Mingpao Special Feature: Unearthing TVB’s “All Star Challenge” from 30 years ago – A look back at the 5 Tigers’ ‘historical’ first performance

As most of you know, I’m an avid reader of Mingpao Weekly magazine – I’ve pretty much been reading it ever since I learned how to read Chinese back in the 90s.  There are many things I like about the magazine (obviously, otherwise I wouldn’t ‘support’ it for so many years) – aside from the in depth interviews that they do with celebrities (and not just the ‘big name’ ones – they interview a lot of lesser known artists as well as some who we may not have heard from  in a long time), another awesome feature they do is a 集體回憶[literally translated as ‘Collectively Recalling’] segment where Mingpao opens their ‘time capsule’ and shares with its readers some of the HK entertainment industry’s most ‘historic’ events / news, etc. (mostly about artists from the 70s, 80s, and 90s).  For me, reading this segment is always a trip down memory lane, since I’ve been following HK entertainment for long time and actually do remember some of the events they recall – this is one of the reasons why I enjoy reading the magazine so much, since I can get quite nostalgic when it comes to these types of things.

In last week’s issue, the 集體回憶 segment recalled one of TVB’s biggest charity events from the 80s:  TVB All Star Challenge (星光熠熠勁爭輝).  Now, unless you were following TVB in the 80s, most likely you may have never heard of this show before, since the name of the show changed in the mid-80s and also again later in the decade – but regardless of the name, the fact of the matter is that these type of charity fundraising shows were a ‘staple’ at TVB back then….the shows usually took place yearly and often featured performances by the station’s biggest stars (almost comparable to TVB’s yearly anniversary galas!)  Even though the show continued to take place over the past few decades, unfortunately the ‘star power’ has dwindled tremendously – to the point that nowadays, the show is not even worth watching anymore.

Anyway, back to the article….

The All Star Challenge show that MP features in the below article happens to be the one where the 5 Tigers famously ‘debut’ and Andy Lau does his ‘stone-breaking’ routine (which continues to be ‘talked about’ even now).   I was too young at the time that this show took place (1983!!) to have watched it at that time, but fortunately I was able to find the show on videotape several years later (around the time I started following HK entertainment myself) and watch it then.  I honestly don’t recall a whole lot from the show, since the last time I re-watched the show was some time in the 90s (when I did a ‘marathon re-watch’ of all the TVB variety shows from my family’s TVB collection), but I do recall the 5 Tigers’ performance, since that was a huge highlight from the show and would get ‘featured’ over and over again on various shows over the past 2 decades.  This made the experience of reading  some of the backstory to the performance in the below article all the more poignant and interesting (not to mention it reminds me once again how much the artists from previous generations had to endure to get to where they are today).  Of course, the bit about the ‘irate fan’ also reminded me that some things never change – there were a lot of ‘crazy’ fans back then just as there are now…LOL.

Also, I found the piece about Cheung Hing Lung and how he got injured quite interesting because all these years, I don’t think many people knew the actual background story (I surely didn’t – in fact, I don’t even remember that segment from the show at all).  It makes sense now why Cheung Hing Leung left the Little Tigers group and why so few people even knew he existed (when he participated in the Little Tigers reunion tour a few years back, I had read a lot of comments from people who had no clue who he was – some were even harshly criticizing him for trying to ‘piggyback’ on the Little Tigers’ glory, which I felt was totally mean and uncalled for..).  I’m glad Cheung Hing Leung was able to tell his side of the story this time, though it probably isn’t going to have much impact on anything – but at least those of us who care finally know what happened.

Lastly, I do have to say that reading this article and looking through the pictures was a bit emotional for me – especially seeing that many of the artists who participated in that year’s event are no longer active in the industry and some have even left us forever (i.e. Barbara Yung, Roman Tam, Anita Mui, etc.).  On the one hand, it was fun and nostalgic to ‘relive’ the moments from that show (and I definitely enjoyed doing it), but at the same time, it served as a further reminder of how badly the HK entertainment industry has deteriorated over the years.

In any case….hope other fans of 80s era TVB shows enjoy reading this article!   :0)

 .*****.

Mingpao Special Feature:  Unearthing TVB’s “All Star Challenge” from 30 years ago – A look back at the 5 Tigers’ ‘historical’ first performance

Source:  Mingpao Weekly, Issue 2310 

Translation:  llwy12

One day, while searching through some archive photos, we [Mingpao’s reporters] came across a few rolls of film taken during rehearsals for one of TVB’s charity events from 30 years ago:  1983’s TVB All Star Challenge (星光熠熠勁爭輝).  Interestingly, the rolls of film that we found did not show any signs of being opened or edited, which usually means only one thing – the photographs were never ‘exposed’ prior to this point!

Upon asking around, a fellow colleague who was already employed at that time [back in the 80s] explained that the reason why the rehearsal photos didn’t get published back then essentially boiled down to a ‘timing’ issue:  since the All Star Challenge charity program had already aired on TV, the rehearsal photos were considered ‘old news’ that was not worth publishing anymore.

Now, with all that has happened over the past 30 years, this long forgotten ‘photo trove’ has undoubtedly increased significantly in value.  Therefore, let’s use these photos as an opportunity to reminisce about a show that featured the very first collaborative performance by TVB’s 5 Tigers as well as other sentimental, ‘historic’ moments such as a rare dance performance by late actress Barbara Yung (翁美玲) and her then boyfriend Kent Tong (湯鎮業); music legend Anita Mui (梅艷芳) in her ‘newcomer’ days posing as a ‘cheerleader’ trying to earn points for her team, etc.

TVB’s ‘grand’ production shows of the past were truly that – grand, splendid, and resounding!

Felix Wong reminisces about 5 Tigers’ first performance; Tony Leung chips his tooth

In early 1983, due to the departure of many first-line siu sangs [from the 70s era], TVB ‘announced’ their upcoming intention of heavily promoting 5 ‘new’ siu sangs:  Andy Lau (劉德華), Tony Leung (梁朝偉), Felix Wong (黃日華), Michael Miu (苗僑偉), and Kent Tong (湯鎮業) – the 5 of them would come together and be promoted as a ‘group’ called ‘TVB’s Five Tigers’.    In September 1983, the 5 Tigers made their official debut as a ‘group’ during TVB’s annual charity competition show, TVB All Star Challenge (星光熠熠勁爭輝):  they were featured in one of the show’s most anticipated main segments -- ‘Leaping and Surging Five Tigers’ (飛躍翻騰五虎將) -- during which they were slated to perform challenging acrobatic stunts to win points for their team.

“It was the very first performance that the 5 Tigers did together – of course I remember it!”  recounts Felix Wong with a smile.  He expressed that for their short 10 to 15 minute performance, the 5 of them practiced for close to 2 months:  “At the time, all 5 of us were in the middle of filming series too, so we could only get together to practice after work.  We would go practice on the rooftop of the old CTV building on Broadcast Drive [TN: close to where TVB studios was at the time] nearly every day and when the time got closer, we decided to stop working for the time being so we could focus entirely on practicing.”

With 5 vigorous, energetic youth ‘throwing’ each other around and performing risky stunts every day, of course injury was unavoidable:  “Tony was the one who got the most ‘severely’ injured – he was practicing a backflip and accidentally slammed his mouth into the table, resulting in one of his front teeth snapping in half.  We were scared and concerned because when we looked, half of the front tooth was really missing!  But with the date of the performance approaching, it would be impossible to get the tooth fixed before then, so the only option was to stick it back together.”  (Stick it back together?  How?)  “I believe he asked the dentist to stick something on the tooth to cover it up for the time being and then after the show, go back and get it fixed.” (We heard that you [Felix] injured your shoulder as well?)  “That’s nothing –only a small injury!  Andy was also injured – when he was practicing a somersault, he accidentally bit his tongue!”

The only one who didn’t injure himself in the process was Kent Tong:  “He was extremely careful and always considered safety first.  Prior to doing a somersault, he always had to make sure that the floormat was neat and tidy – such an ‘old fox’!  But hey, at least that way he couldn’t injure himself easily like the rest of us – we really should give him a ‘Safety Team Captain’ award!”

In terms of the ‘Best Performance Award’, Felix expressed that no other person deserved it more than Andy:  “He’s not afraid of difficult or exhaustive work;  in fact, when challenging tasks come up, he’s the first to volunteer for them – this is a good attitude to have!   For the ‘stone-breaking’ segment [TN:  the famous ‘highlight’ of the show where Andy gets 2 large slabs of stone broken on his chest], the company (TVB) asked if anyone wanted to do it – Andy was the first to raise his hand and say ‘I’ll do it!’”

Andy Lau reveals the ‘secret’ to stone-breaking segment; his first ‘taste’ of the price of fame

As the saying goes:  ‘In order to win, you need to have a competitive spirit.’  Indeed, Andy Lau’s ‘stone-breaking’ segment was truly the ‘highlight’ of the entire All Star Challenge show – seeing Master Kong To Hoi [TN:  famous stunt coordinator back in the 80s] slamming a huge hammer onto 2 slabs of stone lying atop Andy’s chest was undoubtedly a stunning scene:  “The company hoped to do something different and special this year – at first they thought about having me perform on a unicycle, but later we scrapped that idea because it wasn’t a fresh enough idea, plus it would take too much time to learn.  In the end, Master Kong suggested the ‘stone-breaking’ idea.”   Back in 1983, after the ‘historical’ performance, Andy accepted an interview with Mingpao Weekly during which he revealed the ‘secret’ to his performance:  “The ‘secret’ is really in choosing the type of stone to use – the ones we used for the performance were coarse granite, which is more brittle and easier to break apart.  If we had used regular granite, I would be dead!”

During rehearsals, we saw that Andy only had 1 piece of granite on his chest, however during the actual performance, the 1 piece turned into 2 pieces – Andy described this as ‘taking a gamble’:  “That night, we were scheduled to perform around 8:30pm and it wasn’t until 6pm or so that we decided to use 2 pieces of granite – the reason was because we felt 1 piece wasn’t convincing enough and this was pretty much our only chance to pull in a lot of points.  At the time, we only had 2 pieces of granite left, so we couldn’t practice ahead of time – all I could do was try putting both pieces on my chest to test the weight and take a gamble [that things will work out] during the actual performance.  To be honest, I really didn’t have much confidence.”

The combined weight of the 2 pieces of granite was more than 280 pounds, which was almost double Andy’s weight at the time (he weighed 147 pounds).  During the performance, he had to first expand his chest to support the weight, then use his hands to hold the granite in place:  “Master Kong told me that as soon as I felt the force of the hammer, I should breathe out a bit if I felt the granite becoming heavy on my chest – this would help distribute the force and also prevent injury internally.”  Even with all the advice and safety precautions, seeing the hammer come down on his chest was still a very scary moment:  “When we first practiced it, I would look away when the hammer came down – I was afraid to look.”  After the performance, Andy felt tired, but luckily didn’t feel ill in any way.

The efforts that the 5 Tigers put in proved to be worth it – not only did their team [the artists team] win the competition, they also received tremendous praise and accolades from the audiences.  Even the usually reserved Tony Leung couldn’t help but become excited at how well everyone reacted to their performance:  “After the performance, I may have looked a bit tired and scared, but in reality, I was very excited!  You know, the excitement stayed with me for 3 days straight – every time I closed my eyes, I would think back to that moment [the performance] and remember everything that happened very clearly…every move, every person who applauded, etc…..”

From that moment on, the 5 Tigers truly ‘took over’ and became the ‘pillars’ of TVB.  Even back then, in the early stages of their ‘popularity’, they already got a taste of the price they would have to pay for fame.  Andy recounts:  “That night of the performance, we only had ½ hour for dinner.  When the 5 of us went outside to go eat, we were greeted by close to 200 fans who were waiting to get autographs – we had to explain to them the time restrictions and then rush over to the nearby food area to eat.  When we returned, the fans were still waiting there hoping for autographs.  We realized that if we were to sign autographs for each person, it could take up to ½ hour, which would make us late and we’d get in trouble with the company, so we went back in without signing any autographs.”

Later that night, one of the workers handed the guys an envelope with ‘To Five Tigers’ written on it.  Inside was a letter that started off ‘Dear 5 Tigers’ – however the word ‘Dear’ was crossed out – the rest of the letter consisted of a ‘rant’ by an irate fan [TN: most likely one of the fans who had been waiting outside for autographs]: ‘Even Roman Tam (羅文) was able to autograph for us, yet you guys couldn’t?  Who do you 5 think you are?  You’re trash, annoying fools!’ -- included with the letter were shredded up 5 Tigers posters, photographs, etc.  At the time, Andy [and the rest of the Tigers] couldn’t understand why some fans could get so unreasonable:  “Why aren’t they able to empathize with us?  True, if they like us and support us, we do have an obligation to autograph for them, but if we don’t have time to do so right then, all we can do is tell them next time – some fans are very understanding of this.”

These types of difficulties and challenges that the Tigers faced on their paths to success were a big deal to them at that time, but looking back now, these were simply ‘trivial’ matters.

‘A speck of gold beats ten thousand specks of sand’;  Cheung Hing Lung saves Anita Mui from injury

TVB’s All Star Challenge (星光熠熠勁爭輝) charity show started back in 1981 as an annual fundraising event for HK’s Po Leung Kuk (保良局), a multi-faceted charity organization providing various services to the community.    The show is in a competition format whereby participating celebrities separate into ‘Singers Group’ and ‘Artists Group’ [TN:  ‘artist’ group back then always consisted of actors/actresses from the drama and non-drama departments as well as hosts] and put on various performances against each other – the judges panel consisted of 44 executives and donors from Po Leung Kuk who would press a button to determine which team wins each round.  After 4 years, the name of the show was changed (in 1985) to Platinum All Stars Shine on Po Leung (白金巨星耀保良) and still later, it was changed once again to All Star Gala Spectacular (星光熠熠耀保良), which is the name it currently uses.

As the saying goes:  ‘The nobility journeying out brings on wind and rain’.  This was surely the case with the All Star Challenge show that took place in 1983.  Originally, TVB had wanted to set up brightly lit lights at the entrance of the Lee Gardens stage [TN: the venue where the event took place] to strengthen the atmosphere, however the sudden onslaught of a major typhoon in HK during that time caused plans to be cancelled.  Luckily, the typhoon did not last too long, so the show itself did not end up getting affected.  In terms of ‘line-up’ [celebrities in attendance at the event], no doubt that the Singers group had an advantage, as the number of singers in attendance definitely outnumbered  the Artists group by far.  But, as the leader of the Artists group Ivan Ho (何守信) aptly stated, it was the quality of the performances that mattered, not the number of people:  “We are a small but efficient troop – it’s not about having the most people at all.  Don’t you know that one speck of gold can beat ten thousand specks of sand?”

Even though one of the main highlights of the show that night was the ‘debut’ of the Five Tigers, that didn’t prevent the rest of the artists from putting 100% effort into their performances.  In fact, the Artists group put on quite a few strong and refreshing performances that night, including ‘big brothers’ Patrick Tse (謝賢) and Adam Cheng (鄭少秋) collaborating on a ‘shadow dance’, Lydia Shum (沈殿霞) doing a ‘sexy little wildcat’ dance routine, and also popular couple Barbara Yung (翁美玲) and Kent Tong (湯鎮業) performing a dance segment together.  In the end, the Artists group easily beat the Singers group [led by Roman Tam (羅文)] to win the overall competition that night.

Music Queen Anita Mui (梅艷芳) also participated in the show that year, however since she was a newcomer back then (having won the New Talent Singing Competition only 1 year prior to that), her performance was quite limited – in fact, the 2 segments that she did participate in were group performances involving other singers from her team.   During the very last segment where the singers performed various dance moves from the past 100 years, a major accident occurred that may not have affected the show itself at the time, but did end up halting a singer’s career indefinitely -- Anita’s  fellow New Talent Competition teammate Cheung Hing Lung (蔣慶龍) was injured during one of the dance routines and had to be rushed to the hospital.  [TN:  Cheung Hing Lung was one of the original members of HK’s Little Tigers (小虎隊) along with Lam Lei (林利), William Hu (胡渭康) and Suen Ming Gwong (孫明光) but he left the group shortly after his injury].

At the time of the accident, the Media reports stated that during the last dance segment, Cheung Hing Lung was supposed to catch Anita when she was thrown towards him, but because of his severe nearsightedness, the strength he used wasn’t right and even though he did catch her, he ended up severely injuring his back.  Thinking back, Cheung Hing Lung expressed that he remembers the incident very clearly:  “It had absolutely nothing to do with my nearsightedness!   When the person threw Anita towards me, he didn’t use enough strength and the positioning wasn’t right either.  I saw the potential risk of injury, but thought to myself ‘It’s better that I get injured rather than Anita’, so I quickly changed position and stepped forward so I’d be able to successfully catch her.  Actually, the moment she landed on me, I could already feel that my back was severely injured – I could barely stand up straight and they almost had to carry me backstage.  I was immediately sent to the hospital for treatment.”

Turns out that Cheung Hing Lung had injured his backbone – in addition to staying in the hospital for a long period of time, he also had to endure 3 to 5 months of physical therapy before he completely healed.  Unfortunately, by that time, he had already missed the ‘golden’ opportunity of his career:  “Originally, that show [All Stars Challenge] was supposed to be a testing ground for the 4 of us [him, William, Lam Lei, and Suen Ming Gwong] in preparation to attend the upcoming Tokyo Music Festival, but because of my injury, our performance that night was cancelled.  I remember one day when Florence Chan (陳淑芬) [she was one of Capital Artists’ top execs at the time] came to visit me in the hospital, she told me: ‘I’m afraid we won’t be able to wait too long.  You may have to withdraw [from the group] and try other development opportunities instead.’  I felt very helpless!”

Cheung Hing Lung’s record company advised him to wait for other opportunities, but coming from a poor background, how long could he afford to wait?  After his contract with Capital Artists expired, he had no choice but to temporarily leave the entertainment industry and find a more steady job instead.  Asked whether Anita knew the truth of what had happened, Cheung Hing Lung replied:  “I don’t believe so.  I don’t’ blame anyone for what happened though – perhaps it was destined to be, it’s fate!”

Mingpao Interview with actress Teresa Mo: The joys of staying at home

Happy Chinese New Year, everyone!!

Due to the busy CNY holiday, I’m just getting around to catching up on translations and blog stuff right now.  I finally got around to reading last week’s issue of Mingpao Weekly magazine and though there were quite a few interesting articles in there that I would love to translate if I had the time, I decided to just go with translating the ‘Shall We Talk’ interview instead.  The actress that MP interviewed this week is another one of my favorite veteran actresses:  Teresa Mo. 

I actually grew up watching Teresa in TV series, so of course, I’m pretty familiar with her works at TVB.  Thinking back now, it’s actually interesting to see how Teresa’s career path evolved over the past 3 decades and how she went from a ‘jade girl’ image to ‘funny woman tomboy’ image – as stated in the interview, it actually IS quite obvious that The Justice of Life was the turning point in her career (well, her television career at least) because many of her roles after that series were very different from what she played previously.  TJOL is actually one of my favorite series and pretty much the only Alex Man series that I actually adore enough to watch and re-watch over and over again (Alex is a good actor overall, but he’s just not the type I prefer when it comes to acting because he gets a bit too OTT in most of his performances).  Teresa’s character in the series (Ah Yuk) is actually my favorite (on the female side at least) – even though she was supposed to be one of the more ‘serious’ characters in the series, she ended being quite funny, especially in her scenes with Stephen Chow (those scenes when he’s trying to pursue her and she rejects him are especially funny – I still laugh a lot even now whenever I watch the promo clips for the DVD!).   Definitely a classic series and a ‘must watch’ for those who haven’t seen it (the cast was awesome and the script was well put-together…that series is definitely an example of  a great TVB comedy).

After Teresa moved on to the film world, I actually didn’t keep up with her as much, except in the early 90s when I was still in my HK movies mode (I sort of stopped following HK movies as religiously in the mid/late 90s because there just weren’t very many good movies worth watching anymore).  However for the movies I did watch of hers, I still enjoyed her performance a lot.  Of course, the movie role that I will always remember the most of hers was her tomboy character in All’s Well Ends Well – loved her pairing with Leslie Cheung in that movie (after so many years of not working together, they still had such awesome chemistry!)  In my opinion, Teresa is really quite underrated as an actress.  Even though she is well-known in the industry for her acting and has received her fair share of recognition, accolades, etc. from audiences, I feel that she is deserving of more in the area of acting – especially since she is the type of actress who can do both ‘serious’ and ‘comedy’ acting.  It’s rare in the industry to have an actress who can do both so well, so hopefully that effort doesn’t go to waste.

Oh and just a quick comment about Teresa’s return to TVB a few years ago – I will honestly say that I for one was quite happy because I loved her performance as well as her pairing with Wayne in Off Pedder.  Up until that point, I had pretty much stopped watching TVB sitcoms because they were boring and the casting and storyline couldn’t live up to what they were back in the 80s and 90s (loved the sitcoms from the 80s/early 90s!).  Teresa and Wayne were the main reason why I decided to watch OP and they definitely didn’t disappoint – their chemistry in the series was excellent and to be honest, they were really the driving force behind the series.  I actually don’t think that I would have enjoyed the series as much if either one of them weren’t in it. 

As for Teresa’s decision not to film TV series anymore – I’m actually ok with it, especially given the filming environment and politics at TVB (plus there aren’t too many male artists left at TVB who would match well with her anyway).  Besides, her family is and should be more important to her than her work – completely understandable!  Kudos to her for having her priorities right!

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Mingpao Interview with actress Teresa Mo:  The joys of staying at home

Source:  Mingpao Weekly, Issue 2309

Translation:  llwy12

As soon as Teresa Mo (毛舜筠) arrived for her interview, she immediately asked the crew to show her exactly where the interview would be conducted and where she would be posing for pictures -- she is the type of person who needs to understand clearly what she is getting into so she can adequately prepare.  Last year, when she participated in her friend Eric Tsang’s (曾志偉) Lunar New Year comedy I Love Hong Kong 2012 (2012我愛HK喜上加囍), the script was done entirely ‘on the fly’, with the dialogue constantly being changed / added last minute – this year, instead of collaborating with Eric again, she decided to ‘change camps’ and participate in producer Raymond Wong’s (黃百鳴) Lunar New Year comedy Hotel Deluxe (百星酒店) instead. 

Asked whether she was ‘betraying’ Eric by filming for the ‘opposing’ camp (Raymond Wong), Teresa replied: “Just trying to make a living!!”  After saying this, she bursts out laughing. 

Her personality may be straightforward and blunt, but when it comes to certain matters, she can also be a bit stubborn – this is her ‘Mo Jeh’ style.

Back during the early days of her career, Teresa once played the character of Lin Dai Yu (林黛玉) [from the famous novel Dream of the Red Chamber], however at the time, she was criticized for being ‘wooden’ and not having Lin Dai Yu’s characteristic ‘sickly beauty’.  In reality though, Teresa can’t be more opposite than the characters she used to portray – she is the type of person who understands how to have fun and especially enjoys joking around.   The ‘turning point’ in her career came in 1989 -- while filming TVB series The Justice of Life (他來自江湖), Teresa was ‘inspired’ by fellow co-star Stephen Chow (周星馳) and after that, she started going on the ‘comedic’ path in her acting career, with later ‘representative works’ playing funny, tomboy-like characters.

After becoming a mother, Teresa toned down her acting a bit, taking on a more mature comedic style.  A few years ago, she returned to TVB once again (after 17 years away) and over a span of 3 years, starred in 2 sitcoms filming more than 400 episodes.  However, those 3 years ended up being very ‘painful’ for her:  “One time, my housekeeper called me at work to tell me that my daughter had contracted swine flu – I sat there in the studio and almost went crazy!”

After that experience, Teresa decided not to film TV series again.  Even the offer of a lead role in TVB’s 2010 anniversary series No Regrets (義海豪情), in which she would get to battle acting chops with old partner Wayne Lai (黎耀祥) as well as TV Queen Sheren Tang (鄧萃雯), did not succeed in swaying her decision to give up filming TV series.  For Teresa, satisfying her ‘acting bug’ pales in comparison to staying at home and spending quality time with her 2 daughters – choosing between family and career will always be one of the most difficult decisions an actress will need to make at some point in their lives.

Stephen Chow’s ‘Category III’ dialogue

When she started her acting career 30 years ago (1970s), Teresa Mo epitomized the ‘jade girl’ image, as she often portrayed refined, pure wholesome characters in both modern as well as ancient drama series:  at Rediffusion Television [ATV’s predecessor] she was often paired with Leslie Cheung (張國榮) in series with sweet, ‘puppy love’ relationship storylines and later, when she joined Commercial Television [now defunct], she played Lin Dai Yu.   After she joined TVB in the early 1980s, her career path pretty much continued in the same direction – that is, until she met actor Stephen Chow and collaborated with him in 1989’s anniversary series The Justice of Life.  The experience helped Teresa tap into her comedic potential and after that, she went on to become one of the HK television and movie industry’s rare, highly coveted comedic actresses.

“Filming that series with Stephen was the first time that I became interested in comedy.  I definitely learned a lot while filming with him – comedic rhythm, expressions, grasping comedic timing, etc.  I discovered that I actually had comedic potential as well – it was a good start for me!”

Stephen Chow has a penchant for changing dialogue in scripts – not just his own, but also the dialogue of those filming the same scenes with him.  Teresa admits that this ‘habit’ of his actually helped her acting career, as the ‘special training’ she received from him helped her refine her skills.

“He’s actually more suited for movies because a lot of the dialogue he comes up with is the ‘Category III’ type that would never pass television censors.  The interesting thing is that sometimes he would come up with dialogue for us too and would try to persuade us to say it.  I remember when we were filming The Justice of Life, there was a segment of the story where his character is pursuing me and so always tries to buy interesting stuff for me to eat – one time he bought a sausage and instead of saying what was in the script, he wanted me to say something else…I told him I won’t say it because it can’t be aired on TV.  Another time, he bought something else and ad-libbed some ‘colorful’ dialogue to go along with it – I told him that stuff won’t pass either, but he told me not to be concerned with it and to just say my lines and he’ll respond accordingly.  This would happen all the time and we often didn’t know if we should laugh or cry at his ‘creativity’!  One thing’s for sure though – every time we’d watch the playback of the scenes together, we’d laugh like crazy!”

After filming those 30 episodes, Teresa slowly went from being overly reserved and cautious with her acting to being more open and less restrained.  She came to realize that there was a ‘different’ way of doing comedy – it was like learning to ride a bicycle and finally finding a way to keep yourself balanced.

Moving to better environment for the kids

Subsequently, Teresa’s career took a comedic path, with her taking on ‘funny woman’ roles in various movies, such as a ‘small woman’ in 1992’s Legendary La Rose Noire (92黑玫瑰對黑玫瑰), a tomboy in 1992’s All’s Well End’s Well (家有囍事), seductress Poon Kam Lin in 1993’s Laughter of Water Margins (水滸笑傳), a bossy shrew in 1993’s All’s Well Ends Well Too (花田囍事), etc.  In practically all of these movies, there are jokes and dialogue that are borderline suggestive  -- Teresa expressed that after watching these movies, luckily her 2 daughters never asked her what the audiences were laughing at:  “Since they go to international schools, their English is better than their Chinese, so they don’t understand Cantonese jokes.  It’s the same as when I hear them laughing at English jokes, I have no clue what they’re laughing at either.”

The difference in language could be seen as a ‘sacrifice’, but also a blessing as well, since international schools actually have fewer exams.  Teresa’s eldest daughter is already 18 years old and when she enters college this year, she’ll truly experience the ‘pressures’ of studying for exams.

A few years ago, Teresa’s daughter studied at an international school where there was a bigger mix of Western students – she felt that the atmosphere at the school was too ‘open’ and was worried that her daughter would get the wrong message at school:  “The general atmosphere at the school was that it’s ‘common’ for 11 -12 year old kids to start dating – at times, the school would even hold parties and events for the kids to get to know each other on their own, without any parental or teacher supervision!  One time, my daughter came home from school and told me:  ‘Mom, a lot of girls in the U.S. already become mothers when they’re 12 years old!’  Hearing her say that scared me to death!”

Teresa (and her husband) decided that for the sake of their daughters, they should move to a better suited environment.  After moving the family from HK Island to Shatin, she enrolled her daughter in a more conservative Christian international school:  “We feel it’s a wiser choice that’s more in line with our values.  Currently both of our daughters attend the same school – it’s great!”

The swine flu scare

A few years ago, Teresa returned to TVB to film 2 sitcoms:  the 300+ episode Off Pedder (畢打自己人) and the 120 episode Some Day (天天天晴).   Within those 3 years, Teresa worked practically every day – the biggest sacrifice was not being able to spend quality time with her 2 daughters.

“Even when we talk about it now, they [her daughters] still complain about it!  They always ask me:  ‘Mom, do you remember how we would spend New Year’s back during those years?  We’d all be gathered on your bed watching TV and counting down, but because you’d be so tired and have to get up early the next day to film series, you’d always fall asleep in the middle.  Do you remember?  We remember!’”

At the time, her youngest daughter was only 7 years old – the one ‘blemish’ to her happy childhood was all because her mother couldn’t get any time off.

“Everyone thinks that filming sitcoms is more relaxing because of the 9 to 5 shift, but in reality, filming until 10pm or even later is normal.  With that type of schedule, if there’s a chance to finish work early and go home to have dinner with my daughters, I’m already very lucky.  On the weekends, we usual go off-site to film, so even less time to spend with my daughters.  This was the way things were for 3 years.”

The scariest experience was when Teresa’s housekeeper called her at work to tell her that her daughter was sent home from school because she had contracted swine flu:  “I was sitting there in the studio and practically went crazy.  All I wanted to do was get home as quickly as possible, but I had to finish 2 more scenes before I could leave.  I could barely concentrate on what I was doing, as all I could think about was my daughter’s condition: ‘How high is her fever?   How will I be able to quarantine her?, etc.’   My colleagues had never seen me like this!”

When Teresa returned home, the situation was worse than she imagined – her daughter had vomited all over the living room carpet due to a severe reaction to the medication that the housekeeper had given her and was lying on the bed with a 105 degree fever.  With her husband working in the Mainland at the time,  Teresa called up her neighbor -- good friend and ‘sister’ Ada Choi (蔡少芬) – who rushed over with husband Max Zhang (張晉) and helped to take her daughter to the hospital:  “Since the flu was contagious, the hospital wouldn’t take her in, so I had to stay home and be with her until she got well – there was no way for me to go to work.  Given the situation, I didn’t care whether she was contagious or not – I would rather I get the illness than to see her suffer!”

Teresa took 2 days off to be with her daughter until she got better.  Afterwards, she told herself:  “This filming series lifestyle won’t work for me, since I have children.  It has to stop!”

Originally invited to participate in anniversary series No Regrets

After being away from TVB 17 years, Teresa agreed to return to film series a couple years ago (2008) because of her mentor [TVB’s head of production] Catherine Tsang (曾勵珍) – however, due to the overwhelming sense of guilt that she felt towards not being able to spend time with her family for those 3 years she spent filming, she decided that after filming for the sitcom Some Day wrapped, she would not film any more series.

“I felt that it just wasn’t working out – it’s pointless to live this way.  No matter how much I love acting, it’s only going to have a negative effect.  That’s why I told myself that I’m not going to film TV series again – I had to tell myself that so I wouldn’t get soft-hearted and agree to film again.  Thinking back on the experience now, it still scares me.”

In the 3 years she was filming for TVB, there was no way for her to go on trips with her daughters -- this past Christmas and New Year’s, Teresa made up for it when the entire family went on vacation trips together:  “The whole family spending time together, very enjoyable!  For New Year’s, we went shopping, skiing, sight-seeing in Japan – it was only an 8-9 day trip, but we enjoyed every minute of it!  We talked about a lot of things too – it’s quality time that we got to spend together!”

Teresa first joined TVB more than 30 years ago [back in 1981] – back then, she was single and didn’t have kids, so it was fine for her to live the ‘no night no day’ filming TV series lifestyle.  If people think that filming series nowadays is arduous and exhausting, it was even more so back then!

“Back then, we didn’t have trailers for costumes and makeup like we do now – when filming off-site, we pretty much had to change right there in the street or hide out in the car.  Also, the makeup and costume people are much nicer now then what we got back then – in the past, they were very mean and would basically just ignore you.  If your hair got messed up and you asked them to help fix it, they’d yell at you and say they didn’t come here to help you fix your hair, then turn around and go back to what they were doing!”

When she returned to TVB 5 years ago, she agreed to film sitcoms, but didn’t dare to film regular series because she knew she wouldn’t be able to handle it:  “0630 [6:30AM start time] schedule every day – definitely couldn’t handle it, unless I’m prepared to drop dead afterwards!  This type of ‘system’ [TN:  filming night and day with little to no rest] can kill you – it’s very inhumane!  Tim Gor [producer Lee Tim Sing (李添勝)] had actually invited me to film No Regrets in a ‘love triangle’ storyline with Wayne [Lai] and Sheren [Tang], but I turned it down, so they had to change the script.  I’m actually very grateful to Tim Gor for seeking me out, as he had told me back when I was filming Off Pedder that he really liked my pace and I looked forward to the opportunity to work with him.  I asked whether there could be a ‘system’ for me to get some sleep, but unfortunately, TVB said ‘no’ and that the filming schedule had to be 0630.  In my heart, I really wanted to film the series, as I felt that getting the chance to battle acting chops with others who loved acting as much as I did was a very happy matter, but if I wouldn’t get to sleep, then I wouldn’t be able to enjoy it anyway.”

Still desires to win awards

In both sitcoms that Teresa filmed upon her return to TVB, she was paired up with 3-time TV King Wayne Lai (黎耀祥).  When it comes to this partner of hers, Teresa has nothing but praise and admiration.

“Wayne is a very mellow person – he doesn’t have a temper and never gets upset.  No matter what happens, his mood is always pleasant and no matter what you ask him, he always tries to accommodate.  Oh and he also has a superhuman memory!  Other actors only start to study the script when they get here and no matter how many times they look at the script, they still forget their lines, which can get quite frustrating.  But Wayne is different – he comes in, reads through the script, practices a little, and just like that he has all the dialogue memorized!  That’s why whenever the 2 of us have scenes together, we finish very quickly.  Also, we’re both very punctual – we start at 9am and after 1 or 2 takes, our scenes are done.  Definitely enjoy having such a great partner!”

For their Anniversary Awards, TVB had instituted a ‘One Vote Per Person’ system to have audiences vote for TV King.  Towards this, Teresa half-jokingly asked our reporter:  “Do you guys really believe that?”   As for Wayne winning TV King for the 3^rd time,  she states:  “Wayne is always worthy of getting that award!  In fact, I registered my phone number just so I could vote for him!”

For herself, Teresa admits that she doesn’t have much affinity when it comes to awards.  In her 30 year acting career, she has never gotten any Best Actress awards, whether in television or movies.  Her only award was back in 2006, when she received HKFA Best Supporting Actress for her performance in the film 2 Young (早熟).

“My attitude towards awards is still ‘yes, I want it’ – I admit that I don’t have Wayne’s nonchalant attitude when it comes to awards.  To be honest, my feelings towards awards are a bit complicated – generally, I wouldn’t care whether I get an award or not because after so many years in the industry, HK audiences already know who I am in terms of acting.  But once you engage yourself in this ‘game’ [competing for awards], of course the natural reaction is to want to win – it’s just like when you sit down at the gambling table and place a bet, you’re not going to say ‘oh, doesn’t matter whether the winning number comes out or not’…of course you’re going to keep yelling out the number you bet on, hoping it comes out in the end!  With all that said though, at the end of the day, it truly is just a game.”

Nominated many times, but lost many times as well – how does she prevent herself from getting discouraged?

“Luckily, I have my faith.  I believe that God has his timetable – if he feels it’s not time yet, that’s fine, I’ll wait and leave it up to him.  Every time I lose the award, I always self-reflect on why I didn’t win – there are many factors, but the main reason is because my acting isn’t good enough yet.  Also, the comedy genre is still at a disadvantage in HK – even though in my opinion it’s sometimes much harder acting in a comedy than in a drama, the reality is that most people still think of comedies as lighthearted fun that doesn’t need to be taken seriously.”

Eric Tsang vs. Raymond Wong

Nevertheless, Teresa is still very willing to film comedies, as the ability to bring happiness and laughter to audiences is very satisfying.  Last year, she starred in Eric Tsang’s Lunar New Year movie I Love Hong Kong 2012, however this year, she ‘changed camps’ and decided to film Raymond Wong’s Lunar New Year comedy Hotel Deluxe instead.

Teresa expressed that filming for Eric takes some getting used to, as his scripts are usually done ‘on the fly’ – for someone like her who needs to sufficiently prepare ahead of time, it’s difficult to adjust.

“[When filming ILHK last year], I would rush them all the time to hurry up and get me the script.  They give me the script the night before and I study it, memorize it, but then when I go in the next morning, I realize it’s not the final version.  The funniest thing is that even the script you receive the day of filming or while in the makeup chair right before the scene, it’s still not the final one, so you shouldn’t spend too much time trying to memorize it because as soon as you get into place preparing to do the scene, Eric suddenly has a new idea – he’ll tell you to do ‘this this and this’ instead – I usually reply back with ‘what what and what?’ and ask him to slow down.  Doing things last minute like this makes me very nervous, as I’m the type of person who needs to know clearly what will happen when it comes to filming – I need to know the storyline, the dialogue, the logic behind the flow of the story, etc.  With Eric, preparing in advance is impossible – of course I complained about it, but it’s no use because he’s too busy and doesn’t have time to prepare the lines for you in advance.”

Teresa has played Eric’s wife many times already in movies and since they’re good friends, she understands his filming style and doesn’t fault him.  As for why she decided to ‘switch camps’ this year and film Raymond Wong’s LNY movie instead of Eric’s, Teresa expressed that when she filmed Raymond’s movie Love is…Pyjamas (男人如衣服) last year, she had already promised him that she would participate in his holiday film.  She had also already let Eric know in advance so that he could prepare and find someone else for his movie.

Both Love is…Pyjamas as well as Hotel Deluxe are directed by Vincent Kuk (谷德昭) – his directing style is entirely opposite from Eric’s in that he not only refuses to do ‘on the fly’ scripts, he also doesn’t allow actors to change his scripts.

“When it comes to the script, Vincent is always fully prepared before filming even starts.  His scripts are very meticulously written, so he doesn’t allow people to change the dialogue – if you want to change something, you have to discuss with him ahead of time.  Also, all the dialogue must be recited word for word from the script – can’t change even a single word!  This is both good and bad:  good is that the director has already fully prepared everything for you, so all you need to do is the acting – makes it easier to film other projects at the same time, since everything runs exactly according to schedule;  bad is that if the director isn’t good or doesn’t know what he’s doing, you’ll regret not having the chance to change things.”

For Hotel Deluxe, the filming takes place almost entirely at a 5 star luxury hotel in Qiandao Lake, so filming is very relaxed and comfortable.  In the movie, Teresa plays a slightly perverted manager and has many scenes with co-star and fellow comedic actress Sandra Ng (吳君如).

Her ‘artist’ husband

When we read through the names listed in the ending credits to renowned director Wong Kar Wai’s (王家衛) latest masterpiece The Grandmasters (一代宗師), one name in particular stands out:  Tony Au (區丁平).  Tony is not only a famous art director in the HK entertainment circle, he’s also Teresa Mo’s husband.

“He participated in the art direction for the gold building scene in the movie!”  Asked whether being married to an ‘artist’ is a difficult chore, Teresa responds in her usual humorous way:  “Being married to anyone is ‘difficult’!  In fact, 2 people in a relationship together is already difficult, as you really need to put in the effort to learn how to love each other and accept each other’s differences.  It’s a mutual thing – I accommodate him in certain things, but he also accommodates me too.” 

When he’s working, he ‘forgets’ about home?  “All men are like that, not just ‘artists’ --  HK men are especially that way – work always comes first!”