Saturday, April 28, 2018

CRHK Radio Interview with Ricky Wong -- PART 1


This is an interview that Ricky Wong actually did back on 3/29 – two days after he made the official announcement about HKTV giving up on getting a free-to-air TV license and also that they are withdrawing from the television business. (In case anyone missed that announcement, you can read about it here.)

Due to time constraints on my side, I wasn’t able to recap the interview until recently so this is only being posted now, nearly a month later.  My apologies for the delay but part of it too was that I wanted to take my time with the recap on this one, since this will likely be one of the last times that HKTV is discussed in the capacity of a “TV station," so in a sense, this is my "last hurrah" for HKTV (as we knew it at least).

Note that for this post, instead of commenting on the interview before or after the recap, I decided to incorporate my commentary throughout the interview instead.  My comments are the ones that say ‘TN’ inside the brackets (which I highlighted in BLUE below).  For those who don't want to read my commentary (and I know there are some out there who don't, which I'm fine with), just skip all the sections in BLUE).

Enjoy and feel free to comment below!


***

CRHK radio program:
On A Clear Day (在晴朗的一天出發)

Hosts:  Stephen Chan (陳志雲), Chan Chung (陳聰), Yeung Lok San (楊樂笙)

Guest:  Ricky Wong (王維基)

Date of broadcast: 03/29/18


PART 1:

-          Stephen Chan kicked off the interview with a pretty clever introduction:  “Hong Kong is a place that’s very unique:  our pineapple buns have no pineapple in them, our ‘chicken tail’ (cocktail) buns have no chicken tails in them, and our HKTV is actually not a television station!  We have with us today HKTV’s chairman Ricky Wong.” [TN:  I actually chuckled at that intro, lol.]

-          So with HKTV’s official announcement, Stephen asked Ricky to share what his feelings are at this moment – does he feel as though a huge burden has finally been lifted?   When did he decide that he finally had to “wake up” from this television dream?

o   Ricky Wong said that they started really thinking about it last year (2017), as there are different shareholders they need to answer to within the company, plus the auditors were starting to ask them as well what the plans were.

o   This is why they made the announcement earlier in the year that they had to re-assess the situation with the company and decide whether they will continue on the television path.

o   True to their word, they did an internal re-assessment and looked at the following factors:  external as well as business environment (landscape of television environment currently – for example, HK already has 3 free-to-air TV stations now), audiences’ tastes and choices, HKTV’s own internal resources, etc. – after reviewing all of these factors, they came to the conclusion that the best option was to withdraw.


-          Stephen asked if Ricky could clarify something for him, as last time the former Secretary for Commerce and Development Greg So (蘇錦樑) [TN: Who was famously given the undesirable task of announcing the government's decision to deny HKTV's license] went on their radio program and when asked about HKTV’s license application, Greg So claimed that there were still some “answers” that they were waiting for from Ricky Wong.  “Is it true that he asked you (Ricky) something but you didn’t answer him or was there nothing worth answering in the first place?”

o   Ricky said:  "I will only say one thing – there was nothing more to answer."  He said that since they have made the decision to withdraw, he doesn’t want to dwell on the back and forth in terms of ‘did they truly answer’ or ‘did they not answer’.

o   Ricky said that he actually DID answer whatever it was that Greg So was asking, it’s just that it probably wasn’t the answer they were looking for.

o   To illustrate his point of what went down between him and Greg So, Ricky gave the following example:  Let’s say that you are applying for a job at a certain company.  You already wrote a letter 8 years ago expressing interest in the position, however instead of replying back with a request for interview, the company keeps asking you various questions – where did you graduate from?  Do you have a degree?  What type of work experience do you have? – you answer these questions, but then the company asks the same questions again, except in a different way.  You answer them again.  Then they ask you – so now that 8 years have passed, has anything changed with you?  After you answer them, they keep cycling through the same questions.  2 years later – so another 2 years have passed, has anything changed with you?  The company could keep delaying it by continuing to ask every couple months / years if anything has changed.  At this point, you are fed up and say – forget it, what’s the point of continuing to answer these types of questions? No use in continuing to delay things…


-          Stephen then asked about the change in government and what effect that had.  He said Ricky mentioned in his announcement about waiting just short of a decade already -- some citizens feel that HKTV already waited 8 years, why not continue to wait out another 2 years (to round out the decade) because with the change in government, perhaps there would be a “turning point”?

o   Ricky very frankly answered that he doesn’t see any “turning point.”  To clarify, he didn’t feel that there would be any “turning point” specifically related to their application for a license.

o   He said that they can’t stay in a “holding pattern” indefinitely – it has to end at some point.  Ok, so even if they were to wait – let’s fast forward to 2 years later, waited another 2 years, but still no license…could then say why not wait 2 more years?  Another 12 years? 15 years?  Something that has a start needs to have an ending point…


-          Stephen then asked – so then in your (HKTV’s) assessment, even with the change in government, did you guys feel that the chance of getting a license was still very slim?  Was this one of the things you took into consideration when you decided to withdraw?

o   Ricky answered yes, we felt that when it came to being approved for a license, we didn’t see much chance that it would happen.

o   Stephen said that this thought is very different from what most ordinary citizens think – they feel that HKTV wasn’t able to get their license because of “one particular man” [previous Chief Executive Leung Chun Ying], but now that this man is out of the picture, the obstacle shouldn’t be as great right?  That’s not what you guys thought as well?

§  Ricky replied that he and his team considered many things when they made their decision to withdraw – i.e. probability of getting a license, internal resources (many of the people who worked for them previously -- whether artists, scriptwriters, directors, etc. -- had come from “big brother station” (TVB) and after HKTV was denied a license, some of these people already returned to that station, but an even bigger portion decided to go try their luck in Mainland), business environment, audiences tastes / habits – for example, very few audiences actually still sit in front of a television set to watch TV.)

§  In coming to their decision, they had to look at the big picture, look at all factors, didn’t want to just dwell on the government being to blame or whatnot.

§  Basically, the timing has passed already and the landscape has changed too much.

[TN:  At this point in the interview, I couldn’t help thinking how funny it was that EVERY SINGLE THING Ricky Wong had just said in the above sections (prospects of getting a license under the new government still dim, entire television landscape had changed, etc.) were the EXACT same things I’ve said in various discussion forums as well as in my own blog over the past 4 years.  While I must admit that it does feel good to be right, I will be honest and say that I was really hoping to be wrong this time around because of how much I supported HKTV as a viable alternative to TVB…]


-          Stephen then asked Ricky the 64 million dollar question – Looking back now, in hindsight, do you feel that the government denying you a license 4 years ago was actually a blessing in disguise?  Like you had said back then, you firmly believed that a free-to-air license was necessary in order to operate. So in other words, with all the changes in the industry currently, maybe you should consider yourself lucky that you didn’t get a license…

o   Ricky’s response: that type of thinking is wrong, absolutely wrong.  He still deeply believes that if HKTV had been granted a license back then, the subsequent 4 years would’ve been 4 of the most glorious / brilliant years that the HK television industry has seen in decades.

o   The reason he feels this way – back then, it wasn’t just him fighting the battle alone.  He had several hundred like-minded employees standing with him, supporting the same cause.   Also there were many advertisers who had pledged their support for HKTV as well as support from audiences.  Many of the younger folks in society were really motivated by what HKTV was able to do and had expressed that they wanted to be part of it.  He said that if HKTV had gotten the license, the past 4 years would’ve been a very memorable 4 years.


-          Stephen then went on to say – so it’s the government’s fault then?  We should have the government to thank for not getting those glorious 4 years?

o   Ricky’s response [TN:  I noticed there was a slight pause, so it seemed to me that Ricky was trying to think of the best way to put it without offending certain powers that be in government…] – “Well, the government is very big….but, uh, let’s not talk about the government…” to which Stephen said “but it’s the truth…if the government had granted the license back then, the industry would’ve seen major change (the ‘earth-shattering’ / major shakeup type of change)” which Ricky then responded “I would think so…”


-          Ricky then went on to clarify what he meant by major change – back then, what was most important wasn’t that investors were willing to throw a lot of money into the business – rather, what was important was that they [HKTV] had a group of passionate people with heart who all had the same goal of wanting to make the industry better…

o   Weren’t just talking about a few people – it was several hundred artists, 60-70 scriptwriters, 60 directors, around 600 to 700 people total – all people whom he felt were the industry’s brightest, people who were most willing to change for the better, who were most willing to try new things, embrace change…

o   Looking at the series they produced, though can’t say they were THE BEST, since compared to Hollywood, American series do surpass them, but for HK series, it was a huge change, very different from typical HK fare, whether from subject matter, creativity, production perspectives…

o   Ricky said that due to all this, if you ask him what his feelings are toward not getting a license, of course he will feel disappointed [TN:  implied because everyone’s efforts went to waste].  


-          So is there special meaning behind having Fantastic Television air the series “To Be or Not To Be” as the first series of yours on their station?  

o   Ricky said that he actually wasn’t the one who chose that series – Fantastic TV chose it.  He said they laid the 200+ hours of programming out in front of them and they chose what they wanted.

o   Stephen asked are they airing the series for free, to which Ricky replied that they do have a “commercial arrangement” with them but he can’t disclose any further details since it’s a business transaction.

o   Ricky said that if it were up to him, he would’ve actually preferred they air either “The Borderline” or “The Menu” first.

o   Stephen asked if it would only be 1 series, to which Ricky said no, it’s ALL of the series – he confirmed that the arrangement was for all series to air on Fantastic TV, though in what order he doesn’t know.


-          Now that the announcement has been made, has Ricky heard from any of his former staff what their thoughts / feelings are toward this news?

o   Ricky said that yesterday (3/28), a few of his former colleagues / staff messaged him on WhatsApp.  He said his first reaction was to apologize to those former staff.

o   He said the reason why he decided to arrange for their series to air on Fantastic TV is because he feels the cast and crew put in so much heart and effort back then to make those series, even knowing he didn’t have a license, they still took such a huge risk to work for him – a few people gave up the “safe harbor” they’d had for 10, 20 years and jumped ship over to their station to help them – he felt he has the obligation to fulfill the promise he made to them that those series will get the chance to air on a free-to-air television station.  He believes that any producer would want that for their staff and their series.

o   When he apologized, his colleagues told him that they actually wanted to thank him because they truly did learn a lot and the experience gave them the chance to see the potential that was out there

o   Some of them said that if it wasn’t for Ricky and HKTV, they wouldn’t have gotten the opportunities they currently have (whether filming in Mainland or other opportunities in HK).

o   RW also said that many of the cast and crew for “big brother” station’s current series were the same ones who had worked at HKTV previously….he also alluded to how the ones who returned to the “big brother” station were able to apply what they learned and change the way some of their series were made…

[TN:  Aha!  I had said this exact same thing in discussions with other fellow HKTV supporters, as I had noticed the past 2 years especially how much “copying” TVB had done of previous HKTV series / ideas / concepts, both directly and indirectly.  Here’s an excerpt of a comment I had written to one of the blog posts I wrote about HKTV:  I get so ticked off every time I think about TVB "copying" HKTV or those who left and went back taking what they learned and applying it. But at least with the latter, they were honest about applying what they learned so I can't really fault them too much… the ones that make my blood boil are the obvious copies but no acknowledgment whatsoever (i.e. Law Dis-order copying The Election, Come with Me copying Sexpedia, Stealing Seconds copying Doom+5, Blue Veins copying Love in Time, Big White Duel copying Hidden Faces, Our Unwinding Ethos copying Karma, that new Chan Bo Wah series copying Incredible Mama..). Of course we all know My Unfair Lady copied To Be or Not To Be and Line Walker 2 copied Borderline but at least with both those instances, we already knew from the producers (Chu King Kei and So Man Chung) that they would do so, since they publicly acknowledged that they were going to apply what they learned from HKTV. 

In addition to the above, I recently learned that the new Flying Tigers series from Shaw Brothers (TVB’s movie arm) supposedly has some car chase scenes reminiscent of the ones that were done in The Menu’s opening sequence…]


-          How about on opposite end?  Were there any colleagues who blamed you (Ricky)?

o   Ricky said that he is sure there are, but they were all polite enough not to say it directly to him.  He says the ones who reached out to him were likely the ones who understood him and how he was feeling.


-          How about citizens?  Did any citizens / audiences reach out?

o   Ricky said he didn’t hear back from any audiences and asked if they would be having a phone-in session later (Stephen took the opportunity to reiterate the phone number that listeners should call).


-          The hosts then asked Ricky if there was anything in particular he wanted to say to HK audiences.

o   Ricky’s message to audiences:  HK people can have a lot of different goals, different dreams. HK entertainment and culture are no doubt a huge part of those dreams – makes sense, as HK entertainment, whether movies, music, or television, did have its glory days back in previous decades such as 70s, 80s.  However, keep in mind that in addition to entertainment, HK is also known for other things, such as being a shopping paradise for example.  A lot of people ask Ricky (friends, reporters whom he has known for 20+ years) why hasn’t he retired yet, as he surely has made enough money to be able to just sit back and enjoy it now – short answer: it’s because of HKTV Mall.  He said that HK has already “lost” much of its entertainment (music, movie, television industries are all not what they used to be)…if  they were to lose shopping paradise as well, it would be a disaster.

o   People’s habits change along with their tastes.  Many people are looking more and more to doing their shopping online…of course, this won’t completely replace physical stores 100%, but currently HK lacks their own e-commerce option…imagine if 3 to 5 years from now, more and more young people go online to purchase majority of their goods and the only options they have are Mainland websites, Japan, Korea, Taiwan, U.S., etc.  HK people will start looking to overseas options for their shopping needs which would render HK shopping paradise obsolete and in turn would do irreparable harm to HK’s economy…

o   One of the missions of his current e-commerce project is to persuade more retailers to go online route with their businesses.

o   Stephen said that when it comes to e-commerce, HK market is so small though, won’t that affect things?  Ricky’s response – yes, but HK has to start somewhere even if it’s starting small.  Need to build up HK first, build it into a strong site, well-known site, once have name recognition, then others (overseas) would be more willing to purchase from them.

o   He said they are starting to see the effects now --- for example, he’s had some Mainlanders buy stuff at their stores because they recognize their name and know they are quality.

o   Ricky also compared the whole venture to TV series -- need to build up your own station first, build name recognition, build up local audiences, once you have that, then others will notice you…if you can’t even do your own stuff well, how do you expect others (overseas) to purchase from you? 


-          The hosts then asked Ricky – their free-to-air TV “project” lasted 8 years….how much time are they planning to give to this e-commerce venture?  Ricky’s response as follows:

o   E-commerce is very complicated, especially in HK

o   Already, they’ve made some changes in automation to improve efficiency – in the past, when they received an order, they would have staff running around in a 100,000 sq ft warehouse looking for each product on the list – this was a very manual process that of course wasted a lot of time and money.  Starting in March, they invested in automation where the staff don’t need to go hunt down the products anymore – the machines (robots?) will look for the product and bring it to them once located.

o   Even this is complicated because HK doesn’t have anyone who knows about these tools / machines or understands how to operate them (they had a lot of difficulty trying to hire engineers and technicians in HK who were familiar enough with these tools to even be able to install them).  Aside from the HK airport, HKTV is only the 2nd organization to utilize these machines in HK…there are currently no offices for this company in HK (all offices are in Shenzhen, Shanghai, Singapore).  As a result, they (HKTV) had to hire people from China and Singapore to go over to their facility to install the machines.  Ricky said he couldn’t believe how behind HK was in technology but at the same time, he also sees this as an opportunity – an opportunity for him to experiment with this and bring this to HK consumers, bring something good to HK.

o   They want to recruit more students / young people so that these future generations can have a better understanding of technology, engineering and hopefully utilize this information for the betterment of HK.

[TN:  These lasts 2 segments prove that Ricky Wong is ever the consummate businessman but also shows how smart he is.  I’ve worked in the corporate business world for over 20 years myself so I can definitely relate to what Ricky is saying in terms of the business aspect and the importance of automation, innovation, etc.  His thought process on e-commerce makes a lot of sense as well and shows that his business acumen is razor sharp!  I honestly feel that it was a wise choice for Ricky to abandon the TV station concept and instead go back to what he does best – taking something that others haven't done before in that market and turning it into a successful business!]


-          In the last segment (to part 1), the hosts asked Ricky about HKTV mall initially being established to “supplement” the TV side of things.  Or was it the other way around?

o   RW clarified that back when they purchased their mobile license, one of the biggest differences with that license from the free-to-air TV one was that it allowed for 24 hour advertising.  5 years ago, they analyzed the model in Korea – they have 4 TV stations that are dedicated exclusively to “TV shopping” [TN: kind of like Home Shopping Network that we have here in the U.S.]…those 4 stations at that time were already doing 100,000,000,000 HKD worth of business, which was huge.  Ricky wanted to bring this model to HK, whether in the form of TV shopping like Korea did or turn it into online/e-commerce route – so basically to answer the question, the “shopping” and “television” components were meant to complement each other.   Now there is only the “shopping” component left -- is it less effective then?  From what they can see, so far seems to be working….at the very least, when they didn’t get their license, they had an alternative path they could follow.

*** The above is recap of part 1 only.  Stay tuned for recap of Part 2, as there are quite a few interesting things that Ricky Wong talks about there (plus the audience call-in section, which was quite enlightening).  I am working on and should hopefully be posted up within the next day or two.***

Tuesday, March 27, 2018

Breaking news: R.I.P. HKTV....

It's official now….the moment that we were all dreading but knew would inevitably come has finally arrived:  HKTV (through its chairman Ricky Wong) announced yesterday that they are completely withdrawing from the television industry.  In addition to retrieving the second license application that they submitted back in 2014 (which has been in "pending" status since that time), they will also be returning the mobile TV license they had obtained and also returning the broadcasting spectrum they have to the government. Details are in the article from SCMP below that actually sums it up pretty well (there are tons of articles out in Chinese too but I'm too lazy to translate, lol).

As a fan and supporter of HKTV for so long, people have been asking me what my take is on this news.  To be honest, I feel it's a good decision – one that is long overdue.  Ever since HKTV was denied a license back in 2013, I had already said that Ricky Wong was better off just leaving and investing his money elsewhere instead – but then he re-submitted his application and also acquired mobile license, continued building up his studio, and kept saying that he planned to resume production, even though the writing had been on the wall for a long time that he wasn't going to.  A few months back, when the news came out that RW had sold his stake in HKTV to his partner so he could concentrate fully on his HKTVmall, that was already a clear sign that he had given up on the television industry already (despite the words that came out of his mouth that indicated the contrary).  I'm honestly surprised that RW didn't decide to withdraw sooner, since it has been obvious for years that the government was not going to grant him a license no matter what and he was wasting both his money and his time in "limbo".

Of course, with all that said, part of me is still a little sad that HKTV is officially no more, but most importantly, I'm sad for the HK television industry.  Long-time readers of my blog will know that I've been following the HK entertainment industry since the 1980s (technically earlier than that if we count my mom's relationship with the industry) and have witnessed the evolution of the industry for close to 3 decades now.  I grew up watching TVB (and also ATV to some extent) and up until the early 2000s, had considered myself a "die-hard" fan – needless to say that having to witness TVB (and the HK television industry as a whole) spiral downhill and deteriorate to the point that it has over the past 15 years has been painful.  Just when I thought things had reached the point of no return, HKTV showed up a few years ago and injected a glimmer of hope into an industry that was already on the brink of death.  HKTV not only shook up a dormant industry that had been "asleep" for way too long, they also changed the face of HK television production and proved to many of us – those in the industry as well as ordinary audiences – that it WAS possible to make quality productions without resorting to "slave labor" (long hours with little to no rest), that it WAS possible to wait until scripts were 100% complete before starting to film, that it WAS possible to treat artists with respect and dignity and pay them well at the same time.  HKTV also showed us what true "creative freedom" meant, showed us what sincerity looked like, showed us how important a role working environment plays in employee satisfaction (though honestly I already knew this from working in the corporate world for many years), and quite frankly, opened the eyes of many folks who had been drinking the TVB Kool-aid for too long and didn't realize that there truly were alternatives to the "TVB way".  For me though, HKTV's biggest contribution will always be the lives they were able to change by forcing TVB to "up" their game in the face of the severe competition that TVB had up to that point had the "luxury" of avoiding:  the countless stories of behind-the-scenes folks at TVB who were never recognized for their work suddenly getting pushed to the forefront, or the poor scriptwriter who received their first raise in 20 years, or the green leaf artists who were previously cast by the wayside in favor of the younger, prettier leads finally getting the recognition that had been long overdue.  I feel sad for the industry because HKTV's defeat means that TVB has won -- the implication of which I don't even want to think about… 

To HKTV and Ricky Wong:  as a long-time supporter of the HK television industry, I salute you and thank you for all that you were able to accomplish in the 8 short years that you existed. While some of the changes that came about were only temporary, a few did end up being permanent and much of that was because of your efforts.  Thank you for revolutionizing the industry during a time when it was very much needed and for showing us that HK is truly capable of making quality productions, it's just a matter of putting the right effort and passion into it.  Most of all, thank you for doing something that TVB had stopped doing many years ago (and still refuse to do even now):  respecting audiences and treating us like actual human beings with our own voices/thoughts/opinions rather than brainless sheep blindly eating whatever crap was being fed to us.  You truly put audiences first, didn't try to think for us, and actually allowed us to have a say in shaping your productions – this is one of the things I will miss most, especially given the current state of the industry.  Best of luck to you and wish you the utmost success with HKTVmall (and yes, I have confidence you will be the next Amazon, lol).

***.

Hong Kong media maverick Ricky Wong quits free-to-air TV dream and exits sector

Source: SCMP

Media tycoon Ricky Wong Wai-kay has quit his troubled quest to secure a free-to-air television licence for the ill-fated Hong Kong Television and vowed never to return to the broadcasting business.

His remarks came on Tuesday as the publicly listed HKTV announced its annual results for 2017, revealing a staggering net loss of HK$204.9 million (US$26.1 million). The share price of HKTV had plunged by 14 per cent to HK$3.16 when markets closed on Tuesday.

Explaining the reason to end his lifelong free-to-air TV dream, Wong, who chairs HKTV, said the wait had simply been too long.

"The answer is as simple as 'we've been waiting for eight years,'" he said.

According to the outspoken businessman, the company, formerly named City Telecom, was "invited" by government officials in 2009 to apply for the license.

But in 2013, the Executive Council, led by then chief executive Leung Chun-ying, only granted the licence to i-Cable's Fantastic TV and PCCW's HK Television Entertainment Company.

The rejection of HKTV's application sparked public outcry that year, with many questioning whether the decision was politically driven. More than 300 staff members were also laid off in the same year.

The company's second bid was filed the following year, but on Tuesday, Wong said the application had been withdrawn after four years of not hearing back from the government.

Despite declaring his exit from the broadcasting business, Wong said he had no plans to rename the company. "I think the name … HKTV is a sweet memory for many Hong Kong people – the memory, I think, is valuable."

Asked if he held any resentment towards the government, Wong said he would "take it easy".

"I taught my kids that this world is never fair, we have to learn to face unfair challenges," he said.

Wong also told reporters he had "nothing to say" to Leung, now vice-chairman of the Chinese People's Political Consultative Conference, the country's top advisory body.

While the company currently operates a broadcast-type mobile TV service via its website and mobile application, Wong also announced on Tuesday it would be shut down.

The TV shows produced by HKTV, however, would be aired on a free TV channel in April, Wong said.

According to sources, the programmes would be aired on Fantastic TV starting mid-April.

Wong said the company would focus resources on the e-commerce business, such as purchasing more trucks to deliver goods sold via its online shopping platform, HKTVmall. Media equipment that was bought for its TV productions would be used to create multimedia content to support the e-commerce push.

A spokesman of the Office of the Communications Authority said on Tuesday night that HKTV had informed it earlier in the day about the application withdrawal.

"After HKTV withdrew its application, the office has no other free-to-air TV licence application to process," the spokesman said. He did not say why the application took years to process.

A former HKTV staff member said she was not surprised by Wong's move as the company had already laid off all production team members and had since focused on its online shopping business.

 In 2016, HKTV posted a net loss of HK$257.1 million.

Norris Wong, a former junior script writer who was laid off in 2013, said Ricky Wong should be remembered as someone who revolutionised the development of local broadcasting.

"Never before had any broadcaster invested so much money into local dramas," Norris Wong said. 

"By doing so, he prompted other broadcasters such as TVB to do better to compete, pushing up the standard of local dramas. We also saw hope that the reputation of Hong Kong productions would be revived and the industry can regain its fame in the region."

She said HKTV was once a place where local scriptwriters could be creative and make their dreams of good productions come true, adding she was saddened that all this had come to an end.

Information technology sector lawmaker Charles Mok said it was a shame that HKTV was never awarded the license.

"We had no chance to know if the [free-to-air TV] market will be different," Mok said.

The case of HKTV might have put off interested parties from entering the local TV industry, he said, adding that the government needed to introduce more transparency to its process of granting such licences.

Monday, March 19, 2018

Entertainment Newsreel #5: Mostly movies and a little bit of TV news...


Lots of movie news this past week due to the start of FILMART + HK Film Festival and also award show season with the Asian Film Awards and Director's Guild Awards, so the focus this time will be on movie industry news.  There is some TV industry news too, but not as much compared to the recent happenings in the film world.

Also, FILMART actually just started yesterday but I didn't want to wait until the end of the week to do this post, since there is so much info already, so if need be, I'll do a follow up later in the week to cover whatever may emerge from there, whether movies or television (I actually have a feeling the news we are waiting for on OCTB will be announced at FILMART – just a hunch, no inside info or anything….anyway, I'll post something up once I hear further).


Movie industry news

ASIAN FILM AWARDS & DIRECTORS GUILD AWARDS

-          The big news coming out of the HK film world this week (aside from Leon's news but I'll get to that later) has to do with one of this generation's most prolific movie actors – Louis Koo.   This year's Asian Film Awards and Director's Guild Awards were held within days of each other and Louis won Best Actor at both award ceremonies (for his role in the movie Paradox, the much touted second installment in the SPL franchise).   As Louis himself said during his acceptance speech at the Asian Film Awards (which was held first), this is his first ever movie-related award so of course it means a lot to him.  I'm glad to hear him say this because in my opinion, being able to win at the Asian Film Awards is more "prestigious" than winning in one of HK's awards shows because the artists are going up against other artists / movies from across Asia – to be able to defeat other talented actors outside of Hong Kong is quite an accomplishment!  Congrats to Louis!!

-          Personally, I've never been a fan of Louis' acting, whether back when he was at TVB or after entering the movie world and filming boatloads of movies (honestly, the word "prolific" is an understatement – at one point, Louis seemed to be in every single movie out there, lol).  Don't ask me to explain why because I don't know – his acting just never appealed to me for some reason.  With that said though, I do have a lot of respect for Louis as a person and that respect has grown over the years after learning about his charity work (which he rarely talks about) as well as seeing his contributions to the film industry and his efforts at improving the industry as a whole.  [Sidenote: Louis was recently voted in as HKPAG (Hong Kong Performing Artists Guild) Chairman (taking over for previous Chairman Jackie Chan) and hearing his ideas on how he plans to support the industry was very encouraging!]  I'm happy for Louis with both his wins and I'm sure this is a boost of confidence for him heading into the HK Film Awards next month – he's up against some tough competition though so even though he is the "hot favorite" to take him the award there too, the results are hard to predict so let's see what happens.

-          At the Director's Guild Awards, the highlight of Louis' win is that people kept playfully teasing him about going up on stage and gracing the audience with his singing again.  This was actually a reference to Louis attending the annual HK Film Workers' Spring Dinner event last week  where he was pulled on stage during one of the performances and invited to sing a few lines from one of his songs with them.  Louis actually obliged (and was very gracious about it) – the video of him singing was uploaded online and of course it took the internet by storm, since it's very rare nowadays for Louis to be willing to open his "golden mouth" to sing.  So now, at every event, his colleagues as well as the reporters "tease" him about going on stage and singing for them – of course, Louis politely turns everyone down, but I love that he is so good-humored about it, even playing along with them in some instances and "pretending" to leave when the word "singing" is mentioned, lol.  It's rare for us to see Louis' playful side (he always looks so cool and serious) so I can definitely see why everyone is taking the opportunity to "tease" him while it lasts.  My respect for Louis actually went up a few notches this past week after seeing how he handled the whole "singing" thing….

-          On the Best Actress front – Sylvia Chang took home the Best Actress award at the Asian Film Awards for her performance in Love Education, which she also directed.  She wasn't able to repeat the win at the Directors Guild Award, however she did end up taking home the Best Director Award at that ceremony.

-          The winner(s) of the Best Actress award at the Directors Guild Awards ceremony were Teresa Mo for Tomorrow is Another Day and Stephy Tang for The Empty Hands.  Yes, you heard right – there were 2 winners for Best Actress because both actresses ended up in a tie and so the Guild decided to award both.  There's actually a funny story to this, which Teresa Mo told during her acceptance speech.  Teresa said that she threw away her husband Tony Au's voting form for these awards because he was away on a trip and she didn't feel it was right to vote on his behalf, even though she knew that he would've cast his vote for her in the Best Actress category anyway.  It turns out that 'one vote' mattered in this case, since it meant the difference between her winning the award and having to share it. 

-          The Best Actress race at the HK Film Awards next month will be interesting, as all three actresses -- Sylvia Chang, Teresa Mo, and Stephy Tang – are in contention for the coveted award (rounding out the category are Zhou Xun for Our Time Will Come and Chrissie Chau for 29+1).  The Directors Guild Awards is generally seen as a precursor to HKFA, as the winners there usually go in to win at the HKFA as well – true or not, I'm pretty sure they are not going to do another "shared win" thing at HKFA (can't remember the last time – if ever – that they had such a win at HKFA).  Personally, I'm rooting for Teresa (since she's an awesome actress and also one of my favorites) – this will be her 7th time being nominated for HKFA Best Actress so it's about time she won, though in all honesty, doesn't really matter to me who wins since I haven't watched any of the nominated films this year so can't really complain.  From various reports, I know that Stephy has done a great job this year and has already won multiple Best Actress awards already at other awards shows, so she is definitely the "hot favorite" going into HKFA, however I think both Teresa and Sylvia will give her a run for her money.  I'm fine with whoever ends up winning in this category. 


OTHER MOVIE-RELATED NEWS

-          Speaking of Louis Koo – I'm sure Louis fans will be happy to know that there is finally more news on the movie version of his "classic" TVB series A Step into the Past.  Rumors have been circulating for several years already that Louis plans to do a movie version of the series and invite back the original cast to participate.  It was confirmed last year that Louis will indeed be producing the movie and starring in it, but beyond that, there weren't a whole lot of details available.  Well, yesterday at FILMART, they unveiled the official poster for the movie and provided some more details as follows:

o   The Chinese name of the movie will be the same as the series but the English name will now be called Back to the Past. 

o   Louis's own production company One Cool Film will be producing this, which I assume means that Louis will be given the Executive Producer title for the project (I didn't catch who the director will be though), however this will also be a co-production with Mainland company Huace Pictures.

o   Filming is scheduled to begin at the end of the year.

o   Confirmed "original" cast from the series are Louis, Raymond Lam, and Jessica Hsuan (this is actually not surprising, as it was already revealed earlier on that both Raymond and Jessica signed to Louis' management company, so it makes sense that they would re-unite for this film).  

o   The big question now is whether other "original" cast members will return as well.  There was no mention of additional cast at FILMART (at least not yet), so no doubt there will be further announcements and possibly press conference forthcoming in the next few months.  Current speculation though is that most likely the rest of the cast won't return, since majority of them have retired from the industry already or are have other filming obligations, plus the movie is a co-production with Mainland, which means that they have to save a few of the "top" roles for Mainland artists. 

-          My take – I was never a fan of ASITP the series so I'm indifferent toward the news of a movie version now being filmed, but I know a lot of people out there loved the series, so if those of you reading this are a fan of the series, I'm curious to hear your thoughts – please feel free to comment!  The way I see it, one good thing about this production is that Louis is producing it himself and with how involved he had been in the series (supposedly he had even written parts of the original script) and how much he cared about it, at least you know he will put in the effort to make it good and not butcher it like others would (I'm sure people still remember the previous movie remakes of TVB series that were done by different companies and ended up being horrible / un-watchable).     

-          The other "big" movie industry news (though technically not really specifically movie-related but since the artist is a film actor now, figured putting it here was more appropriate) this week – this one is "hot off the press"….Heavenly King Leon Lai finally confirmed that he will become a dad soon.  For those who were not aware (which is kind of impossible given how big this news has been, lol), media reports had surfaced last week that Leon and his assistant Wing (she works for his record label A-Music) were dating and that Wing was photographed with a bulging belly, which in the HK media world, meant that she is "most likely" pregnant.  So of course, rumors started flying that Leon will be a dad soon, though he had yet to confirm anything.  Leon had actually attended FILMART yesterday and refused to say anything when reporters asked him, but then a few hours later he posted a formal announcement on his Facebook page confirming the news that he and his girlfriend are indeed expecting (I'm sure all the media outlets – Chinese and English – will be re-posting his FB post so not going to bother posting it here).  With Leon joining the ranks of fatherhood now, he is the last of the 4 Heavenly Kings to settle down and start a family (though whether he will marry Wing or not remains to be seen – there was no mention of marriage in the post, only that he will become a father soon).  Congrats to Leon!  Even though I'm not a fan of his, I'm still happy for him, as having a child is a huge milestone and deserves to be recognized.



TV Industry news

HKTV

-          The big news in terms of HKTV is that they have sold the rights to their series to i-cable arm Fantastic Television, who will be airing their series on their free-to-air channel starting on April 17th.  I won't go into detail here, since I already wrote up a  post on this a couple days ago and also stated my thoughts on this already.  Those that are interested can read that post here.


FOX ASIA

-          Fox Asia released a new extended trailer for their series Stain'd.  The trailer is 2 minutes, 12 seconds long and all 3 A-list leads – Anthony Wong, Kara Hui, Tse Kwan Ho – are featured.  This article from HK01 has a link to the trailer so you can watch it there, though I'm sure Fox Asia's webpage and also Youtube channel have it as well.  I actually haven't had a chance to watch it yet so can't really comment right now, but once I do get around to watching it, I'll definitely post something up about it.  Also, if I hear any news about when Fox Asia's series are scheduled to air, I'll make sure to post an update.


OTHER TV INDUSTRY NEWS

-          This one I'm actually excited about!!  If, like me, you're a fan of the TVB series Untraceable Evidence and have been "dying" for another Bowie Lam / Flora Chan collaboration (they did film Healing Hands together, but I wasn't a fan of that series / franchise so that doesn't really count, lol), rest assured that your (our) wish might be granted some time in the near future.  Bowie and Flora attended an event the other day (no, nothing related to entertainment stuff – it was an environmental / beach cleaning event that was sponsored by one of their mutual friends, former actress Sharon Kwok) and so reporters seized the opportunity to ask them when they are going to fulfill fans' wishes for them to collaborate again.  Bowie said that it's something he and Flora have talked about and that when they had their Untraceable Evidence cast reunion dinner a few weeks ago (I saw the pictures – ah, the memories!!!), he had already told Flora to save some room in her schedule for him.  Flora's answer was more of a "we'll see" response because she is currently working on her PhD in Education and so her schooling comes first (aside from her family of course).  She said that she had agreed to film that program about marriage for ViuTV because it fit her schedule for one, and two, they allowed her to produce the program and gave her free reign to do the program how she wanted, so she decided to add some educational elements to the show. 

-          Bowie opened his own production company recently and currently has a few scripts on hand that he is reading through (I wrote in my Entertainment Newsreel #4 about Bowie's plans to produce  and star in his own series – you can read the details here) – he said that from day one of opening his production company, he was already planning to invite Flora for another collaboration.  He said that there will definitely be another chance for them to collaborate again, but he can't confirm when that will be due to Flora's studies being her top priority right now.  Both of them are for it though, so it's just a matter of time. 

-          As a fan of the Bowie/Flora pairing in UE, I'm one of those waiting for them to collaborate again.  Now that Bowie has his own production company and the freedom to film whatever he wants, looks like we are closer than ever to seeing another collaboration between these two, the only thing is timing.  Flora did say during their joint interview that she also wants to collaborate with Bowie again, however she still has another 3 years to go in terms of her studies (for her PhD) so it will really depend on whether she is able to carve out some time in between.  I'm secretly praying that Flora will find the time in between her studies to take Bowie up on his offer.  PLEASE PLEASE Flora, please don't make us wait 3 years for another collaboration!