Showing posts with label Dominic Lam 林嘉華. Show all posts
Showing posts with label Dominic Lam 林嘉華. Show all posts

Saturday, June 15, 2013

HKTV Series Police Boundaries (警界線) -- Official Premiere of Entire First Episode (My Thoughts)


Police Boundaries (警界線) 
[Entire first episode from Youtube]



A few days ago, HKTV put up a ‘poll’ on their Facebook page, asking audiences to vote for which series (out of the 8 teaser trailer clips they released so far) they would like to watch the entire first episode of – HKTV would then ‘premiere’ the entire first episode for the series that receives the most votes.  Voting ended on Tuesday and the series that garnered the most votes was, not surprisingly, Police Boundaries (according to HKTV, Hidden Faces came in a close second).  Therefore, HKTV kept their promise and broadcast the entire first episode of Police Boundaries on Youtube yesterday (Friday).

So far, the feedback for the first episode has been overwhelmingly positive (based on comments in Weibo, discussion forums, HKTV’s Facebook page, etc.).  Since this is one of the series that I’ve been looking forward to watching since HKTV first announced the filming of it last year, of course I wasn’t going to miss the broadcast of the first episode (I don’t think I would have been able to forgive myself…LOL).

Anyway,   below are my initial comments from watching the first episode – I will most likely have more feedback later on (tomorrow) once I get the chance to re-watch the episode again in more detail…


My comments (so far):

.— I don’t know what to say except for – WOW!!  The first episode as well as the preview for episode 2 absolutely made me want to watch the rest of the series! 

.—The episode was fast-paced, thrilling, suspenseful, and so full of twists and turns that it literally kept me at the edge of my seat the entire time I was watching!  When the 11 minute teaser aired last week, I had already remarked how awesome that trailer was (reference this link for my initial comments on the episode 1 trailer) – well, the first episode was even better because we (the audiences) got to understand more of the plot as well as get a better picture of each main character.

.—I was actually quite shocked to find out the relationship between Dominic Lam and Liu Kai Chi’s characters (though from what was revealed in the first episode, it still isn’t 100% clear…but at least we know that, at minimum, the 2 of them, along with Dominic’s deceased wife, are very close friends).  But I’m actually really curious about Uncle Chi’s character – it’s obvious that he was an undercover cop at one point, but is he truly a good guy or will it turn out that he’s actually the main villain?  Whichever it ends up being, I am looking forward to seeing how this all unfolds – and with Uncle Chi’s top-notch acting, I am absolutely certain that his performance will be stellar!

.—Dominic was also absolutely brilliant in the first episode!  After watching the initial 11 minute trailer, I remember commenting that he didn’t have much screen time, but it turns out he does – it’s just that majority of his scenes are concentrated in the middle and second half of the episode.  The scene at the gun shop was quite intense – I will admit that I was so worried Dominic was going to hurt the little boy (Lawrence’s son)…the expression on his face was pretty scary (plus that little boy is just too darn cute and adorable…can’t bear to see anything else bad happen to him!). 

.—I know the feedback to the initial trailer from last week was that Lawrence’s acting was subpar – but after watching the entire first episode, I actually don’t think he was that bad.  Of course, when you’re up against such established veteran actors as Liu Kai Chi, Dominic Lam, Felix Lok, etc., anyone’s acting will seem like ‘child’s play’…however, if we put aside the comparisons to the veterans, I actually feel that Lawrence’s performance wasn’t really that bad at all.  At the very least, I (as an audience member) was able to connect with his character on an emotional level (that’s half the battle right there) and also feel sorry for his plight in the series.  Sure, some of his facial expressions, delivery of dialogue, as well as the way he handled certain emotional scenes still need some work,  but overall, I would actually say that he did a decent job for such a heavy role.

.—I am definitely interested in learning more about Joman Chiang – her performance in this first episode was very impressive, especially knowing that she is a ‘newbie’ in the area of acting!  She had good control over all of her scenes and even with the complicated dialogue (I’m assuming she is the female ‘military weapons expert’ character described in the plot summary), she was able to deliver the goods extremely well.  I don’t know about you guys, but watching her performance, I absolutely could not believe that this series was her first attempt at acting!  Looks like Joman has a bright future ahead of her as an actress….

.—Interesting that Lam Lei’s character dies in episode 1 – I actually thought that he would have a more significant role.  Also, is it just me, or does Lam Lei look really really old in this series?  His first few scenes were fine, but the ones later on in the episode weren’t – he looked way too old, thin, and sickly (so different from how he used to look).  Not sure what happened there but I just found it a little hard to concentrate on his scenes because I couldn’t get over how haggard he looked.  In any case, the plot twist involving his character was quite interesting and I assume that story arc is going to be an important one throughout the rest of the series.

.—No Leila in the first episode (bummer) – though it’s obvious from the second episode’s preview clip that she will appear starting with that episode.  Definitely look forward to seeing her.

Wednesday, May 29, 2013

Premiere of HKTV Series online -- PART 1

A few days ago, HKTV started up a ‘movement’ on Facebook asking whether audiences were interested in watching the first 5-10 minutes of the first episode of all their series online.  The response was overwhelming, as within hours of their post on Facebook, they received over 5000 likes/comments from people (like me for instance) who were interested in seeing what HKTV had to offer (and since they still don’t have their license yet, releasing the clips on the Internet is pretty much the only option they have at the moment). 

So far, they’ve released clips for 3 of their series (with more coming) and I must say that I definitely like what I see!!   All 3 clips were very well made, both from a visual standpoint (graphics, etc.) as well as storyline and acting (so far).  Actually, now I’m wishing that HKTV would just put the entire first episode of each series up instead of just the first few minutes because honestly, a few minutes is really not enough (I was so engrossed in the clips that I felt like I blinked and it was over already…LOL).

Great job to the HKTV cast and crew!  Watching these clips was definitely a breath of fresh air for me – especially given the dismal state of TVB’s series in recent months (gosh, I don’t think I actually sat down and seriously watched a TV series since the year started!).  For me, one of the highlights of watching these clips is that I don’t have to keep watching the same artists / pairings onscreen all the time (when you start seeing the same artists playing the same types of roles in series after series -- as TVB has been doing --  it starts to get boring!) – plus I was super-excited to see artists back on the small screen whom I hadn’t seen in a long time (William So, Liu Kai Chi, Yu Mo Lian, just to name a few).  It was also refreshing to see some new faces pop up (well, they may be ‘new’ to me because I’ve never watched their previous works but not necessarily ‘new’ to the industry). 

Lastly….below are a few of my thoughts on the clips released so far (sorry, can’t say much since the clips were so short…bummer…).  But hey, at least we get to see more than what was in the sales presentation, so that’s definitely a plus. 

P.S.:  Damn HK government!!!  Stop fooling around!!!  Issue those darn licenses already, will ya!!!!  Argh!!


.*****.


Once Upon A Song (童話戀曲201314)




My comments:

.—This has got to be my favorite clip so far out of the 3 released!  I love the upbeat nature of the opening segment and the lighthearted humor that made me laugh without even thinking about it (the natural kind of humor that doesn’t try to be funny but ends up being funny because of the dialogue and interaction of the characters). 

.— In the short, few minute clip alone, Jason Chan already left quite an impression on me with his performance as ‘Handsome Chan’ (still can’t get over that name…haha).  His interaction with William So’s character ‘Da Wai Gor’ was absolutely hilarious (I actually miss William’s acting – he always comes across very natural to me in his roles, as though he is playing himself every time).  I especially enjoyed the scene where Da Wai Gor describes all the stuff that his missing dog used to do for him and Handsome agrees to do all those things despite not knowing what most of the stuff meant (LOL).

.—The girls in the clip did a good job as well.  I’m actually not familiar with Evelyn Choi at all, but so far, her performance as ‘Yan Tze Ching’ wasn’t bad at all  (though of course I would have to watch more of the series to really see).  Lesley Chiang also did pretty well with her role as ‘Kalie’ (so far) – her facial expressions were pretty spot on, which is pretty impressive considering this is her first acting gig (oh and her dialogue was pretty funny as well).

.—Overall, definitely looking forward to watching this.  HKTV:  Please release the rest of the episode!!!



Brain Opening Detective (開腦儆探)





My Comments:

.—To be honest, showing a mere 6 minutes wasn’t enough to really get the ‘feel’ for this series.  Unlike the other 2 clips, I actually didn’t feel anything when I watched this  (honestly, all I could think about was ‘Yay, Felix back onscreen again!’  LOL!)

.—The scene showing Felix’s son getting shot was interesting, but I kind of felt they did the ‘kid getting shot’ scene better in Police Boundaries than they did here – the one here was too ‘science fiction-ish’ (if that’s a word), especially with the whole slow motion thing and such.  But I’m thinking perhaps that was done on purpose because according to the plot summaries, this series will have a ‘supernatural’ element to it – if that’s the case, then it explains why those scenes were shot that way.

.—By the way….I’m trying to figure out who plays Felix’s wife in the series (her appearance in the clip was way too brief for me to tell).  I do like the ‘refreshing’ team of Sam Lee pairing up with Felix to solve cases though – now that’s a collaboration we haven’t seen before.

.—All in all, I will probably still watch this because of Felix, but so far, the ‘premiere’ segment wasn’t really too exciting for me.



Police Boundaries (警界線)





 My Comments: 

.—The 11 minute opening segment that they showed of this series was AWESOME!!  I was at the edge of my seat practically the entire time and felt like it went by way too quickly (honestly, it felt more like 5 minutes than 11…).  This has actually been the number one anticipated HKTV series for me since it was announced last year and sure enough, the opening segment didn’t disappoint.

.—Love Liu Kai Chi (he’s one of my all-time favorite veteran green leaf actors), so I’m definitely thrilled that he has such a heavy role in this series (he’s definitely one of the leads and in most of the rundowns, his name is even listed first!  Yay!).  He was witty and cool in the opening segment and by the looks of it, his character is going to be a very interesting one (and no, doesn’t look like he’ll be playing the villain this time).

.—The ‘funniest’ scene for me so far was the one at the convalescent home (yay, Yu Mo Lian is back…haha!).  Loved the interaction between Mo Lian Jie (missed her acting too), Philip Keung, and Liu Kai Chi in that scene (sorry, but I’m not sure who the other woman was in that scene).

.—Too bad that Leila Tong wasn’t in the opening clip (didn’t see Felix Lok or Annie Liu either) – but ah well…she’s one of the main characters so most likely she will show up in the first or second episode.

.—There wasn’t a whole lot of scenes with Dominic Lam either, though he’s also one of the main characters – but the few scenes he was in were definitely very intense…he didn’t have any dialogue, yet just seeing those scenes play out was already enough to give me a sense that there would be something up with his character somehow (and we find out what that ‘something’ is at the end of the clip).

.—Oh and I have to say that I absolutely did not recognize Lawrence Chou at all, even though he had majority of the screen time in the first 11 minutes (not surprising, since the last time I saw him in something was like over 10 years ago!).  He looks so much more mature than how I last remembered him – in any case, he did a great job in the opening segment and really brought out the emotional intensity of the first segment. 

.—As for the woman who played Lawrence’s wife (girlfriend?) in the first segment, of course I had no clue who she was (I know her name is Joman Chiang, but that’s about it), but so far, I’m impressed by her performance (I think this is her very first TV series…if so, then wow….)

.— Lastly, I absolutely must give kudos to the filming techniques for this series – the entire time, I felt like I was watching a movie rather than a TV series.  Oh and I definitely have to mention the scene at the piano recital involving Lawrence, Joman, and the boy who plays their son (he is super-cute!!) as well as the subsequent ‘flashback’ scene showing the ‘event’ (shootout) that happened ‘one year ago’ – those scenes were very nicely transitioned (kudos to the editing team) and quite clever (not sure about you guys, but when the scene cut back to the recital and they showed what happened to the boy as a result of that awful event, I nearly cried…and of course the ‘shock’ of seeing the ‘culprit’ sitting right there in the audience – intense!)  GIVE ME MORE OF THIS SERIES PLEASE!!!

Friday, August 24, 2012

Follow up Post: Details on 3 Additional CTI Series Announced Recently

Recently (a couple days ago), CTI held a press conference announcing the newest series that the company will start filming soon (a medical drama starring Frankie Lam and John Chiang). This is actually the 6th series that has been officially announced, with more to be announced in the upcoming months/weeks (2 more I know of for sure is Felix Wong's series with his daughter Adrian and also Maggie Cheung's series with Prudence Liew).

I actually posted a little bit about the first 3 series that CTI had announced awhile back ago (you can read about those 3 series here)...but now with more series being announced (and the 'revelation' of more artists who have joined CTI), I figured it would be an appropriate time to post a ‘followup’ detailing the remaining 3 series that have already been announced -- including the official plot summaries and cast lists that were released during the press conferences that were held for each series. I decided to do this post partly for those whom I've been discussing CTI's series with in forums and on my blog (you know who you are...LOL!), but also partly for myself, since there is so much information out there now that it's easy to get confused.

Hope this provides a bit of clarification (and insight) as to what CTI has in store for HK audiences when they finally 'open their doors' sometime next year (depending on when the government decides to issue their license).

Also, due to some discussions I’ve had with various people over the past few months, I felt the need to clarify a few things...

For the record, the reason why I’ve been posting a lot of stuff about CTI on my blog is NOT because I support CTI (because to be honest, I really can't 'support' them right now because 1) they're too new and I don't have enough info / history to go off of yet and so I refuse to blindly support a person / company until I know more, and 2) I still have some reservations about the company and its chairman Ricky Wong) nor is it because I want to see the downfall of TVB....[sure, I criticize TVB alot -- probably to the point of being annoying to some people -- but that's because my family and I have supported TVB for more than 3 decades and it pains me to see how 'far from the tree' they have fallen, so my constant 'constructive' criticism is my last ditch attempt to hopefully pound some sense into the (lame) management over there before they run the station to the ground (some people feel they already have)].

Rather, I post about CTI and its series because 1) they’re pretty much the only one out of the three stations that are actually filming series right now, and 2) as a long-time follower / supporter of the HK television industry in general, I'm disappointed with how much the industry has deteriorated and strongly feel that in order for the industry to 'get back on its feet', (healthy) competition is definitely necessary because, well, competition drives improvement (yes, that's the business person in me talking again...). So essentially, I guess you could say that I support the overall cause of having new free-to-air TV stations in HK because I want to see the industry flourish again. Some people may think that this is wishful thinking on my part (which I'm ok with), but I'm actually looking forward to the day when all the TV stations can co-exist together and produce quality programming for us viewers -- after all, isn't that what a TV station at its core should ultimately be about?

Anyway, here are the details on 3 more series that CTI has announced over the past 2 months -- filming has already started on all 3 series:

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The Second Life (第二人生)

Copy Editors: Lee Yee Wah (李綺華) and Suen Ho Ho (孫浩浩)
Main Director: Chan San Hap (陳新俠)

Filming Dates: July 2012
Length: 15 episodes

Cast: Wilfred Lau (劉浩龍), Terence Yin (尹子維), Bondy Chiu (趙學而), Joey Tang (鄧建明), Patrick Lui (雷有暉), Ann Ho (何紫綸), Maria Chen (陳霽平), Samuel Kwok (郭峰), Anita Chan (陳穎妍), Bonnie Wong (黃文慧), Wong Ching (王青), Mannor Chan (陳曼娜), Nick Chong (莊兆麟), Emily Wong (王歌慧), Ricksen Tam (譚晴), Wong Mei Kei (黃美棋), Cherry Pau (鮑康兒), Chan On Ying (陳安瑩), Jim Bing Hei (詹秉熙), Annie Cheung (張雅麗), Joyce Giann Wong (黃瑩), etc

Plot Summary:
After living for several decades, when one has reached middle age, we start to complain about the pressures and failures that we’ve experienced and regret those ‘missed opportunities’ from the past. But for someone who doesn’t have any dreams or aspirations, what is the point of living a life of such uselessness? The series will explore how the main characters, while going through a low period in their lives, will encounter a situation that gives them the opportunity to change history – however, once the history is changed, they discover that their lives did not become better than it was before. This makes them realize that instead of constantly fretting about the past, why not seize the opportunities they have presently and live life to the fullest?

Additional Notes: This is one of those ‘tales of encouragement’ series that will explore various relationships between siblings, family, friends, and lovers.



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Police Boundaries (警界線)

Creative Producer: Chu King Kei (朱鏡祺)
Copy Editor: Lau Siu Kuan (劉小群)
Main Director: So Man Chong (蘇萬聰)

Filming Dates: Mid-July (movie) / Mid-October (TV series)
Length: 21 Episodes

Cast:  Liu Kai Chi (廖啟智), Dominic Lam (林嘉華), Leila Tong (唐寧), Lawrence Chou (周俊偉), Joman Chiang (蔣祖曼), Annie Liu (廖安麗), Philip Keung (姜皓文), Crystal Leung (梁寶琪), Lui Hei (呂熙), Deno Cheung (張松枝), Cheng Ka Sheng (鄭家生), Felix Lok (駱應鈞), Lam Lei (林利), Yu Mo Lian (余慕蓮), Luk Chun Kwong (陸駿光), etc.

Plot Summary: 
Haivng a clear separation between black and white, placing heavy emphasis on discipline – both are the most important ‘boundaries’ for a cop. But if those boundaries are broken through and cops collaborate with crooks, the investigative process as well as the probability of cracking the case becomes limitlessly greater. A 12 year undercover agent living on the edge, a hot-tempered cop who once broke out of jail after he was framed for crime, a ‘King of Robbers’ who was once jailed for a crime he didn’t commit and now specializes in robbing crooks, a ‘spinster’ female cop who had never fired a single shot in her life and relies on her wits as well as life experiences to ‘figure out’ criminals, a fugitive from the law who is obsessed with female cops but always puts righteousness ahead of all else, and finally a high-ranking female officer who is also a military weapons expert – together, they will match wits as well as match strength. Out of this will come not only love, hate, and sparks, it will also break all boundaries – joining forces to crack cold cases and locate criminals, it creates an entirely different battlefield. Through blood, tears, life, and death, these most ‘hot-blooded’ of cops and criminals manifest the brilliance of human nature, leaving behind one touching, heart-stopping story after another.

Additional Notes: The series will technically be 20 episodes, as the first episode will be a movie that sets up the scene and the story will continue on in the TV series. Also, CTI’s chairman Ricky Wong specially arranged for all the artists participating in this series to take lessons at a real life firing range using real guns.




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Three Sided Face Doctors (三面形醫) [Not official English title]

Copy Editor: Choi Ting Ting
Screenwriters: Sin Siu Ling, Man Kin Fai, Ho Lo Yan
Main Director: Kwan Shu Ming

Filming Dates: September
Length: 20 Episodes

Cast:  Frankie Lam (林文龍), John Chiang (姜大衛), Wilson Tsui (艾威), Kate Yeung (楊淇), Sam Chan (陳宇琛), Leanne Ho (何思諺), Lesley Chiang (姜麗文), Rain Lau (劉玉翠), Benji Chiang (姜文杰), Queenie Chan (陳莉敏), Rachel Lam (林熹瞳), Lee Cheuk Ling (李卓寧), Yetta Tse (謝珊珊), Deno Cheung (張松枝), Carlos Chan (陳家樂), Yan Ng (吳日言), Maria Chen (陳霽平), Philip Keung (姜皓文), Wong Gwan Bun (黃冠斌) , Damon Law (羅貫峰), etc.

Plot Summary:
Humans are naturally born to love beauty. Alot of people put on makeup, do beauty treatments, some even opt for plastic surgery -- but there are probably not many people who are willing to look directly into a mirror and comfortably, naturally, peel away their glamorous 'outer skin' and reveal the rawest, most hidden side of themselves. That's why all along, doctors are only able to heal our physical bodies, but not our hearts. Ultimately, the 'root cause' of alot of illnesses does not stray far from what we call 'humanity' (renxing)!

Utilizing the story of a plastic surgeon joining a franchised medical treatment conglomerate as basis and adding in a 'discussion' of a few recent controversial 'hot topics', the series will attempt to critique the value system of mainstream modern society in the hopes of inspring the general public to reflect on the definition of 'beauty' and how it relates to their own value system. At the same time, it hopes to be the 'voice' for different levels of people in society and thereby resonate with audiences.

Additional Notes about series:   Through the story of doctors and their patients as well as the various inner and outer conflicts that a medical treatment conglomerate experiences, hope to demonstrate the 'real' side of humanity.  This will be the first series in HK television history to present the 'true face' of medical surgeries.  There will be a television version as well as a web version of the series -- the web version will reveal the real life process involved in plastic surgeries.

Friday, May 25, 2012

Mingpao Interview with former TVB artist Dominic Lam: ‘Jump’

Here's another great interview from Mingpao Weekly magazine (issue 2271, which was originally published last week).  This time, the interview is with another one of my favorite veteran artists:  Dominic Lam (林嘉華).

Dominic has been one of my favorite artists (actor as well as host) since the 80s -- even though he hasn't done a whole lot of series in the past 15 years or so due to immigrating to Canada and such, I'm glad that I had the opportunity to see him onscreen again the past few years, as he has always been (and still is) a very talented actor in my mind.

I really enjoyed reading this interview and even though not much of it was a surprise (especially the part about why he joined CTI), I still learned some things about Dominic that definitely makes me respect him more as a person (since I already respect him alot as an actor...LOL).

Anyway, hope you enjoy the article!

*****





Article originally published May 19, 2012

Translated by:  llwy12

Mingpao Interview with former TVB artist Dominic Lam:  ‘Jump’

Our [Mingpao] magazine has a sister publication – a recruitment newspaper entitled《JUMP》: jump out, jump up, jump ship to another company [in terms of jobs]. Recently, with new free-to-air TV stations coming into play, there have been many people ‘jumping’ in the entertainment industry – veteran artist Dominic Lam (林嘉華) is one of those ‘jumping’ to Ricky Wong’s new TV station CTI. Many who have joined CTI talk about Ricky Wong’s ‘sincerity’ as one of the primary reasons for joining the company – though Dominic Lam’s reason is very similar, he also explains for us how Mr. Wong redefined the meaning of ‘sincerity’ for him: “Mr. Wong flew 30 hours [round trip] to come meet with me in Toronto [Canada] and when he arrived, we discussed for over 10 hours – throughout the entire time, he humbly talked about wanting to learn how to ‘do television’ from me.”

Sure, Mr. Wong certainly has charisma, but then again, Dominic is no naïve youngster who hasn’t seen the world – when he was barely 21 years old, he was already hosting the RTHK program Junior Police Call《少年警訊》for the HK Royal Police Force and not long after that, he was ‘poached’ from the police force by Rediffusion Television (RTV)’s mega-producer Johnny Mak (麥當雄) : “He [Johnny Mak] asked me how much I’d get paid if I were to become Superintendent of Police (警司) and offered me a salary that was way more than that!”

After more than a year at RTV, Dominic was ‘poached’ once again -- this time by TVB – with offers of a yet higher salary, which prompted producer Mak to issue a ‘never hire again’ order against him: “Luckily, TVB agreed to honor the criteria and compensation negotiated in earlier discussions.”

Three different ‘poaching’ experiences, three different stories – Dominic Lam can definitely be considered the ultimate ‘jump ship’ [aka changing jobs] example.


Johnny Mak’s salary offer more than that of Superintendent of Police position

At the age of 16, Dominic Lam entered the HK Royal Police Cadet School (RPCS) and after graduating, was recruited by the Police Public Relations Bureau to host a fledgling police informational program called Junior Police Call《少年警訊》 [TN: He was the program’s ‘first generation’ host] and successfully became the ‘face’ of the police force to young audiences.

After 2 years in Cadet School, Dominic’s subsequent 2 years on the police force was spent promoting good relationships between the police and the citizens rather than investigating actual cases. Due to his success hosting Junior Police Call, Dominic unexpectedly became an ‘idol’ to many high school and middle school students – not long after that, RTV’s founder Stephen Shiu (蕭若元) took an interest in him, resulting in RTV producer Johnny Mak seeking him out to participate in his first series Crocodile Tears 《鱷魚淚》:

"He sat me down and told me that he wanted to find someone with no acting experience yet when he appeared onscreen, audiences would recognize him immediately, then told me that I would be perfect for the role as Pat Poon (潘志文)’s younger brother in the series. He also said that he was very familiar with people in the police department and could easily apply to have me film series on the side. I told him that timing-wise it would be difficult because my work in the Public Relations Bureau is practically non-stop. He then tried to persuade me to quit my job in the police force and become an actor instead. He asked me what my ultimate goal was in the police force and if it was to eventually become Superintendent of Police, it would be a slow, long road upward – then he took out a contract and when I saw the salary offer, it was higher than what a Superintendent of Police would make!”

Dominic’s father was also a cop and when he retired, he was still a low-ranking officer, so in the face of such a huge offer, Dominic felt that it was the best option for him at the time – besides, he figured that he would sign on to be an actor for 2 years and if that fails, he could always go live with his Uncle in the U.S. and continue his schooling there.

He decided to sign with RTV, however because he was barely 21 years old at the time, his father had to sign on his behalf: “Johnny Mak was my first mentor in the television industry. He never yelled at people and in fact always had a smile on his face, yet everyone was afraid of him – whenever he would crinkle his brow, everyone in the room would be silent. He was able to invoke such awe-inspiring prestige because he ‘had substance’ [TN: meaning he had ‘impressive talent’] and so everyone respected and admired him.”

Unfortunately, the 90 episode Crocodile Tears was not well-received by audiences – the storyline kept changing as filming was being done and many of the actors were unpopular with audiences, so many of their roles risked being cut short: “If producer Mak wanted my character to ‘disappear’, it was every easy – he could have killed me off, or had me leave to go study overseas, etc. – luckily I did not disappoint and the audiences actually liked my character.”

Afterwards, he filmed 2 more series and a little over a year after he joined RTV, he was poached by rival station TVB.


‘Never Hire Again’ Mandate
 A year and a half into his 2 year contract with RTV, Johnny Mak started new contract discussions with Dominic:

“Without looking at the contract yet, I told Johnny ‘If I told you that TVB hadn’t approached me, I would be lying, however if possible, I would prefer to stay with a company I’m familiar with, so I did not sign with them yet.’ When I looked at the contract though, there was a huge gap in TVB’s offer versus RTV’s, so I told him that if he could lessen the gap, even if the price is a little lower, I would be willing to sign with RTV – unfortunately, he refused to budge with his offer and the manager of the artists’ department [also present for the discussion] said they would have to discuss it internally.”

Later that day, when Dominic returned home, he received a call from a reporter informing him that they had received a news release from RTV announcing that he would ‘never be hired again’ with the company: “Earlier that day, RTV was still airing my artist promotional clip with the slogan ‘RTV’s darling Dominic Lam’, however the marketing department was ordered by producer Mak to remove the clip, so even they [marketing department] called me to ask what was going on.”

Dominic continues: “I don’t feel that Johnny was wrong in what he did – after all, TVB had not signed me yet, so with the ‘never hire again’ announcement, RTV was probably thinking that TVB might try to reduce its price, thereby pushing me against a wall. Looks like they miscalculated though because Ho Ka Lien (TVB’s Head of Artists’ Department at the time) later announced to reporters surrounding my house that the criteria we had discussed earlier would not change and they were only waiting for me to sign the contract.”

Just like that, Dominic left RTV as well as his mentor Johnny Mak behind him – despite what happened, Dominic did not harbor any grudge against the producer. Later on, Johnny Mak mysteriously ‘disappeared’ from the entertainment industry and has lived a reclusive life ever since: “A few years ago, I bumped into him at a mall in Tseung Kwan O – he now does volunteer work for a senior center.”


Received ‘silver whistle award’ in cadet school

Dominic Lam’s representative work at TVB was his hosting gig for the program Sports World 《體育世界》, which turns out did not require the use of his police background.

“For the first installment of the series Police Cadet ’84《新紮師兄》, producer Chiu Chun Keung (招振強) asked me to serve as a consultant. The major characters in the series – Sean Lau (劉青雲)’s ‘Fit Lo’ [Ngai Fung] and Tony Leung (梁朝偉)’s ‘Kit Lo’ [Cheung Wai Kit] for example – were reminiscent of my own days in cadet school. At the time, TVB had also arranged for producer Chiu and myself to do on-site observation at the actual cadet school. The cadet school instructor role played by Ng Man Tat (吳孟達) was based on a person who existed in real life but had since passed away – the real life instructor was of Indian descent, was very tall, and very intimidating. Prior to filming, Ng Man Tat and I would discuss his character in the series – his gesture [in the series] of putting the instructor’s pointer [stick] under his arm was extremely accurate!”

In real life, Dominic feels that he was more similar to Sean Lau’s character – the top student in the class who excelled in all disciplines and the one who would receive the ‘silver whistle’ award in cadet school.

Dominic’s biggest regret is that he only had the opportunity to participate in the 3rd installment of Police Cadet and in that series, he played a villain rather than a cop. After returning to TVB several years ago, he had the chance to play the role of a cop in the series On the First Beat《學警出更》, E.U.《學警狙擊》, and the upcoming series Tiger Cubs《飛虎》(scheduled to air in June).

“When it comes to playing the role of a police officer, I’m very much into maintaining an orderly appearance. If I noticed a problem with the actors’ cadet uniforms, I would help them fix it immediately – everything from the belts to the shoelaces to the berets that each cadet wore had to be perfectly matched and aligned, as that was all part of my training back when I was in cadet school.”

In the upcoming series Tiger Cubs, Dominic finally gets to play the role of Chief Superintendent of Police (總警司) – a role he only had the chance to play in the acting world: “I didn’t want to go any higher than Chief Superintendent and even asked the producers not to make me Assistant Commissioner of Police because those types of positions sit in an air-conditioned office all day – there isn’t much acting needed for that type of role!”

Six years ago, Dominic returned to HK [from Canada] and participated in Pou-Soi Cheong (鄭保瑞)’s film Dog Bite Dog《狗咬狗》in which he played a villainous cop and later in director Benny Chan’s (陳木勝) Invisible Target 《男兒本色》 where he played a corrupt Superintendent who robs an escort vehicle; in 2009’s Overheard《竊聽風雲》, he plays the head of the police department’s Commercial Crime Bureau.

Being a police officer is Dominic’s ‘unfinished job’ – many of his classmates from back then have already reached the Superintendent of Police position. If he had stuck with the police job in real life, of course he wants to be a good cop – in the acting world however, he is most satisfied with his role as a psychotic cop in Dog Bite Dog.


Ricky Wong flew to Canada to recruit him

In recent years, Dominic travelled back and forth between HK and Canada, filming several series for TVB such as Men Don’t Cry《奸人堅》, The Four 《少年四大名捕》, Grace Under Fire 《女拳》, etc. In 2010, his villain role in the series A Fistful of Stances《鐵馬尋橋》won him a Best Supporting Actor nomination at that year’s TVB Anniversary Awards – even though he ended up losing the award to Evergreen Mak (麥長青), he will always remember Evergreen saying to him before the results were announced: “You’re the only one I will be happy to lose [the award] to.”

Dominic recounts his experience filming with ‘golden’ producer Lee Tim Sing (李添勝) in A Fistful of Stances: “Collaborating with Tim Gor and Cheung Wah Biu (former TVB scriptwriter) was very satisfying. When Tim Gor first sought me out for the series, he told me that it would be a 30 episode series and I would pretty much only participate in the first few episodes as well as the ending, however I ended up having an important role throughout the entire series. Tim Gor is a very hardworking producer – whether we were filming on location or in the studio, he would come observe and accompany us on the set; he’s also very quick in coming up with ideas and making changes – filming with him was a very happy experience.”

Even though he lost the Best Supporting Actor award at TVB’s ceremony, he did win the Best Villain Award at Malaysia’s AOD awards ceremony – an award which he made a special trip back from Canada to accept.

In the past 6 years collaborating with TVB again after his return to HK, his experience has been a pleasant one. Each time he discussed contract renewal with TVB, he always received a satisfactory adjustment in salary – therefore, his decision to leave the station and join CTI definitely had nothing to do with money.

During autumn last year, when Dominic received Ricky Wong’s ‘recruitment’ phone call, he was at home in Toronto: “He called me and very humbly said that he wanted to learn from me how to be successful in television. We agreed to meet up and a few days later, he personally flew to Toronto. As soon as he got off the plane, he was ready to meet with me, but I told him he should rest a little bit first. We ended up meeting the next day and after we talked for more than 10 hours straight, he headed straight to the airport -- he was extremely sincere!

Dominic continues: “He [Ricky Wong] is a man who is very clear and resolute with his mission – he wants audiences to have options. Hong Kong used to be the forerunner in Asia and the Pacific when it came to the television industry, but with the quality declining so drastically in recent years, he really wants to do something to turn the situation around. Working for Mr. Wong, there is truly a lot of opportunity for development! We talked for almost an entire day and it wasn’t until the last 10 minutes or so that he actually invited me to join his company – I told him that it was still too early to make a decision.”


Playing 9 different characters in 1 series

Around that time, Dominic had just established a small production company of his own and the amount of work involved with arranging performances in the U.S. and Canada, filming commercials, promotional clips, etc. already took up a lot of his time. Because of this, he decided not to renew his contract with TVB and also did not want to commit to joining CTI either.

“However, Mr. Wong and I continued to stay in touch. In fact, every time his company had plans for development, he would consult with me and ask my advice – for example, the groundbreaking ceremony and other events, I knew about it all. This kind of friend is worth having!”

Two months ago (in March), Dominic received the script for CTI’s new series and realized that everyone in the creative and production teams he had worked with before. He immediately agreed to join the company and in April, he returned to HK earlier than anticipated for the costume fitting. He will start filming this week [TN: actually last week, since this article was published back on 5/19].

“A 10 episode horror / suspense series, 8 individual stories, I will be playing 9 different characters.” The idea itself already sounds fresh. The temporary name for the series is Frightful Century《驚異世紀》and some of the other artists participating include Felix Lok (駱應鈞), Samuel Kwok (郭鋒), Lawrence Chow (周俊偉), Noelle Leung (梁小冰), Leila Tong (唐寧), etc. Dominic is the male lead in the series: “As an actor, to be able to play 9 different characters at one time, I’m very happy to have such an opportunity.”

In a departure from tradition, Ricky Wong decided to forego the role of the producer having complete authority over the production – instead, the scriptwriter, main director, as well as the artists themselves will share authority. With this model, Dominic gets the chance to work directly with the scriptwriter and director and also contribute his own ideas – the creative atmosphere is very open.

Dominic will be filming until August, so for the time being, he will rent a house in HK. Also, he has only signed a ‘per series’ contract with Ricky Wong, not a management contract. With TVB’s Tiger Cubs scheduled to air in June, Dominic states that if he is invited, he is willing to help promote the series:

“My contract with Mr. Wong is very free, so I’m allowed to work for any company. Today I can film for CTI, tomorrow I can film for TVB, the day after tomorrow I can even attend ATV’s Anniversary Gala if I wanted to! During my contract-signing with CTI, NowTV actually sent a crew to interview me and I spoke as I normally would. This day and age, the world is like one big village with all its boundaries erased – all the more reason for the entertainment industry to break down its barriers.”


Beauty Pageants

Dominic Lam’s wife Jumbo Lau (劉寶珍) was TVB’s image consultant in the 1980s – all of the outfits that the Miss HK contestants wore back then were designed by her. Today, Mrs. Lam accompanied her husband to the interview and prior to taking photos, she would help him fix his hair, straighten his outfit, etc. – back in Toronto, she once owned 2 designer shops but ended up selling them later on.

The couple immigrated to Canada back in 1988 – the main reason was to accompany their only son in his studies. Their beloved son graduates from college this year and currently works as a consultant for a fashion website – looks like Mrs Lam has someone to carry on her work!

Nowadays, Mrs. Lam is no longer involved in the beauty pageant world, however her husband still has ties to the pageants – Dominic has been the host of the local Miss Chinatown Pageant for the past 19 years: “Bernice Liu (廖碧兒), Linda Chung (鍾嘉欣), Aimee Chan (陳茵媺), Christine Kuo (苟芸慧), Leanne Li (李亞男), Janet Chow (周家蔚), Sherry Chen (陳爽), and most recently Candy Cheung (張慧雯) – I watched all of them win their pageants. That’s why I always joke that those ladies all gave me their ‘first time’ on the stage [meaning their first time stage appearances].”

In addition to his work in HK, Dominic also continued with his hosting job for Canada’s Chinese TV Station. Back when he was still at TVB, he would record for his program via phone during his breaks: “A few times I would be standing near the speakers doing my program and when they started paging me to enter the studio for filming, I would hurry up and wrap things up.”

Dominic revealed that after our interview, he will need to get on the phone with the station again for his program: “We pretty much talk about everything on the program – housekeeping, furniture, cooking, grocery shopping, etc. There was even one time when a female audience member who had just gotten remarried called me up to ask advice about how to improve her relationship with her stepdaughter – we maintained contact via the program and years later, when her stepdaughter got married, she personally delivered wedding pastries for me to eat!”

Thursday, May 10, 2012

CTI Press Conference: Details on 3 new series being filmed

This is somewhat of a follow up post to my earlier one about CTI’s upcoming series (read the original post here).

As new information continues to emerge (almost daily it seems) about CTI and Ricky Wong’s overall strategy once his license is issued, it will be very interesting to see how things are going to work out for all parties impacted (basically all the TV stations in HK).

Here are a few additional ‘tidbits’ about CTI that I gathered from ‘following’ the behind-the-scenes people and others on Weibo (these are the same comments that I posted on Asianfanatics as well):

.—Regarding Ricky Wong’s comment about currently having 500 staff on board with his company (200 artists and 300 behind-the-scenes people):

Up until this point, we have heard tidbits here and there about who was rumored to have been contacted by Ricky Wong versus who has actually joined, etc. As I mentioned in one of my other comments, the articles that have come out so far only ‘scratch the surface’ in terms of giving us an indication of who has joined CTI and who hasn’t – there are actually quite a few who joined CTI but were not mentioned in any of the recent articles, primarily because their series will not be filmed until later in the year (i.e. Maggie Cheung, Felix Wong, Frankie Lam, Yu Mo Lian, Rain Lau, etc.)

From what I understand based on what has come out via Weibo and such so far, there isn't a full list [of the artists that have joined CTI] out there because the names of some artists who joined can't be revealed yet (meaning their contracts with another TV station have not ended yet)....and with a few others, there are discussions going on but they have not signed yet. (When Felix Wong attended CTI's welcome dinner a couple weeks back, he had even said he saw alot of familiar faces there, some whom he didn't even know joined -- but he couldn't reveal who those people were because they were still tied down by contracts.)

I'm sure that in the next couple months, we will continue to hear information about artists (and BTS people) who have joined CTI -- though I would probably wait for the 'official word' from either CTI or the artists themselves, since there has been alot of 'speculation' and false information out there these past few months about who has joined and who has not....


.-- The other interesting thing too is that Ricky Wong is taking a whole different approach to filming TV series in terms of behind-the-scenes structure – in other words, there are distinct differences between the ‘CTI model’ of filming series versus the ‘TVB model’.

You’ll probably notice when you read the article that none of the new CTI series have 'producers' -- unlike traditional HK TV series, which usually have a producer overseeing everything, the director who shoots the series, and the scriptwriting team (aka the 'creative' team), CTI's series will only have a 'creative director' (aka the scriptwriter) and the 'main director' (the title speaks for itself)....both the creative director and the main director will work together to produce the series and will basically share in the responsibilities that a traditional 'producer' would have.

This is actually one of the biggest reasons why Ricky Wong was able to get so many scriptwriters and directors to join his company -- especially with the ages old complaint from TVB's scriptwriters that their creative talent is often stifled by the production team (aka the producers)....in the TVB model, the production team is more important than the creative team, so whatever the production team says trumps whatever the scriptwriters say (which is why all those complaints surfaced about producers interfering with scripts and such). It's also a reason why when a TVB series has a bad script, I'm usually reluctant to blame the scriptwriter(s) completely because there's no way of knowing whether the idea came from the scriptwriter or if it was a result of a producer doing his/her own thing (or possibly a result of TVB's politics)....

With the CTI model, both the scriptwriter and director share in the responsibility and get to be involved in making important decisions that affect production, such as casting (which was another big complaint from the TVB BTS people).


.—Another interesting thing to note about CTI’s strategy is that it looks like they are not afraid of being innovative and utilizing the newest technology as well as trends to their advantage. It’s obvious from the details of the 3 series that have been released so far that CTI wants to do things differently and are therefore experimenting with different genres (romance, sci-fi, horror, musical, etc.), which is not necessarily a bad thing given the ‘stagnancy’ that HK television is known for. Also, filming the series similar to a movie as well as using ‘real locations’ as much as possible will definitely give audiences a different, fresher feeling from what they have been used to seeing for decades.

Personally, I feel that CTI is heading in the right direction with some of the things it has been doing related to the production / artistic side of things (i.e. exploring different genres, waiting until the script is completed before filming, giving each artist a chance to voice their opinion about their roles, etc.). Of course, that’s not to say that I agree with everything they’re doing so far because honestly speaking, there are some things that don’t necessarily sit well with me (i.e. the whole poaching thing). With that said though, I’m willing to give CTI a chance to see what they are able to come up with and whether they will follow through with everything they had talked about earlier.

Whether CTI is going to be successful in the long run really remains to be seen (especially given how ‘sentimental’ the HK audiences can be)…it will definitely be very interesting to see how things turn out in the coming months as each of the TV stations reveal more and more of their strategy and structure in the face of the TV wars.

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CTI Press Conference: Details on 3 new series being filmed

Source: ND Daily News

Translation:  llwy12




Even though HK’s new free-to-air television licenses have not been issued yet, that has not stopped City Telecom Ltd (CTI) – led by chairman Ricky Wong – from moving forward with its grand plans for creating a television empire!

Yesterday, CTI held a press conference to announce the details of the 3 TV series that are either in the process of filming or will start filming soon. Based on the details revealed so far, the 3 series cover 3 different genres: youth-oriented romance series “There’s Still Time to Love You Again” 《还来得及再爱你》[TN: this is the sci-fi / vampire-themed series] , horror / suspense –themed series “Frightful Century”《驚異世纪》, and musical song/dance series “Fairytale Love Song 201314”《童話戀曲201314》.

During the press conference, the cast and crew for all 3 series were led on stage by Ricky Wong and were asked to introduce their characters as well as pose for group photos. Out of the 40+ cast and crew present, many of them were ‘familiar faces’ – artists who formerly worked for TVB, such as Bernice Liu, Dominic Lam, Shek Sau, Felix Lok, etc. as well as behind-the-scenes creative personnel [scriptwriters & directors] such as Lam Siu Zi, Leung Man Wah, Ben Fong, etc. These ‘former TVB’ veterans all refer to CTI as ‘a new world’ and during our [ND Daily] coverage of the press conference, they shared with us some of the differences filming at the ‘new’ [CTI] versus ‘old’ [TVB] television stations.


Ricky Wong: License not issued yet, still continue with series

Amongst the more than 40 artists and behind the scenes crew who participated in the press conference, many ‘faces’ that most of us are familiar with from TVB series were present – it looks like the more than 6 months that Ricky Wong spent ‘recruiting’ artists and behind the scenes talents turned out to be a successful venture.

Even though CTI has an unwavering determination to break into the HK television industry and its leader Ricky Wong has taken swift action in starting up the production process for its first batch of series, the fact still remains that the government has not yet issued the additional free-to-air television licenses that have long been talked about. With filming already starting on his first 3 series, Ricky Wong was asked whether he is worried that the issue with the licenses will affect the anticipated airing of these series, to which he replied: “I have a lot of confidence in the government! Since the policy has already been set that the HK television market will be opened up and expanded, I believe that issuing the licenses won’t be a problem -- currently, the ‘hold up’ is mainly due to discussion of a few minor details. Our [CTI] goal is to make sure that when the licenses are issued, we have enough ‘inventory’ [series] in the warehouse to hit the floor running – we’re looking at having 8 to 10 series ready for release.”

Mr. Wong also revealed that currently, CTI has approximately 500 employees, with 200 of those being artists and 300 behind the scenes personnel – the plan is to increase the staffing to 700 by the end of the year: “We recently hired 100 additional people, many of them newcomers -- all of them are currently going through some type of training, whether it’s acting classes or scriptwriting and directing classes.”


Former TVB artists: “There’s a difference filming for a new TV station.”

At yesterday’s press conference, the cast and crew for each of the 3 series took turns going up on stage to introduce their series and characters. Each person in the cast and crew got the chance to speak, introducing their character and also sharing their feelings about filming in a new environment. Since many of the artists (and behind the scenes personnel) who attended the press conference were former TVB employees, it was inevitable that comparisons would be made to their ‘former employer’ -- some of the most common ‘sentiments’ expressed by most of those present include: “Finally, we no longer have worry about ‘flying papers’(飛纸仔)” [TN: this refers to the practice of having to film scenes ‘on the fly’ due to the lack of a complete script at the time of filming]; “First time using movie filming methods to film a TV series”; “The degree of freedom is greater than before”….

Veteran actor Shek Sau (who had worked for TVB since the 1970s) summarized for our reporters the 3 biggest differences he saw filming for his new employer CTI: “First, there is a lot more ‘real location’ filming [TN: meaning that the filming is done on location with real scenery rather than fake studio sets]; second, the filming style is very similar to that of a movie, so the standards when it comes to lighting, equipment, etc. are very high; and third, filming does not start until a complete script has been written, which gives us artists more time to prepare for our roles. In addition, the work hours for the entire cast and crew will not exceed 14 hours in a day.”

Another veteran actor, Dominic Lam, used to play supporting roles at TVB, however in his first series with CTI (horror / suspense series “Frightful Century”), he will take on the male lead role. Since the series will be comprised of 8 individual stories, he will portray 9 different characters in the series -- Dominic expressed that in his more than 30 years as an actor, he has never experience such a challenging role: “There’s a lot of opportunity for development with this role, so I am really looking forward to trying it.”

.---.

Details of the 3 series:

Youth-oriented romance series -- “There’s Still Time to Love You Again” 《还来得及再爱你》

.-- Creative Director [aka scriptwriter]: Lam Siu Zi (林少枝)

.-- Main Director: Ben Fong (方俊華)

.—Cast: Danson Tang, Michelle Wai, Terence Yin, Sherming Yiu, Charles Ying, Kathy Yuen, Chan On Ying, Carlos Chan, Sin Ho Ying, Bond Chan, Rachel Lam, Alex Wong

.—Former TVB scriptwriter Lam Siu Zi (whose works included “Armed Reaction”, “War of the Genders”, “My Family”) expressed: “In HK, there has not been a TV series that purely talks about romance – in this particular series, that is exactly what we will do! Also, with the cast, we’ve done something that hasn’t been done before either – having a Taiwan actor (Danson Tang) take on the role of first male lead in a HK series. The main focus [of the series] will be completely on young idols.”

.***.

Horror / suspense –themed series -- “Frightful Century”《驚異世纪》

.-- Creative Director [aka scriptwriter]: Yip Sai Hong (葉世康)

.-- Main Director: Au Yiu Hing (歐耀興)

.—Cast: Dominic Lam, Leila Tong, Lawrence Chau, Felix Lok, Samuel Kwok, Noelle Leung, Eddie Lee, Luk Chun Kwong, Emily Wong, Chow Chi Lung

.—Description: The series will be made up of 8 individual story arcs that will revolve around a hospital, a luxurious mansion, a college professor, a psychologist versus hypnotist, a mysterious elderly senior, a serial murder case, an old camera lense, and the opening of a new luxurious hotel. The series will be filmed in the style of a movie using ARRI equipment / technology.

.***.

Musical song/dance series -- “Fairytale Love Song 201314”《童話戀曲201314》

.-- Creative Director [aka scriptwriter]: Leung Man Wah (梁敏華)

.-- Main Director: Wong Kwok Keung (黄国强)

.—Cast: William So, Bernice Liu, Kelvin Kwan, Jason Chan, Kate Yeung, Evelyn Choi, Shek Sau, Lisa Lui, Mimi Kung, Wilson Tsui, Savio Tsang, Benji Chiang, Leslie Chiang, Zac Koo

.—Description: As the HK television industry’s very first musical, the series will include many singing and dancing sequences. The story will revolve around a young CEO played by Kelvin Kwan and his love relationship with the characters played by Evelyn Choi and Kate Yeung.

Wednesday, November 16, 2011

Review of TVB series “Rain in the Heart 成功路上" (1990)

The series “Rain in the Heart” from 1990 recently re-ran on TV and since it’s been awhile since I watched this series, I decided to re-watch it again (despite the fact that I’ve probably seen this series like at least 5 times already if not more…LOL). Now you may ask: is the series really that good to the point that I watched it more than twice already? Well, the answer is that no, the series may not necessarily be ‘good’ in the sense of ‘classic’ and for some people, it might not even appeal to them because it’s another one of those ‘tales of encouragement’ type series along the lines of “To Love With Love” (which means the storyline can get quite draggy). However, I personally enjoyed the series and despite its predictable and slow storyline (as well as so-so performances from some of the cast members), the series overall is still better made than many of today’s series (in my opinion anyway) – the fact that I’ve re-watched this series several times already in the past 20 years is proof alone that the series is somewhat decent and worthy of re-watching (if I can’t stand a series, I usually don’t even bother finishing it one time, let alone re-watching it!).

One of the biggest reasons why I like this series is the cast, since a lot of my favorites (lead and supporting) are in it. The main cast consists of Roger Kwok (郭晉安), Kathy Chow (周海媚), Gallen Lo (羅嘉良), Dominic Lam (林嘉華), Josephine Lam (林其欣), May Ho (何美婷), Winnie Lau (劉小慧), and veteran artists Kwan Hoi San (關海山), Bak Yan (白茵), Tam Bing Mun (譚炳文), Benz Hui (許紹雄), Nam Hung (南紅), Wong Hoi Yan (黃愷欣), Wong Wai (王偉), etc. Of course, there are others, but not going to list all of them. As usual, later on in my review, I will go into more detail about each character and the artist’s performance, but first, a little bit about the storyline.

As I mentioned earlier, the premise of the story is in the typical TVB modern series formula – an ‘inspirational’ rags to riches story about the main characters’ life struggles in the areas of relationship (love), power, money, friendship, and pretty much everything else. The Chinese title of the series (成功路上) – literally translated as ‘on the road to success’ -- is actually very fitting to the storyline about 2 childhood friends (Roger and Dominic) who go through thick and thin together on the way to achieving success and fortune. [As a sidebar, I have no clue how TVB came up with the English title (“Rain in the Heart”) to this series – the title seems to have absolutely no correlation to the series whatsoever. Perhaps this is another example of TVB ‘attempting’ to be creative with their titles? I don’t know for sure but it’s just weird that the English title is so far off from the series itself.] Of course, knowing the premise of the series, it’s not surprising that parts of the storyline will be a bit dull and draggy (plus the series is 40 episodes long, which is typical of most of the series back in those days, so for some, this series might be too long to sit through – it’s perfect for me though, since I grew up watching 40 episode series, so I’m used to it).

In terms of the characters and performances from the artists – well, I would have to say that it was sort of a mixed bag with this series: some of the characters were well developed and some were not…by the same token, some of the artists gave excellent performances, and others were mediocre (some were even ‘cringe-worthy’!). For the rest of this review, I am going to talk a bit about each of the main characters (as well as a few of the supporting ones), as this will give insight into the development of the overall story.

.--.

Main Cast / Characters

Roger Kwok (Lau Kar Wai) – Roger’s character Kar Wai is the typical ‘good guy’ (very similar to the roles he usually plays) who is honest, upright, reserved, etc., except that he has a certain willful stubbornness about him (especially when it relates to his family) that sets him apart in terms of personality. Even though he technically was born into a rich family (his father is played by late veteran actor Kwan Hoi San and his mother is played by Wong Hoi Yan), the reality is that he grew up in a ‘pseudo’ single parent household due to family circumstances: not only did his father already have a family of his own when he met his mother (which meant that she was technically the mistress), there was also a huge age difference between the two. Because of this, he always had a strained relationship with his father and continued to be at odds with him until the father dies and he finds out the truth about the relationship between his parents (yes, very clichéd indeed). His father of course bequeaths his business (a Chinese bakery) to him, however due to conflicts with family (since his father had a wife and kids already), all he ended up getting was a ‘shell’ of a company. From that point on, Kar Wai and his friends work to rebuild the bakery that his father put so much heart and soul into -- of course, in the end, they are successful in doing so, though they encounter many obstacles along the way (see, told you the storyline is predictable!). Oh, and needless to say, he ends up falling in love along the way, first with Kong Hor Ling (Josephine Lam) then with Tong Yiu (Kathy Chow).

To be honest, I really don’t know what to make of Roger’s performance in this series. Don’t get me wrong – he is definitely one of my favorite actors (I’ve pretty much been following his career since the 80s) and his acting was good in this series, but the character that he played was kind of ‘bland’ if you ask me (pretty much the type of character that Roger can do in his sleep!). The other thing too was that I felt Roger didn’t really fit the character – well, maybe during the first half he did, but later on, when his character is supposed to be a more mature businessman, I just don’t feel he looked mature enough…part of this could be because Roger has always had a ‘boyish’ characteristic about him (which could be why he’s excellent as Ah Wong) and back then, he truly looked a lot more boyish than he does now, so it was kind of awkward at times to watch his romantic scenes with Josephine and Kathy (both look more mature than him, though Kathy definitely matched him better in comparisons). But honestly speaking, this was the case in a few of his other series as well back then, not just this one – during those early years, I felt that a lot of the actresses who got paired up with Roger in series appeared to be older than him (though most were actually younger), which threw the chemistry off a bit in my opinion.

Anyway, despite the flaws with his character, I still felt that overall, Roger did a good job (and I’m not just saying this because I like Roger). As I said earlier, I’ve been following Roger’s career since the 80s, so of course, I’ve seen the majority of his series and I must say that his acting has definitely matured over the years – he’s more polished now and a lot more convincing in the ‘mature’ roles that he plays (loved him in “Wax and Wane” from earlier in the year – he was the only reason why that pathetic series was even watchable!). Roger’s life story is actually an inspirational one, especially given all the ups and downs he experienced in his career (which is partly why he was in tears when he accepted the TV King award in 2003 for his fine performance in “Square Pegs” – it took TVB 17 years to recognize and appreciate him! I’m sure many of his supporters – including myself – cried with him at that moment). He definitely deserves every bit of success and fame that he has right now!


Dominic Lam (Cheung Shun Ban) – Dominic’s character Ah Ban is the quintessential ‘best friend’ to the main character (Roger) – personality-wise, he is pretty much the happy-go-lucky, charismatic, less than perfect ‘guy next door’(literally – since his family did live next door to Roger’s family…LOL). On the surface, the two friends appear to be complete opposites – Ah Ban is loud and obnoxious and physically always looks like he just rolled out of bed (meaning his hair is constantly disheveled and he always seems to be wearing the same shirt and shorts…haha), whereas Ah Wai is more refined, educated, and just overall less ‘messy’. Ah Ban lives next door to his best friend, but unfortunately, their families don’t get along, as his mother (played by Bak Yan) is loud, haughty, rude, and money-hungry and spends most of her time gossiping about the neighbors – she constantly yells at her son for being a good-for-nothing and treats her younger daughter (played by Winnie Lau) as a money-tree. His father (played by Tam Bing Mun) is pretty much a good-for-nothing as well (like father like son..lol) and is extremely afraid of the mother. Despite all this, Ah Ban takes everything in stride and actually is able to maintain a good relationship with his family -- his character is very much a ‘comedic’ one who still knows how to be ‘serious’ when needed. Even though each person in his family is flawed, I actually like this family the most, as they come across as the most genuine. Personally, Dominic’s character was my favorite in the series (yes, I liked his character more than Roger’s).

Dominic absolutely stole the show in this series – to be honest, I don’t think I would have enjoyed the series as much if it weren’t for him (especially given the predictable, slow storyline). He was awesome in this series and really brought the character of Cheung Shun Ban to life (of course, it helped that the character he played was very endearing, but it does take a certain caliber actor to pull that kind of character off – and he was perfect for it!). I’ve actually always liked Dominic as an actor and have always felt that he is extremely underrated -- he’s definitely not your typical ‘leading man’, that’s for sure, since he isn’t good looking at all – but that doesn’t matter because he is a greatly talented actor.

I actually know Dominic better as a host, as that was his primary job when he first joined TVB in 1980 (he started in the industry in the 1970s working for Rediffusion Television) – he hosted a lot of variety programs for TVB such as “Sports World” and “Good Morning Hong Kong” as well as some of their bigger gala events. Even after he immigrated to Canada in the mid-90s, he continued to be active in the industry, hosting various programs for Chinese TV and radio stations in Canada. It’s too bad that after he returned to TVB in the after 2000s era, he was relegated to playing lesser characters and villains (though he did have a few good roles, but not enough in my opinion). I know that he started getting recognition as a solid veteran actor after his brilliant performance as the villain Wing Tak in “A Fistful of Stances” in 2010 – well, I’m happy for him but he should have gotten recognition way before that!


Gallen Lo (Chung Mun Kit) – Gallen’s character Ah Kit is the son of a rich car manufacturing tycoon (played by Wong Wai) who, as the only son, works for his dad’s business and pretty much was sheltered all his life. In terms of personality, he’s different from other ‘rich young master’ types in that he is honest and upright and doesn’t flaunt his wealth, but he’s also a bit naïve due to being protected all his life. Through a series of events, Ah Kit gets to know Kar Wai and Ah Ban and the 3 of them become good friends and later on become ‘brothers’ (literally -- because Ah Kit eventually marries Ah Ban’s sister Zhi San so they become brothers-in-law and Ah Kit’s father later marries Kar Wai’s mother, so they become stepbrothers). [Note that the relationships in this series – both family and love relationships – are quite complicated; in a nutshell, all 3 guys and their families will all become ‘relatives’ in one way or another by the end of the series]. The 3 of them try to go into business together, but even though that effort fails, their friendship is not affected and they end up working together to rebuild Kar Wai’s family bakery.

To be honest, I didn’t really like Gallen’s character all that much – to me, his character was just ‘there’ and didn’t really enhance the plot too much, except for the part in the second half of the series where Kar Wai and Ah Ban are at odds with each other and he is caught in the middle. I guess they just needed someone to be the rich dude in the series and out of the 3 main guys, he looked the most like a rich young person? His character really didn’t stand out much – in fact, I felt that his character was very stereotypical and a bit boring overall.

In terms of the acting…well, back then (late 80s/early 90s), Gallen was known for being a bit wooden with his acting partly because he was typecasted into playing the same roles over and over again earlier on in his career – it wasn’t until he started doing villain roles in the mid-90s that his acting started to gain recognition and eventually shot to fame. Of course, now he is one of the finest actors in the TV industry and highly sought after too! I personally think that it was a good move for Gallen to take on villain roles in the 90s because it allowed him to come out of his shell and acting-wise, that’s when he really started to thrive. I must say that even though I wasn’t too fond of Gallen’s character in this series, he was definitely much better here than in his first few series (compare his performance here to his very first series “City Stories” and already, you’ll see a difference).

Of course, with this being another Gallen / Roger collaboration, I feel that this is a good time to talk about their relationship and why they collaborated so often in series throughout the years (if my memory serves me right, “Rain in the Heart” was their 3rd collaboration – prior to that, they collaborated in “City Stories” in 1986 and “The Final Verdict” in 1988). The ‘short’ answer to why they collaborated so often: they were both under the same manager, songwriter Lo Kwok Jim (盧國沾), at the time. The ‘long’ answer: both Gallen and Roger were ‘discovered’ by Lo Kwok Jim after he heard them sing (yes, both of them started as singers before they became actors), so he took them under his wing and helped to launch their careers in music and television. Unfortunately though, they (Roger and Lo Kwok Jim specifically) had a fall-out later on in the 90s and terminated their relationship.


Kathy Chow (Tong Yiu) – Kathy’s character Yiu Yiu is a social worker who has a compassionate heart and goes to great lengths if needed in order to help the ‘children’ that she is assigned to look after. She is pretty, but also educated and reserved – the typical ‘good girl’ type (her character is pretty much the opposite of Josephine Lam’s character Kong Hor Ling, which will become evident later on in this review). She grew up in a single parent home, as her father died when she was young and was raised by her mother (played by veteran actress Leung Shun Yin) and her ‘medicine pot’ uncle (played by Benz Hui) – despite the circumstances, the family is very tightly-knit. She meets Roger and Dominic’s characters (Kar Wai and Ah Ban) and they become friends – Ah Ban actually has a crush on her, but he feels that he is not a good match for her because of his background and such, so when she ends up falling in love with Kar Wai, he immediately lets go and doesn’t pursue further (this part is actually a bit cliched because the exact same thing happened preivously with Hor Ling – Ah Ban had a crush on her at first too, but decided to give her up to Kar Wai). Later on, Yiu Yiu and Kar Wai break up due to Hor Ling’s scheming but in the end, they get back together (typical TVB love triangle stuff – no surprise there).

Kathy’s character in this series was nothing special actually – like Roger’s character, her character is quite ordinary and is the type of role that she could do in her sleep as well (meaning it wasn’t really a challenging role). In terms of the females, I did like her character best, mostly because the other main female characters were rather weak (except for the veteran supporting females, namely Bak Yan and Wong Hoi Yan’s characters). In terms of her pairing with Roger in this series – well, as I said earlier, because of Roger’s ‘boyish’ looks, I didn’t think he matched well with most of the actresses from that generation (80s/early 90s), though I definitely prefer Roger and Kathy as a couple over Roger and Josephine. Kathy actually used to look ‘girlish’ herself when she started off in the mid-80s (she can be considered a former Miss HK, as she was a contestant in the 1985 MHK pageant, but didn’t make it into the finals), but heading into the 90s, she definitely matured a lot.

Kathy is one of my favorite actresses from the late 80s/early 90s and I can truly say that I’ve watched practically every single one of the series that she made while at TVB. Compared to some of the other actresses from the 80s, I wouldn’t necessarily say that her acting was the greatest, because to be honest, it wasn’t (she’s not as versatile an actress as some of the other actresses from her generation and earlier on, she was usually typecast in similar ‘good girl’ roles), but what I like about her is that she is very natural and comfortable to watch on-screen (both in terms of looks and acting). Now that Kathy has moved to the Mainland and focused her career there, audiences in HK don’t get to see her on screen too often, though she did come back briefly in 2009 to film 2 series for TVB – can’t compare to her previous series though.


Josephine Lam (Kong Hor Ling) – Josephine’s character is a poor village girl from the Mainland who goes to HK by herself (since her parents are dead) in the hopes of bettering her life. Because she is poor (though she did receive some education back in the Mainland), she has to stay with Ah Ban (Dominic)’s family, since they are the only relatives she has in HK (they are only distant relatives). Ah Ban’s mother treats her badly because she is poor, constantly yelling at her and making her do chores around the house. However, the rest of the family treats her well and both Ah Ban and his sister Ah San develop a friendship with her. She meets Kar Wai (who lives next door to the Cheung family) and soon, they become a couple. At first, their relationship is a happy one – when Hor Ling has to go find a job because her uncle in the village would no longer send her monetary support and Ah Ban’s mom is threatening to kick her out, Kar Wai encourages her and helps her find a job. Unfortunately though, the happiness is short-lived – Hor Ling meets a rich older man (played by Felix Lok) and because of the suffering she had gone through due to being poor, she jumps at the opportunity to live a life of glamour and wealth…therefore, she leaves Kar Wai and becomes the rich man’s mistress. Years later, she becomes tired of the glamorous and ‘partying’ lifestyle and also being with a man she doesn’t love, so she returns to Kar Wai’s side in the hopes of starting over again – of course, by this time, Kar Wai and Yiu Yiu are already together and even close to the point of marriage. She becomes jealous and determined to get Kar Wai back, so she does a lot of scheming behind-the-scenes -- eventually she is successful in breaking them up and gets her wish of being together with Kar Wai again. She also manages to damage the ‘brotherly’ relationship between Ah Ban and Kar Wai as well, causing them to be at odds with each other. Predictably, Kar Wai (and everyone else) finds out about her bad deeds in the end and needless to say, Hor Ling gets her due punishment and everyone reconciles in the end.

Though Josephine’s character can be classified as the ‘villain’ in this series, she really was more an ‘antagonist’ than a villain, as she didn’t really do anything that was considered ‘horrific’ (i.e. kill people). [In fact, nothing of that tragic nature happens in this series.] At the end of the day, her character is just an insecure, selfish woman who chose money over love and regretted it when it was too late – I feel that her character is more pathetic than evil.

Josephine is another former MHK contestant (participated in the 1986 pageant and also didn’t make it into the finals) who ended up signing on with TVB as an actress. She’s been in a lot of series over the past few decades, but mostly in supporting roles – this particular series was pretty much the only one in which she was the second female lead (as far as I can remember) and where she had a significant amount of screentime. To be honest, I’m really not too fond of her acting, as she comes across as a bit fake to me. I think she did a better job in the second half of the series than in the first half because in the first half, she is supposed to be a poor village girl and she definitely does NOT look the part -- perhaps because she always plays the ‘glamorous, sexy vixen’ type roles, so when she tries to play a demure, poor village girl being mistreated by her relatives, it’s just not convincing to me. Also, she absolutely did not match with Roger AT ALL – in the series, she looked more like his older sister than his girlfriend! Absolutely worst pairing for Roger (back in those days at least).

After a largely lackluster career (I can barely remember any of the series she was in after this one), Josephine retired from the industry in the early 2000s and has gone into business instead.


May Ho (Lee Yuk Yin)-- May’s character Yuk Yin is the granddaughter of the bakery tycoon played by Kwan Hoi San, which means that technically, she is Kar Wai (Roger)’s niece (though he isn’t that much older than her in the series). Her mother (played by veteran actress Nam Hung) dislikes the fact that her dad (Kwan Hoi San) has another wife and child outside of their family because that would mean more people fighting for the inheritance (yes, typical TVB family conflict / fighting over inheritance stuff). Despite having a bad mother who does nothing but scheme all day long to get her dad’s money (amongst other bad things), Yuk Yin has a completely opposite personality, as she is compassionate and is the only one in the family who is accepting of Kar Wai and his mother. After her grandfather dies and she finds out that her mother purposefully ‘embezzled’ all the money from the bakery so that Kar Wai would only get an ‘empty shell’ of a company, she disowns her parents and uses her connections to help Kar Wai and his friends rebuild the bakery. Along the way, she falls in love with Ah Ban (good, because he’s the only one she matches with in the series) in the typical ‘bickering rivals turned lovers’ fashion and they eventually get married. Of course, her parents return (after having lost all their money) later on in the series and family conflict arises when they move in with her and her husband’s family (actually, those were some of the most hilarious scenes in the entire series).

As far as May’s pairing with Dominic goes, I actually liked the two of them together in the series, as there was a certain freshness to the relationship and they had an interesting chemistry. Of course, since May has not participated in a whole lot of series (more on that below), I can’t really say that her acting was really good, but overall, it was decent – plus she had the benefit of pairing with Dominic, whose awesome performance helped to ‘carry’ her as well.

I doubt that too many people remember May Ho and unless you’ve seen the classic sitcom “City Stories” (1986-87), you probably won’t even know who she is. May only participated in a handful of series when she was at TVB – in fact, “Rain in the Heart” was her very last series with them (she left to go to ATV that same year). She participated in a few series when she was at ATV, but never really became popular. She retired from the industry in the mid-90s and later in that decade, she got married and immigrated to the U.S., where she lives currently with her family.

There actually isn’t a whole lot of information about May out there, since her acting career was so short-lived. Those of us who do remember her though know that she got her start in the industry by participating in the “Miss Aerobic Beauty Pageant” in 1985 (yes, there was such a pageant – it was a pretty big deal that year and most 80s TVB fanatics will probably remember it – several TVB actresses such as Cutie Mui, Eugenia Lau, Cary Choi, and Ma Ching Yee came out of that pageant as well). She of course joined TVB not long after that and the following year (1986), she participated in her first series, “Siblings of Vice and Virtue” (with Eddie Cheung, Chan Man Yee, Kenneth Tsang, Lee Kwok Lun, etc). That same year, she participated in the sitcom “City Stories” (my all-time favorite sitcom – watched it so many times, I practically have it memorized!) – she actually had quite a significant role in the series, as she played co-star Deric Wan’s cousin and love interest. It was around this time that May and Deric began dating in real life, though their relationship was short-lived (I know they were still together in early 1988 because they actually participated in a special TVB variety program / documentary hosted by Lydia Shum around that time – I think they broke up shortly thereafter).

Interestingly, since “City Stories” also starred Roger Kwok and Gallen Lo, she was essentially ‘reunited’ with them when she filmed “Rain in the Heart” several years later.


Winnie Lau (Cheung Zhi San) – Winnie’s character Zhi San is the little sister of Ah Ban (Dominic). Because she is young and beautiful, she is heavily ‘protected’ by her parents (played by Bak Yan and Tam Bing Mun), as they feel that with her ‘qualifications’, she should be able to marry a rich man in the future and be ‘set for life’. Of course, that is exactly what ends up happening when Zhi San meets her brother’s friend Ah Kit (Gallen) – he becomes smitten with her almost immediately and they get married not too long after that. Unfortunately though, because she married young (right out of school) and became a housewife sitting at home all day, plus prior to that she was heavily protected by her family, she never got to experience the ‘real world’ for herself. This causes some friction in her marriage and in her relationship with her family later on in the series (of course, everything eventually turns out fine in the end).

Very honestly speaking, Winnie’s character in this series is pretty much one of those ‘vase’ roles where her job is really to ‘look pretty’ – her scenes with Gallen were kind of boring in my opinion. I’m thinking that perhaps because there are so many sub-storylines in this series and so many people / relationships that need to be addressed, it’s inevitable that the writers would do a good job developing some of the relationships and do mediocre jobs on the others - namely the Gallen / Winnie relationship (too much ground to cover).

In terms of acting, I really can’t comment on whether her acting skills are up to par or not because she hasn’t been in enough series for me to judge (I think she has only participated in like 3 series in her entire career). Of course, we all know that she was a singer first and foremost back in the 90s and only dabbled in acting in series most likely to get her name out there and perhaps help boost her singing career (though I read that she actually started out as an actress in movies before becoming a singer). As for her singing career, I don’t know if I would really call it ‘successful’ or not, as she did release a few albums and win a few awards, but that was basically it (I personally only know 1 song of hers). In the late 90s, she married fellow singer Edmond So (from the group Grasshoppers) and they currently have 2 daughters. It was also around that time that Winnie retired from the industry.

An interesting fact about Winnie: she and Roger dated for a number of years in the 90s, though the relationship was pretty much ‘underground’ and for the longest time, neither party admitted to it. I actually don’t know the exact timeframe of when they started dating, but I’m assuming it might have been some time after their collaboration in this series, since Winnie did not participate in very many series so probably would not have gotten the chance to collaborate with Roger otherwise (the rumors about their relationship started in 1992, but they could have been dating before that). At the time, Roger was very dedicated to Winnie and apparently invested a lot into the relationship. Coincidentally, during the mid-90s was when Roger experienced the lowest point in his career and actually ended up leaving HK for awhile in order to make a living. During an interview on “Be My Guest” a few years ago, Roger ‘hinted’ that his relationship with Winnie ended because a 3rd party entered the relationship (that 3rd party is assumed to be Edmond So). Based on the timelines, I believe Roger and Winnie broke up sometime in 1996.


Honorable Mentions

I really have to say that the supporting cast in this series was AMAZING! They really gave the young stars in this series a ‘run for their money’. Even if some of the main cast was not too appealing, the performances by the supporting cast pretty much made up for it in my opinion.

A few highlights:

-- Benz Hui’s portrayal of Uncle Leung (Kathy’s uncle) was excellent (as usual)! In the series, Uncle Leung was a hypochondriac who grew up ‘carrying a medicine pot’ all his life, so even when he is in his 40s, he still ‘sticks’ to his older sister (Leung Sun Yin) and relies on her to take care of him. In reality though, his health is fine, he’s just constantly paranoid – plus he’s a bit of a ‘scaredy-cat’ – so it’s hard for him to hold down a job for a long period of time. I loved Benz’s performance, as it was funny but at the same time heartwarming – and the thing is, he doesn’t even try to be funny…it just comes naturally! I truly enjoyed every single one of his scenes (too bad there weren’t a whole lot, but enough to make him a pretty significant supporting character). His character was actually my second favorite after Dominic’s.

.-- Veteran artists (or, more appropriately, ‘gam cho’ artists) Bak Yan and Tam Bing Mun played the roles of Dominic and Winnie’s parents. Bak Yan’s character was a bit of a nuisance with her loud mouth and constant yelling and Tam Bing Mun’s ‘timid husband’ persona was very similar to some of the roles he played in the past, but together, these 2 made for a very interesting couple. I loved their interaction with Dominic in this series – comical to some extent, but also serious at certain points. Definitely a fine job by these 2 veteran artists!

.-- Veteran actress Nam Hung (the wife of director / actor Chor Yuen) was excellent in her role as Kwan Hoi San’s daughter who plotted with the rest of the family to scam Roger out of his inheritance (but redeems herself later on in the series). One of the reasons why I like Nam Hung as an actress is because of her versatility – she can play both the ‘benevolent mother’ as well as the ‘bxxch’ roles extremely well. Her arguing scenes in this series (and there sure were a lot of them) were all very well-done (not OTT, yet extremely convincing). Of course, she is an experienced actress with decades of acting under her belt, so it’s not surprising that she did such a great job – but since many of the veteran artists usually don’t get recognized, I wanted to give her a little mention here.

.-- Kwan Hoi San and Wong Hoi Yan, who played Roger’s father and mother respectively, were great in their roles! Even with the huge gap in their ages, the two of them didn’t look awkward on screen at all. In fact, I thought that they looked quite sweet together. When he was alive, Kwan Hoi San played a lot of rich father / grandfather roles and this one was certainly no exception. I grew up watching him, as he was always the ‘actor of choice’ for those types of roles, which was actually fine with me, since he did those roles so well – I definitely miss his acting! As for Wong Hoi Yan, she was one of my favorite supporting actresses as well from the 80s and 90s (which is when she was the most active) – just like many of the actresses from that era, she had good acting skills that made her come across so natural on screen, no matter what type of role she played.


Concluding Thoughts

As I mentioned earlier, this series is very much a ‘formulaic’ TVB modern series from the late 80s/early 90s era (the series was actually filmed in 1989, but broadcast in early 1990) – therefore, it might not appeal to all audiences. Even though the script is flawed and a lot of the storyline is quite clichéd, I would still recommend the series because the cast is enjoyable to watch (as long as you skip some of the overly draggy parts such as some of the Gallen/Winnie scenes). If you’re the type who is into lighthearted family conflict / love story type dramas, then most likely you’ll like this series – on the other hand, if fast pace and excitement are what you’re looking for, then this series is probably not a good choice, as it does get a bit slow during certain parts.