Showing posts with label Ram Tseung 蔣志光. Show all posts
Showing posts with label Ram Tseung 蔣志光. Show all posts

Friday, August 17, 2012

YCWB Interview with Ram Tseung: “The entertainment industry suits me, but I’m not suited to the entertainment industry”

This article actually came out almost 2 weeks ago, but I didn't get the chance to translate it back then because I got busy. Now that I'm slowly getting caught up on stuff, I wanted to make sure that this article got pushed to the top of my "to translate" list, primarily because it's an interview with an actor whom I adore: Ram Tseung. [Note: I've also seen Ram's last name spelled 'Chiang' in English, which is probably the more correct translation of his surname, but since he has been known to me as 'Ram Tseung' for the past 2 decades, that's the name I'm sticking with...LOL!]

Ram is absolutely one of my most favorite veteran supporting actors (definitely in my Top 5) -- in fact, I'm not ashamed to admit that I adore the guy to pieces! Not only is he one of the nicest guys you'll ever meet, he's also an extremely talented (but very underrated) actor as well as singer. I'm the type who really values 'versatility' when it comes to acting and Ram definitely meets the requirement (actually, he exceeds the requirement...LOL) -- no matter what type of character he plays (be it a 'professional' character such as lawyer, forensics expert, doctor, etc., an ordinary 'everyman' type character, a comedic sidekick,a benevolent father, a ruthless villain, etc.), Ram never fails to deliver the goods.

I've always felt that Ram has inborn acting talent because right from the start, I found his acting to be incredibly convincing. The first series that I saw him in was Files of Justice 2 (which I believe was also his very first TVB series?) where he played the deaf lawyer Chow Siu Chung (Eric) who was eventually paired up with Eugenia Lau's lawyer character Kong Sing Jou (Helen). [Sidenote: I loved Ram's character in the series, so obviously I hated TVB for the way they developed his character so poorly in subsequent installments and eventually killed him off so horribly in FOJ 5....still can't forgive TVB even now!!!]. I was impressed by Ram's acting from the beginning and since then, in all the series that I've watched of his, he has never once disappointed me with his awesome acting. As I said in my earlier review of the series Witness Insecurity, I always enjoy watching Ram in series because he always manages to bring his role to life with his performance, no matter how big or small his role is -- in fact, whenever I happen to be watching a series with him in it, I usually find myself watching most of his scenes in the series, even if I end up skipping the rest of the series because I can't stand the storyline or the rest of the cast (yes, there have definitely been numerous times where I've sat through series I disliked / hated just because of Ram!).

Needless to say, I absolutely enjoyed reading the below interview that a Mainland paper did with Ram and only wish that there was a video version of the interview too (I’m not familiar with this particular paper so if anyone knows if they actually do publish video versions of their interviews somewhere, I would be curious to know.)

Hope you enjoy this interview as much as I did! :-)

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YCWB Interview with Ram Tseung:   “The entertainment industry suits me, but I’m not suited to the entertainment industry”

Source: Yang Cheng Evening Paper

Article originally published on August 3, 2012

Translation: llwy12




He almost always plays ‘small potato’ characters, but yet he says he is very happy; his path [to fame] always seems to be slower than others, but yet he says he doesn’t regret it….

You might not know his name, but you will definitely recognize his face. Ram Tseung (蔣志光) has appeared in countless TVB series throughout his 20 year acting career – from the effeminate James in the hit sitcom War of the Genders《男親女愛》(2000) to drama fanatic Law Ka Fai in the comedy Life Begins at Forty《花樣中年》(2003) to the likably cute Eunuch Po in 2009’s anniversary series Beyond the Realm of Conscience《宮心計》, to the playful and humorous ‘Little Mr. Kiu’ in the recently aired Witness Insecurity《護花危情》(2012) -- in his 2 decades as a ‘green leaf’ (supporting) actor, he has ‘changed’ many faces. Yet how many people remember that many years ago, Ram had actually started in the entertainment industry as a singer / songwriter who was responsible for bringing us the golden classic (and karaoke favorite), Met As Strangers, Once Acquainted 《相逢何必曾相識》— his famous duet with singer Rita Carpio (韋以珊). [TN: the English translation of the song title is purely my interpretation and NOT the ‘official’ translation by any means.] Even though his career ‘changed’ from music to television, one thing that hasn’t changed for this ‘second-line drama king’ is his philosophy on life – it also has not extinguished the desire in his heart to pursue his ultimate dream.

YC = Yang Cheng Evening Paper
RT = Ram Tseung


Recounting the days of old

In 3 of the series that just finished airing on TVB -- Master of Play 《心戰》, Witness Insecurity 《護花危情》, and Three Kingdoms RPG《 回到三國》—Ram Tseung played his usual ‘green leaf’ roles. For die-hard TVB fans, Ram might be a familiar face, however not everyone might be familiar with his singer / songwriter past or his ‘golden’ classics Met As Strangers, Once Acquainted 《相逢何必曾相識》 and Queen’s Road East《皇后大道東》[his duet with Taiwanese singer/songer Lo Da Yu (羅大佑)].

YC: A lot of people don’t know that you actually started in the industry as a singer. Can you tell us a little bit about your experience in this area?

RT: I believe the year was 1979 – at that time, I was doing behind-the-scenes work for movies. I had actually gone through many different positions, with the highest being assistant director. Later, the HK movie industry slumped and it was almost impossible to survive doing independent film – for 6 months, I didn’t have any work, so I decided to switch to doing behind-the-scenes work in music. At that time, I would mostly sing ‘saliva songs’ [TN: songs so common that everyone knew how to sing them] and do imitations of other singers such as Leslie Cheung (張國榮), George Lam (林子祥), etc. – I still remember there was a line in the movie C’est La Vie, Mon Cheri《新不了情》(1993) that went something like this: ‘Ram Tseung merely started in the industry singing saliva songs too!’ [laughs] It wasn’t until 1985, during George Lam’s concert, when I pretended to be a monkey imitating him singing, that people started knowing of me. Not long after that, I signed with record company Polygram [now Universal] and participated in the “Asian Region Pop Song Competition” and later released my first EP album. At that time, Polygram had 3 singers they wanted to promote – Ram Tseung, Hacken Lee (李克勤), and Chris Wong (黄凯芹). The company had the 3 of us release albums at the same time and told us that whoever’s album sells well, they will get the chance to continue releasing albums. The result was that both Chris and Hacken’s albums sold well, but mine didn’t. Later on, I signed with another record company and formed the band ‘Second Generation Wind and Cloud’ with 2 other artists, however the company wanted me to release a solo album, so that’s when I wrote the song Met As Strangers, Once Acquainted.

YC: After that song, your singing career started to take flight, however not long after that, you announced that you would be leaving the music industry. Why?

RT: The main reason was because I discovered that my foundation in music was not strong enough. To be a successful singer, I had to guarantee that each of my albums will sell better than the previous one – the pressure was too great. Plus the music industry at that time was already very different from what it was in the past and so I could already anticipate that a future in singing was not very optimistic. In addition, I was a pretty picky person and didn’t get along too well with others, so I decided to leave the music industry.

YC: Did you struggle with the decision?

RT: No. My thinking at the time was -- rather than continuing to remain in the industry until you dry up, why not just withdraw when there’s still a chance?

YC: After you left the music industry, there was a long period of time where you wouldn’t sing at all on any shows or programs. Was this because in your mind, there was a sort of ‘mental resistance’ to singing?

RT: No, it wasn’t resistance. The HK entertainment industry is very weird – they like to ‘label’ all their artists as either ‘actors’ or ‘singers’. As an artist, if you are able to act and sing well, it’s supposed to mean that you’re a multi-talented person, however in HK, it’s different – if your status isn’t clearly classified into one of those categories, it’s like you’re out of place. My philosophy has always been: either I do the best job or I don’t do it at all – since I wanted to be a good actor, I had to give up on singing. Even now, at this point in my career, I hope for people to remember me as an actor more than as a singer. In the future, if people bring up the name ‘Ram Tseung’ and feel that I was both a good actor and a good singer, of course it would give me even more of a sense of accomplishment.

YC: It wasn’t until Lo Da Yu’s (羅大佑) concert in 2004 that you finally got up on the stage and sang again. Did you feel at that time that you could finally throw out your apprehensions about singing?

RT: No. Actually, I originally didn’t even plan on participating in the concert, but then Patrick Tang (鄧健泓) asked me: ‘Perhaps look at it as an opportunity to go see your old friend again and reminisce with him about the old days?’ I thought: ‘true, that makes sense’, so I decided to go. Nowadays, I still occasionally perform on stage here and there to earn some extra money, but to me, that’s purely a method of earning money. If you ask me, I would still tell you that I am an actor.


Towards Acting…

After leaving the music industry, Ram Tseung took with him the dream of one day becoming a director and eventually joined TVB, becoming an actor instead. At first, he saw becoming an actor as a ‘stepping stone’ for a different career path and so he took a ‘passing through’ attitude toward acting. What he didn’t expect was that he would go from waiting impatiently for each work day to end to, 20 years later, truly developing a love for acting. Having resigned himself to the fact that he ‘doesn’t have the fate to be male lead’, Ram has found a certain type of joy in playing a variety of different ‘small potato’-type characters.

YC: After withdrawing from the music industry, why did you choose to join TVB?

RT: Because I wanted to continue cultivating my creativity. I felt that this industry was closer to my dream – I always tell people that my ultimate goal is in movies, so I decided to give up my singing career to pursue acting. Thinking back on this path now, I feel that I made the right decision.

YC: For someone like you who didn’t graduate from the Acting Classes, did your acting get criticized a lot in the beginning?

RT: I consider myself lucky in that all the roles I’ve gotten have been ones that I’m able to handle. However I will admit that in the beginning, I didn’t apply 100% dedication to acting because what I really liked most was behind-the-scenes work. But, there’s a saying in our industry that gets circulated quite often: ‘Never think about just acting for a few years and then leaving, because as soon as you say this, you won’t be able to leave for a number of years.’ It described my situation perfectly – I thought I would just be ‘passing through’, but in the blink of an eye, I’ve already been acting for 20 years.

YC: How did you ‘endure’ these past 20 years?

RT: In the beginning, I was truly just waiting for each work day to end. Then when I started filming A Kindred Spirit 《真情》, I got to know Louise Lee (李司棋) . She treated the filming studio like her own home, often bringing pillows , newspapers, magazines, etc. almost every day. I asked her why she did that -- she told me that filming series is a long-term job and if we constantly thought if it as temporary and just waited to get off work everyday, it would definitely be a painful experience for us. It was like a light suddenly went on: I came to realize that there’s no point in constantly looking at the clock and wondering when the day will be over – instead, just enjoy the moment and the work at hand. A few years later, I was filming a series with Patrick Tam (譚耀文) and all of a sudden, I told him that I’ve come to love acting. After so many years of thinking that my work is dull and dry, to all of a sudden have feelings for it, definitely very interesting – from that moment on, my attitude toward work changed completely.

YC: Having played so many characters throughout the years, which one is your favorite?

RT: Looking back at it now, I feel that every character I played is very interesting and ‘cute’. For example, the character of James in War of the Genders, Sheung Jing Man in Safeguards《鐵血保鏢》, Leung Cham in A Fistful of Stances《鐵馬尋橋》. Even in Files of Justice《壹號皇庭》and A Kindred Spirit, my characters may not have stood out much, but the experiences were happy ones.

YC: Do you have a special fondness for these types of ‘small potato’ characters?

RT: Primarily because the producers believe in me and feel that I’m able to portray these types of characters well. I already don’t have the looks, so if I can’t even play these types of ‘small potato’ characters well, then it would definitely be impossible to survive [in the industry]. That’s why I feel that I need to firmly grasp the path of being a ‘character actor’! (Laughs)

YC: To be able to portray these types of characters well is not easy. Do you have a particular method to it?

RT: Normally, I would find myself a ‘reference’ that I could base the character off of. For example, in Witness Insecurity, I modeled the character of ‘Little Mr Kiu’ after Eric Tsang (曾志偉) and would think about him when playing the character. However, costume dramas are actually harder to find a ‘reference’ – for example, the character of Eunuch Po in Beyond the Realm of Conscience. I feel that Eunuch Po’s ‘partner’ in the series [the character played by Michelle Yim (米雪)] is a woman with a naturally more masculine personality, so Eunuch Po has to be more ‘feminine’ in order to reach a good balance that complements each other. Therefore, I discussed this at length with producer Siu Ching Jie [Miu Siu Ching (梅小青)] and as a result, we have this unique character.

YC: The roles you’ve had in the past few years have been quite well-received by audiences. Ever thought about getting an award?

RT: Never thought about it and feel that there is no need. Of course, I wouldn’t oppose it if it were to happen, but I feel that it’s better to be more practical in life – I would rather the company give me a pay raise! (Laughs)

YC: After so many years as a supporting actor, have you thought about doing lead roles?

RT: I feel that anyone can have the chance to be male lead. If a particular script were to have the ‘small potato’ character be the focal point of a series, I would perhaps have a chance. But in a commercialized society such as ours, there are many things that need to be taken into consideration. In HK, the ‘definition’ of a male lead is usually someone who is tall and handsome, young and suave. Mainland series on the other hand generally give middle-aged and even older actors more chance for development, but HK series generally don’t.

YC: Do you follow any Mainland series?

RT: I usually watch the historical series, such as Three Kingdoms 《三国》or Water Margin 《水浒传》. Whether it’s the scope or content, these types of series are usually quite spectacular – as an actor, it’s rare to get the opportunity to participate in these types of productions. If there’s ever the chance to collaborate with such ‘masters’ of acting in a series, it would definitely be a huge honor!


Towards His Dreams….

Despite having experienced many ups and downs in his long television career, Ram Tseung’s ‘movie dream’ has never faded. Whenever he has some leisure time, Ram would work on creating scripts, however up to this point, he has not found anyone to ‘share’ his creative ideas with. When it comes to creativity, Ram is very much a perfectionist, sometimes to the point of being ‘stubbornly persistent’ – it’s no wonder then, that he would ‘downplay’ his own ability by saying: “the entertainment industry suits me, but I’m not suited to the entertainment industry.”

YC: In the fickle world of the entertainment industry, being persistent in your ‘movie dream’ is not easy, right?

RT: TVB doesn’t have fixed monthly salaries and to be honest, my pay is not very high, but luckily my workload has been quite consistent so the money I make is enough to live off of. I’m not a materialistic person, so to have what I do now, I’m already very grateful. My family has also been very supportive of my decisions – they pretty much never watch TV, but whenever I’m in a series, they would always tune in to watch my performance. For me, this is already enough.

YC: Earlier, Ricky Wong (王维基) [CTI chairman] poached quite a few people. Ever thought about leaving to another station?

RT: I’m not that kind of person. At TVB, there’s a more stable environment and steady income, so I don’t feel it’s necessary to worry too much about the other stuff. I’ve been with the company many years, so of course I’ve already established a certain bond with them. [Rather than going to a different company], I actually hope to have the opportunity to film series in the Mainland.

YC: How about your ‘movie dream’? Still something you’d like to pursue?

RT: All these years, my ultimate goal is still to become a movie director one day. I’ve actually been working on a script all this time too, however my creative thought is pretty much the same as most of the ordinary HK scriptwriters – usually the beginning part of the script is awesome, but then 45 minutes into it, I feel helpless and hesitant…haha! If there’s money, then we can shoot a few more big action scenes, then wait for the story to end…if there’s no money, very hard to continue the story….(Laughs).

YC: If the script comes to fruition, would you seek out investors for it?

RT: Looking for investors is a huge lesson in itself. Many times, after you find an investor, you will discover that most of the script doesn’t belong to you anymore. (Laughs) I once read a report that talked about how production costs for Mainland films as well as actors’ fees continue to increase more and more, however the quality of the films get worse and worse. There’s a joke about it…someone once asked me: ‘Ram, if you could film a movie right now, how much money would you need?’ I replied: ‘2 to 3 million is enough’ to which the other person replied: ‘If you wanted 20 to 30 million, then it might be a possibility.’ The reason behind this type of thinking is that most ordinary people feel if you only invest 2 to 3 million into a movie, it must be bad quality -- but in reality, all that money really isn’t necessary. When you have a good script, you have to find someone who understands how to appreciate the art of a film to invest in it – if the investor is just an ordinary businessman who is more concerned about box office sales and return on investment than about the film itself, that’s not the result I want. Even if I’m not able to find an investor for a long time, I won’t feel it’s a pity because throughout the creative process, I’m happy and satisfied.

YC: But when a dream is ‘too perfect’, oftentimes it’s very hard to achieve.

RT: In this industry, perhaps not everyone is able to realize their dreams, but those who have the talent and ability will definitely be able to survive. Not everyone will move with the tide – some people are like cornerstones, strong foundational support who may not necessarily attain great status and wealth.

YC: But those who ‘move with the tide’ seem to have quicker results. You’ve never regretted it [taking the slower path]?

RT: I truly have not regretted it. I always say that the entertainment industry is suited to me, but people like me are not suited to the industry. The entertainment industry is suited to me because the creative space in the industry is really brilliant – being able to combine music and video images as one is truly a beautiful thing and makes this world [entertainment industry] so rewarding. But at the same time, this same ‘beautiful’ world is filled with fighting and vying for one’s own interests – that’s why I say that someone like me is not suited to exist in this type of world.

Thursday, August 2, 2012

Review of TVB series ''Witness Insecurity''《護花危情》(2012)

Producer: Lau Ka Ho (劉家豪)

Cast: Bosco Wong (黃宗澤), Linda Chung (鍾嘉欣), Paul Chun (秦沛), Ram Tseung (蔣志光), Ronald Law (羅鈞滿), Cilla Kung (樂瞳), Queenie Chu (朱慧敏), Rachel Kan (簡慕華), Eric Li (李天翔), Lee Kwok Lun (李國麟), Geoffrey Wong (黃子雄), Savio Tsang (曾偉權), Yeung Ching Wah (楊證樺), Lee Yee Man (李綺雯), Jonathan Cheung (張穎康), etc.


**SPOILER ALERT: For those who haven't watched this series and don't want to be 'spoiled' with knowing some of the details of the series beforehand, then I recommend not reading this review, as there are details mentioned that I feel are necessary in order for me to write this review properly. Not to mention there will also be some mention of the ending as well, especially since there was quite a bit of 'controversy' surrounding it.

Before I start, I will say that I am probably in the 'minority' in terms of people who really liked this series and felt that pretty much everyone (from the main leads to the supporting cast) did a good job with the acting. I know that certain artists in the series have a lot of anti-fans (which is quite obvious based on all the on-line comments I’ve read the past few weeks) and as a result, there may be quite a few people out there who refused to watch this series at all or if they watched, skipped majority of the scenes with particular artists – that’s definitely those audience’s prerogative and I have no intention of changing it. However the point that I want to make is that as a neutral bystander who neither likes nor dislikes the main leads, I am writing this review from the 'neutral' perspective and everything contained in it is my personal impression of the series, regardless of what my feelings are towards any of the artists – so basically, those who hate any of the artists in the series and can't bear to hear anything good said about them should just skip this review completely.

Ok, so with the 'disclaimers' out of the way, on to the actual review....

Witness Insecurity [referred to in the rest of this review as WI] just finished airing this past Friday and already, I’ve watched the series twice (partly because I liked the series but also because of the convenient timeslot that it airs here in the U.S., which allows for re-airing of each week’s episodes on the weekend). I will be the first to admit that I absolutely did not think that I would like this series, primarily because the premise of the series wasn't fresh or creative (the whole witness protection thing has definitely been done before, more than once in fact) and also I'm not a fan of Bosco or Linda (especially Linda, since her last few series left a bad taste in my mouth and so I didn't think that I would be able to tolerate her in this series). Therefore, I went into this series without any expectations whatsoever and to my surprise, I actually ended up liking the series quite a lot (I was pretty much hooked from episode 1 all the way to the end…)

In my opinion, one of the biggest things that made this series so good was the cast -- from the main leads (Bosco and Linda) to the 'heavy supporting' artists (Paul, Ram, Ronald, Cilla, Queenie, Lee Sing Cheong, Eric Li, Savio Tsang, etc.) to the 'lesser supporting' artists (Lee Yee Man, Jonathan, Lee Kwok Lun, Rachel, the rest of the artists who portrayed either WPU staff or police officers in the criminal investigation department, etc.) -- no matter how big or small the role, practically everyone put in good performances...THAT's really what left a deep impression on me in terms of this series (I’ll go into more detail about each person’s performance later on in this review). I know a lot of people might disagree with me here, but hey, it’s my opinion after all…

Of course, no series is without flaws and this series was definitely no exception -- in fact, I would have to say that there were plenty of flaws and 'inconsistencies' in the script as well as several moments where, while watching the series, I felt like I just wanted to 'kill' the scriptwriters (more about this later). Even though this did detract from the series overall, it wasn’t completely unsalvageable, at least not for me – I still continued watching the series and enjoyed it

.---.

SCRIPT / STORYLINE

My biggest complaint about the series is really with the script. The series actually started off quite good in the beginning, with the engaging storyline involving the WPU and the exciting action sequences as well as the 'setting up' of the romantic storyline between Hui Sir and Hailey -- plus the interaction and chemistry between the entire cast was at its best during these first 11-12 episodes or so: I especially enjoyed the chemistry between the WPU team and was really looking forward to seeing more of them....but unfortunately, during the second half of the series, the storyline sort of 'fell apart' in that the series moved away from the 'witness protection' theme (since the assignment to protect Hailey was over and Hui Sir was promoted and subsequently transferred) and focused primarily on the conflict between the Kiu brothers and Hui Sir. I probably would have been ok with this had they [the writers] developed the romantic relationship between Hui Sir and Hailey more in the second half (since, after all, that was the whole point of the series, right?) -- BUT, that didn't happen either....instead, we have this 'tortured' pseudo-romance storyline between the two main leads and even up until the tragic end, they don't officially even get together. It was definitely disappointing to see the second half of the series stray so far away from the original premise and theme of the series.

Don't get me wrong, there were still quite a few scenes in the second half of the series that I enjoyed, but as a whole, the first half was definitely way better -- the storyline in the second half was too messy and the direction that the writers decided to take was not really logical. Even though I still liked the series overall and continued to stick with it because I like the cast and also because I wanted to see how the relationship between Bosco and Linda's characters develop, I know that alot of people stopped watching the series after the storyline started straying off course, which is very unfortunate.

This series was produced by Lau Ka Ho and one thing I’ve noticed about his series in general is that a lot of times, the storylines veer off course and the scripts are not as tightly written as they could be. When I first started watching WI, I thought this series might be an exception, but now after finishing this series, turns out that it still followed a similar pattern – the only difference is that at only 20 episodes, this series is way shorter than many of LKH’s other ‘epics’ and so there was less room for the ‘dragginess’ that I typically see with his other series (most of which were 30 episodes or more). Given the way the script was written, perhaps this was a good thing? Personally though, I think this series would have benefited from having another 5 episodes at least -- I think that if that had occurred, then the storyline would have likely gone in a more ‘appropriate’ direction and the sub-stories as well as many of the other supporting characters could have been more properly developed.

One last thing about the script….maybe it’s just me, but with the way the script was written, there were quite a few characters in the series who were pretty much ‘useless’ and really were just ‘there’ for the sake of being there – for example: Brian Chu’s character as Jo Jo’s younger brother, Deno Cheung’s character as the leader of one of the police teams, Glenn Lee’s character as Mrs. Kiu’s (Rachel Kan) younger brother (he only appeared for like 2 scenes), etc. Even Rachel Kan’s character was kind of ‘nonessential’ if you ask me – though she gets plenty of screen time compared to some of the others, her character really didn’t do much. To me, these characters were basically just ‘fillers’, as they didn’t advance the storyline much at all and didn’t serve any real purpose in the series. It sort of made me wonder why the scriptwriters even bothered writing their characters into the script and ‘wasting’ precious ‘plot space’ (as well as screen time) that could have been used to develop other sub stories.

Speaking of characters, what an appropriate segue into a discussion of the cast….


CAST / CHARACTERS

As I said earlier, when I first read the cast list for this series, I wasn’t much impressed, as there were quite a few artists in the series that I didn’t particularly care for in terms of acting and the ones I do care about I didn’t think would have significant roles – but after watching some of the preview clips that had aired the week prior to the official premiere of the series (no, not the ‘fake’ promo clip that was pretty much just a ‘gimmick’ and had nothing to do with the series), I decided to give the series a chance, since I saw that a few of my favorite actors (namely Paul Chun and Ram Tseung) would have pretty ‘meaty’ roles in the series. Turns out I made the right decision!

In terms of cast, I definitely wouldn’t consider this one ‘all-star’, as there were quite a few ‘newer’ artists whose names I didn’t even know prior to watching this series. But as I’ve been noticing more and more the past few years, there doesn’t necessarily need to be a whole lot of ‘big names’ in a series in order for it to be a ‘good’ series – with the right combination of good acting, well-written characters, and a decently written script, a series can still have a strong impact on audiences and garner good word of mouth as well as high ratings (as this series did).

Again, unlike some of my past reviews, I’m not going to go into too much detail about the characters themselves but rather just focus on my thoughts toward the characters as well as the artists who portrayed them.

So without further adieu, here’s my ‘take’ on the main cast…


Bosco Wong (Hui Wai Sum / Hui Sir) – Bosco’s character is a cop who, for the first half of the series, is the leader of the Witness Protection Unit (WPU) and due to his success in that role, he’s promoted in the second half of the series and transferred to the criminal investigation unit to head up a team there. In my opinion, the character of ‘Hui Sir’ is definitely one of the biggest draws of this series, as his character is written in such a way that it’s really hard for audiences not to like him or be smitten by his charm. Personality-wise, Hui Sir is the epitome of ‘cool’ and ‘suave’ – he’s smart, handsome, and is pretty much a natural-born leader (which came about in part because of his independence at an early age due to him growing up in an orphanage). It can be said that Hui Sir was born to be a cop, as he has strong investigative instincts as well as an unwavering sense of righteousness and justice. One of the biggest traits that sets Hui Sir apart from others is his extremely high EQ – no matter how difficult a situation is, he is always able to handle it with a calm, composed disposition.

Bosco did a great job with his character in this series and definitely left a deep impression on me with his performance. I will admit that I was never really fond of some of the roles Bosco played in the past – in fact, in general, I can’t really even remember too many of his past performances (probably because I never really paid attention). Therefore, I was actually a little bit surprised myself that I came to like his character so much – of course, part of the credit goes to the writers for the way they developed the character, but Bosco should also be given credit for the way he portrayed the character – in other words, for the way he ‘acted’ the part. When I first started watching this series and read the description of the character, I was a bit concerned in the beginning on whether Bosco would be convincing enough in such a mature, serious role – mainly because most of his roles in the past were sort of catered to his boyish, ‘sunshine’ image (even the past roles where he played a ‘professional’ such as a cop or a fireman, he still had that ‘boyish’ trait to him – probably the only other role where I didn’t get that impression was his villain performance as ‘Bai Co’ in last year’s Lives of Omission).  However, it turns out that my concern wasn’t warranted, as Bosco handled the role of Hui Wai Sum extremely well.

What I liked most about Bosco’s performance in this series was how ‘natural’ and ‘comfortable’ the role came across –with the way his character was written, there was quite a lot of ‘inner acting’ involved, since there were many moments where his character doesn’t say much, but yet still manages to convey his thoughts and feelings through his facial expressions as well as the way he carried himself (this was especially apparent during the first half of the series). Though I’m not a fan of Bosco’s by any means, this was one performance that definitely changed my impression of him as an actor and made me realize that with all the similar roles he played, his potential wasn’t really properly tapped into in the past (which is not surprising since that’s TVB’s typical way of managing their artists). I feel that with the proper cultivation in the right direction, Bosco has the potential to take his acting to a higher level – at this point in his career, he really should be taking on more mature, challenging roles rather than the ‘playful’ ones that he’s had in the past. With his role in his series as well as in LOO last year, looks like he’s headed in the right direction (for now at least…).


Linda Chung (Kiu Ji Lam / Hailey) – Linda plays the daughter of a rich tycoon who has a mood (anxiety) disorder resulting from a few tragic events that she had encountered when she was a child. In the beginning of the series, she is very anti-social and doesn’t like to talk or interact with anyone – she relies on playing the cello to release her inner tensions and regularly sees a therapist for treatment. However, after meeting Hui Sir and the rest of the WPU team and interacting with them for a certain period of time (since they were assigned to protect her after she witnesses a shooting), she starts to open up more and becomes a more cheerful person. By the end of the series, her personality has completely changed from what it was in the beginning and she no longer needs to go through therapy treatments in order to live a ‘normal’ life.

Contrary to popular opinion, I feel that Linda actually did a pretty good job with her acting in this series (don’t shoot me!). That’s actually saying a lot given the fact that I’ve never been impressed with Linda’s acting because I’ve always felt that somehow, her acting tends to come across as ‘exaggerated’ and ‘fake’ to me – especially when she tries to take on roles that are outside of her realm (such as a ‘bad girl’ type character or someone who is mean-spirited for example). Of course, part of the reason why I’ve never really been able to tolerate most of Linda’s performances in the past is because I can’t stand weak, pathetic, weepy, wishy-washy type characters and somehow she almost always ends up playing these types of characters.

Interestingly enough, Linda’s portrayal of Hailey actually left a completely different impression on me. Some might say that the role of Hailey was not too different than Linda’s usual ‘good girl’ type roles (which I kind of agree with), but in my opinion, the character was a bit better written than some of her other roles and most importantly, the role really suited her well (I heard the role was especially written for her?). Now I will say that Linda’s acting in the first 3 episodes (when she’s supposed to have that mood disorder illness that caused her to be very anti-social and paranoid about everything) was truly not that good (and in a few scenes, were probably ‘cringe-worthy’), but starting with episode 4 up through the end of the series, she actually does get a lot better – to the point that I actually started liking her character and really was able to feel for her throughout the series. One thing that impressed me about Linda’s acting in this series is that she did the ‘I’ve got a huge crush on Hui Sir’ scenes quite well – those scenes were very convincing and sweet. Also, Linda’s crying scenes were more tolerable in this series versus her previous works – I’m guessing that she toned down her crying a bit after being criticized for so many years about it? Well, the improvement is pretty obvious because outside of the first 3 episodes, Linda’s crying scenes were adequately done throughout the rest of the series (at least I didn’t find her annoying in this series at all).

One area that I feel Linda has definitely improved on is her use of facial expressions – there were quite a few scenes throughout the series where I felt that Linda’s facial expressions were very ‘on the spot’ and conveyed just the right amount of emotion. Of course, she’s still young and her acting still has A LOT of room for improvement (for instance, I don’t feel that her acting is mature enough to handle certain roles yet) – hopefully she will continue to get better with time.

With all that said though, my opinion of Linda overall does not change in that I'm still not tremendously fond of her as an actress because I feel that she’s still too much of a ‘hit and miss’ when it comes to her acting and therefore really can't carry a series on her own yet. For me, whether I'm able to tolerate Linda in a series or not really depends upon her role in the particular series as well as who she is paired up with. With my overall low tolerance level, I definitely wouldn't purposefully seek out a series and watch it just because Linda is in it, but if a series of hers happened to come on TV, I wouldn't mind watching it -- in other words, I'm not the type of person to stop watching / not watch a series just because I dislike a particular artist....to me, the storyline matters alot too and without attempting to watch the series, it's hard to truly know whether the series will be any good. Most of the time, I usually give the series a try and let the acting / storyline 'persuade' me to keep watching (or not)....


Bosco / Linda pairing– I never thought I would say this, but I’m absolutely smitten with this pairing after watching this series (yes, once again, I was surprised myself at how much I grew to ‘love’ this pairing). The chemistry that Bosco and Linda had in this series was quite amazing! I can’t think of any other series where 1) the main ‘couple’ never even officially become a couple in the series (from the beginning until the very end, Hui Sir and Hailey never officially get together – their relationship was pretty much ‘doomed’ before it even started), and 2) the ‘love’ feelings are pretty much one-sided throughout the entire series (Hailey has a crush on Hui Sir and even though he later develops feelings for her, those feelings never really turn into ‘love’), yet so many audiences (myself included) loved their pairing. [And I’m not just saying this – the proof is in the numbers: when Linda posted a photo of herself and Bosco (as Hailey and Hui Sir) on her Weibo during WI’s finale week, it received over 40K ‘retweets’ and over 15K comments in less than a day!]

This was actually the third time that Bosco and Linda were paired together as a couple (the previous 2 times were in Gem of Life and Moonlight Resonance – I will be absolutely honest and say that I don’t remember anything about their previous 2 pairings whatsoever, even though I had watched both series. I’m sure they had plenty of ‘sweet scenes’ in those 2 series too, but I don’t remember a single one – either I didn’t really pay attention and completely missed their scenes (which is possible but highly unlikely) or they didn’t have as much chemistry onscreen back then as they did in this series. After watching WI, I ‘adore’ this couple a lot for some unexplainable reason – I enjoyed every single one of their scenes together (even the ‘painful’ ones where they part ways with each other) and every time there was a ‘sweet moment’ between these two (mostly through eye contact or some other subtle expression), I couldn’t help myself from going: “Aww, how sweet!” [Some examples of Hui Sir / Hailey ‘sweet’ moments: the garden scene in episode 4, the cactus scene in episode 6, the Disneyland scenes in episode 8, and of course, the scene in episode 7 when Hailey gets shot and Hui Sir catches her from falling to the floor just in time, then picks her up and protectively carries her in his arms and runs through door after door to get her to the car and to the hospital (and accidentally hurting himself in the process)....true, a bad situation had happened, but the way it was filmed made it more sweet than it was tragic! I even found the scenes where Hailey would ‘steal glances’ at Hui Sir (unbeknownst to him) to be very cute and sweet!].

I definitely miss this pairing now that the series is over (especially with the tragic way that the series ended) – hope that I’ll get to see this pairing again in the near future!


Paul Chun (Kiu Kong San / Big Mr. Kiu) -- Paul Gor’s character is a rich tycoon with a shady past who lost both his wife and his son earlier on, so he focuses all his effort on loving his daughter and giving her everything possible. To be honest, despite Kong San’s past, I really don’t feel that he’s truly a ‘villain’ in this series, as the ‘motivation’ for a lot of the ‘pushing the envelope’ stuff he does in the second half of the series was primarily out of love for his daughter – he just goes about it the wrong way. I actually like his character better in the first half of the series, as his love for his daughter as well as his younger brother (Ram Tseung’s character) was more apparent and the stuff that he did actually made sense – some of his actions in the second half were sort of questionable to me and overall just didn’t jive that well with the overall storyline. I mean, yes, the sub-story about Kong San’s past was intriguing, but I feel that the writers could have written that whole story arc a little tighter and not drag it out for so long.

In terms of the acting – well, what can I say? It’s Paul Gor after all -- he’s one of the best ‘elder’ / veteran actors out there! I grew up watching Paul Gor in movies and television series, so I’m already very used to his style of acting – I love his versatility as an actor and how he can play a wide range of roles: from the most cold-blooded of villains to one of the most benevolent, lovable fathers we’ll ever find. I can truly say that I enjoyed Paul’s performance throughout the entire series, even in the second half when the storyline started to unravel a little bit and strayed from the original theme. I’m actually really glad that Paul Gor had such a significant role in this series (his screen time was actually not that much less than Bosco’s) because even if I didn’t really like the direction of the series in the second half, I could at least still enjoy his acting!


Ram Tseung (Kiu Kong Hor / Little Mr. Kiu) – Ram’s character Kong Hor is the younger brother of Paul’s Kong San. The best way to describe Kong Hor is ‘laid-back’– he has a very friendly personality and playful sense of humor that helps him get along well with practically anyone. With the way that he’s always cracking jokes and taking pretty much everything that happens in stride (even something as ‘serious’ as getting shot in the head), he sort of reminds me of a hyper little kid in a man’s body. I really liked his character in the first half of the series especially, where he was the constant ‘comic relief’ and always managed to bring a smile to everyone’s face. His biggest flaw though was that he liked to ‘shoot off his mouth’, especially after he’s had a few drinks (this gets him into trouble early on and almost costs him his life). Unfortunately, his character changes a bit in the second half of the series – no, he doesn’t turn evil (thank goodness!), but his character does become a little more ‘serious’ and loses the humorous ‘charm’ that he consistently had through most of the first half. It’s too bad because I really did like his character and was looking forward to seeing more of his charm…

I actually was a bit surprised at how significant Ram’s role was in the series, especially in the first half – because the past few years, he had been relegated to playing lesser roles (or a villain role) for the most part. Not that I’m complaining though, since Ram has always been one of my favorite supporting actors – I always enjoy watching him in series because he always manages to bring his role to life with his performance, no matter how big or small his part is. In fact, whenever he’s in a series, I usually find myself watching most of the scenes that he’s in, even if I end up skipping the rest of the series because I can’t stand the storyline or the rest of the cast – and whether he’s playing a good guy or a villain, he’s always very convincing with his performance (yes, he’s THAT good!). He’s definitely very underrated as an actor and I really wish that TVB would give him more significant roles to play. Ah well – I’ll still continue to support him regardless of the types of roles he gets!


Ronald Law (Yeung Yiu Dong / Ba Da) – Ronald’s character is a young cop with a lot of potential who looks up to Hui Sir (Bosco) as a mentor and ‘big brother’ of sorts. He first met Hui Sir while at the academy and later when he was assigned to work with him in the WPU, they became best friends – Hui Sir treats him just like his own little brother (hence Ronald’s nickname in the series ‘Ba Da’). Ba Da is actually a very endearing character because he always has a certain earnestness and boyish charm about him – he’s a very sweet, super nice person who pretty much anyone would find likable (of course, those dimples of his help a lot too…LOL!) One of Ba Da’s most admirable traits is that he is extremely loyal and once he makes a decision to follow someone, he’s unwavering in his dedication and loyalty – he’s like that with Hui Sir as well as with Jo Jo (Hui Sir’s cousin), whom he has a huge crush on throughout the series. I actually really liked Ronald’s character in this series and enjoyed his interactions with Bosco’s character – I loved the ‘heart to heart’ conversations that they would have in the series where they would encourage one another and give each other advice (though more often than not it was more like Hui Sir giving Ba Da advice and trying to steer him in the right direction in terms of his life and career). The brotherly chemistry between the two was done very nicely!

In terms of acting, I would say that Ronald did a pretty good job considering he’s a newbie – of course he still needs polish, but he did come across quite natural in his role of you ask me (though part of that could have been because the role fit him well). Prior to this series, I really wasn’t too familiar with Ronald, as the only other series that I had seen him in was When Heaven Burns and his role in that series was definitely less significant compared to this one. I liked him in this series and from his strong performance, it looks like he has does have potential as an actor – give him a couple years and if developed correctly, I think he will do well.


Cilla Kung (Lee Hau Yan / Jo Jo) – Cilla’s character is a typical materialistic youth who is overly ambitious when it comes to climbing the social ladder and is constantly chasing the latest societal as well as fashion trends. Her goal in life is to marry a rich person in the future so that she can be set for life and also be ‘known’ in upper society -- which is why she is ecstatic when she finds out that her cousin Hui Wai Sum (Bosco) is assigned to protect Hailey (Linda), daughter of a rich tycoon. Not surprisingly, she becomes good friends with Hailey and even tries to serve as the ‘matchmaker’ for her and Hui Sir. Jo Jo actually isn’t a bad person by any means, she’s just a little bit annoying at times with her overzealousness in trying to become rich and famous. I was ok with her character, though I really didn’t like the way that she would treat Ba Da (basically leading him to think that he had a shot at being her boyfriend so that he would continue to give her gifts and such). Luckily she redeemed herself in the latter part of the series when she recognizes how wrongly she had treated Ba Da and resolves to be a more responsible person (though of course, it was too late to salvage her relationship with Ba Da, since he was killed off in episode 17). I don’t really have much opinion about Cilla as an actress because I haven’t watched enough of her performances to fairly judge. I will say though that she wasn’t too bad in this particular series – in fact she came across quite natural, since the character she played was probably close enough to her real age and seemed to suit her style.


Eric Li (Tong Jun Gai / Shawn) – Eric’s character Shawn actually does not have a whole lot of screen time, but his character is quite significant in terms of story development. He consistently appears in the first few episodes, then pretty much disappears for awhile and doesn’t appear again until the final 2 episodes. In the beginning, I was a little confused in terms of Shawn’s character and what his relationship was with the Kiu family (they never really properly introduced him) – at first, I thought that he was some sort of relative of the family, but it turns out he’s not related to them at all. Basically, he’s the son of a deceased tycoon whom Kong San takes under his wing and provides for him (we only find out the real reason why Kong San provides for Shawn later on in the series). To be honest, I don’t really like the way Shawn’s character was written because he was kind of all over the place and it was not really clear until the end of the series what the significance was of his character – I think his character could have definitely been developed more and perhaps have the story arc focus more on him in the second half of the series (rather than just in the last 2 episodes). To me, it seemed kind of ‘random’ the way he would pop in and out throughout the series and sort of made it difficult to really get into his character.

I was actually hoping that Eric wouldn’t have to play the villain again in this series, especially after his awesome performance as a good guy in Bottled Passion earlier in the year. Unfortunately, he does go down the ‘villain’ path in this series as well – though I guess if we want to get technical, he wasn’t exactly the ‘bad guy’ in the traditional sense of the word. He basically becomes a totally different person in the last 2 episodes of the series because of the stuff he encounters (losing all his money, taking drugs, etc.) and that’s really what affects his actions – I guess we could say that he was more a confused drug addict than he was a murderous villain. I’ve really got to hand it to Eric for his performance in this series – despite his limited screentime and the not very well-written character, he was quite excellent in his role. He really shined in the last 2 episodes of the series when his character returned as a delirious drug addict – he had changed so much physically that I actually was not able to recognize him from the pictures and spoiler scenes that I had seen prior to those episodes airing! He really played the drug addict role well (couldn’t help but laugh at his “my doctor told me to take lots of medication (drugs)” dialogue). I know, I should probably hate Shawn after what he does to our beloved Hui Sir, but I’m sorry – I like Eric too much as an actor recently that it’s really hard for me to be mad at him for long….


Add’l Cast / Characters

With the way the storyline developed primarily around the Kiu family and Hui Sir, there were actually quite a few artists who participated in the series on a lesser scale with relatively minor roles. Here are a few ‘honorable mentions’ (note that one ‘common theme’ with the below characters is that all of them could really have benefitted from being furthered developed – instead, many of them were ‘short-changed’ due to the way the script was written).

Rachel Kan (Tina) – Kong San’s second wife, Hailey’s stepmother. As mentioned earlier, I sort of felt Rachel’s character was ‘nonessential’ in that she really doesn’t do anything to further the plot except for maybe have a few ‘minor’ conflicts with Hailey in the first few episodes. After that, I don’t see much significance in her character – during the second half of the series, she’s basically just ‘there’. Even after finishing the series, I was still scratching my head and wondering what the writers’ / producer’s purpose was for including Rachel in this series. Don’t get me wrong – she did do a decent job with the acting given what she had (though honestly, I don’t think Rachel is that much older than Linda so for her to play her stepmother was a little bit far-fetched), but it was sort of a waste, I feel

Queenie Chu (Kelly) – Hailey’s therapist and also good friend. Compared to some of the other series she’s been in, Queenie has a relatively minor role in here as Kelly, the therapist / psychiatrist who is responsible for treating Hailey (Linda). Maybe her character wasn’t written well or something because I honestly didn’t really like her character much – I mean, she was a good friend for Hailey and goes beyond what a normal therapist would do by accompanying her on trips and other events, but as a psychiatrist / therapist, I didn’t feel that Kelly was ‘professional’ enough. The ‘advice’ that she gives Hailey throughout the series is sort of ‘suspect’ in that it wavers back and forth – to the point that at times, I felt that Kelly was being insincere (it was like she just tells Hailey what she wants to hear to appease her). I don’t know too much about psychiatry / therapy, so I’m probably not the best person to comment about it, but overall, her character just came across a little strange to me, that’s all.

Lee Sing Cheong (Ho Siu Leung) – Kiu Kong San’s ultra-loyal assistant. Ah Leung is the person whom Kong San (Paul) trusts the most outside of his own brother. He has worked for Kong San for decades and is super loyal to him, even willing to sacrifice his own life for him. In the first half of the series, his role is relatively minor, but near the middle / end of the series (for probably about 2-3 episodes), he becomes more of a critical character. Even though his role was small in this series, Lee Sing Cheong definitely delivered the goods (as usual) – his few ‘essential’ scenes in episodes 15 to 17 were done really well, especially the crying scenes. Lee Sing Cheong is another veteran actor whom I grew up watching – his villain roles are generally quite good and very convincing….too bad his role was relatively minor, as I would have liked to see more significant screen time from him.

Savio Tsang (Poon Sir) – As the head of the criminal investigation unit, Savio’s character only appears once in the first half of the series – it’s not until Bosco’s character Hui Sir is transferred to Poon Sir’s department that he takes on a more significant role (since Hui Sir reports to Poon Sir directly). With that said however, Savio actually doesn’t have a whole lot of screen time either, which was a little disappointing for me because I like him as an actor and his character had good room for development. I liked how Poon Sir was a very cool, understanding boss who goes very much by the rules, but still is able to maintain a good relationship with his subordinates. I also liked the way he interacted with his staff, especially with Hui Sir, whom he treated more as a friend than as his staff. Though I can understand why his role was less significant in the scheme of things, I really would have liked to see more of him as well.

Joseph Lee Kwok Lun (Sapura) – Rich tycoon from Indonesia with ties to the Kiu brothers’ past. He only appears in a few episodes during the second half of the series and even after he dies, most of the storyline in that segment of the series revolves around his case. This was yet another ‘run of the mill’ villain role for Joseph – a role so easy that he could have probably done it with his eyes closed (especially with his acting experience and skill). Again, I’m not really complaining because Joseph is another one of my long-time favorite veteran actors and I’m happy to still see him in series nowadays – but his appearance just seemed way too short…

Law Lok Lam (Yung Sui Bong) – Another actor I like a lot, but unfortunately his character was kind of insignificant as well. He’s one of the rich tycoons in the series on the same level as Paul Chun’s character, but we really don’t get to see much of him and when we do, it’s usually at some sort of gathering with Kong San and his other rich tycoon friends. Law Lok Lam is definitely underutilized in this series, which is really a shame because he’s too good of an actor to be given such a minor role. TVB should have just had someone else play this role instead and not waste LLL’s time!

WPU team: Jonathan Cheung (Wong Chi Tong / ‘Flat Tire’), Lee Yee Man (Cheung Lai Kuen / ‘See Jie’), Yeung Ching Wah (Chan Ka Si / ‘Sa See’), etc. – Considering the WPU team consisted mostly of newbies and artists whose names I didn’t even know, I was surprised by how much I liked watching this team interact with each other. As a team, they really did a great job of bringing to light a lot of the ‘essential elements’ of the WPU – including team spirit and cooperation, reacting quickly to unexpected situations that arise, being constantly on alert and ready to take action, etc. – they were very ‘serious’ about their work when they needed to be, but outside of that, they were a playful bunch. The chemistry between the entire team and their leader (Bosco) as well as with the other ‘main players’ (i.e. Linda’s and Ram’s characters, etc.) was excellent and very well portrayed – in fact, I was quite saddened to learn that we wouldn’t be seeing anymore of this team after episode 10 (well, except for a brief appearance in episode 17 at Ba Da’s funeral) because I really really liked them as team. Together, they were key in making the first half of the series so good and even though a few of them get pulled over to the criminal investigation department along with Hui Sir, it just wasn’t the same ‘feeling’ anymore. Definitely makes me wish that the writers would have kept to the witness protection theme in the second half of the series as well and somehow still incorporate the team into the rest of the series…

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THE ENDING / CONCLUDING THOUGHTS

Ok, I decided not to completely give away the ending after all (though it probably doesn’t make a difference at this point since the ending was already plastered all over Weibo and entertainment news sites even before the finale aired last Friday). All I’m going to say with regard to the ending is that it wasn’t really as bad as people made it out to be – true, I didn’t want the series to end the way it did given how much I loved the character of Hui Sir as well as the Bosco / Linda pairing, but I actually felt that the ending was appropriate given the circumstances. I mean, it was pretty much already a given that a ‘happy’ ending was impossible given everything that had occurred leading up to that point – and to be honest, forcing a ‘happily ever after’ ending would have been worse because it would have been too fake. Though the ending was tragic and yes, some parts of it was a bit overdramatic, I would have to say that overall, it was a fitting ending and appropriate ‘closure’ to the Hui Sir / Hailey relationship – the ending made sense and most important of all, it was both bittersweet and memorable (though not exactly favorable). [I’ll probably talk more about the ending later on in the comments section, since I don’t want to ruin it for those who haven’t watched the series].

As for the the massive ‘movement’ of netizens to push for a sequel or change the ending to the series – I’m actually on the opposite side of the fence in that I absolutely do NOT want a sequel (because TVB would just screw it up like they do with all their other sequels – plus the chemistry won’t be the same anyway) and do NOT want the ending changed (I’ve never been a fan of alternate endings because most of the ones that I’ve seen have been lame and stupid). What’s done is done, so just leave the series the way it is please!

So do I recommend this series? Obviously, yes!! As I mentioned earlier, the script is a bit flawed and as a result, the flow is a little inconsistent, but taken as a whole, this was definitely one of the better series of the year so far. The series has a good enough combination of action sequences, suspense, romance, family drama, investigative scenes, etc. that there should hopefully be something in there for all interests. The first half of the series was especially awesome and almost guaranteed to go by quickly (most of the big action sections are in the first half) – it’s only when we reach the second half of the series that things slow down a little bit too much (for me it wasn’t really a problem, but some people found the change in pace annoying). If the inconsistencies in the script is a big issue for you, then I recommend watch this series for the cast – as I said earlier, the performances from pretty much everyone were quite good….even those whom I’m usually not too fond of I ended up liking in this series.

Despite its flaws, I felt that this was a great series overall – one that I would rewatch in a heartbeat and still enjoy it as much as I did the first time!

Saturday, December 3, 2011

Review of “Forensic Heroes 3 法證先鋒III” (2011)

Cast (partial list of the main & supporting cast): Wayne Lai (黎耀祥), Maggie Cheung (張可頤), Ron Ng (吳卓羲), Kate Tsui (徐子珊), Nancy Wu (胡定欣), Yuen Wah (元華), Edwin Siu (蕭正楠), Aimee Chan (陳茵媺), Ram Tseung (蔣志光), Ruco Chan (陳展鵬)

I finished watching FH3 a few weeks ago (simultaneous broadcast with HK), however I actually put off writing a review about this series until now -- mostly because the series sort of wore me out after watching the finale and I really didn't feel like talking about it any more (I guess you could say that I was just glad it was finally over).

Now, don't get me wrong -- I'm not saying that this series was entirely bad because to be honest, I've seen way way worse (and as I will mention later, there were definitely some 'enjoyable' moments in the series) -- but by the same token, compared to many of the other TVB series that I've seen, this one definitely doesn't live up to my standards (now that I think about it though, how many TVB series from the last decade have lived up to my standards? not very many!). I actually wanted to use the word "disappointing" to describe my feeling towards this series, but after thinking about it further, it's really not accurate to say that I was "disappointed" in this series because in actuality, I didn't have any expectations of this series going into it (I've learned to stop 'expecting' anything from TVB series anymore...LOL). In fact, I wasn't even planning on watching the series in the first place, since when I first heard a few years ago that they were going to do FH3 but was going to change the cast, I was quite bitter about it (come on now -- Forensic Heroes is not the same without Bobby and Frankie, just like Burning Flame is not the same without Wong Hei) -- and quite honestly, based on the 'original' storyline concept for FH3 (the one that TVB pitched during their sales presentation a few years ago), I was actually planning on "boycotting" the series altogether (those who watched that sales presentation or read the original concept summary will probably know why I felt that way at the time). Anyway, it's a moot point now, but needless to say, at that time, I was quite ticked off, so pretty much the series didn't start off on the right foot with me, even as far back as the 'conceptual' beginning (prior to it becoming the series it eventually became). The only reason why I decided to give the series a chance was pretty much because of Wayne (and the fact that there was nothing else interesting to watch on TV, since the other series airing around the same time were extremely boring). More about Wayne's role later....

Before I go any further....for those of you who are regular readers of my reviews of TVB series (thank you!), I'm actually going to do this review a bit differently than the other ones I've done in the past. Instead of doing an in-depth analysis of each character / artist like I normally do, I'm going to take a different approach and basically just talk about my 'likes' and 'dislikes' about the series in general (figured that this was the easiest way to do this particular review).

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STORYLINE / SCRIPT

One of my biggest "issues" with this series was the seriously flawed script -- there were so many things that didn't make sense, it totally detracted from the series as a whole and made it difficult to enjoy watching it (for me at least). Over the many years that I've been following TVB and HK entertainment, I've watched plenty of TVB series and I can honestly say that I can't recall encountering a series (that I've watched from beginning to end that is) with as many 'head-scratching', 'what-the-heck' moments as this one (and I'm not exaggerating either -- I was pretty much able to find at least 1 thing from each episode that fit into the "WTH" category!). I don't know if the writers were under pressure to produce the script in a short amount of time so they rushed things without realizing it or if there was a particular intention behind the way the script was written (I'm leaning toward the latter, since the 2 writers Choi Ting Ting and Leung Mun Wah are experienced scriptwriters), but whatever the reason, the fact is that the script was very poorly written.

Amongst the most "glaring" of flaws in the script (series) was the very obviously 'rushed' storyline -- the writers didn't spend enough time developing the areas that should have been developed (for example, the relationships of the various characters, some of the details of certain cases, etc.) and instead wasted alot of time with cases that were boring and lame (i.e. that case about the tenants and the owner of a building where the tenant dies after slipping in the bathroom and also that cosplay case near the end of the series, just to name a few). I understand that with these types of series, the premise is about crime-solving, so that should definitely be the focus, but the relationships of the characters are important as well, since, as humans, we spend most of our lives interacting with each other – so in series like these, it’s necessary to have a good balance of both. Unfortunately though, the writers didn’t do a very good job in this area….not only that, but the lack of development in the relationships with this particular series had a significant impact for me because throughout the whole time that I watched, I didn’t feel anything for any of the main pairings – it was almost as though I could care less who was paired up with whom (of course, part of this could have also been due to the lack of chemistry between the artists themselves).

Here are a few examples of the “rushed” parts that I had a problem with (not an all-inclusive list):

.-- Nancy / Wayne divorce – the way the writers wrote the divorce storyline between Nancy and Wayne’s characters was way too ‘purposeful’ to be realistic. Considering how long they had been together as a loving couple, plus they had a daughter that they needed to think about, I was surprised at how quickly they reached the decision to divorce (and pretty much over 1 incident too). The feeling I got was that they went from being the ‘model couple’ one minute to a ‘I don’t love you anymore and can’t stand the way you operate’ relationship the next minute. And of course, this whole thing pretty much happened over the course of like 1 episode (actually, not even, since there was other stuff interspersed throughout the episode) – plus with the way the whole thing played out, I definitely got the impression that neither character (Wayne and Nancy) was too emotional / distraught over the breakup (so maybe they didn’t really love each other that much after all). In any case, the way that whole piece was written was definitely lacking.

.-- Maggie / Ruco breakup – ok, I have to say that as much as I disliked the way the writers handled Nancy and Wayne’s divorce, the way that they handled Maggie and Ruco’s breakup was way worse….in fact, it was so lame and stupid, it’s not even funny! Sure, it’s not like they spent a lot of time developing Maggie and Ruco as a couple in the first place, but at least the writers did bring them together over the course of a few episodes (well, I guess you could say half the series) and up until the point they broke up, there was no indication whatsoever that they were incompatible or planning to separate in any way. Then, at the end of one of the episodes, they ‘suddenly’ mutually realize that they don’t love each other as they thought they did and literally within like 1 scene, they decide to part ways. WTH??? It was so totally random and came out of nowhere that it left me wondering what the whole point was of having Ruco and Maggie together in the first place! Oh, and at least with Nancy and Wayne, they had 1 episode to ‘divorce’ – with Ruco and Maggie, it was like 1-2 scenes max (and at the end of an episode too – by the first scene of the next episode, Ruco’s character was already ‘gone’)….how lame! If they were going to write the breakup this way, then they shouldn’t have put Ruco and Maggie together from the beginning (they definitely could have had Ruco participate in the series without making him a ‘love interest’ for Maggie)!

.-- Wayne / Maggie relationship – with the ‘rushed’ way that the breakups of the 2 main characters were done, it definitely seemed to me that the main purpose of the entire series (from a relationship perspective at least) was to have Wayne and Maggie become a couple. It’s almost as though the writers were trying to say ‘let’s get their previous relationships over with so we can get the 2 of them together’. (The two of them got together pretty much right after Maggie and Ruco broke up, plus the lame way that they did that breakup made it too obvious that the Wayne/Maggie get-together was their main objective). To be honest, I wasn’t too keen on Wayne and Maggie as a couple because I felt that their characters lacked chemistry -- to me, there was actually no difference in their relationship prior to them becoming a couple (when they worked together as partners in the forensics team) and afterwards….


The other major flaw with the script (as far as I noticed at least) was the ‘randomness’ of some of the elements / scenes / characters related to each of the cases. There were some characters and scenes ‘interspersed’ in the series that were completely irrelevant to the development of the storyline and seemed to serve no purpose whatsoever (pretty much you could take those characters out and it would have very little, if any, impact to the script / series). This actually got annoying after awhile because it didn’t just happen once or twice – it was a recurring ‘issue’ throughout the entire series.

A few of the most obvious examples of this:

.-- The ‘nephew scene’ during the tenants vs landlord case (which was already a lame case to begin with) – the guy who played the nephew (whom I found out later was one of the newer Mr HKs) only appeared for like 10 seconds in one scene (he basically had one line of dialogue), then disappeared and was never heard from again. He was mentioned briefly later on during the investigation of the case (yea, for like a minute), but turns out he had nothing to do with the case whatsoever. So what was the point in putting his character in there, especially if he was going to appear for only a few seconds and had nothing to do with the case? Totally didn’t get that part…

.-- Sire Ma’s brief appearance during the case about the murder of the college student was totally random as well. She was only in 2 scenes and had probably about 5 lines of dialogue – her total screentime was probably close to 10 minutes or so (maybe even less). I mean, I could understand putting her in the series if her character had anything at all to do with the case, but she didn’t – she was pretty much just the murdered guy’s ex-girlfriend and was never even considered as a suspect in the case. Totally random character…

.-- Felix Lok’s character was another random one that the writers put in there for no significant reason. He was literally only in 1 scene at the end of an episode, though they did talk about his character a little bit in one of the scenes prior to that. Basically, in those 2 scenes, they made him out to be some sort of powerful mob boss / businessman whom Nancy decides to work for (that’s part of her reasoning for divorcing Wayne and leaving for the U.S.) – based on the way that set things up, made it seem like he would play a significant role in one of the future cases perhaps. Unfortunately, that wasn’t the case at all -- after that, his character is not mentioned again until Nancy returns – but even then, the ‘mention’ is lame because he isn’t involved with any type of case. Even with the case involving Nancy at the end of the series, he was completely irrelevant – they pretty much ‘mentioned’ that he was still in the U.S. and was sick on his deathbed (or something like that) and that’s it – never mentioned again. Huh? What was the point of his character then?

The above is just scratching the surface – there were a lot more instances / characters that were ‘interspersed’ the same way. After watching this series, it totally made me question the experience of the scriptwriters (the horribly written script made it seem like newbies who didn’t know what they were doing actually wrote it) and what they were thinking when putting together this script. It was definitely annoying to say the least.

Despite all of the ‘shortcomings’ of the script, there WERE a few enjoyable moments in the series, but unfortunately, not enough for me to ‘overlook’ the flaws. Still, here’s a brief mention of some of the ‘highlights’ of the series for me:

.-- Nancy’s court scenes and her ‘showdown’ with Wayne and Yuen Wah (who played Wayne’s father) during that one murder case involving the rich guy were definitely exceptional and well done. I literally was at the edge of my seat watching those scenes – too bad that it was short-lived though.

.-- The case involving Ram Tseung’s son in the series (the murder of the college student case) was very interesting as well and for me, it was probably one of the best cases in the series (partly because it wasn’t as easy to guess the killer). Another reason why I enjoyed that case was because Ram was heavily involved in those few episodes – since he’s one of my favorite ‘green leaf’ actors, it was definitely a ‘treat’ for me!

.-- Yuen Wah’s character was hilarious (without intending to be) – I enjoyed almost all of his scenes, especially the one in particular with Angela Tong’s character. It’s sort of sad that even though Yuen Wah didn’t have very much screentime, I absolutely enjoyed his performance over everyone else’s – even the main leads.

.-- Ruco’s character is another one that I enjoyed – in fact, I was one of those people who liked his pairing with Maggie (just about the only ‘pairing’ that I liked and felt a connection to in the entire series) – but the stupid writers had to go ruin it with that lame breakup thing that I mentioned earlier! Plus his screentime was way less than Yuen Wah’s and the way they ‘wrote him out of the series’ was quite dumb (and didn’t make sense). For me, the entire series pretty much went downhill after that -- well, it was already starting to go downhill before that quite honestly, but at least there were still scenes worth watching – but after Ruco’s case, the remaining episodes were so boring, I pretty much lost interest and stopped paying attention to the series until the finale episode.

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CAST / CHARACTERS

Like I mentioned earlier, I’m not going to do a detailed character analysis in this review, as I feel it would be a waste of time to do so, especially since many people have already seen this series.

Therefore, just some brief thoughts:

.-- Wayne Lai (Pro Sir) – as much as I love Wayne, I really feel that the character of Pro Sir doesn’t suit him all that much. With Wayne’s caliber of acting, this particular character is way too easy for him and in my opinion, is a complete waste of his talent (literally, he can do that character in his sleep!). He needs more dynamic, challenging roles (ones with more depth) that will truly be able to showcase his talent. Hopefully, Wayne chooses his roles more carefully in the future – with his status and position, he can definitely afford to be picky with his roles and not just take whatever (crappy) roles TVB gives him!

.-- Maggie Cheung (Dr. Chung) – Out of all of the 90s fa dans, Maggie has always been near the bottom of my list – nothing against her personally or her acting, it’s just that she has never been my ‘cup of tea’ when it comes to actresses that I enjoy watching -- so to me, her participation in this series doesn’t make much of a difference to me. Overall, I would say that Maggie did a pretty good job in her role as forensic pathologist Dr. Mandy Chung – she was convincing enough in the role and handled the complicated dialogue quite well. Other than that, I don’t really have much opinion on her performance.

.-- Ron Ng (Wind Sir) & Kate Tsui (Madam Ling) – I’m not fond of either artist, so didn’t really pay a whole lot of attention to their scenes…but even then, it was definitely obvious that their characters were ‘second fiddle’ to Wayne and Maggie’s. Honestly, I really didn’t see the value of Ron and Kate’s cop characters because it’s not like they were the ones doing most of the crime-solving anyway – in most of the episodes, it actually seemed as though Wayne and Maggie were the cops instead of Ron and Kate, since they were almost always present when the ‘big reveal’ occurred in many of the episodes (which is one of the other things that didn’t make sense about the script, but oh well). Their roles definitely weren’t memorable and in my opinion, any one of the current TVB 2nd line artists could have done the same role and it wouldn’t have mattered (actually, the other artists may even be able to do it better!).

.-- Nancy Wu (Pro Sir’s wife Eva Chow) – Nancy’s character definitely stood out in this series, as her character was quite strong and she had some of the best scenes -- her portrayal of a lawyer was very convincing and her court-scenes were well-acted. But too bad that her character changed in the latter half of the series after returning from the U.S. (she quit her attorney job and became a freelance writer for a legal journal) – basically, her role became more of a ‘vase’ character later on in the series, which was really dumb of the writers to do when her character had so much potential in the first half of the series. Not sure what the reasoning was behind why her character was written this way, but I know that if I were writing the script, I would definitely have written her character differently, perhaps even making her role more significant than Kate’s (since the cops in this series were pretty useless anyway). The writers pretty much wasted the character’s potential.

.-- Yuen Wah (Uncle Hing) – Yuen Wah’s role as Wayne’s dad in the series was actually quite enjoyable. His somewhat comical character (not purposefully comical, but he just came across that way) provided an interesting juxtaposition to Wayne’s ‘serious’ Pro Sir role. I will admit that I had my doubts at first with how Yuen Wah would fit into the role given his background (I always think of him as a kungfu guy) and with Wayne’s character being so serious and professional, but it actually worked out just fine in my opinion. In fact, I liked the chemistry he and Wayne had as father and son and definitely would have liked to see more scenes of them together. Oh, and I must mention that the scene with Angela Tong (where Yuen Wah thinks she is interested in his son and so tries to play matchmaker for them, only to find out that she is actually interested in him) was absolutely hilarious – I got quite a few good laughs out of that part! And there were other great scenes involving Yuen Wah as well (i.e. the court scene with Nancy, his reaction afterwards, etc.) – both serious and comical – that were thoroughly enjoyable. He was definitely my favorite character in the series.

.-- Ruco Chan (Jim Fong) – I liked Ruco’s performance, but unfortunately, he had WAY too little screentime – which also means that his character wasn’t developed enough for me to ‘enjoy’ his character as much as Yuen Wah’s. I really feel that they should have given Ruco a more significant role in the series (and develop his character more) because the little screentime that he had just wasn’t enough. In my opinion, they (the writers / producer) should have just cut Ron and Kate roles (or reduce their screentime if they wanted to keep them) and expanded Ruco and Nancy’s roles because both of them definitely outshined the ‘main’ characters in this series.

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CONCLUDING THOUGHTS

Overall, I would say that this series fell into the ‘tolerable’ category for me: the first half of the series had some good potential, but the second half of the series was sort of bad – the series definitely has that typical ‘strong start, weak ending’ element that is notorious in many of TVB’s series nowadays.

Of course, it’s hard to write a review about FH3 without mentioning FH1 and FH2, since the series IS supposed to be a “sequel” after all (though this installment has absolutely nothing to do with the first 2 in terms of storyline and cast). Without going into a huge comparison / analysis thing (because honestly, FH2 and FH3 can’t compare with the original), I will say that, as part of the same franchise, FH3 definitely did not live up to its hype. I absolutely adored the first installment of FH and the awesome chemistry that the original cast (Bobby, Frankie, Yoyo, and yes, even Linda) had – plus the cases were well-written and the storyline was fast-paced enough without rushing through things ( it’s one of the few series from the post 2000 era that I actually like and can re-watch over and over again without getting bored). FH2 ruined that chemistry with the addition of Charmaine and Kevin, thereby resulting in a reduction in screen time for the original cast (so that the focus could be on 2006’s TV King and Queen, no doubt) – in my opinion though, the script was already poorly written starting with that installment (as I remember there were a lot of scenes that didn’t make sense in that installment as well, though not to the extent of FH3)…the only ‘redeeming factor’ for FH2 that made it watchable was the fact that it still had Bobby and Frankie, so it was less of a struggle to sit through (since I could just forward through other people’s scenes). Now with FH3, not only was the cast completely changed and the characters poorly developed, the script was also poorly written – for me, those 2 factors alone made the installment worse than the previous two.

Lastly, I’d like to briefly talk about the ratings for FH3 – those who know me know that I’ve never been one to care much about ratings, since to me, ratings mean nothing when it comes to determining a ‘quality’ series (high ratings DOES NOT EQUAL quality!). In the HK entertainment industry especially, TV ratings mean absolutely nothing given that the entire industry is monopolized by only 1 TV station (which means that HK audiences pretty much don’t have a choice in terms of which TV station to watch, so naturally the ratings would be high, since basically the entire region watches the same station). I personally feel that the HK media’s obsession with TV ratings is stupid given the dynamics I just described, but for the sake of argument, I will ‘entertain’ the ratings thing for a second – when FH3 aired in HK, its ratings were so high that it became the ‘highest rated series’ of 2011, taking the #1 spot from the Laughing Gor series “Lives of Omission” (for me, the only ‘good’ thing about FH3’s ratings is that it knocked LOO out of the #1 spot – nothing satisfies me more than seeing another series finally beat the crap out of that arrogant Laughing Gor, even if it’s something as stupid as meaningless TV ratings!). Ironically, out of all the FH installments, FH3 was the highest rated, even though it was the worst one of the 3…go figure! Well, whatever – my viewing habits and opinions toward TVB series are rarely in line with the brainwashed HK audiences’ anyway.

One last thought….obviously, I’m not too fond of this series, but if you were to ask me whether I recommend it or not – well, it depends on what context we’re looking at. If you’re looking at 2011 TVB series only, then sure, this series was probably one of the better ones in the bunch (after “Sentinel”, FH3 was the only other series from this year that I was able to sit through from beginning to end), but it definitely was NOT the best series of 2011. If you’re looking at the entire FH franchise (or if you’re like me and have a certain affinity for the original FH series), then no, I wouldn’t recommend it because most likely you will get ticked off (as I did) at how TVB ruined yet another ‘franchise’!