

Sadly, to this day, there are still many rumors and speculations surrounding Leslie’s death, though the intensity of those speculations has (fortunately) died down. Despite Leslie’s own confession in his suicide note that he was suffering from depression as well as confirmation of this from his closest friends and relatives (it was also mentioned at his funeral), some people (perhaps out of ignorance or lack of understanding of the disease?) still refuse to accept the fact that it was this illness that drove Leslie to take his own life and instead continue to conjure up various other ‘reasons’ to explain it– as an HK entertainment fan, it’s definitely upsetting and at the same time frustrating to see this type of thinking. Hopefully, this post will help those who are still of this particular mindset gain better clarification.


OTHER INTERESTING FACTS

The book actually clarified a few things regarding Leslie that devoted fans may already know, but most of the general public might not -- therefore, I felt it was appropriate to include a few of these ‘interesting facts’ in this particular post:

.-- At one point in time, it was thought that actor/singer Dicky Cheung (張衛健)was Leslie's cousin. This is actually not true -- even though both Dicky and Leslie have the same surname, they are not related to each other at all. Below is a direct quote from Leslie on how the whole thing about Dicky being his cousin came about:

He [Leslie] has a heart of gold – in order to help others, he does mind telling a well-intentioned ‘untruth’. In 1984, Leslie was already a well-known first-line singer – in that year’s New Talent Singing Competition, there was a kid named Dicky Cheung who was rumored to be a cousin of his. It wasn’t until after Dicky won the gold award that Leslie refuted the rumors of Dicky being a relative: “Dicky and I met a year ago. Not sure how he got my phone number, but he called me and we agreed to meet up. At the time, he was singing at restaurants in order to support his entire family. For a period of time, he didn’t have any work opportunities while I would do occasional restaurant gigs myself, so I figured I would help introduce him to the restaurant people I knew. At first, I introduced him as my friend, but that didn’t seem to help, as he still didn’t get many opportunities, so I figured why don’t I just claim him as my cousin – after that, I was able to help him find quite a few jobs.”

Leslie later clarified in an interview that Dicky wasn’t his cousin – but he chose to do it way after Dicky won the NTSA competition, as he didn’t want to affect Dicky’s chances and also didn’t want to hurt his feelings.

.-- Alot of people say that Roger Kwok (郭晉安) – in his younger days especially -- bore a striking resemblance to Leslie and some even mistakenly thought that perhaps they are related. The truth is that they are NOT related, but Roger definitely did look a little like Leslie back in the 80s, especially between 1986 and 1988. Roger's fellow colleagues at TVB apparently thought so as well: during TVB's Anniversary Gala in 1988, Leslie was one of the special musical performers at the end of the show -- while he was performing, a bunch of people pushed Roger out to the front of the stage where Leslie was. Roger had a (cute) slightly embarrassed smile on his face -- being the good sport that he is, Leslie hugged Roger and said loudly into the microphone: "My Brother!" (Aww, such a sweet moment! I remember that particular Anniversary Gala show, as I've seen it several times -- it's among my favorites in terms of TVB galas).

.-- Leslie is very good friends with [my idol] Jacky Cheung. Part of the reason is because of Anita, since Jacky is Anita's 'brother-in-law' and of course, Anita is Leslie's close friend and 'sister' -- plus they all started around the same time (in the 80s) and all had mutual friends, so they hung out together alot and also collaborated alot onscreen (in music and movies) as well. But of course, the other 'common link' between Leslie and Jacky is Florence Chan -- as already stated above, Mrs. Chan was Leslie's manager for most of his singing career (starting in the early 80s) and in the mid-90s, she became Jacky's concert manager (Jacky's manager in the 80s and early 90s was 'golden' manager Willie Chan), a position she continues to hold currently. (When Leslie made his comeback to the music industry, Mrs. Chan continued her role as his manager, up until the point of his death in 2003). So with the added relationship of being Mrs. Chan's 'sons', it's no surprise that Jacky and Leslie were close.

In 2001, during a celebration dinner for Mrs. Chan’s birthday, Leslie talked with Jacky about the 2 of them doing a musical together as their mutual gift to Mrs. Chan for her birthday. By the next year, Jacky had already completed the initial script for the musical and had even showed it to Leslie for review. Unfortunately, before Jacky was able to complete the final revisions to the script, Leslie was already gone. …

.--.

CONCLUDING THOUGHTS

I’m sure everyone would agree that even when he was alive, Leslie was already an ICON in every sense of the word – with his passing, he has become more than just an icon….he has become a LEGEND.

In a sense, this post can be viewed as a ‘coping mechanism’ to help those (like me) who still struggle from time to time in accepting the fact that Leslie is truly gone…. but most importantly though – just like with my previous posts on Anita and Danny -- it’s also my way of paying tribute to a legend. I hope that whoever gets the chance to read this post – whether you’re a Leslie fan or not – can benefit from it in some way: whether it’s learning things about Leslie that you may not have known previously, or, in the case of his fans, simply serving as a reminder of why your love for Leslie continues to remain strong and steadfast so many years after his death. In putting together this post, I myself have definitely gained a better appreciation for Leslie, both as an artist and as a person.

One last thing…..

I wish I could include some of the pictures from the book in these posts, as each chapter shows a collection of pictures from Mingpao’s archives that are relevant to the people or events being discussed. One of the many things I like about this book is that the author really took the time to look through her picture archives and choose pictures that created a ‘historical chronology’ of sorts for each artist (for example, the section talking about the artist’s childhood included baby pictures and other family pictures, the section about the artist’s relationships has pictures of their significant other(s), all with detailed captions and the year the picture was taken). For me, while reading this book, looking through all the pictures and reading the captions that accompanied each picture was almost as good as reading the book itself!