Yay, more Jacky news!! :-)
Actually, there has been news about Jacky's concert throughout the past few months, but since there is so much information, I haven't had time to translate all the articles -- therefore, I've been picking and choosing a few articles here and there.
The particular article below is definitely worth posting due to the milestone of Jacky completing the 100th show of his concert (congrats to Jacky and team!).
Also, the final leg of the tour has been confirmed for May 18, 2012.
Enjoy!
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Article originally posted December 4, 2011
Source: Mingpao
Translated by: llwy12
The 100th show of Jacky Cheung’s ½ Century World Tour Concert took place in Zhongshan, China the day before yesterday. After the performance, Jacky’s concert manager Florence Chan arranged for a celebration event marking the concert milestone. During the event, Jacky led Mrs. Chan and her husband Chan Lau Chuan in an ice-breaking ceremony; at the same time, they also held a drawing with prizes as a means of thanking the concert team for their hard work.
In a few days, Jacky will be heading to Malaysia, where he will hold 4 shows on his concert tour, then after that, he will take a short break to be with his family. At the end of the month (December), he will ring in the 2012 New Year with his fans in Macau, as he will perform 4 shows at the Venetian Resort over there. Originally, only 3 shows were scheduled for Macau, however due to all tickets being quickly sold out, an extra show was added for the 29th [TN: the 4 shows for Macau will run from December 29, 2011 to January 1, 2012]. The number of shows in both Malaysia and Macau breaks the records for number of concert shows held in those countries.
Florence Chan indicated that Jacky’s previous concert tour [in 2007] held a total of 105 shows – this time around, by the time the Macau shows are completed, the concert tour will have already exceed 108 shows. In addition, Jacky has chosen the date of May 18, 2012 for the final show of his ½ Century tour, which will take place in Hong Kong, at the AsiaWorld Expo Center. Mrs. Chan stated that due to the limitations of the HK Coliseum, the rotating stage that was specially designed for Jacky’s concert could not be utilized during the tour’s previous HK stop [back in April 2011] – therefore, with the final concert show at a different venue, Mrs. Chan hopes that HK audiences and fans will be able to experience the special effects this time around. As of right now, the HK finale is scheduled for 5 shows and priority ticket sales for those shows will begin December 13th.
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Chinese Version
張學友百場演出 唱到中山
【明報專訊】第100場「張學友1/2世紀世界巡迴演唱會」前晚假中山演出,演出後,經理人陳淑芬安排慶祝會,學友偕陳淑芬及夫婿陳柳泉進行破冰儀式,同時舉行抽獎儀式,答謝團隊合作無間。
打破大馬澳門紀錄
學友日內起程到大馬舉行4場演唱會,然後放假陪伴家人,而他於澳門威尼斯人舉行的倒數迎2012年及元旦演唱會,由於銷情熱烈,原本3場爆滿,現加開29日一場,打破了大馬及澳門舉行演唱會場數的紀錄。
陳淑芬表示上次學友的巡唱共舉行105場,今次唱至澳門站已達108場,打破上次紀錄。學友選擇5月18日回歸香港做最終站演出,選址亞洲博覽館,陳淑芬表示上次的旋轉舞台未能在紅館展現,今次終可把整個演出帶到香港;今次香港站演出暫定舉行5場,12月13日優先訂票。
記者:魏幼芳
A blog of random thoughts from a 25+ year HK entertainment enthusiast...
Sunday, December 4, 2011
Saturday, December 3, 2011
Review of “Forensic Heroes 3 法證先鋒III” (2011)
Cast (partial list of the main & supporting cast): Wayne Lai (黎耀祥), Maggie Cheung (張可頤), Ron Ng (吳卓羲), Kate Tsui (徐子珊), Nancy Wu (胡定欣), Yuen Wah (元華), Edwin Siu (蕭正楠), Aimee Chan (陳茵媺), Ram Tseung (蔣志光), Ruco Chan (陳展鵬)
I finished watching FH3 a few weeks ago (simultaneous broadcast with HK), however I actually put off writing a review about this series until now -- mostly because the series sort of wore me out after watching the finale and I really didn't feel like talking about it any more (I guess you could say that I was just glad it was finally over).
Now, don't get me wrong -- I'm not saying that this series was entirely bad because to be honest, I've seen way way worse (and as I will mention later, there were definitely some 'enjoyable' moments in the series) -- but by the same token, compared to many of the other TVB series that I've seen, this one definitely doesn't live up to my standards (now that I think about it though, how many TVB series from the last decade have lived up to my standards? not very many!). I actually wanted to use the word "disappointing" to describe my feeling towards this series, but after thinking about it further, it's really not accurate to say that I was "disappointed" in this series because in actuality, I didn't have any expectations of this series going into it (I've learned to stop 'expecting' anything from TVB series anymore...LOL). In fact, I wasn't even planning on watching the series in the first place, since when I first heard a few years ago that they were going to do FH3 but was going to change the cast, I was quite bitter about it (come on now -- Forensic Heroes is not the same without Bobby and Frankie, just like Burning Flame is not the same without Wong Hei) -- and quite honestly, based on the 'original' storyline concept for FH3 (the one that TVB pitched during their sales presentation a few years ago), I was actually planning on "boycotting" the series altogether (those who watched that sales presentation or read the original concept summary will probably know why I felt that way at the time). Anyway, it's a moot point now, but needless to say, at that time, I was quite ticked off, so pretty much the series didn't start off on the right foot with me, even as far back as the 'conceptual' beginning (prior to it becoming the series it eventually became). The only reason why I decided to give the series a chance was pretty much because of Wayne (and the fact that there was nothing else interesting to watch on TV, since the other series airing around the same time were extremely boring). More about Wayne's role later....
Before I go any further....for those of you who are regular readers of my reviews of TVB series (thank you!), I'm actually going to do this review a bit differently than the other ones I've done in the past. Instead of doing an in-depth analysis of each character / artist like I normally do, I'm going to take a different approach and basically just talk about my 'likes' and 'dislikes' about the series in general (figured that this was the easiest way to do this particular review).
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STORYLINE / SCRIPT
One of my biggest "issues" with this series was the seriously flawed script -- there were so many things that didn't make sense, it totally detracted from the series as a whole and made it difficult to enjoy watching it (for me at least). Over the many years that I've been following TVB and HK entertainment, I've watched plenty of TVB series and I can honestly say that I can't recall encountering a series (that I've watched from beginning to end that is) with as many 'head-scratching', 'what-the-heck' moments as this one (and I'm not exaggerating either -- I was pretty much able to find at least 1 thing from each episode that fit into the "WTH" category!). I don't know if the writers were under pressure to produce the script in a short amount of time so they rushed things without realizing it or if there was a particular intention behind the way the script was written (I'm leaning toward the latter, since the 2 writers Choi Ting Ting and Leung Mun Wah are experienced scriptwriters), but whatever the reason, the fact is that the script was very poorly written.
Amongst the most "glaring" of flaws in the script (series) was the very obviously 'rushed' storyline -- the writers didn't spend enough time developing the areas that should have been developed (for example, the relationships of the various characters, some of the details of certain cases, etc.) and instead wasted alot of time with cases that were boring and lame (i.e. that case about the tenants and the owner of a building where the tenant dies after slipping in the bathroom and also that cosplay case near the end of the series, just to name a few). I understand that with these types of series, the premise is about crime-solving, so that should definitely be the focus, but the relationships of the characters are important as well, since, as humans, we spend most of our lives interacting with each other – so in series like these, it’s necessary to have a good balance of both. Unfortunately though, the writers didn’t do a very good job in this area….not only that, but the lack of development in the relationships with this particular series had a significant impact for me because throughout the whole time that I watched, I didn’t feel anything for any of the main pairings – it was almost as though I could care less who was paired up with whom (of course, part of this could have also been due to the lack of chemistry between the artists themselves).
Here are a few examples of the “rushed” parts that I had a problem with (not an all-inclusive list):
.-- Nancy / Wayne divorce – the way the writers wrote the divorce storyline between Nancy and Wayne’s characters was way too ‘purposeful’ to be realistic. Considering how long they had been together as a loving couple, plus they had a daughter that they needed to think about, I was surprised at how quickly they reached the decision to divorce (and pretty much over 1 incident too). The feeling I got was that they went from being the ‘model couple’ one minute to a ‘I don’t love you anymore and can’t stand the way you operate’ relationship the next minute. And of course, this whole thing pretty much happened over the course of like 1 episode (actually, not even, since there was other stuff interspersed throughout the episode) – plus with the way the whole thing played out, I definitely got the impression that neither character (Wayne and Nancy) was too emotional / distraught over the breakup (so maybe they didn’t really love each other that much after all). In any case, the way that whole piece was written was definitely lacking.
.-- Maggie / Ruco breakup – ok, I have to say that as much as I disliked the way the writers handled Nancy and Wayne’s divorce, the way that they handled Maggie and Ruco’s breakup was way worse….in fact, it was so lame and stupid, it’s not even funny! Sure, it’s not like they spent a lot of time developing Maggie and Ruco as a couple in the first place, but at least the writers did bring them together over the course of a few episodes (well, I guess you could say half the series) and up until the point they broke up, there was no indication whatsoever that they were incompatible or planning to separate in any way. Then, at the end of one of the episodes, they ‘suddenly’ mutually realize that they don’t love each other as they thought they did and literally within like 1 scene, they decide to part ways. WTH??? It was so totally random and came out of nowhere that it left me wondering what the whole point was of having Ruco and Maggie together in the first place! Oh, and at least with Nancy and Wayne, they had 1 episode to ‘divorce’ – with Ruco and Maggie, it was like 1-2 scenes max (and at the end of an episode too – by the first scene of the next episode, Ruco’s character was already ‘gone’)….how lame! If they were going to write the breakup this way, then they shouldn’t have put Ruco and Maggie together from the beginning (they definitely could have had Ruco participate in the series without making him a ‘love interest’ for Maggie)!
.-- Wayne / Maggie relationship – with the ‘rushed’ way that the breakups of the 2 main characters were done, it definitely seemed to me that the main purpose of the entire series (from a relationship perspective at least) was to have Wayne and Maggie become a couple. It’s almost as though the writers were trying to say ‘let’s get their previous relationships over with so we can get the 2 of them together’. (The two of them got together pretty much right after Maggie and Ruco broke up, plus the lame way that they did that breakup made it too obvious that the Wayne/Maggie get-together was their main objective). To be honest, I wasn’t too keen on Wayne and Maggie as a couple because I felt that their characters lacked chemistry -- to me, there was actually no difference in their relationship prior to them becoming a couple (when they worked together as partners in the forensics team) and afterwards….
The other major flaw with the script (as far as I noticed at least) was the ‘randomness’ of some of the elements / scenes / characters related to each of the cases. There were some characters and scenes ‘interspersed’ in the series that were completely irrelevant to the development of the storyline and seemed to serve no purpose whatsoever (pretty much you could take those characters out and it would have very little, if any, impact to the script / series). This actually got annoying after awhile because it didn’t just happen once or twice – it was a recurring ‘issue’ throughout the entire series.
A few of the most obvious examples of this:
.-- The ‘nephew scene’ during the tenants vs landlord case (which was already a lame case to begin with) – the guy who played the nephew (whom I found out later was one of the newer Mr HKs) only appeared for like 10 seconds in one scene (he basically had one line of dialogue), then disappeared and was never heard from again. He was mentioned briefly later on during the investigation of the case (yea, for like a minute), but turns out he had nothing to do with the case whatsoever. So what was the point in putting his character in there, especially if he was going to appear for only a few seconds and had nothing to do with the case? Totally didn’t get that part…
.-- Sire Ma’s brief appearance during the case about the murder of the college student was totally random as well. She was only in 2 scenes and had probably about 5 lines of dialogue – her total screentime was probably close to 10 minutes or so (maybe even less). I mean, I could understand putting her in the series if her character had anything at all to do with the case, but she didn’t – she was pretty much just the murdered guy’s ex-girlfriend and was never even considered as a suspect in the case. Totally random character…
.-- Felix Lok’s character was another random one that the writers put in there for no significant reason. He was literally only in 1 scene at the end of an episode, though they did talk about his character a little bit in one of the scenes prior to that. Basically, in those 2 scenes, they made him out to be some sort of powerful mob boss / businessman whom Nancy decides to work for (that’s part of her reasoning for divorcing Wayne and leaving for the U.S.) – based on the way that set things up, made it seem like he would play a significant role in one of the future cases perhaps. Unfortunately, that wasn’t the case at all -- after that, his character is not mentioned again until Nancy returns – but even then, the ‘mention’ is lame because he isn’t involved with any type of case. Even with the case involving Nancy at the end of the series, he was completely irrelevant – they pretty much ‘mentioned’ that he was still in the U.S. and was sick on his deathbed (or something like that) and that’s it – never mentioned again. Huh? What was the point of his character then?
The above is just scratching the surface – there were a lot more instances / characters that were ‘interspersed’ the same way. After watching this series, it totally made me question the experience of the scriptwriters (the horribly written script made it seem like newbies who didn’t know what they were doing actually wrote it) and what they were thinking when putting together this script. It was definitely annoying to say the least.
Despite all of the ‘shortcomings’ of the script, there WERE a few enjoyable moments in the series, but unfortunately, not enough for me to ‘overlook’ the flaws. Still, here’s a brief mention of some of the ‘highlights’ of the series for me:
.-- Nancy’s court scenes and her ‘showdown’ with Wayne and Yuen Wah (who played Wayne’s father) during that one murder case involving the rich guy were definitely exceptional and well done. I literally was at the edge of my seat watching those scenes – too bad that it was short-lived though.
.-- The case involving Ram Tseung’s son in the series (the murder of the college student case) was very interesting as well and for me, it was probably one of the best cases in the series (partly because it wasn’t as easy to guess the killer). Another reason why I enjoyed that case was because Ram was heavily involved in those few episodes – since he’s one of my favorite ‘green leaf’ actors, it was definitely a ‘treat’ for me!
.-- Yuen Wah’s character was hilarious (without intending to be) – I enjoyed almost all of his scenes, especially the one in particular with Angela Tong’s character. It’s sort of sad that even though Yuen Wah didn’t have very much screentime, I absolutely enjoyed his performance over everyone else’s – even the main leads.
.-- Ruco’s character is another one that I enjoyed – in fact, I was one of those people who liked his pairing with Maggie (just about the only ‘pairing’ that I liked and felt a connection to in the entire series) – but the stupid writers had to go ruin it with that lame breakup thing that I mentioned earlier! Plus his screentime was way less than Yuen Wah’s and the way they ‘wrote him out of the series’ was quite dumb (and didn’t make sense). For me, the entire series pretty much went downhill after that -- well, it was already starting to go downhill before that quite honestly, but at least there were still scenes worth watching – but after Ruco’s case, the remaining episodes were so boring, I pretty much lost interest and stopped paying attention to the series until the finale episode.
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CAST / CHARACTERS
Like I mentioned earlier, I’m not going to do a detailed character analysis in this review, as I feel it would be a waste of time to do so, especially since many people have already seen this series.
Therefore, just some brief thoughts:
.-- Wayne Lai (Pro Sir) – as much as I love Wayne, I really feel that the character of Pro Sir doesn’t suit him all that much. With Wayne’s caliber of acting, this particular character is way too easy for him and in my opinion, is a complete waste of his talent (literally, he can do that character in his sleep!). He needs more dynamic, challenging roles (ones with more depth) that will truly be able to showcase his talent. Hopefully, Wayne chooses his roles more carefully in the future – with his status and position, he can definitely afford to be picky with his roles and not just take whatever (crappy) roles TVB gives him!
.-- Maggie Cheung (Dr. Chung) – Out of all of the 90s fa dans, Maggie has always been near the bottom of my list – nothing against her personally or her acting, it’s just that she has never been my ‘cup of tea’ when it comes to actresses that I enjoy watching -- so to me, her participation in this series doesn’t make much of a difference to me. Overall, I would say that Maggie did a pretty good job in her role as forensic pathologist Dr. Mandy Chung – she was convincing enough in the role and handled the complicated dialogue quite well. Other than that, I don’t really have much opinion on her performance.
.-- Ron Ng (Wind Sir) & Kate Tsui (Madam Ling) – I’m not fond of either artist, so didn’t really pay a whole lot of attention to their scenes…but even then, it was definitely obvious that their characters were ‘second fiddle’ to Wayne and Maggie’s. Honestly, I really didn’t see the value of Ron and Kate’s cop characters because it’s not like they were the ones doing most of the crime-solving anyway – in most of the episodes, it actually seemed as though Wayne and Maggie were the cops instead of Ron and Kate, since they were almost always present when the ‘big reveal’ occurred in many of the episodes (which is one of the other things that didn’t make sense about the script, but oh well). Their roles definitely weren’t memorable and in my opinion, any one of the current TVB 2nd line artists could have done the same role and it wouldn’t have mattered (actually, the other artists may even be able to do it better!).
.-- Nancy Wu (Pro Sir’s wife Eva Chow) – Nancy’s character definitely stood out in this series, as her character was quite strong and she had some of the best scenes -- her portrayal of a lawyer was very convincing and her court-scenes were well-acted. But too bad that her character changed in the latter half of the series after returning from the U.S. (she quit her attorney job and became a freelance writer for a legal journal) – basically, her role became more of a ‘vase’ character later on in the series, which was really dumb of the writers to do when her character had so much potential in the first half of the series. Not sure what the reasoning was behind why her character was written this way, but I know that if I were writing the script, I would definitely have written her character differently, perhaps even making her role more significant than Kate’s (since the cops in this series were pretty useless anyway). The writers pretty much wasted the character’s potential.
.-- Yuen Wah (Uncle Hing) – Yuen Wah’s role as Wayne’s dad in the series was actually quite enjoyable. His somewhat comical character (not purposefully comical, but he just came across that way) provided an interesting juxtaposition to Wayne’s ‘serious’ Pro Sir role. I will admit that I had my doubts at first with how Yuen Wah would fit into the role given his background (I always think of him as a kungfu guy) and with Wayne’s character being so serious and professional, but it actually worked out just fine in my opinion. In fact, I liked the chemistry he and Wayne had as father and son and definitely would have liked to see more scenes of them together. Oh, and I must mention that the scene with Angela Tong (where Yuen Wah thinks she is interested in his son and so tries to play matchmaker for them, only to find out that she is actually interested in him) was absolutely hilarious – I got quite a few good laughs out of that part! And there were other great scenes involving Yuen Wah as well (i.e. the court scene with Nancy, his reaction afterwards, etc.) – both serious and comical – that were thoroughly enjoyable. He was definitely my favorite character in the series.
.-- Ruco Chan (Jim Fong) – I liked Ruco’s performance, but unfortunately, he had WAY too little screentime – which also means that his character wasn’t developed enough for me to ‘enjoy’ his character as much as Yuen Wah’s. I really feel that they should have given Ruco a more significant role in the series (and develop his character more) because the little screentime that he had just wasn’t enough. In my opinion, they (the writers / producer) should have just cut Ron and Kate roles (or reduce their screentime if they wanted to keep them) and expanded Ruco and Nancy’s roles because both of them definitely outshined the ‘main’ characters in this series.
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CONCLUDING THOUGHTS
Overall, I would say that this series fell into the ‘tolerable’ category for me: the first half of the series had some good potential, but the second half of the series was sort of bad – the series definitely has that typical ‘strong start, weak ending’ element that is notorious in many of TVB’s series nowadays.
Of course, it’s hard to write a review about FH3 without mentioning FH1 and FH2, since the series IS supposed to be a “sequel” after all (though this installment has absolutely nothing to do with the first 2 in terms of storyline and cast). Without going into a huge comparison / analysis thing (because honestly, FH2 and FH3 can’t compare with the original), I will say that, as part of the same franchise, FH3 definitely did not live up to its hype. I absolutely adored the first installment of FH and the awesome chemistry that the original cast (Bobby, Frankie, Yoyo, and yes, even Linda) had – plus the cases were well-written and the storyline was fast-paced enough without rushing through things ( it’s one of the few series from the post 2000 era that I actually like and can re-watch over and over again without getting bored). FH2 ruined that chemistry with the addition of Charmaine and Kevin, thereby resulting in a reduction in screen time for the original cast (so that the focus could be on 2006’s TV King and Queen, no doubt) – in my opinion though, the script was already poorly written starting with that installment (as I remember there were a lot of scenes that didn’t make sense in that installment as well, though not to the extent of FH3)…the only ‘redeeming factor’ for FH2 that made it watchable was the fact that it still had Bobby and Frankie, so it was less of a struggle to sit through (since I could just forward through other people’s scenes). Now with FH3, not only was the cast completely changed and the characters poorly developed, the script was also poorly written – for me, those 2 factors alone made the installment worse than the previous two.
Lastly, I’d like to briefly talk about the ratings for FH3 – those who know me know that I’ve never been one to care much about ratings, since to me, ratings mean nothing when it comes to determining a ‘quality’ series (high ratings DOES NOT EQUAL quality!). In the HK entertainment industry especially, TV ratings mean absolutely nothing given that the entire industry is monopolized by only 1 TV station (which means that HK audiences pretty much don’t have a choice in terms of which TV station to watch, so naturally the ratings would be high, since basically the entire region watches the same station). I personally feel that the HK media’s obsession with TV ratings is stupid given the dynamics I just described, but for the sake of argument, I will ‘entertain’ the ratings thing for a second – when FH3 aired in HK, its ratings were so high that it became the ‘highest rated series’ of 2011, taking the #1 spot from the Laughing Gor series “Lives of Omission” (for me, the only ‘good’ thing about FH3’s ratings is that it knocked LOO out of the #1 spot – nothing satisfies me more than seeing another series finally beat the crap out of that arrogant Laughing Gor, even if it’s something as stupid as meaningless TV ratings!). Ironically, out of all the FH installments, FH3 was the highest rated, even though it was the worst one of the 3…go figure! Well, whatever – my viewing habits and opinions toward TVB series are rarely in line with the brainwashed HK audiences’ anyway.
One last thought….obviously, I’m not too fond of this series, but if you were to ask me whether I recommend it or not – well, it depends on what context we’re looking at. If you’re looking at 2011 TVB series only, then sure, this series was probably one of the better ones in the bunch (after “Sentinel”, FH3 was the only other series from this year that I was able to sit through from beginning to end), but it definitely was NOT the best series of 2011. If you’re looking at the entire FH franchise (or if you’re like me and have a certain affinity for the original FH series), then no, I wouldn’t recommend it because most likely you will get ticked off (as I did) at how TVB ruined yet another ‘franchise’!
I finished watching FH3 a few weeks ago (simultaneous broadcast with HK), however I actually put off writing a review about this series until now -- mostly because the series sort of wore me out after watching the finale and I really didn't feel like talking about it any more (I guess you could say that I was just glad it was finally over).
Now, don't get me wrong -- I'm not saying that this series was entirely bad because to be honest, I've seen way way worse (and as I will mention later, there were definitely some 'enjoyable' moments in the series) -- but by the same token, compared to many of the other TVB series that I've seen, this one definitely doesn't live up to my standards (now that I think about it though, how many TVB series from the last decade have lived up to my standards? not very many!). I actually wanted to use the word "disappointing" to describe my feeling towards this series, but after thinking about it further, it's really not accurate to say that I was "disappointed" in this series because in actuality, I didn't have any expectations of this series going into it (I've learned to stop 'expecting' anything from TVB series anymore...LOL). In fact, I wasn't even planning on watching the series in the first place, since when I first heard a few years ago that they were going to do FH3 but was going to change the cast, I was quite bitter about it (come on now -- Forensic Heroes is not the same without Bobby and Frankie, just like Burning Flame is not the same without Wong Hei) -- and quite honestly, based on the 'original' storyline concept for FH3 (the one that TVB pitched during their sales presentation a few years ago), I was actually planning on "boycotting" the series altogether (those who watched that sales presentation or read the original concept summary will probably know why I felt that way at the time). Anyway, it's a moot point now, but needless to say, at that time, I was quite ticked off, so pretty much the series didn't start off on the right foot with me, even as far back as the 'conceptual' beginning (prior to it becoming the series it eventually became). The only reason why I decided to give the series a chance was pretty much because of Wayne (and the fact that there was nothing else interesting to watch on TV, since the other series airing around the same time were extremely boring). More about Wayne's role later....
Before I go any further....for those of you who are regular readers of my reviews of TVB series (thank you!), I'm actually going to do this review a bit differently than the other ones I've done in the past. Instead of doing an in-depth analysis of each character / artist like I normally do, I'm going to take a different approach and basically just talk about my 'likes' and 'dislikes' about the series in general (figured that this was the easiest way to do this particular review).
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STORYLINE / SCRIPT
One of my biggest "issues" with this series was the seriously flawed script -- there were so many things that didn't make sense, it totally detracted from the series as a whole and made it difficult to enjoy watching it (for me at least). Over the many years that I've been following TVB and HK entertainment, I've watched plenty of TVB series and I can honestly say that I can't recall encountering a series (that I've watched from beginning to end that is) with as many 'head-scratching', 'what-the-heck' moments as this one (and I'm not exaggerating either -- I was pretty much able to find at least 1 thing from each episode that fit into the "WTH" category!). I don't know if the writers were under pressure to produce the script in a short amount of time so they rushed things without realizing it or if there was a particular intention behind the way the script was written (I'm leaning toward the latter, since the 2 writers Choi Ting Ting and Leung Mun Wah are experienced scriptwriters), but whatever the reason, the fact is that the script was very poorly written.
Amongst the most "glaring" of flaws in the script (series) was the very obviously 'rushed' storyline -- the writers didn't spend enough time developing the areas that should have been developed (for example, the relationships of the various characters, some of the details of certain cases, etc.) and instead wasted alot of time with cases that were boring and lame (i.e. that case about the tenants and the owner of a building where the tenant dies after slipping in the bathroom and also that cosplay case near the end of the series, just to name a few). I understand that with these types of series, the premise is about crime-solving, so that should definitely be the focus, but the relationships of the characters are important as well, since, as humans, we spend most of our lives interacting with each other – so in series like these, it’s necessary to have a good balance of both. Unfortunately though, the writers didn’t do a very good job in this area….not only that, but the lack of development in the relationships with this particular series had a significant impact for me because throughout the whole time that I watched, I didn’t feel anything for any of the main pairings – it was almost as though I could care less who was paired up with whom (of course, part of this could have also been due to the lack of chemistry between the artists themselves).
Here are a few examples of the “rushed” parts that I had a problem with (not an all-inclusive list):
.-- Nancy / Wayne divorce – the way the writers wrote the divorce storyline between Nancy and Wayne’s characters was way too ‘purposeful’ to be realistic. Considering how long they had been together as a loving couple, plus they had a daughter that they needed to think about, I was surprised at how quickly they reached the decision to divorce (and pretty much over 1 incident too). The feeling I got was that they went from being the ‘model couple’ one minute to a ‘I don’t love you anymore and can’t stand the way you operate’ relationship the next minute. And of course, this whole thing pretty much happened over the course of like 1 episode (actually, not even, since there was other stuff interspersed throughout the episode) – plus with the way the whole thing played out, I definitely got the impression that neither character (Wayne and Nancy) was too emotional / distraught over the breakup (so maybe they didn’t really love each other that much after all). In any case, the way that whole piece was written was definitely lacking.
.-- Maggie / Ruco breakup – ok, I have to say that as much as I disliked the way the writers handled Nancy and Wayne’s divorce, the way that they handled Maggie and Ruco’s breakup was way worse….in fact, it was so lame and stupid, it’s not even funny! Sure, it’s not like they spent a lot of time developing Maggie and Ruco as a couple in the first place, but at least the writers did bring them together over the course of a few episodes (well, I guess you could say half the series) and up until the point they broke up, there was no indication whatsoever that they were incompatible or planning to separate in any way. Then, at the end of one of the episodes, they ‘suddenly’ mutually realize that they don’t love each other as they thought they did and literally within like 1 scene, they decide to part ways. WTH??? It was so totally random and came out of nowhere that it left me wondering what the whole point was of having Ruco and Maggie together in the first place! Oh, and at least with Nancy and Wayne, they had 1 episode to ‘divorce’ – with Ruco and Maggie, it was like 1-2 scenes max (and at the end of an episode too – by the first scene of the next episode, Ruco’s character was already ‘gone’)….how lame! If they were going to write the breakup this way, then they shouldn’t have put Ruco and Maggie together from the beginning (they definitely could have had Ruco participate in the series without making him a ‘love interest’ for Maggie)!
.-- Wayne / Maggie relationship – with the ‘rushed’ way that the breakups of the 2 main characters were done, it definitely seemed to me that the main purpose of the entire series (from a relationship perspective at least) was to have Wayne and Maggie become a couple. It’s almost as though the writers were trying to say ‘let’s get their previous relationships over with so we can get the 2 of them together’. (The two of them got together pretty much right after Maggie and Ruco broke up, plus the lame way that they did that breakup made it too obvious that the Wayne/Maggie get-together was their main objective). To be honest, I wasn’t too keen on Wayne and Maggie as a couple because I felt that their characters lacked chemistry -- to me, there was actually no difference in their relationship prior to them becoming a couple (when they worked together as partners in the forensics team) and afterwards….
The other major flaw with the script (as far as I noticed at least) was the ‘randomness’ of some of the elements / scenes / characters related to each of the cases. There were some characters and scenes ‘interspersed’ in the series that were completely irrelevant to the development of the storyline and seemed to serve no purpose whatsoever (pretty much you could take those characters out and it would have very little, if any, impact to the script / series). This actually got annoying after awhile because it didn’t just happen once or twice – it was a recurring ‘issue’ throughout the entire series.
A few of the most obvious examples of this:
.-- The ‘nephew scene’ during the tenants vs landlord case (which was already a lame case to begin with) – the guy who played the nephew (whom I found out later was one of the newer Mr HKs) only appeared for like 10 seconds in one scene (he basically had one line of dialogue), then disappeared and was never heard from again. He was mentioned briefly later on during the investigation of the case (yea, for like a minute), but turns out he had nothing to do with the case whatsoever. So what was the point in putting his character in there, especially if he was going to appear for only a few seconds and had nothing to do with the case? Totally didn’t get that part…
.-- Sire Ma’s brief appearance during the case about the murder of the college student was totally random as well. She was only in 2 scenes and had probably about 5 lines of dialogue – her total screentime was probably close to 10 minutes or so (maybe even less). I mean, I could understand putting her in the series if her character had anything at all to do with the case, but she didn’t – she was pretty much just the murdered guy’s ex-girlfriend and was never even considered as a suspect in the case. Totally random character…
.-- Felix Lok’s character was another random one that the writers put in there for no significant reason. He was literally only in 1 scene at the end of an episode, though they did talk about his character a little bit in one of the scenes prior to that. Basically, in those 2 scenes, they made him out to be some sort of powerful mob boss / businessman whom Nancy decides to work for (that’s part of her reasoning for divorcing Wayne and leaving for the U.S.) – based on the way that set things up, made it seem like he would play a significant role in one of the future cases perhaps. Unfortunately, that wasn’t the case at all -- after that, his character is not mentioned again until Nancy returns – but even then, the ‘mention’ is lame because he isn’t involved with any type of case. Even with the case involving Nancy at the end of the series, he was completely irrelevant – they pretty much ‘mentioned’ that he was still in the U.S. and was sick on his deathbed (or something like that) and that’s it – never mentioned again. Huh? What was the point of his character then?
The above is just scratching the surface – there were a lot more instances / characters that were ‘interspersed’ the same way. After watching this series, it totally made me question the experience of the scriptwriters (the horribly written script made it seem like newbies who didn’t know what they were doing actually wrote it) and what they were thinking when putting together this script. It was definitely annoying to say the least.
Despite all of the ‘shortcomings’ of the script, there WERE a few enjoyable moments in the series, but unfortunately, not enough for me to ‘overlook’ the flaws. Still, here’s a brief mention of some of the ‘highlights’ of the series for me:
.-- Nancy’s court scenes and her ‘showdown’ with Wayne and Yuen Wah (who played Wayne’s father) during that one murder case involving the rich guy were definitely exceptional and well done. I literally was at the edge of my seat watching those scenes – too bad that it was short-lived though.
.-- The case involving Ram Tseung’s son in the series (the murder of the college student case) was very interesting as well and for me, it was probably one of the best cases in the series (partly because it wasn’t as easy to guess the killer). Another reason why I enjoyed that case was because Ram was heavily involved in those few episodes – since he’s one of my favorite ‘green leaf’ actors, it was definitely a ‘treat’ for me!
.-- Yuen Wah’s character was hilarious (without intending to be) – I enjoyed almost all of his scenes, especially the one in particular with Angela Tong’s character. It’s sort of sad that even though Yuen Wah didn’t have very much screentime, I absolutely enjoyed his performance over everyone else’s – even the main leads.
.-- Ruco’s character is another one that I enjoyed – in fact, I was one of those people who liked his pairing with Maggie (just about the only ‘pairing’ that I liked and felt a connection to in the entire series) – but the stupid writers had to go ruin it with that lame breakup thing that I mentioned earlier! Plus his screentime was way less than Yuen Wah’s and the way they ‘wrote him out of the series’ was quite dumb (and didn’t make sense). For me, the entire series pretty much went downhill after that -- well, it was already starting to go downhill before that quite honestly, but at least there were still scenes worth watching – but after Ruco’s case, the remaining episodes were so boring, I pretty much lost interest and stopped paying attention to the series until the finale episode.
.***.
CAST / CHARACTERS
Like I mentioned earlier, I’m not going to do a detailed character analysis in this review, as I feel it would be a waste of time to do so, especially since many people have already seen this series.
Therefore, just some brief thoughts:
.-- Wayne Lai (Pro Sir) – as much as I love Wayne, I really feel that the character of Pro Sir doesn’t suit him all that much. With Wayne’s caliber of acting, this particular character is way too easy for him and in my opinion, is a complete waste of his talent (literally, he can do that character in his sleep!). He needs more dynamic, challenging roles (ones with more depth) that will truly be able to showcase his talent. Hopefully, Wayne chooses his roles more carefully in the future – with his status and position, he can definitely afford to be picky with his roles and not just take whatever (crappy) roles TVB gives him!
.-- Maggie Cheung (Dr. Chung) – Out of all of the 90s fa dans, Maggie has always been near the bottom of my list – nothing against her personally or her acting, it’s just that she has never been my ‘cup of tea’ when it comes to actresses that I enjoy watching -- so to me, her participation in this series doesn’t make much of a difference to me. Overall, I would say that Maggie did a pretty good job in her role as forensic pathologist Dr. Mandy Chung – she was convincing enough in the role and handled the complicated dialogue quite well. Other than that, I don’t really have much opinion on her performance.
.-- Ron Ng (Wind Sir) & Kate Tsui (Madam Ling) – I’m not fond of either artist, so didn’t really pay a whole lot of attention to their scenes…but even then, it was definitely obvious that their characters were ‘second fiddle’ to Wayne and Maggie’s. Honestly, I really didn’t see the value of Ron and Kate’s cop characters because it’s not like they were the ones doing most of the crime-solving anyway – in most of the episodes, it actually seemed as though Wayne and Maggie were the cops instead of Ron and Kate, since they were almost always present when the ‘big reveal’ occurred in many of the episodes (which is one of the other things that didn’t make sense about the script, but oh well). Their roles definitely weren’t memorable and in my opinion, any one of the current TVB 2nd line artists could have done the same role and it wouldn’t have mattered (actually, the other artists may even be able to do it better!).
.-- Nancy Wu (Pro Sir’s wife Eva Chow) – Nancy’s character definitely stood out in this series, as her character was quite strong and she had some of the best scenes -- her portrayal of a lawyer was very convincing and her court-scenes were well-acted. But too bad that her character changed in the latter half of the series after returning from the U.S. (she quit her attorney job and became a freelance writer for a legal journal) – basically, her role became more of a ‘vase’ character later on in the series, which was really dumb of the writers to do when her character had so much potential in the first half of the series. Not sure what the reasoning was behind why her character was written this way, but I know that if I were writing the script, I would definitely have written her character differently, perhaps even making her role more significant than Kate’s (since the cops in this series were pretty useless anyway). The writers pretty much wasted the character’s potential.
.-- Yuen Wah (Uncle Hing) – Yuen Wah’s role as Wayne’s dad in the series was actually quite enjoyable. His somewhat comical character (not purposefully comical, but he just came across that way) provided an interesting juxtaposition to Wayne’s ‘serious’ Pro Sir role. I will admit that I had my doubts at first with how Yuen Wah would fit into the role given his background (I always think of him as a kungfu guy) and with Wayne’s character being so serious and professional, but it actually worked out just fine in my opinion. In fact, I liked the chemistry he and Wayne had as father and son and definitely would have liked to see more scenes of them together. Oh, and I must mention that the scene with Angela Tong (where Yuen Wah thinks she is interested in his son and so tries to play matchmaker for them, only to find out that she is actually interested in him) was absolutely hilarious – I got quite a few good laughs out of that part! And there were other great scenes involving Yuen Wah as well (i.e. the court scene with Nancy, his reaction afterwards, etc.) – both serious and comical – that were thoroughly enjoyable. He was definitely my favorite character in the series.
.-- Ruco Chan (Jim Fong) – I liked Ruco’s performance, but unfortunately, he had WAY too little screentime – which also means that his character wasn’t developed enough for me to ‘enjoy’ his character as much as Yuen Wah’s. I really feel that they should have given Ruco a more significant role in the series (and develop his character more) because the little screentime that he had just wasn’t enough. In my opinion, they (the writers / producer) should have just cut Ron and Kate roles (or reduce their screentime if they wanted to keep them) and expanded Ruco and Nancy’s roles because both of them definitely outshined the ‘main’ characters in this series.
.***.
CONCLUDING THOUGHTS
Overall, I would say that this series fell into the ‘tolerable’ category for me: the first half of the series had some good potential, but the second half of the series was sort of bad – the series definitely has that typical ‘strong start, weak ending’ element that is notorious in many of TVB’s series nowadays.
Of course, it’s hard to write a review about FH3 without mentioning FH1 and FH2, since the series IS supposed to be a “sequel” after all (though this installment has absolutely nothing to do with the first 2 in terms of storyline and cast). Without going into a huge comparison / analysis thing (because honestly, FH2 and FH3 can’t compare with the original), I will say that, as part of the same franchise, FH3 definitely did not live up to its hype. I absolutely adored the first installment of FH and the awesome chemistry that the original cast (Bobby, Frankie, Yoyo, and yes, even Linda) had – plus the cases were well-written and the storyline was fast-paced enough without rushing through things ( it’s one of the few series from the post 2000 era that I actually like and can re-watch over and over again without getting bored). FH2 ruined that chemistry with the addition of Charmaine and Kevin, thereby resulting in a reduction in screen time for the original cast (so that the focus could be on 2006’s TV King and Queen, no doubt) – in my opinion though, the script was already poorly written starting with that installment (as I remember there were a lot of scenes that didn’t make sense in that installment as well, though not to the extent of FH3)…the only ‘redeeming factor’ for FH2 that made it watchable was the fact that it still had Bobby and Frankie, so it was less of a struggle to sit through (since I could just forward through other people’s scenes). Now with FH3, not only was the cast completely changed and the characters poorly developed, the script was also poorly written – for me, those 2 factors alone made the installment worse than the previous two.
Lastly, I’d like to briefly talk about the ratings for FH3 – those who know me know that I’ve never been one to care much about ratings, since to me, ratings mean nothing when it comes to determining a ‘quality’ series (high ratings DOES NOT EQUAL quality!). In the HK entertainment industry especially, TV ratings mean absolutely nothing given that the entire industry is monopolized by only 1 TV station (which means that HK audiences pretty much don’t have a choice in terms of which TV station to watch, so naturally the ratings would be high, since basically the entire region watches the same station). I personally feel that the HK media’s obsession with TV ratings is stupid given the dynamics I just described, but for the sake of argument, I will ‘entertain’ the ratings thing for a second – when FH3 aired in HK, its ratings were so high that it became the ‘highest rated series’ of 2011, taking the #1 spot from the Laughing Gor series “Lives of Omission” (for me, the only ‘good’ thing about FH3’s ratings is that it knocked LOO out of the #1 spot – nothing satisfies me more than seeing another series finally beat the crap out of that arrogant Laughing Gor, even if it’s something as stupid as meaningless TV ratings!). Ironically, out of all the FH installments, FH3 was the highest rated, even though it was the worst one of the 3…go figure! Well, whatever – my viewing habits and opinions toward TVB series are rarely in line with the brainwashed HK audiences’ anyway.
One last thought….obviously, I’m not too fond of this series, but if you were to ask me whether I recommend it or not – well, it depends on what context we’re looking at. If you’re looking at 2011 TVB series only, then sure, this series was probably one of the better ones in the bunch (after “Sentinel”, FH3 was the only other series from this year that I was able to sit through from beginning to end), but it definitely was NOT the best series of 2011. If you’re looking at the entire FH franchise (or if you’re like me and have a certain affinity for the original FH series), then no, I wouldn’t recommend it because most likely you will get ticked off (as I did) at how TVB ruined yet another ‘franchise’!
Monday, November 28, 2011
Review of "The Voice 3" Finale
Not sure how many of you have been following the 3rd season of TVB's singing contest "The Voice". I've actually been following since the first season and of course this most current season was no exception -- I've been keeping up with watching each episode of season 3, but have not been blogging about the show as heavily as I did last year, primarily due to lack of time.
However, since I did a post about the season opener a few months ago, I figured it would be appropriate for me to do an updated post now that Season 3 is officially over (the finale aired yesterday and the winner of the contest was already crowned).
Note that this will only be a summary primarily targeted towards the finale, as I really wasn't keeping notes during the entire 14 week competition, so can't really go into detail on the previous episodes.
Here are the winners this year:
First Place (Champion): Jerry Liu (廖仲謙)
Second Place: Jay Fung (馮允謙)
Third Place: Carrie Tam (譚嘉儀)
** It was a close competition between Jerry and Jay: Jerry won with an overall score of 173.6 versus Jay’s 171.6**
As I stated in my earlier post from the season opener (read it here), the 'quality' of the contestants this year really wasn't too great -- there were only a few standouts among the contestants (namely Jerry and Jay) and the rest were only mediocre singers. Therefore, I have to say that the results this year (in terms of who won the competition) was pretty predictable (to me, it was pretty much a 'no-brainer' that Jerry would be the champion and Jay would come in 2nd). I'm actually fine with the results this year (surprising, huh, since I wasn't happy with the results the past 2 seasons...LOL), as the first and second place winners (Jerry and Jay, respectively) were basically the only contestants who truly did stand out the most in terms of singing skill (and they obviously were the same 2 people I had been rooting for all season). In fact, if the 2 of them DIDN'T win as I (and pretty much everyone else who kept up with the show) thought they would, then that would be proof that the show truly was rigged! Luckily, there was no need to go there....(yes, TVB did their job properly for once...hahaha).
In my opinion, after watching all 3 seasons of the show, this season was definitely the 'fairest' in terms of the judging and the winners -- I pretty much agreed with almost all of the scores and comments that were given throughout the season (except for a few that are not worth mentioning now given the results). I'm thinking that perhaps the judges learned a lesson from the 'backlash' and complaints from last year and so really cleaned things up this time around? Or it could be that since the quality of the other contestants was so poor this year, it was easier for them to give high scores to those who truly deserved it and low scores to those who didn't? Whatever the case may be, kudos to the judges this year for being fair -- in my book, they pretty much redeemed themselves after the horrible job they did last year with the judging!
Anyway, here's my take on this year's winners:
.-- Jerry Liu: Jerry is a kindergarten teacher (hence everyone called him Teacher Liu throughout the competition) and I believe he's also the oldest among the contestants (he’s actually not THAT old – he’s in his twenties, but he’s very mature and looks like he’s in his thirties). From a physical appearance standpoint (we are talking about the entertainment industry after all, so of course 'looks' will matter to some extent), Jerry definitely would not meet the expectations of what most of today's younger generation would look for in a singer (he's short and wears glasses) -- but for us older folks who treasure talent over looks, he fit the bill perfectly. From the moment I heard Jerry sing in the first episode, I was blown away by his amazing voice and as his steady singing skills continued to emerge throughout the season, I pretty much already knew that he would definitely make it into the top 3 (and perhaps even win the competition, since basically no one else could match him in terms of singing skill). His singing actually reminded me of Taiwanese artist Terry Lin Zhi Xuan (林志炫), as his voice sounded almost exactly like his (the way he carried the ending notes to the songs was very similar as well)....perhaps that's why I connected with Jerry from the start, since Terry Lin is one of the few Taiwan singers that I actually liked and listened to back in the day -- with a voice so powerful, it's hard not to grab people's attention with it. Oh, and I should probably mention that he sort of looks like Terry Lin as well – albeit a shorter version of him – though by the last few episodes, I felt that he looked more like Anthony Lun than Terry Lin (even host Sammy Leung thought so, since he joked about Jerry looking like Mr Lun Lun during the finale).
Not surprisingly, Jerry pretty much got the highest scores throughout the season (rightfully so), since he was truly the most talented in the group. His main 'weakness' (according to the judges) was that he needed to work on the emotional aspect of his performances so that he could truly 'connect' with the audiences -- it's obvious that he took that feedback to heart, as his performances continued to get better and better as the competition went on, to the point that in the last few episodes, his singing almost moved me to tears (at certain points, I actually felt like I was watching an actual singer performing at a concert – goes to show how ‘good’ he was). And it wasn't just me who thought this way -- obviously the audiences did as well, since he was voted by the audiences overall as the second most popular contestant in the competition. In fact, he started off with basically 'zero' fans rooting for him in the stands (except his girlfriend) and by the finale, he had a whole section of fans who held up signs bearing his name and happily cheered him on. He also had a great attitude as well and it was obvious that the other contestants looked up to him as a ‘big brother’ (they unanimously voted for him to be the team leader throughout the competition).
I was defintely happy to see Jerry win because he was truly the best singer there – of course, he wasn’t perfect (no one is perfect), but he was definitely very high up there in terms of quality, in my opinion. Very deserving win for Jerry!
.—Jay Fung: Jay is actually from Canada and returned to HK (his family is in HK) to participate in the competition. Of course, being a CBC (Canadian born Chinese), English is his primary language, so his Cantonese (and Mandarin) were not that good. I think of Jay as the Sheldon Law (season 2’s third place winner) of season 3 because they both had very similar singing styles and also both had that cute ‘happy-go-lucky’ personality -- plus both of them were very ‘gwei lo’ who spoke heavily accented Chinese (no wonder they were paired up together in one of the episodes – they performed Jason Mraz’s “I’m Your’s” and pretty much brought the house down with that performance!).
Jay was definitely the most ‘endearing’ contestant -- he had a certain ‘bubbliness’ about him and also an infectious smile that made it very hard not to like him…the audiences (including myself) obviously loved him! (I enjoyed watching the interview segment they did with Jay and his family – which they did with all the contestants – it was hilarious how he wanted to cook a meal for his family to thank them for their support, but because he never set foot in a kitchen before, he didn’t even know how to turn on the stove and almost burned his brother’s house down…hahaha…it was funny and cute at the same time).
One of the things I liked about Jay is that even though his singing skill may not have been the greatest (he was ‘good’, but not always consistent), he had a great attitude, took the judges’ feedback to heart, and most importantly, was willing to step out of his comfort zone by taking on the challenge of singing Cantonese and Mandarin songs (even though his strength was with English songs)…not only that, but to sing mostly Chinese songs during the crucial final episode – which, if not done properly, could have severely jeopardized his chances – is even more admirable. Sure, other contestants have tried challenging themselves as well by singing songs that they weren’t used to, but very few of them actually did it well – Jay was definitely unique in this aspect. The way he performed, it was barely noticeable that his pronunciation wasn’t the greatest because his performances were all so captivating. I definitely agree with the feedback that the judges gave him: He may not be the best singer in the group, but he is definitely the best overall performer / entertainer.
.—Carrie Tam: Carrie was the only female contestant who made it to the finals, which wasn’t all too surprising given that the pool of female contestants thise year was severely lacking in quality. I actually don’t feel that Carrie’s singing skills were that great (she has a nice voice, but she gets off-tune quite often), but I will say that if you look at all the female contestants, she was definitely the best one in that group (which is kind of sad if you think about it, but oh well) – though if you compare her to the guys, there was definitely no doubt that they were better.
When I was watching the finale, I was actually surprised that she made it into the top 3 and to be honest, I definitely feel that her good looks played a part in it, but since she only got 3rd place and the 2 who were most deserving to be in the first and second spots (Jerry and Jay) did win as expected, I won’t complain about Carrie too much. The only thing that I would say was extremely annoying was how the hosts (Sammy Leung and Kristal Tin) kept referring to Carrie as “The Voice” version of Coco Lee, which actually was not a true statement, since she didn’t sing or look like Coco at all (she actually looks more like Florinda Ho if you ask me) – I kept scratching my head wondering where in the world the hosts got that ‘nickname’ from!
.---.
Overall, I definitely enjoyed season 3 way more than I did season 2 (obviously, since I was less frustrated this time around). Though some people may argue that season 2 was ‘more exciting’ due to all the controversies and such (those who watched last season or followed my posts about season 2 on my blog will know exactly what I’m talking about), I definitely don’t fit into that category, as I’m the type of person who doesn’t enjoy being frustrated. Plus, since this is a singing competition after all, my expectation of the program is for the focus to be on the singing, not on controversy.
However, since I did a post about the season opener a few months ago, I figured it would be appropriate for me to do an updated post now that Season 3 is officially over (the finale aired yesterday and the winner of the contest was already crowned).
Note that this will only be a summary primarily targeted towards the finale, as I really wasn't keeping notes during the entire 14 week competition, so can't really go into detail on the previous episodes.
Here are the winners this year:
First Place (Champion): Jerry Liu (廖仲謙)
Second Place: Jay Fung (馮允謙)
Third Place: Carrie Tam (譚嘉儀)
** It was a close competition between Jerry and Jay: Jerry won with an overall score of 173.6 versus Jay’s 171.6**
As I stated in my earlier post from the season opener (read it here), the 'quality' of the contestants this year really wasn't too great -- there were only a few standouts among the contestants (namely Jerry and Jay) and the rest were only mediocre singers. Therefore, I have to say that the results this year (in terms of who won the competition) was pretty predictable (to me, it was pretty much a 'no-brainer' that Jerry would be the champion and Jay would come in 2nd). I'm actually fine with the results this year (surprising, huh, since I wasn't happy with the results the past 2 seasons...LOL), as the first and second place winners (Jerry and Jay, respectively) were basically the only contestants who truly did stand out the most in terms of singing skill (and they obviously were the same 2 people I had been rooting for all season). In fact, if the 2 of them DIDN'T win as I (and pretty much everyone else who kept up with the show) thought they would, then that would be proof that the show truly was rigged! Luckily, there was no need to go there....(yes, TVB did their job properly for once...hahaha).
In my opinion, after watching all 3 seasons of the show, this season was definitely the 'fairest' in terms of the judging and the winners -- I pretty much agreed with almost all of the scores and comments that were given throughout the season (except for a few that are not worth mentioning now given the results). I'm thinking that perhaps the judges learned a lesson from the 'backlash' and complaints from last year and so really cleaned things up this time around? Or it could be that since the quality of the other contestants was so poor this year, it was easier for them to give high scores to those who truly deserved it and low scores to those who didn't? Whatever the case may be, kudos to the judges this year for being fair -- in my book, they pretty much redeemed themselves after the horrible job they did last year with the judging!
Anyway, here's my take on this year's winners:
.-- Jerry Liu: Jerry is a kindergarten teacher (hence everyone called him Teacher Liu throughout the competition) and I believe he's also the oldest among the contestants (he’s actually not THAT old – he’s in his twenties, but he’s very mature and looks like he’s in his thirties). From a physical appearance standpoint (we are talking about the entertainment industry after all, so of course 'looks' will matter to some extent), Jerry definitely would not meet the expectations of what most of today's younger generation would look for in a singer (he's short and wears glasses) -- but for us older folks who treasure talent over looks, he fit the bill perfectly. From the moment I heard Jerry sing in the first episode, I was blown away by his amazing voice and as his steady singing skills continued to emerge throughout the season, I pretty much already knew that he would definitely make it into the top 3 (and perhaps even win the competition, since basically no one else could match him in terms of singing skill). His singing actually reminded me of Taiwanese artist Terry Lin Zhi Xuan (林志炫), as his voice sounded almost exactly like his (the way he carried the ending notes to the songs was very similar as well)....perhaps that's why I connected with Jerry from the start, since Terry Lin is one of the few Taiwan singers that I actually liked and listened to back in the day -- with a voice so powerful, it's hard not to grab people's attention with it. Oh, and I should probably mention that he sort of looks like Terry Lin as well – albeit a shorter version of him – though by the last few episodes, I felt that he looked more like Anthony Lun than Terry Lin (even host Sammy Leung thought so, since he joked about Jerry looking like Mr Lun Lun during the finale).
Not surprisingly, Jerry pretty much got the highest scores throughout the season (rightfully so), since he was truly the most talented in the group. His main 'weakness' (according to the judges) was that he needed to work on the emotional aspect of his performances so that he could truly 'connect' with the audiences -- it's obvious that he took that feedback to heart, as his performances continued to get better and better as the competition went on, to the point that in the last few episodes, his singing almost moved me to tears (at certain points, I actually felt like I was watching an actual singer performing at a concert – goes to show how ‘good’ he was). And it wasn't just me who thought this way -- obviously the audiences did as well, since he was voted by the audiences overall as the second most popular contestant in the competition. In fact, he started off with basically 'zero' fans rooting for him in the stands (except his girlfriend) and by the finale, he had a whole section of fans who held up signs bearing his name and happily cheered him on. He also had a great attitude as well and it was obvious that the other contestants looked up to him as a ‘big brother’ (they unanimously voted for him to be the team leader throughout the competition).
I was defintely happy to see Jerry win because he was truly the best singer there – of course, he wasn’t perfect (no one is perfect), but he was definitely very high up there in terms of quality, in my opinion. Very deserving win for Jerry!
.—Jay Fung: Jay is actually from Canada and returned to HK (his family is in HK) to participate in the competition. Of course, being a CBC (Canadian born Chinese), English is his primary language, so his Cantonese (and Mandarin) were not that good. I think of Jay as the Sheldon Law (season 2’s third place winner) of season 3 because they both had very similar singing styles and also both had that cute ‘happy-go-lucky’ personality -- plus both of them were very ‘gwei lo’ who spoke heavily accented Chinese (no wonder they were paired up together in one of the episodes – they performed Jason Mraz’s “I’m Your’s” and pretty much brought the house down with that performance!).
Jay was definitely the most ‘endearing’ contestant -- he had a certain ‘bubbliness’ about him and also an infectious smile that made it very hard not to like him…the audiences (including myself) obviously loved him! (I enjoyed watching the interview segment they did with Jay and his family – which they did with all the contestants – it was hilarious how he wanted to cook a meal for his family to thank them for their support, but because he never set foot in a kitchen before, he didn’t even know how to turn on the stove and almost burned his brother’s house down…hahaha…it was funny and cute at the same time).
One of the things I liked about Jay is that even though his singing skill may not have been the greatest (he was ‘good’, but not always consistent), he had a great attitude, took the judges’ feedback to heart, and most importantly, was willing to step out of his comfort zone by taking on the challenge of singing Cantonese and Mandarin songs (even though his strength was with English songs)…not only that, but to sing mostly Chinese songs during the crucial final episode – which, if not done properly, could have severely jeopardized his chances – is even more admirable. Sure, other contestants have tried challenging themselves as well by singing songs that they weren’t used to, but very few of them actually did it well – Jay was definitely unique in this aspect. The way he performed, it was barely noticeable that his pronunciation wasn’t the greatest because his performances were all so captivating. I definitely agree with the feedback that the judges gave him: He may not be the best singer in the group, but he is definitely the best overall performer / entertainer.
.—Carrie Tam: Carrie was the only female contestant who made it to the finals, which wasn’t all too surprising given that the pool of female contestants thise year was severely lacking in quality. I actually don’t feel that Carrie’s singing skills were that great (she has a nice voice, but she gets off-tune quite often), but I will say that if you look at all the female contestants, she was definitely the best one in that group (which is kind of sad if you think about it, but oh well) – though if you compare her to the guys, there was definitely no doubt that they were better.
When I was watching the finale, I was actually surprised that she made it into the top 3 and to be honest, I definitely feel that her good looks played a part in it, but since she only got 3rd place and the 2 who were most deserving to be in the first and second spots (Jerry and Jay) did win as expected, I won’t complain about Carrie too much. The only thing that I would say was extremely annoying was how the hosts (Sammy Leung and Kristal Tin) kept referring to Carrie as “The Voice” version of Coco Lee, which actually was not a true statement, since she didn’t sing or look like Coco at all (she actually looks more like Florinda Ho if you ask me) – I kept scratching my head wondering where in the world the hosts got that ‘nickname’ from!
.---.
Overall, I definitely enjoyed season 3 way more than I did season 2 (obviously, since I was less frustrated this time around). Though some people may argue that season 2 was ‘more exciting’ due to all the controversies and such (those who watched last season or followed my posts about season 2 on my blog will know exactly what I’m talking about), I definitely don’t fit into that category, as I’m the type of person who doesn’t enjoy being frustrated. Plus, since this is a singing competition after all, my expectation of the program is for the focus to be on the singing, not on controversy.
Saturday, November 19, 2011
My Thoughts on TVB’s 44th Anniversary Gala (萬千星輝賀台慶2011)
I just finished watching this year’s TVB Anniversary Gala show (which took place in HK yesterday). As I said in my review of last year’s gala (those who are interested can read it here), the galas nowadays can’t compare with the ‘grand’ and ‘glamorous’ gala events of the 80s/90s, as the galas of late have all been lackluster and extremely boring (plus the performances are usually nothing to rave about). Watching the past few year’s anniversary galas really makes me yearn for the good old days.
Anyway, back to this year’s gala….here are some of the ‘highlights’ and ‘lowlights’ from the show:
.> In comparisons to last year’s gala (where the biggest names in attendance in terms of siu sangs were pretty much Wayne Lai and Moses Chan), there definitely were a lot more siu sangs and fa dans who attended this year. Not surprisingly, many of TVB’s ‘favorites’ who are currently being promoted (such as Kevin Cheng, Michael Tse, Fala Chen, Moses Chan, Bosco Wong, Myolie Wu, Kate Tsui, Ron Ng, Raymond Lam, Tavia Yeung, etc.) as well as others currently headlining anniversary series (such as Wayne Lai, Maggie Cheung, etc.) attended the show – but honestly, how many of them attended because they HAD to (meaning to get on TVB’s good side due to the awards show coming up next month)? Also, even though a lot more ‘recognizable’ artists attended, majority of them didn’t do anything significant except participate in the opening segment – the rest of the time, they just stood around or watched the show from the stands or backstage (or maybe some of them even left?).
.> The only ‘highlight’ of the show for me were the parts with Ruco Chan (which is partly why I liked the first segment with the FH3 cast). He actually got to participate in a few of the segments, which is fine with me, since I like watching him -- plus he looked so absolutely fine and handsome in the outfit he wore! [Sidenote: He definitely has my vote for Favorite Male Character at the awards ceremony this year – I hope TVB doesn’t make that award into another ‘consolation prize’ for TV King like they’ve been doing for the past couple years!]
.> The focus of the show was primarily on the following ‘groups’: the cast of “Lives of Omission” and “Forensic Heroes III”, the 3 Gods (aka Fuk Luk Sau), the Voice singers, the Mr and Miss HKs, the Kung Fu Supernova finalists, and the currently promoted siu sangs / fa dans who attended. Each group pretty much put on various performances and competed against each other – the winners basically just got bragging rights. Most of the performances were lame and boring, with the exception of maybe 1 or 2 that were actually interesting (namely the first segment involving the FH3 cast and the ‘tribute’ to past gala feats put on by MC Jin, Hanjin Tan, Bob Lam, and can’t remember the fourth person). Oh, and they didn’t have the anniversary skit this year either, which sort of sucked because even though the skits in the past few years were stupid, at least they provided some laughs…maybe Eric Tsang got tired of having to ‘carry’ the skits each time, since that’s pretty much what happens – or it could be that the artists didn’t want to be ‘tortured’ by him anymore….
.> Out of the 8 hosts for the event, 7 were good, logical choices (the ‘usual’ hosts – Eric Tsang, Nat Chan, Dodo Cheng, Liza Wang, Astrid Chan, Derek Lee, Sharon Chan) – but the last one (King Kong) was a joke! I can’t believe that they had King Kong as one of the hosts – of all the artists they could have chosen to co-host, they had to choose him? I mean, I could barely understand a single word he said! As much as I dislike the 3 gods (Wong Cho Lam, Louis Yuen, Johnson Lee), any of those 3 would have been a better choice than King Kong (at least we don’t have to struggle with trying to understand what’s being said)! Having him as a host for such a major event really detracts from the show as a whole – plus it started getting so annoying listening to him speak his choppy Cantonese throughout the entire show…geez, if they were going to have him host, at least give him a small part only so we don’t have to keep listening to his annoying voice over and over again! So much for a supposedly ‘classy’ event!
.> The musical performances this year sucked! I did enjoy the beginning part of the Voice singers’ performance when they sang those classic hits, but the rest of that segment – namely the parts where Kiki Sheung and Nancy Sit performed – were absolutely cringeworthy!
First of all, Kiki’s outfit was horrible (what was up with that big ole wig?), but her performance was even more so – she sang the classic English song ‘Ain’t No Mountain High Enough’ and not only did she slur her words (obviously her English isn’t good), she was also tremendously off tune (don’t know if it was her lack of familiarity with the lyrics or what, but it sounded like she was trying to ‘catch up’ with the melody to the song). After hearing her sing in last year’s gala, I was expecting a decent performance – boy was I disappointed!
Nancy’s performance was beyond horrible (I can’t even find a word to describe it!). I’ve never liked Nancy both as an actor and singer because I’ve always felt that she’s too OTT (over the top) and almost every single one of her performances (whether in TV series or an actual variety show) is filled with exaggerated movements. Therefore, when I knew she was going to perform, I already expected that it would be another one of those silly, OTT performances. BUT I wasn’t expecting for it to be as bad as it was! Her outfit and makeup were so over the top, it was an eyesore just looking at her. And that horrible song she sang (if I can even call it a song – most of it was just nonsensical murmuring to me) – all I can say is: OMG! (In fact, I had pretty much ‘nodded off’ by that point because the show was so boring, but then when Nancy opened her mouth and started singing, I was shocked back awake!). Needless to say, I was tremendously relieved when that segment ended.
The ONLY redeeming factor in that segment was Susanna Kwan. She sang beautifully as usual (and her outfit was pretty too – she was the only one of the 3 who was dressed decently).
.> Of course, the 3 gods were ‘prevalent’ throughout the anniversary show (not surprisingly). They participated in several segments and also did a ridiculously silly performance that I found sort of crude and corny. I understand that some people like that kind of humor, but I’m definitely not one of them – I didn’t find their segment funny at all (except for the joke they played on Dodo by singing her ex-boyfriend David Lui’s song). Other than that, the rest of the segment was pretty much the usual 3 gods crude humor (and I’m sorry, but arranging for all those siu sangs and fa dans to sit there onstage and laugh at the 3 gods’ antics as if they were the funniest thing they had ever seen was so fake -- it was pretty much like TVB arranged a ‘laugh track’ for their performance because they already knew people were annoyed and tired of seeing the 3 gods). I actually preferred the performance that was competing against theirs – the one that MC Jin’s group did – it wasn’t the best, but at least it was obvious that they put a lot of effort and practice into it.
.> I usually enjoy the game show segment where the hosts draw artists’ names at random to participate and possibly win prize money. However, this year, I was too ticked off to enjoy that segment. The first thing that ticked me off was the part when Liza Wang ‘just happened’ to pick her own name from the stack of name cards and ended up being one of the 4 artists competing for prize money – that part was so obviously rigged, it wasn’t even funny! I mean, it can’t be a coincidence that she was asked to pick the first name and she was like “oh, let me just pick up the first card on top and see what it says” and then it happened to be her own name – I don’t buy it for one second! And to top it off, she actually ended up getting 2nd prize -- come on now, she doesn’t need the prize money nor the ’15 minutes of fame’….why not give that spot to other artists who really could have used the money and the screen time? I swear, there should really be a rule that the hosts of the gala aren’t allowed to participate because every year, it seems that one of them always gets chosen for the game show and ends up winning something – I mean, they are already getting money from hosting the event, do they need to ‘hog’ the prize money as well?
The other thing that ticked me off with that segment was how the money-counting machine kept malfunctioning…not only was it embarrassing, it also put the credibility of the entire game into question (how do we know that the machine counted correctly if it keeps breaking down every few minutes?). Come on TVB – this is your anniversary gala for goodness sake – is it too much to invest in a money-counting machine that actually works? Stop being cheap and spend money where you should for once!
Overall, the show was a huge letdown. I actually regret having watched it because I just wasted 2 hours of my time that I could have spent doing something else. Plus I have to go wash my eyes out now after watching all those Mr HKs dance around the stage in pantyhose and high heels (don’t worry if you don’t know what I’m talking about – you’re better off not watching that particular segment)!
Anyway, back to this year’s gala….here are some of the ‘highlights’ and ‘lowlights’ from the show:
.> In comparisons to last year’s gala (where the biggest names in attendance in terms of siu sangs were pretty much Wayne Lai and Moses Chan), there definitely were a lot more siu sangs and fa dans who attended this year. Not surprisingly, many of TVB’s ‘favorites’ who are currently being promoted (such as Kevin Cheng, Michael Tse, Fala Chen, Moses Chan, Bosco Wong, Myolie Wu, Kate Tsui, Ron Ng, Raymond Lam, Tavia Yeung, etc.) as well as others currently headlining anniversary series (such as Wayne Lai, Maggie Cheung, etc.) attended the show – but honestly, how many of them attended because they HAD to (meaning to get on TVB’s good side due to the awards show coming up next month)? Also, even though a lot more ‘recognizable’ artists attended, majority of them didn’t do anything significant except participate in the opening segment – the rest of the time, they just stood around or watched the show from the stands or backstage (or maybe some of them even left?).
.> The only ‘highlight’ of the show for me were the parts with Ruco Chan (which is partly why I liked the first segment with the FH3 cast). He actually got to participate in a few of the segments, which is fine with me, since I like watching him -- plus he looked so absolutely fine and handsome in the outfit he wore! [Sidenote: He definitely has my vote for Favorite Male Character at the awards ceremony this year – I hope TVB doesn’t make that award into another ‘consolation prize’ for TV King like they’ve been doing for the past couple years!]
.> The focus of the show was primarily on the following ‘groups’: the cast of “Lives of Omission” and “Forensic Heroes III”, the 3 Gods (aka Fuk Luk Sau), the Voice singers, the Mr and Miss HKs, the Kung Fu Supernova finalists, and the currently promoted siu sangs / fa dans who attended. Each group pretty much put on various performances and competed against each other – the winners basically just got bragging rights. Most of the performances were lame and boring, with the exception of maybe 1 or 2 that were actually interesting (namely the first segment involving the FH3 cast and the ‘tribute’ to past gala feats put on by MC Jin, Hanjin Tan, Bob Lam, and can’t remember the fourth person). Oh, and they didn’t have the anniversary skit this year either, which sort of sucked because even though the skits in the past few years were stupid, at least they provided some laughs…maybe Eric Tsang got tired of having to ‘carry’ the skits each time, since that’s pretty much what happens – or it could be that the artists didn’t want to be ‘tortured’ by him anymore….
.> Out of the 8 hosts for the event, 7 were good, logical choices (the ‘usual’ hosts – Eric Tsang, Nat Chan, Dodo Cheng, Liza Wang, Astrid Chan, Derek Lee, Sharon Chan) – but the last one (King Kong) was a joke! I can’t believe that they had King Kong as one of the hosts – of all the artists they could have chosen to co-host, they had to choose him? I mean, I could barely understand a single word he said! As much as I dislike the 3 gods (Wong Cho Lam, Louis Yuen, Johnson Lee), any of those 3 would have been a better choice than King Kong (at least we don’t have to struggle with trying to understand what’s being said)! Having him as a host for such a major event really detracts from the show as a whole – plus it started getting so annoying listening to him speak his choppy Cantonese throughout the entire show…geez, if they were going to have him host, at least give him a small part only so we don’t have to keep listening to his annoying voice over and over again! So much for a supposedly ‘classy’ event!
.> The musical performances this year sucked! I did enjoy the beginning part of the Voice singers’ performance when they sang those classic hits, but the rest of that segment – namely the parts where Kiki Sheung and Nancy Sit performed – were absolutely cringeworthy!
First of all, Kiki’s outfit was horrible (what was up with that big ole wig?), but her performance was even more so – she sang the classic English song ‘Ain’t No Mountain High Enough’ and not only did she slur her words (obviously her English isn’t good), she was also tremendously off tune (don’t know if it was her lack of familiarity with the lyrics or what, but it sounded like she was trying to ‘catch up’ with the melody to the song). After hearing her sing in last year’s gala, I was expecting a decent performance – boy was I disappointed!
Nancy’s performance was beyond horrible (I can’t even find a word to describe it!). I’ve never liked Nancy both as an actor and singer because I’ve always felt that she’s too OTT (over the top) and almost every single one of her performances (whether in TV series or an actual variety show) is filled with exaggerated movements. Therefore, when I knew she was going to perform, I already expected that it would be another one of those silly, OTT performances. BUT I wasn’t expecting for it to be as bad as it was! Her outfit and makeup were so over the top, it was an eyesore just looking at her. And that horrible song she sang (if I can even call it a song – most of it was just nonsensical murmuring to me) – all I can say is: OMG! (In fact, I had pretty much ‘nodded off’ by that point because the show was so boring, but then when Nancy opened her mouth and started singing, I was shocked back awake!). Needless to say, I was tremendously relieved when that segment ended.
The ONLY redeeming factor in that segment was Susanna Kwan. She sang beautifully as usual (and her outfit was pretty too – she was the only one of the 3 who was dressed decently).
.> Of course, the 3 gods were ‘prevalent’ throughout the anniversary show (not surprisingly). They participated in several segments and also did a ridiculously silly performance that I found sort of crude and corny. I understand that some people like that kind of humor, but I’m definitely not one of them – I didn’t find their segment funny at all (except for the joke they played on Dodo by singing her ex-boyfriend David Lui’s song). Other than that, the rest of the segment was pretty much the usual 3 gods crude humor (and I’m sorry, but arranging for all those siu sangs and fa dans to sit there onstage and laugh at the 3 gods’ antics as if they were the funniest thing they had ever seen was so fake -- it was pretty much like TVB arranged a ‘laugh track’ for their performance because they already knew people were annoyed and tired of seeing the 3 gods). I actually preferred the performance that was competing against theirs – the one that MC Jin’s group did – it wasn’t the best, but at least it was obvious that they put a lot of effort and practice into it.
.> I usually enjoy the game show segment where the hosts draw artists’ names at random to participate and possibly win prize money. However, this year, I was too ticked off to enjoy that segment. The first thing that ticked me off was the part when Liza Wang ‘just happened’ to pick her own name from the stack of name cards and ended up being one of the 4 artists competing for prize money – that part was so obviously rigged, it wasn’t even funny! I mean, it can’t be a coincidence that she was asked to pick the first name and she was like “oh, let me just pick up the first card on top and see what it says” and then it happened to be her own name – I don’t buy it for one second! And to top it off, she actually ended up getting 2nd prize -- come on now, she doesn’t need the prize money nor the ’15 minutes of fame’….why not give that spot to other artists who really could have used the money and the screen time? I swear, there should really be a rule that the hosts of the gala aren’t allowed to participate because every year, it seems that one of them always gets chosen for the game show and ends up winning something – I mean, they are already getting money from hosting the event, do they need to ‘hog’ the prize money as well?
The other thing that ticked me off with that segment was how the money-counting machine kept malfunctioning…not only was it embarrassing, it also put the credibility of the entire game into question (how do we know that the machine counted correctly if it keeps breaking down every few minutes?). Come on TVB – this is your anniversary gala for goodness sake – is it too much to invest in a money-counting machine that actually works? Stop being cheap and spend money where you should for once!
Overall, the show was a huge letdown. I actually regret having watched it because I just wasted 2 hours of my time that I could have spent doing something else. Plus I have to go wash my eyes out now after watching all those Mr HKs dance around the stage in pantyhose and high heels (don’t worry if you don’t know what I’m talking about – you’re better off not watching that particular segment)!
Wednesday, November 16, 2011
Review of TVB series “Rain in the Heart 成功路上" (1990)
The series “Rain in the Heart” from 1990 recently re-ran on TV and since it’s been awhile since I watched this series, I decided to re-watch it again (despite the fact that I’ve probably seen this series like at least 5 times already if not more…LOL). Now you may ask: is the series really that good to the point that I watched it more than twice already? Well, the answer is that no, the series may not necessarily be ‘good’ in the sense of ‘classic’ and for some people, it might not even appeal to them because it’s another one of those ‘tales of encouragement’ type series along the lines of “To Love With Love” (which means the storyline can get quite draggy). However, I personally enjoyed the series and despite its predictable and slow storyline (as well as so-so performances from some of the cast members), the series overall is still better made than many of today’s series (in my opinion anyway) – the fact that I’ve re-watched this series several times already in the past 20 years is proof alone that the series is somewhat decent and worthy of re-watching (if I can’t stand a series, I usually don’t even bother finishing it one time, let alone re-watching it!).
One of the biggest reasons why I like this series is the cast, since a lot of my favorites (lead and supporting) are in it. The main cast consists of Roger Kwok (郭晉安), Kathy Chow (周海媚), Gallen Lo (羅嘉良), Dominic Lam (林嘉華), Josephine Lam (林其欣), May Ho (何美婷), Winnie Lau (劉小慧), and veteran artists Kwan Hoi San (關海山), Bak Yan (白茵), Tam Bing Mun (譚炳文), Benz Hui (許紹雄), Nam Hung (南紅), Wong Hoi Yan (黃愷欣), Wong Wai (王偉), etc. Of course, there are others, but not going to list all of them. As usual, later on in my review, I will go into more detail about each character and the artist’s performance, but first, a little bit about the storyline.
As I mentioned earlier, the premise of the story is in the typical TVB modern series formula – an ‘inspirational’ rags to riches story about the main characters’ life struggles in the areas of relationship (love), power, money, friendship, and pretty much everything else. The Chinese title of the series (成功路上) – literally translated as ‘on the road to success’ -- is actually very fitting to the storyline about 2 childhood friends (Roger and Dominic) who go through thick and thin together on the way to achieving success and fortune. [As a sidebar, I have no clue how TVB came up with the English title (“Rain in the Heart”) to this series – the title seems to have absolutely no correlation to the series whatsoever. Perhaps this is another example of TVB ‘attempting’ to be creative with their titles? I don’t know for sure but it’s just weird that the English title is so far off from the series itself.] Of course, knowing the premise of the series, it’s not surprising that parts of the storyline will be a bit dull and draggy (plus the series is 40 episodes long, which is typical of most of the series back in those days, so for some, this series might be too long to sit through – it’s perfect for me though, since I grew up watching 40 episode series, so I’m used to it).
In terms of the characters and performances from the artists – well, I would have to say that it was sort of a mixed bag with this series: some of the characters were well developed and some were not…by the same token, some of the artists gave excellent performances, and others were mediocre (some were even ‘cringe-worthy’!). For the rest of this review, I am going to talk a bit about each of the main characters (as well as a few of the supporting ones), as this will give insight into the development of the overall story.
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Main Cast / Characters
Roger Kwok (Lau Kar Wai) – Roger’s character Kar Wai is the typical ‘good guy’ (very similar to the roles he usually plays) who is honest, upright, reserved, etc., except that he has a certain willful stubbornness about him (especially when it relates to his family) that sets him apart in terms of personality. Even though he technically was born into a rich family (his father is played by late veteran actor Kwan Hoi San and his mother is played by Wong Hoi Yan), the reality is that he grew up in a ‘pseudo’ single parent household due to family circumstances: not only did his father already have a family of his own when he met his mother (which meant that she was technically the mistress), there was also a huge age difference between the two. Because of this, he always had a strained relationship with his father and continued to be at odds with him until the father dies and he finds out the truth about the relationship between his parents (yes, very clichéd indeed). His father of course bequeaths his business (a Chinese bakery) to him, however due to conflicts with family (since his father had a wife and kids already), all he ended up getting was a ‘shell’ of a company. From that point on, Kar Wai and his friends work to rebuild the bakery that his father put so much heart and soul into -- of course, in the end, they are successful in doing so, though they encounter many obstacles along the way (see, told you the storyline is predictable!). Oh, and needless to say, he ends up falling in love along the way, first with Kong Hor Ling (Josephine Lam) then with Tong Yiu (Kathy Chow).
To be honest, I really don’t know what to make of Roger’s performance in this series. Don’t get me wrong – he is definitely one of my favorite actors (I’ve pretty much been following his career since the 80s) and his acting was good in this series, but the character that he played was kind of ‘bland’ if you ask me (pretty much the type of character that Roger can do in his sleep!). The other thing too was that I felt Roger didn’t really fit the character – well, maybe during the first half he did, but later on, when his character is supposed to be a more mature businessman, I just don’t feel he looked mature enough…part of this could be because Roger has always had a ‘boyish’ characteristic about him (which could be why he’s excellent as Ah Wong) and back then, he truly looked a lot more boyish than he does now, so it was kind of awkward at times to watch his romantic scenes with Josephine and Kathy (both look more mature than him, though Kathy definitely matched him better in comparisons). But honestly speaking, this was the case in a few of his other series as well back then, not just this one – during those early years, I felt that a lot of the actresses who got paired up with Roger in series appeared to be older than him (though most were actually younger), which threw the chemistry off a bit in my opinion.
Anyway, despite the flaws with his character, I still felt that overall, Roger did a good job (and I’m not just saying this because I like Roger). As I said earlier, I’ve been following Roger’s career since the 80s, so of course, I’ve seen the majority of his series and I must say that his acting has definitely matured over the years – he’s more polished now and a lot more convincing in the ‘mature’ roles that he plays (loved him in “Wax and Wane” from earlier in the year – he was the only reason why that pathetic series was even watchable!). Roger’s life story is actually an inspirational one, especially given all the ups and downs he experienced in his career (which is partly why he was in tears when he accepted the TV King award in 2003 for his fine performance in “Square Pegs” – it took TVB 17 years to recognize and appreciate him! I’m sure many of his supporters – including myself – cried with him at that moment). He definitely deserves every bit of success and fame that he has right now!
Dominic Lam (Cheung Shun Ban) – Dominic’s character Ah Ban is the quintessential ‘best friend’ to the main character (Roger) – personality-wise, he is pretty much the happy-go-lucky, charismatic, less than perfect ‘guy next door’(literally – since his family did live next door to Roger’s family…LOL). On the surface, the two friends appear to be complete opposites – Ah Ban is loud and obnoxious and physically always looks like he just rolled out of bed (meaning his hair is constantly disheveled and he always seems to be wearing the same shirt and shorts…haha), whereas Ah Wai is more refined, educated, and just overall less ‘messy’. Ah Ban lives next door to his best friend, but unfortunately, their families don’t get along, as his mother (played by Bak Yan) is loud, haughty, rude, and money-hungry and spends most of her time gossiping about the neighbors – she constantly yells at her son for being a good-for-nothing and treats her younger daughter (played by Winnie Lau) as a money-tree. His father (played by Tam Bing Mun) is pretty much a good-for-nothing as well (like father like son..lol) and is extremely afraid of the mother. Despite all this, Ah Ban takes everything in stride and actually is able to maintain a good relationship with his family -- his character is very much a ‘comedic’ one who still knows how to be ‘serious’ when needed. Even though each person in his family is flawed, I actually like this family the most, as they come across as the most genuine. Personally, Dominic’s character was my favorite in the series (yes, I liked his character more than Roger’s).
Dominic absolutely stole the show in this series – to be honest, I don’t think I would have enjoyed the series as much if it weren’t for him (especially given the predictable, slow storyline). He was awesome in this series and really brought the character of Cheung Shun Ban to life (of course, it helped that the character he played was very endearing, but it does take a certain caliber actor to pull that kind of character off – and he was perfect for it!). I’ve actually always liked Dominic as an actor and have always felt that he is extremely underrated -- he’s definitely not your typical ‘leading man’, that’s for sure, since he isn’t good looking at all – but that doesn’t matter because he is a greatly talented actor.
I actually know Dominic better as a host, as that was his primary job when he first joined TVB in 1980 (he started in the industry in the 1970s working for Rediffusion Television) – he hosted a lot of variety programs for TVB such as “Sports World” and “Good Morning Hong Kong” as well as some of their bigger gala events. Even after he immigrated to Canada in the mid-90s, he continued to be active in the industry, hosting various programs for Chinese TV and radio stations in Canada. It’s too bad that after he returned to TVB in the after 2000s era, he was relegated to playing lesser characters and villains (though he did have a few good roles, but not enough in my opinion). I know that he started getting recognition as a solid veteran actor after his brilliant performance as the villain Wing Tak in “A Fistful of Stances” in 2010 – well, I’m happy for him but he should have gotten recognition way before that!
Gallen Lo (Chung Mun Kit) – Gallen’s character Ah Kit is the son of a rich car manufacturing tycoon (played by Wong Wai) who, as the only son, works for his dad’s business and pretty much was sheltered all his life. In terms of personality, he’s different from other ‘rich young master’ types in that he is honest and upright and doesn’t flaunt his wealth, but he’s also a bit naïve due to being protected all his life. Through a series of events, Ah Kit gets to know Kar Wai and Ah Ban and the 3 of them become good friends and later on become ‘brothers’ (literally -- because Ah Kit eventually marries Ah Ban’s sister Zhi San so they become brothers-in-law and Ah Kit’s father later marries Kar Wai’s mother, so they become stepbrothers). [Note that the relationships in this series – both family and love relationships – are quite complicated; in a nutshell, all 3 guys and their families will all become ‘relatives’ in one way or another by the end of the series]. The 3 of them try to go into business together, but even though that effort fails, their friendship is not affected and they end up working together to rebuild Kar Wai’s family bakery.
To be honest, I didn’t really like Gallen’s character all that much – to me, his character was just ‘there’ and didn’t really enhance the plot too much, except for the part in the second half of the series where Kar Wai and Ah Ban are at odds with each other and he is caught in the middle. I guess they just needed someone to be the rich dude in the series and out of the 3 main guys, he looked the most like a rich young person? His character really didn’t stand out much – in fact, I felt that his character was very stereotypical and a bit boring overall.
In terms of the acting…well, back then (late 80s/early 90s), Gallen was known for being a bit wooden with his acting partly because he was typecasted into playing the same roles over and over again earlier on in his career – it wasn’t until he started doing villain roles in the mid-90s that his acting started to gain recognition and eventually shot to fame. Of course, now he is one of the finest actors in the TV industry and highly sought after too! I personally think that it was a good move for Gallen to take on villain roles in the 90s because it allowed him to come out of his shell and acting-wise, that’s when he really started to thrive. I must say that even though I wasn’t too fond of Gallen’s character in this series, he was definitely much better here than in his first few series (compare his performance here to his very first series “City Stories” and already, you’ll see a difference).
Of course, with this being another Gallen / Roger collaboration, I feel that this is a good time to talk about their relationship and why they collaborated so often in series throughout the years (if my memory serves me right, “Rain in the Heart” was their 3rd collaboration – prior to that, they collaborated in “City Stories” in 1986 and “The Final Verdict” in 1988). The ‘short’ answer to why they collaborated so often: they were both under the same manager, songwriter Lo Kwok Jim (盧國沾), at the time. The ‘long’ answer: both Gallen and Roger were ‘discovered’ by Lo Kwok Jim after he heard them sing (yes, both of them started as singers before they became actors), so he took them under his wing and helped to launch their careers in music and television. Unfortunately though, they (Roger and Lo Kwok Jim specifically) had a fall-out later on in the 90s and terminated their relationship.
Kathy Chow (Tong Yiu) – Kathy’s character Yiu Yiu is a social worker who has a compassionate heart and goes to great lengths if needed in order to help the ‘children’ that she is assigned to look after. She is pretty, but also educated and reserved – the typical ‘good girl’ type (her character is pretty much the opposite of Josephine Lam’s character Kong Hor Ling, which will become evident later on in this review). She grew up in a single parent home, as her father died when she was young and was raised by her mother (played by veteran actress Leung Shun Yin) and her ‘medicine pot’ uncle (played by Benz Hui) – despite the circumstances, the family is very tightly-knit. She meets Roger and Dominic’s characters (Kar Wai and Ah Ban) and they become friends – Ah Ban actually has a crush on her, but he feels that he is not a good match for her because of his background and such, so when she ends up falling in love with Kar Wai, he immediately lets go and doesn’t pursue further (this part is actually a bit cliched because the exact same thing happened preivously with Hor Ling – Ah Ban had a crush on her at first too, but decided to give her up to Kar Wai). Later on, Yiu Yiu and Kar Wai break up due to Hor Ling’s scheming but in the end, they get back together (typical TVB love triangle stuff – no surprise there).
Kathy’s character in this series was nothing special actually – like Roger’s character, her character is quite ordinary and is the type of role that she could do in her sleep as well (meaning it wasn’t really a challenging role). In terms of the females, I did like her character best, mostly because the other main female characters were rather weak (except for the veteran supporting females, namely Bak Yan and Wong Hoi Yan’s characters). In terms of her pairing with Roger in this series – well, as I said earlier, because of Roger’s ‘boyish’ looks, I didn’t think he matched well with most of the actresses from that generation (80s/early 90s), though I definitely prefer Roger and Kathy as a couple over Roger and Josephine. Kathy actually used to look ‘girlish’ herself when she started off in the mid-80s (she can be considered a former Miss HK, as she was a contestant in the 1985 MHK pageant, but didn’t make it into the finals), but heading into the 90s, she definitely matured a lot.
Kathy is one of my favorite actresses from the late 80s/early 90s and I can truly say that I’ve watched practically every single one of the series that she made while at TVB. Compared to some of the other actresses from the 80s, I wouldn’t necessarily say that her acting was the greatest, because to be honest, it wasn’t (she’s not as versatile an actress as some of the other actresses from her generation and earlier on, she was usually typecast in similar ‘good girl’ roles), but what I like about her is that she is very natural and comfortable to watch on-screen (both in terms of looks and acting). Now that Kathy has moved to the Mainland and focused her career there, audiences in HK don’t get to see her on screen too often, though she did come back briefly in 2009 to film 2 series for TVB – can’t compare to her previous series though.
Josephine Lam (Kong Hor Ling) – Josephine’s character is a poor village girl from the Mainland who goes to HK by herself (since her parents are dead) in the hopes of bettering her life. Because she is poor (though she did receive some education back in the Mainland), she has to stay with Ah Ban (Dominic)’s family, since they are the only relatives she has in HK (they are only distant relatives). Ah Ban’s mother treats her badly because she is poor, constantly yelling at her and making her do chores around the house. However, the rest of the family treats her well and both Ah Ban and his sister Ah San develop a friendship with her. She meets Kar Wai (who lives next door to the Cheung family) and soon, they become a couple. At first, their relationship is a happy one – when Hor Ling has to go find a job because her uncle in the village would no longer send her monetary support and Ah Ban’s mom is threatening to kick her out, Kar Wai encourages her and helps her find a job. Unfortunately though, the happiness is short-lived – Hor Ling meets a rich older man (played by Felix Lok) and because of the suffering she had gone through due to being poor, she jumps at the opportunity to live a life of glamour and wealth…therefore, she leaves Kar Wai and becomes the rich man’s mistress. Years later, she becomes tired of the glamorous and ‘partying’ lifestyle and also being with a man she doesn’t love, so she returns to Kar Wai’s side in the hopes of starting over again – of course, by this time, Kar Wai and Yiu Yiu are already together and even close to the point of marriage. She becomes jealous and determined to get Kar Wai back, so she does a lot of scheming behind-the-scenes -- eventually she is successful in breaking them up and gets her wish of being together with Kar Wai again. She also manages to damage the ‘brotherly’ relationship between Ah Ban and Kar Wai as well, causing them to be at odds with each other. Predictably, Kar Wai (and everyone else) finds out about her bad deeds in the end and needless to say, Hor Ling gets her due punishment and everyone reconciles in the end.
Though Josephine’s character can be classified as the ‘villain’ in this series, she really was more an ‘antagonist’ than a villain, as she didn’t really do anything that was considered ‘horrific’ (i.e. kill people). [In fact, nothing of that tragic nature happens in this series.] At the end of the day, her character is just an insecure, selfish woman who chose money over love and regretted it when it was too late – I feel that her character is more pathetic than evil.
Josephine is another former MHK contestant (participated in the 1986 pageant and also didn’t make it into the finals) who ended up signing on with TVB as an actress. She’s been in a lot of series over the past few decades, but mostly in supporting roles – this particular series was pretty much the only one in which she was the second female lead (as far as I can remember) and where she had a significant amount of screentime. To be honest, I’m really not too fond of her acting, as she comes across as a bit fake to me. I think she did a better job in the second half of the series than in the first half because in the first half, she is supposed to be a poor village girl and she definitely does NOT look the part -- perhaps because she always plays the ‘glamorous, sexy vixen’ type roles, so when she tries to play a demure, poor village girl being mistreated by her relatives, it’s just not convincing to me. Also, she absolutely did not match with Roger AT ALL – in the series, she looked more like his older sister than his girlfriend! Absolutely worst pairing for Roger (back in those days at least).
After a largely lackluster career (I can barely remember any of the series she was in after this one), Josephine retired from the industry in the early 2000s and has gone into business instead.
May Ho (Lee Yuk Yin)-- May’s character Yuk Yin is the granddaughter of the bakery tycoon played by Kwan Hoi San, which means that technically, she is Kar Wai (Roger)’s niece (though he isn’t that much older than her in the series). Her mother (played by veteran actress Nam Hung) dislikes the fact that her dad (Kwan Hoi San) has another wife and child outside of their family because that would mean more people fighting for the inheritance (yes, typical TVB family conflict / fighting over inheritance stuff). Despite having a bad mother who does nothing but scheme all day long to get her dad’s money (amongst other bad things), Yuk Yin has a completely opposite personality, as she is compassionate and is the only one in the family who is accepting of Kar Wai and his mother. After her grandfather dies and she finds out that her mother purposefully ‘embezzled’ all the money from the bakery so that Kar Wai would only get an ‘empty shell’ of a company, she disowns her parents and uses her connections to help Kar Wai and his friends rebuild the bakery. Along the way, she falls in love with Ah Ban (good, because he’s the only one she matches with in the series) in the typical ‘bickering rivals turned lovers’ fashion and they eventually get married. Of course, her parents return (after having lost all their money) later on in the series and family conflict arises when they move in with her and her husband’s family (actually, those were some of the most hilarious scenes in the entire series).
As far as May’s pairing with Dominic goes, I actually liked the two of them together in the series, as there was a certain freshness to the relationship and they had an interesting chemistry. Of course, since May has not participated in a whole lot of series (more on that below), I can’t really say that her acting was really good, but overall, it was decent – plus she had the benefit of pairing with Dominic, whose awesome performance helped to ‘carry’ her as well.
I doubt that too many people remember May Ho and unless you’ve seen the classic sitcom “City Stories” (1986-87), you probably won’t even know who she is. May only participated in a handful of series when she was at TVB – in fact, “Rain in the Heart” was her very last series with them (she left to go to ATV that same year). She participated in a few series when she was at ATV, but never really became popular. She retired from the industry in the mid-90s and later in that decade, she got married and immigrated to the U.S., where she lives currently with her family.
There actually isn’t a whole lot of information about May out there, since her acting career was so short-lived. Those of us who do remember her though know that she got her start in the industry by participating in the “Miss Aerobic Beauty Pageant” in 1985 (yes, there was such a pageant – it was a pretty big deal that year and most 80s TVB fanatics will probably remember it – several TVB actresses such as Cutie Mui, Eugenia Lau, Cary Choi, and Ma Ching Yee came out of that pageant as well). She of course joined TVB not long after that and the following year (1986), she participated in her first series, “Siblings of Vice and Virtue” (with Eddie Cheung, Chan Man Yee, Kenneth Tsang, Lee Kwok Lun, etc). That same year, she participated in the sitcom “City Stories” (my all-time favorite sitcom – watched it so many times, I practically have it memorized!) – she actually had quite a significant role in the series, as she played co-star Deric Wan’s cousin and love interest. It was around this time that May and Deric began dating in real life, though their relationship was short-lived (I know they were still together in early 1988 because they actually participated in a special TVB variety program / documentary hosted by Lydia Shum around that time – I think they broke up shortly thereafter).
Interestingly, since “City Stories” also starred Roger Kwok and Gallen Lo, she was essentially ‘reunited’ with them when she filmed “Rain in the Heart” several years later.
Winnie Lau (Cheung Zhi San) – Winnie’s character Zhi San is the little sister of Ah Ban (Dominic). Because she is young and beautiful, she is heavily ‘protected’ by her parents (played by Bak Yan and Tam Bing Mun), as they feel that with her ‘qualifications’, she should be able to marry a rich man in the future and be ‘set for life’. Of course, that is exactly what ends up happening when Zhi San meets her brother’s friend Ah Kit (Gallen) – he becomes smitten with her almost immediately and they get married not too long after that. Unfortunately though, because she married young (right out of school) and became a housewife sitting at home all day, plus prior to that she was heavily protected by her family, she never got to experience the ‘real world’ for herself. This causes some friction in her marriage and in her relationship with her family later on in the series (of course, everything eventually turns out fine in the end).
Very honestly speaking, Winnie’s character in this series is pretty much one of those ‘vase’ roles where her job is really to ‘look pretty’ – her scenes with Gallen were kind of boring in my opinion. I’m thinking that perhaps because there are so many sub-storylines in this series and so many people / relationships that need to be addressed, it’s inevitable that the writers would do a good job developing some of the relationships and do mediocre jobs on the others - namely the Gallen / Winnie relationship (too much ground to cover).
In terms of acting, I really can’t comment on whether her acting skills are up to par or not because she hasn’t been in enough series for me to judge (I think she has only participated in like 3 series in her entire career). Of course, we all know that she was a singer first and foremost back in the 90s and only dabbled in acting in series most likely to get her name out there and perhaps help boost her singing career (though I read that she actually started out as an actress in movies before becoming a singer). As for her singing career, I don’t know if I would really call it ‘successful’ or not, as she did release a few albums and win a few awards, but that was basically it (I personally only know 1 song of hers). In the late 90s, she married fellow singer Edmond So (from the group Grasshoppers) and they currently have 2 daughters. It was also around that time that Winnie retired from the industry.
An interesting fact about Winnie: she and Roger dated for a number of years in the 90s, though the relationship was pretty much ‘underground’ and for the longest time, neither party admitted to it. I actually don’t know the exact timeframe of when they started dating, but I’m assuming it might have been some time after their collaboration in this series, since Winnie did not participate in very many series so probably would not have gotten the chance to collaborate with Roger otherwise (the rumors about their relationship started in 1992, but they could have been dating before that). At the time, Roger was very dedicated to Winnie and apparently invested a lot into the relationship. Coincidentally, during the mid-90s was when Roger experienced the lowest point in his career and actually ended up leaving HK for awhile in order to make a living. During an interview on “Be My Guest” a few years ago, Roger ‘hinted’ that his relationship with Winnie ended because a 3rd party entered the relationship (that 3rd party is assumed to be Edmond So). Based on the timelines, I believe Roger and Winnie broke up sometime in 1996.
Honorable Mentions
I really have to say that the supporting cast in this series was AMAZING! They really gave the young stars in this series a ‘run for their money’. Even if some of the main cast was not too appealing, the performances by the supporting cast pretty much made up for it in my opinion.
A few highlights:
-- Benz Hui’s portrayal of Uncle Leung (Kathy’s uncle) was excellent (as usual)! In the series, Uncle Leung was a hypochondriac who grew up ‘carrying a medicine pot’ all his life, so even when he is in his 40s, he still ‘sticks’ to his older sister (Leung Sun Yin) and relies on her to take care of him. In reality though, his health is fine, he’s just constantly paranoid – plus he’s a bit of a ‘scaredy-cat’ – so it’s hard for him to hold down a job for a long period of time. I loved Benz’s performance, as it was funny but at the same time heartwarming – and the thing is, he doesn’t even try to be funny…it just comes naturally! I truly enjoyed every single one of his scenes (too bad there weren’t a whole lot, but enough to make him a pretty significant supporting character). His character was actually my second favorite after Dominic’s.
.-- Veteran artists (or, more appropriately, ‘gam cho’ artists) Bak Yan and Tam Bing Mun played the roles of Dominic and Winnie’s parents. Bak Yan’s character was a bit of a nuisance with her loud mouth and constant yelling and Tam Bing Mun’s ‘timid husband’ persona was very similar to some of the roles he played in the past, but together, these 2 made for a very interesting couple. I loved their interaction with Dominic in this series – comical to some extent, but also serious at certain points. Definitely a fine job by these 2 veteran artists!
.-- Veteran actress Nam Hung (the wife of director / actor Chor Yuen) was excellent in her role as Kwan Hoi San’s daughter who plotted with the rest of the family to scam Roger out of his inheritance (but redeems herself later on in the series). One of the reasons why I like Nam Hung as an actress is because of her versatility – she can play both the ‘benevolent mother’ as well as the ‘bxxch’ roles extremely well. Her arguing scenes in this series (and there sure were a lot of them) were all very well-done (not OTT, yet extremely convincing). Of course, she is an experienced actress with decades of acting under her belt, so it’s not surprising that she did such a great job – but since many of the veteran artists usually don’t get recognized, I wanted to give her a little mention here.
.-- Kwan Hoi San and Wong Hoi Yan, who played Roger’s father and mother respectively, were great in their roles! Even with the huge gap in their ages, the two of them didn’t look awkward on screen at all. In fact, I thought that they looked quite sweet together. When he was alive, Kwan Hoi San played a lot of rich father / grandfather roles and this one was certainly no exception. I grew up watching him, as he was always the ‘actor of choice’ for those types of roles, which was actually fine with me, since he did those roles so well – I definitely miss his acting! As for Wong Hoi Yan, she was one of my favorite supporting actresses as well from the 80s and 90s (which is when she was the most active) – just like many of the actresses from that era, she had good acting skills that made her come across so natural on screen, no matter what type of role she played.
Concluding Thoughts
As I mentioned earlier, this series is very much a ‘formulaic’ TVB modern series from the late 80s/early 90s era (the series was actually filmed in 1989, but broadcast in early 1990) – therefore, it might not appeal to all audiences. Even though the script is flawed and a lot of the storyline is quite clichéd, I would still recommend the series because the cast is enjoyable to watch (as long as you skip some of the overly draggy parts such as some of the Gallen/Winnie scenes). If you’re the type who is into lighthearted family conflict / love story type dramas, then most likely you’ll like this series – on the other hand, if fast pace and excitement are what you’re looking for, then this series is probably not a good choice, as it does get a bit slow during certain parts.
One of the biggest reasons why I like this series is the cast, since a lot of my favorites (lead and supporting) are in it. The main cast consists of Roger Kwok (郭晉安), Kathy Chow (周海媚), Gallen Lo (羅嘉良), Dominic Lam (林嘉華), Josephine Lam (林其欣), May Ho (何美婷), Winnie Lau (劉小慧), and veteran artists Kwan Hoi San (關海山), Bak Yan (白茵), Tam Bing Mun (譚炳文), Benz Hui (許紹雄), Nam Hung (南紅), Wong Hoi Yan (黃愷欣), Wong Wai (王偉), etc. Of course, there are others, but not going to list all of them. As usual, later on in my review, I will go into more detail about each character and the artist’s performance, but first, a little bit about the storyline.
As I mentioned earlier, the premise of the story is in the typical TVB modern series formula – an ‘inspirational’ rags to riches story about the main characters’ life struggles in the areas of relationship (love), power, money, friendship, and pretty much everything else. The Chinese title of the series (成功路上) – literally translated as ‘on the road to success’ -- is actually very fitting to the storyline about 2 childhood friends (Roger and Dominic) who go through thick and thin together on the way to achieving success and fortune. [As a sidebar, I have no clue how TVB came up with the English title (“Rain in the Heart”) to this series – the title seems to have absolutely no correlation to the series whatsoever. Perhaps this is another example of TVB ‘attempting’ to be creative with their titles? I don’t know for sure but it’s just weird that the English title is so far off from the series itself.] Of course, knowing the premise of the series, it’s not surprising that parts of the storyline will be a bit dull and draggy (plus the series is 40 episodes long, which is typical of most of the series back in those days, so for some, this series might be too long to sit through – it’s perfect for me though, since I grew up watching 40 episode series, so I’m used to it).
In terms of the characters and performances from the artists – well, I would have to say that it was sort of a mixed bag with this series: some of the characters were well developed and some were not…by the same token, some of the artists gave excellent performances, and others were mediocre (some were even ‘cringe-worthy’!). For the rest of this review, I am going to talk a bit about each of the main characters (as well as a few of the supporting ones), as this will give insight into the development of the overall story.
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Main Cast / Characters
Roger Kwok (Lau Kar Wai) – Roger’s character Kar Wai is the typical ‘good guy’ (very similar to the roles he usually plays) who is honest, upright, reserved, etc., except that he has a certain willful stubbornness about him (especially when it relates to his family) that sets him apart in terms of personality. Even though he technically was born into a rich family (his father is played by late veteran actor Kwan Hoi San and his mother is played by Wong Hoi Yan), the reality is that he grew up in a ‘pseudo’ single parent household due to family circumstances: not only did his father already have a family of his own when he met his mother (which meant that she was technically the mistress), there was also a huge age difference between the two. Because of this, he always had a strained relationship with his father and continued to be at odds with him until the father dies and he finds out the truth about the relationship between his parents (yes, very clichéd indeed). His father of course bequeaths his business (a Chinese bakery) to him, however due to conflicts with family (since his father had a wife and kids already), all he ended up getting was a ‘shell’ of a company. From that point on, Kar Wai and his friends work to rebuild the bakery that his father put so much heart and soul into -- of course, in the end, they are successful in doing so, though they encounter many obstacles along the way (see, told you the storyline is predictable!). Oh, and needless to say, he ends up falling in love along the way, first with Kong Hor Ling (Josephine Lam) then with Tong Yiu (Kathy Chow).
To be honest, I really don’t know what to make of Roger’s performance in this series. Don’t get me wrong – he is definitely one of my favorite actors (I’ve pretty much been following his career since the 80s) and his acting was good in this series, but the character that he played was kind of ‘bland’ if you ask me (pretty much the type of character that Roger can do in his sleep!). The other thing too was that I felt Roger didn’t really fit the character – well, maybe during the first half he did, but later on, when his character is supposed to be a more mature businessman, I just don’t feel he looked mature enough…part of this could be because Roger has always had a ‘boyish’ characteristic about him (which could be why he’s excellent as Ah Wong) and back then, he truly looked a lot more boyish than he does now, so it was kind of awkward at times to watch his romantic scenes with Josephine and Kathy (both look more mature than him, though Kathy definitely matched him better in comparisons). But honestly speaking, this was the case in a few of his other series as well back then, not just this one – during those early years, I felt that a lot of the actresses who got paired up with Roger in series appeared to be older than him (though most were actually younger), which threw the chemistry off a bit in my opinion.
Anyway, despite the flaws with his character, I still felt that overall, Roger did a good job (and I’m not just saying this because I like Roger). As I said earlier, I’ve been following Roger’s career since the 80s, so of course, I’ve seen the majority of his series and I must say that his acting has definitely matured over the years – he’s more polished now and a lot more convincing in the ‘mature’ roles that he plays (loved him in “Wax and Wane” from earlier in the year – he was the only reason why that pathetic series was even watchable!). Roger’s life story is actually an inspirational one, especially given all the ups and downs he experienced in his career (which is partly why he was in tears when he accepted the TV King award in 2003 for his fine performance in “Square Pegs” – it took TVB 17 years to recognize and appreciate him! I’m sure many of his supporters – including myself – cried with him at that moment). He definitely deserves every bit of success and fame that he has right now!
Dominic Lam (Cheung Shun Ban) – Dominic’s character Ah Ban is the quintessential ‘best friend’ to the main character (Roger) – personality-wise, he is pretty much the happy-go-lucky, charismatic, less than perfect ‘guy next door’(literally – since his family did live next door to Roger’s family…LOL). On the surface, the two friends appear to be complete opposites – Ah Ban is loud and obnoxious and physically always looks like he just rolled out of bed (meaning his hair is constantly disheveled and he always seems to be wearing the same shirt and shorts…haha), whereas Ah Wai is more refined, educated, and just overall less ‘messy’. Ah Ban lives next door to his best friend, but unfortunately, their families don’t get along, as his mother (played by Bak Yan) is loud, haughty, rude, and money-hungry and spends most of her time gossiping about the neighbors – she constantly yells at her son for being a good-for-nothing and treats her younger daughter (played by Winnie Lau) as a money-tree. His father (played by Tam Bing Mun) is pretty much a good-for-nothing as well (like father like son..lol) and is extremely afraid of the mother. Despite all this, Ah Ban takes everything in stride and actually is able to maintain a good relationship with his family -- his character is very much a ‘comedic’ one who still knows how to be ‘serious’ when needed. Even though each person in his family is flawed, I actually like this family the most, as they come across as the most genuine. Personally, Dominic’s character was my favorite in the series (yes, I liked his character more than Roger’s).
Dominic absolutely stole the show in this series – to be honest, I don’t think I would have enjoyed the series as much if it weren’t for him (especially given the predictable, slow storyline). He was awesome in this series and really brought the character of Cheung Shun Ban to life (of course, it helped that the character he played was very endearing, but it does take a certain caliber actor to pull that kind of character off – and he was perfect for it!). I’ve actually always liked Dominic as an actor and have always felt that he is extremely underrated -- he’s definitely not your typical ‘leading man’, that’s for sure, since he isn’t good looking at all – but that doesn’t matter because he is a greatly talented actor.
I actually know Dominic better as a host, as that was his primary job when he first joined TVB in 1980 (he started in the industry in the 1970s working for Rediffusion Television) – he hosted a lot of variety programs for TVB such as “Sports World” and “Good Morning Hong Kong” as well as some of their bigger gala events. Even after he immigrated to Canada in the mid-90s, he continued to be active in the industry, hosting various programs for Chinese TV and radio stations in Canada. It’s too bad that after he returned to TVB in the after 2000s era, he was relegated to playing lesser characters and villains (though he did have a few good roles, but not enough in my opinion). I know that he started getting recognition as a solid veteran actor after his brilliant performance as the villain Wing Tak in “A Fistful of Stances” in 2010 – well, I’m happy for him but he should have gotten recognition way before that!
Gallen Lo (Chung Mun Kit) – Gallen’s character Ah Kit is the son of a rich car manufacturing tycoon (played by Wong Wai) who, as the only son, works for his dad’s business and pretty much was sheltered all his life. In terms of personality, he’s different from other ‘rich young master’ types in that he is honest and upright and doesn’t flaunt his wealth, but he’s also a bit naïve due to being protected all his life. Through a series of events, Ah Kit gets to know Kar Wai and Ah Ban and the 3 of them become good friends and later on become ‘brothers’ (literally -- because Ah Kit eventually marries Ah Ban’s sister Zhi San so they become brothers-in-law and Ah Kit’s father later marries Kar Wai’s mother, so they become stepbrothers). [Note that the relationships in this series – both family and love relationships – are quite complicated; in a nutshell, all 3 guys and their families will all become ‘relatives’ in one way or another by the end of the series]. The 3 of them try to go into business together, but even though that effort fails, their friendship is not affected and they end up working together to rebuild Kar Wai’s family bakery.
To be honest, I didn’t really like Gallen’s character all that much – to me, his character was just ‘there’ and didn’t really enhance the plot too much, except for the part in the second half of the series where Kar Wai and Ah Ban are at odds with each other and he is caught in the middle. I guess they just needed someone to be the rich dude in the series and out of the 3 main guys, he looked the most like a rich young person? His character really didn’t stand out much – in fact, I felt that his character was very stereotypical and a bit boring overall.
In terms of the acting…well, back then (late 80s/early 90s), Gallen was known for being a bit wooden with his acting partly because he was typecasted into playing the same roles over and over again earlier on in his career – it wasn’t until he started doing villain roles in the mid-90s that his acting started to gain recognition and eventually shot to fame. Of course, now he is one of the finest actors in the TV industry and highly sought after too! I personally think that it was a good move for Gallen to take on villain roles in the 90s because it allowed him to come out of his shell and acting-wise, that’s when he really started to thrive. I must say that even though I wasn’t too fond of Gallen’s character in this series, he was definitely much better here than in his first few series (compare his performance here to his very first series “City Stories” and already, you’ll see a difference).
Of course, with this being another Gallen / Roger collaboration, I feel that this is a good time to talk about their relationship and why they collaborated so often in series throughout the years (if my memory serves me right, “Rain in the Heart” was their 3rd collaboration – prior to that, they collaborated in “City Stories” in 1986 and “The Final Verdict” in 1988). The ‘short’ answer to why they collaborated so often: they were both under the same manager, songwriter Lo Kwok Jim (盧國沾), at the time. The ‘long’ answer: both Gallen and Roger were ‘discovered’ by Lo Kwok Jim after he heard them sing (yes, both of them started as singers before they became actors), so he took them under his wing and helped to launch their careers in music and television. Unfortunately though, they (Roger and Lo Kwok Jim specifically) had a fall-out later on in the 90s and terminated their relationship.
Kathy Chow (Tong Yiu) – Kathy’s character Yiu Yiu is a social worker who has a compassionate heart and goes to great lengths if needed in order to help the ‘children’ that she is assigned to look after. She is pretty, but also educated and reserved – the typical ‘good girl’ type (her character is pretty much the opposite of Josephine Lam’s character Kong Hor Ling, which will become evident later on in this review). She grew up in a single parent home, as her father died when she was young and was raised by her mother (played by veteran actress Leung Shun Yin) and her ‘medicine pot’ uncle (played by Benz Hui) – despite the circumstances, the family is very tightly-knit. She meets Roger and Dominic’s characters (Kar Wai and Ah Ban) and they become friends – Ah Ban actually has a crush on her, but he feels that he is not a good match for her because of his background and such, so when she ends up falling in love with Kar Wai, he immediately lets go and doesn’t pursue further (this part is actually a bit cliched because the exact same thing happened preivously with Hor Ling – Ah Ban had a crush on her at first too, but decided to give her up to Kar Wai). Later on, Yiu Yiu and Kar Wai break up due to Hor Ling’s scheming but in the end, they get back together (typical TVB love triangle stuff – no surprise there).
Kathy’s character in this series was nothing special actually – like Roger’s character, her character is quite ordinary and is the type of role that she could do in her sleep as well (meaning it wasn’t really a challenging role). In terms of the females, I did like her character best, mostly because the other main female characters were rather weak (except for the veteran supporting females, namely Bak Yan and Wong Hoi Yan’s characters). In terms of her pairing with Roger in this series – well, as I said earlier, because of Roger’s ‘boyish’ looks, I didn’t think he matched well with most of the actresses from that generation (80s/early 90s), though I definitely prefer Roger and Kathy as a couple over Roger and Josephine. Kathy actually used to look ‘girlish’ herself when she started off in the mid-80s (she can be considered a former Miss HK, as she was a contestant in the 1985 MHK pageant, but didn’t make it into the finals), but heading into the 90s, she definitely matured a lot.
Kathy is one of my favorite actresses from the late 80s/early 90s and I can truly say that I’ve watched practically every single one of the series that she made while at TVB. Compared to some of the other actresses from the 80s, I wouldn’t necessarily say that her acting was the greatest, because to be honest, it wasn’t (she’s not as versatile an actress as some of the other actresses from her generation and earlier on, she was usually typecast in similar ‘good girl’ roles), but what I like about her is that she is very natural and comfortable to watch on-screen (both in terms of looks and acting). Now that Kathy has moved to the Mainland and focused her career there, audiences in HK don’t get to see her on screen too often, though she did come back briefly in 2009 to film 2 series for TVB – can’t compare to her previous series though.
Josephine Lam (Kong Hor Ling) – Josephine’s character is a poor village girl from the Mainland who goes to HK by herself (since her parents are dead) in the hopes of bettering her life. Because she is poor (though she did receive some education back in the Mainland), she has to stay with Ah Ban (Dominic)’s family, since they are the only relatives she has in HK (they are only distant relatives). Ah Ban’s mother treats her badly because she is poor, constantly yelling at her and making her do chores around the house. However, the rest of the family treats her well and both Ah Ban and his sister Ah San develop a friendship with her. She meets Kar Wai (who lives next door to the Cheung family) and soon, they become a couple. At first, their relationship is a happy one – when Hor Ling has to go find a job because her uncle in the village would no longer send her monetary support and Ah Ban’s mom is threatening to kick her out, Kar Wai encourages her and helps her find a job. Unfortunately though, the happiness is short-lived – Hor Ling meets a rich older man (played by Felix Lok) and because of the suffering she had gone through due to being poor, she jumps at the opportunity to live a life of glamour and wealth…therefore, she leaves Kar Wai and becomes the rich man’s mistress. Years later, she becomes tired of the glamorous and ‘partying’ lifestyle and also being with a man she doesn’t love, so she returns to Kar Wai’s side in the hopes of starting over again – of course, by this time, Kar Wai and Yiu Yiu are already together and even close to the point of marriage. She becomes jealous and determined to get Kar Wai back, so she does a lot of scheming behind-the-scenes -- eventually she is successful in breaking them up and gets her wish of being together with Kar Wai again. She also manages to damage the ‘brotherly’ relationship between Ah Ban and Kar Wai as well, causing them to be at odds with each other. Predictably, Kar Wai (and everyone else) finds out about her bad deeds in the end and needless to say, Hor Ling gets her due punishment and everyone reconciles in the end.
Though Josephine’s character can be classified as the ‘villain’ in this series, she really was more an ‘antagonist’ than a villain, as she didn’t really do anything that was considered ‘horrific’ (i.e. kill people). [In fact, nothing of that tragic nature happens in this series.] At the end of the day, her character is just an insecure, selfish woman who chose money over love and regretted it when it was too late – I feel that her character is more pathetic than evil.
Josephine is another former MHK contestant (participated in the 1986 pageant and also didn’t make it into the finals) who ended up signing on with TVB as an actress. She’s been in a lot of series over the past few decades, but mostly in supporting roles – this particular series was pretty much the only one in which she was the second female lead (as far as I can remember) and where she had a significant amount of screentime. To be honest, I’m really not too fond of her acting, as she comes across as a bit fake to me. I think she did a better job in the second half of the series than in the first half because in the first half, she is supposed to be a poor village girl and she definitely does NOT look the part -- perhaps because she always plays the ‘glamorous, sexy vixen’ type roles, so when she tries to play a demure, poor village girl being mistreated by her relatives, it’s just not convincing to me. Also, she absolutely did not match with Roger AT ALL – in the series, she looked more like his older sister than his girlfriend! Absolutely worst pairing for Roger (back in those days at least).
After a largely lackluster career (I can barely remember any of the series she was in after this one), Josephine retired from the industry in the early 2000s and has gone into business instead.
May Ho (Lee Yuk Yin)-- May’s character Yuk Yin is the granddaughter of the bakery tycoon played by Kwan Hoi San, which means that technically, she is Kar Wai (Roger)’s niece (though he isn’t that much older than her in the series). Her mother (played by veteran actress Nam Hung) dislikes the fact that her dad (Kwan Hoi San) has another wife and child outside of their family because that would mean more people fighting for the inheritance (yes, typical TVB family conflict / fighting over inheritance stuff). Despite having a bad mother who does nothing but scheme all day long to get her dad’s money (amongst other bad things), Yuk Yin has a completely opposite personality, as she is compassionate and is the only one in the family who is accepting of Kar Wai and his mother. After her grandfather dies and she finds out that her mother purposefully ‘embezzled’ all the money from the bakery so that Kar Wai would only get an ‘empty shell’ of a company, she disowns her parents and uses her connections to help Kar Wai and his friends rebuild the bakery. Along the way, she falls in love with Ah Ban (good, because he’s the only one she matches with in the series) in the typical ‘bickering rivals turned lovers’ fashion and they eventually get married. Of course, her parents return (after having lost all their money) later on in the series and family conflict arises when they move in with her and her husband’s family (actually, those were some of the most hilarious scenes in the entire series).
As far as May’s pairing with Dominic goes, I actually liked the two of them together in the series, as there was a certain freshness to the relationship and they had an interesting chemistry. Of course, since May has not participated in a whole lot of series (more on that below), I can’t really say that her acting was really good, but overall, it was decent – plus she had the benefit of pairing with Dominic, whose awesome performance helped to ‘carry’ her as well.
I doubt that too many people remember May Ho and unless you’ve seen the classic sitcom “City Stories” (1986-87), you probably won’t even know who she is. May only participated in a handful of series when she was at TVB – in fact, “Rain in the Heart” was her very last series with them (she left to go to ATV that same year). She participated in a few series when she was at ATV, but never really became popular. She retired from the industry in the mid-90s and later in that decade, she got married and immigrated to the U.S., where she lives currently with her family.
There actually isn’t a whole lot of information about May out there, since her acting career was so short-lived. Those of us who do remember her though know that she got her start in the industry by participating in the “Miss Aerobic Beauty Pageant” in 1985 (yes, there was such a pageant – it was a pretty big deal that year and most 80s TVB fanatics will probably remember it – several TVB actresses such as Cutie Mui, Eugenia Lau, Cary Choi, and Ma Ching Yee came out of that pageant as well). She of course joined TVB not long after that and the following year (1986), she participated in her first series, “Siblings of Vice and Virtue” (with Eddie Cheung, Chan Man Yee, Kenneth Tsang, Lee Kwok Lun, etc). That same year, she participated in the sitcom “City Stories” (my all-time favorite sitcom – watched it so many times, I practically have it memorized!) – she actually had quite a significant role in the series, as she played co-star Deric Wan’s cousin and love interest. It was around this time that May and Deric began dating in real life, though their relationship was short-lived (I know they were still together in early 1988 because they actually participated in a special TVB variety program / documentary hosted by Lydia Shum around that time – I think they broke up shortly thereafter).
Interestingly, since “City Stories” also starred Roger Kwok and Gallen Lo, she was essentially ‘reunited’ with them when she filmed “Rain in the Heart” several years later.
Winnie Lau (Cheung Zhi San) – Winnie’s character Zhi San is the little sister of Ah Ban (Dominic). Because she is young and beautiful, she is heavily ‘protected’ by her parents (played by Bak Yan and Tam Bing Mun), as they feel that with her ‘qualifications’, she should be able to marry a rich man in the future and be ‘set for life’. Of course, that is exactly what ends up happening when Zhi San meets her brother’s friend Ah Kit (Gallen) – he becomes smitten with her almost immediately and they get married not too long after that. Unfortunately though, because she married young (right out of school) and became a housewife sitting at home all day, plus prior to that she was heavily protected by her family, she never got to experience the ‘real world’ for herself. This causes some friction in her marriage and in her relationship with her family later on in the series (of course, everything eventually turns out fine in the end).
Very honestly speaking, Winnie’s character in this series is pretty much one of those ‘vase’ roles where her job is really to ‘look pretty’ – her scenes with Gallen were kind of boring in my opinion. I’m thinking that perhaps because there are so many sub-storylines in this series and so many people / relationships that need to be addressed, it’s inevitable that the writers would do a good job developing some of the relationships and do mediocre jobs on the others - namely the Gallen / Winnie relationship (too much ground to cover).
In terms of acting, I really can’t comment on whether her acting skills are up to par or not because she hasn’t been in enough series for me to judge (I think she has only participated in like 3 series in her entire career). Of course, we all know that she was a singer first and foremost back in the 90s and only dabbled in acting in series most likely to get her name out there and perhaps help boost her singing career (though I read that she actually started out as an actress in movies before becoming a singer). As for her singing career, I don’t know if I would really call it ‘successful’ or not, as she did release a few albums and win a few awards, but that was basically it (I personally only know 1 song of hers). In the late 90s, she married fellow singer Edmond So (from the group Grasshoppers) and they currently have 2 daughters. It was also around that time that Winnie retired from the industry.
An interesting fact about Winnie: she and Roger dated for a number of years in the 90s, though the relationship was pretty much ‘underground’ and for the longest time, neither party admitted to it. I actually don’t know the exact timeframe of when they started dating, but I’m assuming it might have been some time after their collaboration in this series, since Winnie did not participate in very many series so probably would not have gotten the chance to collaborate with Roger otherwise (the rumors about their relationship started in 1992, but they could have been dating before that). At the time, Roger was very dedicated to Winnie and apparently invested a lot into the relationship. Coincidentally, during the mid-90s was when Roger experienced the lowest point in his career and actually ended up leaving HK for awhile in order to make a living. During an interview on “Be My Guest” a few years ago, Roger ‘hinted’ that his relationship with Winnie ended because a 3rd party entered the relationship (that 3rd party is assumed to be Edmond So). Based on the timelines, I believe Roger and Winnie broke up sometime in 1996.
Honorable Mentions
I really have to say that the supporting cast in this series was AMAZING! They really gave the young stars in this series a ‘run for their money’. Even if some of the main cast was not too appealing, the performances by the supporting cast pretty much made up for it in my opinion.
A few highlights:
-- Benz Hui’s portrayal of Uncle Leung (Kathy’s uncle) was excellent (as usual)! In the series, Uncle Leung was a hypochondriac who grew up ‘carrying a medicine pot’ all his life, so even when he is in his 40s, he still ‘sticks’ to his older sister (Leung Sun Yin) and relies on her to take care of him. In reality though, his health is fine, he’s just constantly paranoid – plus he’s a bit of a ‘scaredy-cat’ – so it’s hard for him to hold down a job for a long period of time. I loved Benz’s performance, as it was funny but at the same time heartwarming – and the thing is, he doesn’t even try to be funny…it just comes naturally! I truly enjoyed every single one of his scenes (too bad there weren’t a whole lot, but enough to make him a pretty significant supporting character). His character was actually my second favorite after Dominic’s.
.-- Veteran artists (or, more appropriately, ‘gam cho’ artists) Bak Yan and Tam Bing Mun played the roles of Dominic and Winnie’s parents. Bak Yan’s character was a bit of a nuisance with her loud mouth and constant yelling and Tam Bing Mun’s ‘timid husband’ persona was very similar to some of the roles he played in the past, but together, these 2 made for a very interesting couple. I loved their interaction with Dominic in this series – comical to some extent, but also serious at certain points. Definitely a fine job by these 2 veteran artists!
.-- Veteran actress Nam Hung (the wife of director / actor Chor Yuen) was excellent in her role as Kwan Hoi San’s daughter who plotted with the rest of the family to scam Roger out of his inheritance (but redeems herself later on in the series). One of the reasons why I like Nam Hung as an actress is because of her versatility – she can play both the ‘benevolent mother’ as well as the ‘bxxch’ roles extremely well. Her arguing scenes in this series (and there sure were a lot of them) were all very well-done (not OTT, yet extremely convincing). Of course, she is an experienced actress with decades of acting under her belt, so it’s not surprising that she did such a great job – but since many of the veteran artists usually don’t get recognized, I wanted to give her a little mention here.
.-- Kwan Hoi San and Wong Hoi Yan, who played Roger’s father and mother respectively, were great in their roles! Even with the huge gap in their ages, the two of them didn’t look awkward on screen at all. In fact, I thought that they looked quite sweet together. When he was alive, Kwan Hoi San played a lot of rich father / grandfather roles and this one was certainly no exception. I grew up watching him, as he was always the ‘actor of choice’ for those types of roles, which was actually fine with me, since he did those roles so well – I definitely miss his acting! As for Wong Hoi Yan, she was one of my favorite supporting actresses as well from the 80s and 90s (which is when she was the most active) – just like many of the actresses from that era, she had good acting skills that made her come across so natural on screen, no matter what type of role she played.
Concluding Thoughts
As I mentioned earlier, this series is very much a ‘formulaic’ TVB modern series from the late 80s/early 90s era (the series was actually filmed in 1989, but broadcast in early 1990) – therefore, it might not appeal to all audiences. Even though the script is flawed and a lot of the storyline is quite clichéd, I would still recommend the series because the cast is enjoyable to watch (as long as you skip some of the overly draggy parts such as some of the Gallen/Winnie scenes). If you’re the type who is into lighthearted family conflict / love story type dramas, then most likely you’ll like this series – on the other hand, if fast pace and excitement are what you’re looking for, then this series is probably not a good choice, as it does get a bit slow during certain parts.
Monday, October 31, 2011
Book Review: 從零開始 (Now and Then) -- post #6…Leslie Cheung (張國榮)
Continuing with my 'book review' of "Cong Ling Kai Shi (Now and Then)", the next 80s/90s artist I would like to write about is late singer / actor Leslie Cheung.
** Disclaimer #1: The below is a recap of one of the chapters in the book and is written from my perspective – it is not by any means a direct translation of the entire chapter. For a detailed description of what this particular book is about, please refer to post #1.
** Disclaimer #2: This book does NOT tell the entire life story of Leslie, but rather focuses only on certain aspects of his life and career gathered from previous interviews with him (as well as the writer's own knowledge of him). Therefore, please understand that the below recap won't be 'all-inclusive'.
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April 1st, 2003 -- a day when we tragically lost one of the HK entertainment industry's biggest stars: singer/actor Leslie Cheung. It was a sad day, one that most Hong Kongers (as well as Leslie’s fans everywhere) will never forget.
Though I don't live in HK, I've been an avid 'follower' of HK entertainment my entire life -- even before I knew how to talk, I was already watching HK TV series, movies, show and listening to HK music (though I didn't really know what was going on at the time) -- so for me, the HK entertainment industry has always been a huge part of my life. I grew up in the 80s, so there is definitely a special place in my heart for anything related to that time period -- including the artists who were active in the industry during that time. And of course, Leslie was one of them -- he was one of the biggest names in the HK music world at the time (and was already an established television actor prior to that) so of course everyone knew who he was. Though I can't really call myself a "fan" (in the true sense of the word, since I have a certain 'definition' in my mind of what being a 'fan' is about), I still adored Leslie, just like I adored all the other talented artists from that generation.
I remember vividly where I was and what I was doing the day news came out that Leslie had died. I had just gotten in my car and was driving to work (since I'm in the U.S., it was actually morning for me), listening to the radio (the local Cantonese language station that I normally listen to). As I stopped at a traffic light, my hand reached over to turn up the volume on the radio when an announcement came through (interrupting the program I was listening to): superstar Leslie Cheung had committed suicide, jumping to his death from the 24th floor of a famous HK hotel. The first thought that went through my mind at the time was: Is this some sort of cruel April Fool's joke? Because if it is, then whoever made it up should be sought out and publicly ridiculed for the rest of their life! Apparently, the hosts of the program thought the same thing and were even commenting on how "not funny" that news was and reprimanding the colleague who had given them the information. Not too long after that, as I parked my car in front of our building, the "confirmation" that none of us wanted to hear came through the radio: the report of Leslie's death was true. As some of the details started coming through, I just sat there in a state of shock, with my ears practically glued to the radio....needless to say, it was pretty difficult to concentrate at work, but I made it through and when I got home, the rest of the night was spent watching / reading the news and finding out as much information as I could.
Just like many of Leslie’s fans and other close friends have stated throughout the past 8 years: even now, so many years later, it’s still hard to accept the reality of Leslie truly being gone. Sometimes, when I watch his past performances, I can’t help but feel saddened at what we (the Chinese community as a whole) had lost.
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INTRODUCTION
To his many friends, colleagues, and fans, Leslie was known by the nickname ‘Gor Gor’ (elder brother). In terms of the story behind how Leslie got this nickname, there have actually been a few different ‘versions’ over the years, but in my opinion, the 2 ‘versions’ recounted in the book seem to be the most plausible, so those are the 2 that I’ve chosen to go with all these years.
.—Version 1: In 1993, Leslie collaborated with popular Taiwanese actress Brigitte Lin (林青霞) in the movie “The Bride with White Hair” (白髮魔女傳) directed by Ronny Yu. It was said that the cast and crew on the set liked to call Brigitte (who was a big star at the time) ‘Jie Jie’ (Big Sister) – therefore, in a joking manner, Leslie would say to her: “If you’re Jie Jie, then that means I’m Gor Gor!” From that moment on, the 2 ‘superstars’ would refer to each other as ‘Jie Jie’ and ‘Gor Gor’ – after awhile, people started getting used to the nickname and soon enough, Leslie started to become ‘Gor Gor’ to everyone else as well.
.—Version 2: In 2008, during the musical tribute concert that was specially organized to commemorate the 5 year anniversary of Leslie’s death, his good friend So Sze Wong (蘇施黃) recounted a completely different story about how Leslie got his nickname. We all know that Leslie loves to play Mahjong whenever he has time and many of his friends in the entertainment industry are his Mahjong ‘buddies’. As the story goes, a bunch of his Mahjong buddies were having a conversation one day and it was mentioned that someone in their group had the nickname ‘Gor Gor’ – actress Carina Lau (one of Leslie’s good friends and Mahjong buddies) mistakenly thought that the ‘Gor Gor’ they were referring to was Leslie. The friends didn’t bother to correct her and let her continue to believe that the ‘Gor Gor’ they were talking about was indeed Leslie (probably as a joke?) – therefore, from that point on, everyone started referring to Leslie as Gor Gor.
Interestingly enough, Leslie is affectionately known as ‘elder brother’ to almost everyone, however in his own family, he was actually the youngest child in the household.
CHILDHOOD / PERSONAL LIFE
Born the youngest of 10 children (3 of his siblings died at birth), Leslie’s original name at birth was Cheung Fat Chung (張發宗 ) – it wasn’t until later that he changed his name to Cheung Kwok Wing. His father (Cheung Wut Hoi) was a well-known tailor whose clients included many Hollywood stars who didn’t mind taking the long trip to HK to have him specially fit their suits for them. Leslie’s parents were very busy people and rarely had time to see their children – therefore, the children were placed under the care of their grandmother and it was only during special occasions (such as Chinese New Year) when the entire family would gather together for dinner. Leslie in particular was actually raised by his nanny, Luk Jie (六姐) and for him, she was one of the most important women in his life (aside from his mother) – Luk Jie loved and cared for Leslie as though he were her own son. It’s no surprise then that when Luk Jie passed away in 1991, Leslie was deeply grieved.
In terms of his relationship with his parents, Leslie once described it this way: “A lot of people ask me – Leslie Cheung, now that you already have everything, there should be no more regrets in life, right? Actually, in my childhood, I did not receive adequate love from my parents – to me, this is a huge regret.”
Even though Leslie’s relationship with his parents was not very close, he still loved his mother dearly. Unfortunately, the same couldn’t be said about his father – to the Cheung family, the father was viewed as the ‘source’ of much unhappiness for them and in fact, a few of the children were even estranged from him at some point (when Leslie’s eighth brother got married in 1986, he refused to invite his father to the wedding). In 1986, the author (Wong Lai Ling) asked Leslie whether he had a certain fear of marriage due to the way his parents’ marriage turned out, to which Leslie replied: “Yes, perhaps because my parents’ marriage was not happy, it affected me. When my dad was young, he was a ‘player’ who had many women – I actually had 2 mothers and both lived under the same roof at one point. But because there were too many conflicts, the mistress moved out right before I was born – she only has one adopted daughter and I haven’t seen either of them in over 20 years…if I were to bump into them in the street, I would not know who they are.” Leslie continued: “All along, my mom loved my dad very much, so a lot of times, she would just endure the pain he caused without a word. However, several years ago, my dad did something that my mom could not take and finally, they separated. Amongst the seven of us [Leslie & his siblings], only myself as well as another brother are still willing to call him ‘dad’. As far as the issues between my mom and dad, I’ve always tried to maintain a neutral position – after all, no matter what, he is still my dad.”
In his early teens, Leslie went to study in London – he attended a boarding school there and during his days off, he would go live at the home of a long-time family friend (the friend was late actor Alexander Fu Sheng’s sister) and also work part time at her restaurant, which had a band that performed regularly. It was at this restaurant that Leslie ‘performed’ publicly for the first time, singing with the band on the weekends.
After 4 years in England, he returned to Hong Kong, but due to the difference in education levels between the 2 regions, he ended up having to repeat certain courses – plus his exam results were not very good, so he decided to give up on school and try his luck in singing instead. He participated in the HK region pre-qualification round of the ‘Asia Singing Contest’ held by Rediffusion Television (ATV’s predecessor) in 1977 and with his rendition of the song ‘American Pie’, he won second place and was allowed to advance to the final level of the contest, representing HK. Despite his singing skill, Leslie was not able to make it into top 3 in the final contest, but not because he didn’t sing well (one of the judges on the panel of the contest had actually ‘rigged’ the scoring in favor of his own country’s contestants, so none of the contestants from HK made it into any of the top positions). Even though he lost the contest, Leslie’s talent was recognized by RTV and so he signed a 2 year contract with them, thereby officially becoming an RTV artist. That same year (1977), he also signed with his first record company (Polydor) and released his first album, ‘Day Dreaming’. With this, Leslie ‘officially’ began his career in the entertainment industry.
RELATIONSHIPS: THE WOMEN LESLIE ONCE LOVED
It’s no secret that when it came to his sexual orientation, Leslie was bisexual – even though he denied it early on, he did admit this fact later on in his career. Of course, we all know that the ‘significant other’ who accompanied Leslie during most of his life was his same sex partner Daffy Tong (唐鶴德). I’ll talk more about Leslie and Daffy’s relationship later on in this post, since there is a huge section about it in the book and this relationship was definitely an important one in Leslie’s life. However, for now, the focus will be on the women who were once a part of Leslie’s life: the girlfriends that he had after he entered the entertainment industry starting in the late 70s (and prior to meeting Daffy).
Teresa Mo: his first girlfriend
In 1977, while filming the series “Love Story” for RTV, rumors surfaced that 20 year old Leslie had fallen in love with his 17 year old co-star, Teresa Mo (毛舜筠). When asked about this, Leslie graciously admitted the relationship to reporters: “Yes! At first, it was only a promotional tactic for the series – when filming the promotional clip, we were asked to hold each other’s hand, so I jokingly told Teresa: ‘I’ll be your boyfriend, ok?’, to which she replied ‘Ok!’. After we finished filming the series, I felt that she was a very good girl, very cute, and we got along well, so I invited her to watch a movie together and hang out. Even though neither of us have ever expressed that we are really really in love with each other, I truly do like her a lot and I believe that she feels the same way about me. But, she has a lot of boyfriends. She and I are different in that regard – I am very dedicated and once I like a girl, I will continue to be good to her only.” Leslie also emphasized: “We are very serious about our relationship.”
Teresa was Leslie’s first girlfriend after he entered the entertainment industry (though she was not the first woman in his life – his ‘first love’ occurred when he was studying in England, but he was only with the girl for 2 weeks and they broke up). Even though he may not have realized it at first, Leslie was definitely smitten with Teresa the first time he saw her, to the point that he wanted to marry her not too long into their romance: “Towards her [Teresa], you can say that it was love at first sight. Not too long after we met, I was already in front of her with flowers, asking her to marry me.” Unfortunately, Leslie’s good intention backfired, as his sudden proposal actually scared Teresa, causing her to drift away from him. Of course, it’s understandable why Teresa would reject Leslie’s marriage proposal, as she was only 17 at the time, not even at legal age – plus Leslie was very young as well, so it probably wasn’t a good idea to get married at such a young age. Even though the romance between Leslie and Teresa did not last, the 2 still remained good friends even after they broke up (in fact, Leslie is good friends with Teresa’s current husband Tony Au Ding Ping).
Years later, during a TV program that she hosted for i-Cable, Teresa invited her good friend Leslie for a one-on-one interview, during which both very openly discussed their previous relationship. During that interview, Leslie told Teresa: “If back then you had agreed to marry me, it very possibly would have changed my life forever.”
Shirley Yim: a short-lived romance
In 1979, Leslie met a young woman while dancing at a local disco – her name was Shirley Yim (雪梨), the younger sister of actress Michelle Yim (米雪). Shirley was also an actress herself, just getting her start in the TV industry around that time. A year after that first meeting, Leslie and Shirley bumped into each other again during a charity sport event and that same evening, Leslie gave her a ride home. Not long after that, rumors started to surface that the two were dating. The next time the author met up with Leslie, she asked him about his relationship with Shirley and he graciously admitted it: “She can’t be counted as tremendously pretty, but she is very refined and a very interesting person. She told me that people usually call her by her nickname ‘baby elephant’.”
Again, this relationship was short-lived, as Leslie and Shirley were still young at the time and to a certain extent, were not entirely compatible. The couple tried hard to adapt to each other’s interests – Shirley liked to dance, so Leslie would accompany her to discos and Leslie liked for women to wear dresses, so Shirley would wear them occasionally to please him (even though she hated wearing dresses). However, having to constantly accommodate each other eventually took a toll on the relationship and it pretty much ended not too long after it started.
Ngai Si Pei: sweet young love
In 1981, while filming the RTV series “Agency 24”, Leslie again fell in love with his co-star, but this time it was actress Ngai Si Pei (倪詩蓓). A year later, when Ngai Si Pei was involved in a bitter contract dispute with RTV, Leslie immediately came to her defense and it was around that time that their relationship was made public. Their relationship lasted only two years.
Many years later, when asked about her relationship with her former lover, Ngai Si Pei praised Leslie for being a very romantic, good man: “When we were dating, neither of us had drivers licenses. Every time we went on a date, he would come pick me up and show up at the doorstep with a bouquet of yellow roses because he knew I liked that type of flower. We dated for close to 2 years – later on, I went to England to study fashion design and our relationship eventually dissolved.”
I personally don’t know too much about Ngai Si Pei, and unfortunately, there is very little information out there about her nowadays. In my research, I discovered that in addition to being one of Leslie’s former girlfriends, she was also linked to actor Kent Tong at one point (though it’s my understanding that they didn’t have a very good relationship at all). She married Asia’s ‘Cartoon King’ Wang Yuk Long in the late 1990s and they divorced 6 years later.
Cindy Yeung: from lovers to friends
In 1985, the author asked Leslie about his current love life and he revealed to her that his new girlfriend is someone he has known for 7 years already, but was never romantically involved with until now. The ‘girlfriend’ he was referring to was Cindy Yeung (楊諾思), the eldest daughter of Emperor Entertainment Group’s chairman Albert Yeung. In 1984, Leslie went to Albert Yeung’s house often, as he was a friend of the family’s and that year, he had to borrow the family’s swimming pool to film the cover of his latest album. With more opportunity to meet up and get to know each other better, Leslie and Cindy eventually started dating – however, they parted ways amicably a year later, though they still continued to remain good friends.
Currently, Cindy is a successful businesswoman overseeing part of her father’s business empire (she is in charge of Emperor Watch and Jewelry Company).
CAREER: THE LONG AND DIFFICULT ROAD TO FAME
Even with his natural talent and hard work, Leslie’s path to success in the entertainment industry was not an easy one at all. Despite a steady acting career in television, Leslie did not do too well on the music front early on in his career – not only were his first 2 albums (‘Day Dreaming’ from 1977 and ‘Lover’s Arrow’ from 1979) poorly received by the general public, he also did not have much luck with his performances or position in the music industry either. He once told the author: “I admit that at one point, I felt discouraged and disappointed – I would ask myself why I always ended up in a ‘secondary’ position? But I continued to bear with it and persevere. I remember one performance in particular where, in the hopes of accommodating the atmosphere at the time, I tossed the hat that I was wearing out into the audience – to my surprise, the hat was immediately tossed back up to me. I was very hurt and embarrassed by this and at the time, I just wanted to dig a hole in the ground and bury myself in it.”
Fortunately for Leslie, he had a chance meeting with Florence Chan (陳淑芬) in 1982; working for record company Capital Artists at the time, Mrs. Chan (as she is known in the industry) knew that Leslie had just ended his contract with Polygram and so she invited him to join Capital Artists as a singer. This proved to be the beginning of a ‘golden’ partnership, as it was after Leslie signed with Capital Artists and Mrs. Chan became his manager that he started to achieve fame and success as a singer. Their first collaboration in 1983, when Leslie released the song 風繼續吹 (‘The Wind Blows On’) was an instant hit and the next year (1984), Leslie’s singing career reached new heights with his first award-winning hit ‘Monica’. In 1985, with the release of his album 為你鍾情 (‘For Your Love Only’), he set records when the album achieved ‘double platinum’ status not long after it was released. [Note that currently, an album achieves Platinum status when it sells more than 1 million units – back in the 80s, I believe that number was higher, so for an album to achieve ‘double platinum’ in such a short amount of time is definitely a huge achievement!] That same year (1985), Leslie held his very first concert at HK Coliseum.
Another important person in Leslie’s career was music composer / producer Michael Lai (黎小田). Michael was actually one of the judges of the ‘Asia Singing Contest’ (the HK pre-qualification round) back when Leslie participated in the contest (Michael was RTV’s music director at the time). Michael remembered Leslie so vividly at the time because Leslie was the only contestant who actually dared to argue with him; Michael admired Leslie’s personality and respected his persistence – from that moment forward, they developed a close friendship (Michael became Leslie’s ‘god-father’) and they subsequently collaborated frequently on albums and concert performances.
To conclude this section about Leslie’s music career and his relationship with Florence Chan, I felt the need to include the subsequent paragraph recounting the final moments of Leslie’s life – after reading this section, I have to say that I admire Mrs. Chan’s strength in overcoming the tragedy of Leslie’s death:
Indeed, it can be said that Florence Chan was truly the one responsible for Leslie becoming the ‘superstar’ that he is. From 1982 on, Mrs. Chan became Leslie’s manager as well as close friend and confidante – for the next 2 decades, Mrs. Chan would become one of the most important women in Leslie’s life – their relationship was akin to that of mother and son. With the closeness of Leslie and Mrs. Chan’s relationship, I’m sure we can understand how painful it must have been for her to ‘witness’ Leslie’s death on that fateful day. As most of us know, Mrs. Chan was the last person to speak with Leslie on the phone prior to his death – she was scheduled to meet up with Leslie for tea that evening and had actually arrived at the Mandarin Oriental Hotel a few minutes before their scheduled time of 6pm. When Mrs. Chan checked the usual places at the hotel where Leslie usually frequented, she was not able to find him, so she called him to find out where he was. Leslie told her that he had stepped out for a bit and would be back shortly, so Mrs. Chan decided to wait for him (in reality, Leslie had not stepped out – he was actually on the 24th floor, writing a note and making a few phone calls). A few minutes before 6:41pm HKT (the moment Leslie jumped from the hotel), Leslie calls Mrs. Chan and tells her to wait for him near the entrance of the hotel – she immediately heads toward the specificed location and waits there for Leslie. Five minutes later, she hears a huge ‘thud’ sound and sees a crowd forming a few feet away from her – from where she was standing, she could vaguely make out the outline of a human body near where the crowd was -- she thought that perhaps there was an accident of some sort, but she did not dare move from the area she was standing to go look because she was afraid Leslie wouldn’t be able to find her once he arrived…..little did she know that her waiting would be in vain. Tragically, by the time she realized what had happened, Leslie was already gone.
.--.
ANITA MUI: LESLIE’S BELOVED ‘LITTLE SISTER’
Of course, it is impossible to write about Leslie without mentioning his long-time friend and ‘sister’ Anita Mui (梅艷芳). Leslie and Anita had a very special relationship, one that was rare and probably will never occur again in the HK entertainment industry. Leslie met Anita for the first time in 1982, when he signed with Capital Artists; that was also the same year that Anita won the New Talent Singing Contest and had also signed to the same record company – so it can be said that the two of them started on their path to fame together.
Prior to her death, Anita had described her relationship with Leslie this way: “A lot of people think that I’m a very ‘tough’ person -- it is only in front of Gor Gor [Leslie] that I can completely become myself once again. I can be a ‘woman’ again and no longer need to pretend to be strong, because I have him here to protect me – he is an elder brother who truly truly loves me and dotes on me very much.” She continues: “[Gor Gor] and I are great partners and confidantes. We started out together, working from scratch at Capital Artists. All I know is that when I have him around, I feel most at ease, and by the same token, when he has me around, he is also most at ease.”
In 1985, when Leslie held his first HK Coliseum concert, his special musical guest was none other than his ‘little sister’ Anita. It was actually Leslie’s idea to invite Anita as musical guest (not the company’s idea, as some people might think)…at the time, Leslie himself stated: “[Anita] and I are good friends and in the near future, she will be holding her own concerts, so I felt that she should have the opportunity to ‘test the waters’ and see how the audience reacts – for a singer, this is very important. During the show, when I heard the applause and cheers that the audiences gave to Anita, I thought in my heart: ‘Anita, you’ve succeeded!’” Thinking back to those early days in both their careers, Leslie and Anita constantly talked about how the two of them would travel all over the world together, performing at various venues and going through ‘thick and thin’ together – no matter how tiring or difficult things became, they had the assurance of knowing that they were in it together. Even during their travels, when they would stay at hotels, they would make sure to book rooms that had a common door so that in the event anything happened, they could be there for each other.
Having endured hardship and success together, it’s no surprise that Leslie and Anita developed such a strong bond. They were truly a ‘perfect match’ and ‘dream team’ in every aspect (except romantically), even though their personalities and hobbies were complete opposites. Anita was the bold, adventurous type who enjoyed high risk activities such as roller coasters and thrill rides, whereas Leslie could barely stand to go near those types of things because he had an incredible fear of heights (ironically, he chose to end his life by jumping off a building). Nevertheless, their different personalities did not prevent them from enjoying each other’s company and developing a ‘non-romance’ closeness that was practically unheard of (especially between a man and a woman) at the time. In describing how much Leslie meant to her, Anita stated that he knew her better than her own family – in fact, every time she met a new boyfriend, she would make sure to take him to meet her protective ‘big brother’ Leslie so he could give his blessing.
When Leslie passed away, Anita not only cried endless tears for him, she also was so upset that she was not able to eat for the longest time: “The first few days after his passing, my heart hurt so badly, I was barely able to speak – I felt that all of a sudden, I had aged 10 years. I would ask the Heavens non-stop: ‘Why did it have to be like this?’” During the last few months of Anita’s life, when she herself was courageously battling cancer, she met with the author one last time – during that interview, she stated: “[Leslie] is forever my elder brother! Our relationship is as close as……” she was not able to find an appropriate word to describe the relationship… “In any case, it’s not something that can be expressed in a few words; he is forever branded in my heart.”
On December 30th, 2003 – 8 months after her beloved Gor Gor passed away – Anita was finally reunited with him in Heaven.
RETIREMENT AND COMEBACK
It was in 1987, while at the height of his career, that Leslie told his friends for the first time that he wanted to retire from singing (though it was something that he had thought about numerous times in the past). At the time, most of Leslie’s friends didn’t believe that he was serious about retiring, but it turns out that his mind was already set: on December 21, 1988, Leslie kicked off his Farewell Concert Tour – his way of saying goodbye to his fans – and during the very last show held on January 22, 1990, he performed a special ‘hanging up the microphone’ ceremony to show that from then on, he would leave his singing career behind him.
After he left the music industry (as a singer that is), Leslie invested a lot more time into his movie career, as he wanted to focus on acting and also try his hand at directing some day. It definitely seemed that he had made the right decision to retire at that time, as his movie career started to soar (well, technically he was already a well-known movie actor by that time anyway, but it was in the early 90s that he truly achieved ultimate success in acting in terms of awards and international recognition).
I’m actually not going to go too much into Leslie’s movie career, as this is one area that most people are already familiar with. Instead, I am going to skip to the year 1995, when Leslie made his official comeback to the music industry. (The reason why I decided to focus on this aspect is because I feel it’s more important to understand Leslie’s inner thought process with regard to his retirement and comeback rather than recount which films he had starred in.) Just like starting off in the industry was not easy for him, returning was even more difficult – primarily because of all the ‘pressure’ that he had to deal with from the Media. During the contract-signing event marking his ‘official’ return in 1995, Leslie was surrounded by reporters who started firing questions at him left and right, asking him if he felt that he was ‘going back on his word’ by making a comeback…. Leslie patiently responded to the reporters’ questions: “My thought process has definitely changed. Back then, I was insistent on retiring, but I have matured now, so my thinking is no longer the same. After filming movies for so many years, I would be lying if I told you that I had not thought about singing again. You can say that I am going back on my word – regardless, my thought process has changed.” Indeed, Leslie’s decision to come out of retirement was not a brash one, as he had already considered it for 2 years before actually proceeding. During his return concert in 1997, Leslie told his fans: “Leaving the stage for 7 years, I have never regretted it – at the time, I had left wholeheartedly…having another concert now is a good thing, as I feel that my foundation is deeper – hopefully I can reach another peak in my career. If everyone where to ask me how long I hope to continue singing, I would respond: Forever….” (Though the Media did not seem to share in his ‘happiness’ of returning to singing, at least his fans did!)
One thing I don’t understand is -- with Leslie’s popularity and talent, shouldn’t people be happy that he decided to come out of retirement and release albums again? Since when is coming out of retirement and returning to the music industry a bad thing? Personally, it’s hard for me to understand the Media’s (and general public to some extent) method of thinking in this regard…why should it matter whether Leslie coming out of retirement meant that he ‘went back on his word’? I find it sad that the Media would choose to focus on the ‘negative’ aspect of his decision rather than the more important piece of how much joy his return brought to fans. Once again, this is another example of what is wrong with HK Media (a point that I had talked about earlier in the post about Danny Chan). It’s no surprise then that Leslie felt so disappointed in the Media at the time.
Unfortunately though, this would not be the last time that Leslie would be ‘hurt’ by the Media (in fact, this was only the beginning). In 2000, Leslie held what would eventually be the very last concert of his career and life (due to his passing 3 years later). His ‘Passion Tour’ concert series had special meaning for Leslie, as it marked the first time that he would serve as art director as well as singer for a concert -- to demonstrate how important the concert was to him, he specially invited renowned designer Jean Paul Gaultier to design all the costumes for the concert. One of Leslie’s goals for this concert was to express himself artistically (hence the long haired wig and the beard) – to some extent, he was able to achieve this goal, as many of his colleagues and industry people who saw the concert praised his efforts and told him that his concert was “true art”. After the opening show, when he happily met with reporters, all of them praised him in unison as well, telling him how great the show was – this gave Leslie confidence and truly made him believe the show was near perfection artistically….never in a million years could he have imagined that the reporters that night were merely giving him ‘lip service’: when the Media reports came out the next day, the ‘praise’ turned into severe criticism – a completely opposite reaction from what the reporters told him to his face the night before. Towards this, he was extremely disappointed and heartbroken. Even though the ‘Passion Tour’ eventually became a huge success on the international front and Leslie won many awards because of it, the HK Media’s harsh criticism had already done its damage…..
In November 2000, during his acceptance speech for the “Grand Salute Award” bestowed on him by Mingpao Weekly (for his work on the Passion Tour concerts), Leslie finally spoke the words that had been in his heart for several months [my apologies for the long excerpt, but this speech is a very important one and in order to do it justice, I felt the need to include the entire quote that was in the book]: “After the opening night performance, there were a lot of reporters who came backstage – the reaction I had gotten from them at that time was: ‘the show was absolutely awesome!’ However, the next day, when I opened the newspaper, what I saw was: ‘the long hair means that he is Zhen Zi [TN: a female ghost from a horror flick] and wearing a skirt means that he is a woman’, as well as other criticisms -- all of this only shows how superficial the Media is….sometimes, I feel that entertainers at our level should try things that no one else has done before and help set precedence; to be honest, during my 1997 concert, when I wore high heels onstage, I could understand being called a woman, but during this concert [Passion Tour], I never once thought of myself as a woman! Perhaps they [the Media] did not pay close enough attention – the ‘woman’ that they talked about in their reports actually has a mustache!”
Leslie continues: “On the 3rd day of the concert, Jean-Paul Gaultier [the renown designer who was responsible for Leslie’s wardrobe for the concert] emailed me from France – after I read the email, I almost fell to the floor. He wrote: ‘You Hong Kong people are ridiculous! In the future, NO international level designer will ever collaborate or work on HK shows again.’ I feel that this is something the HK Media needs to self-reflect upon because there are many of us entertainers whose level has already reached international standards. I recently held 10 shows in Japan and afterwards, the Japanese Media used the word ‘FANTASTIC!’ to describe the shows – at the same time, I was asked by other international Media outlets and concert organizers: ‘why is it that the Media in Hong Kong would choose to destroy and hurt its entertainers [with its reporting]?’”
Leslie’s words at that time were truly a reflection of what was in his own heart, but I’m sure that he also expressed the sentiments of all HK entertainers as well. He was very blunt in his criticism of the HK Media and I admire as well as respect him for that. Leslie’s personality has always been very straightforward and genuine -- it’s part of what endears him to so many people. Towards his personality, Leslie had this to say: “All these years, whether I encounter success or failure, I’ve always spoken what is in my heart. Unfortunately, this type of personality has brought me much pain and suffering.”
DAFFY TONG: LESLIE’S PARTNER UNTIL THE END
In January 1997, at the end of the 24th show of his post-retirement concert, Leslie publicly thanked 2 of the ‘most beloved’ people in his life. The first person was his mother Mrs. Cheung and the second one was his long-time partner, Daffy Tong: “Over 10 years ago, when I was at the lowest point in my life and had problems financially, this particular friend took several months worth of his salary and lent it entirely to me, helping me get through my crisis. Actually, I don’t have to say it, as you guys probably already know. Mom, he is your god-son, Mr. Tong.” Then, in 1999, during an interview with a radio show, Leslie once again spoke of the 2 most important people in his life – with this revelation, speculations over Leslie’s sexual orientation that had been running rampant for many years -- finally ended.
On April 1, 2003, Leslie’s sudden death not only shocked the entire entertainment industry, but also the entire Asian community worldwide. Unfortunately, within just hours after his death, the rumor mill was ‘ignited’ again: all kinds of speculations and rumors concerning Leslie’s death spread like wildfire, with the most ‘hurtful’ rumors coming from local gossip magazines and tabloids, which focused on Leslie’s sexual orientation and possible relationship issues as ‘reasons’ for his suicide. Due to the intensity of the rumors and the strong desire to allow Leslie to rest in peace, his family – including his partner Daffy – had to take a moment out of their immense grieving to refute some of the rumors that surfaced (shame on the Media for inflicting so much pain on a grieving family!!).
The below passages translated directly from the book demonstrate the frustration and anguish that Daffy especially had to go through :
With Leslie’s sudden death, Daffy was more hurt and grieved than anyone – yet in order to dispel rumors that were already surfacing, he agreed to be interviewed by reporters through the screen door of his home the morning of April 2nd (just hours after Leslie’s death). Daffy was wearing a white bathrobe, his eyes were red and swollen, his face was tired and worn. He told reporters: “Our relationship of more than a decade has always been good – there was never a ‘third party’ in our relationship and my feelings for him have never changed; all these years, my love for him has never wavered.” He also revealed that the first time Leslie had attempted to end his own life was back in November of last year (2002) – he said that Gor Gor suffered from depression and had been seeing various doctors for awhile already.
Unfortunately, Daffy’s confirmation of Leslie’s illness did not do much to dispel the ruthless rumors and speculations that continued to run rampant in the Media. In an attempt to quell the rumor mill, Leslie’s close confidante and manager Florence Chan stepped forward in Daffy’s (and Leslie’s) defense: “Leslie and Daffy met back in 1982 and since then, have been through thick and then together – their relationship all these years has always been good. In the past year that Leslie has been ill, Daffy has stood by him unwaveringly, taking care of him without complaint, their relationship stronger than ever. Leslie is already gone and Daffy is already in tremendous pain – what’s the point of inflicting even more pain on him? Leslie has always been very loyal in his relationships – in the past 20 years, his feelings for Daffy have never changed.”
In an interview with the author several days later, Daffy once again reiterated the unchanging devotion that he and Leslie had for each other – and he once again implored that the Media allow Leslie to rest in peace: “….In the past, whenever there were rumors about us, both Leslie and I would choose to remain silent and instead dispel those rumors through our actions – for example, going out together publicly to watch a movie or have dinner….but now, this is no longer possible…Leslie is already gone, there is no way for him to defend himself or refute the rumors, yet some people still choose to use written or verbal words to attack his spirit! The dead is already gone, let the rumors be buried as well! Instead [of focusing on the rumors], I hope that everyone can appreciate Gor Gor’s contributions and his great love and passion for his work….let’s allow Leslie to truly leave in peace!”
Sadly, to this day, there are still many rumors and speculations surrounding Leslie’s death, though the intensity of those speculations has (fortunately) died down. Despite Leslie’s own confession in his suicide note that he was suffering from depression as well as confirmation of this from his closest friends and relatives (it was also mentioned at his funeral), some people (perhaps out of ignorance or lack of understanding of the disease?) still refuse to accept the fact that it was this illness that drove Leslie to take his own life and instead continue to conjure up various other ‘reasons’ to explain it– as an HK entertainment fan, it’s definitely upsetting and at the same time frustrating to see this type of thinking. Hopefully, this post will help those who are still of this particular mindset gain better clarification.
OTHER INTERESTING FACTS
The book actually clarified a few things regarding Leslie that devoted fans may already know, but most of the general public might not -- therefore, I felt it was appropriate to include a few of these ‘interesting facts’ in this particular post:
.-- At one point in time, it was thought that actor/singer Dicky Cheung (張衛健)was Leslie's cousin. This is actually not true -- even though both Dicky and Leslie have the same surname, they are not related to each other at all. Below is a direct quote from Leslie on how the whole thing about Dicky being his cousin came about:
He [Leslie] has a heart of gold – in order to help others, he does mind telling a well-intentioned ‘untruth’. In 1984, Leslie was already a well-known first-line singer – in that year’s New Talent Singing Competition, there was a kid named Dicky Cheung who was rumored to be a cousin of his. It wasn’t until after Dicky won the gold award that Leslie refuted the rumors of Dicky being a relative: “Dicky and I met a year ago. Not sure how he got my phone number, but he called me and we agreed to meet up. At the time, he was singing at restaurants in order to support his entire family. For a period of time, he didn’t have any work opportunities while I would do occasional restaurant gigs myself, so I figured I would help introduce him to the restaurant people I knew. At first, I introduced him as my friend, but that didn’t seem to help, as he still didn’t get many opportunities, so I figured why don’t I just claim him as my cousin – after that, I was able to help him find quite a few jobs.”
Leslie later clarified in an interview that Dicky wasn’t his cousin – but he chose to do it way after Dicky won the NTSA competition, as he didn’t want to affect Dicky’s chances and also didn’t want to hurt his feelings.
.-- Alot of people say that Roger Kwok (郭晉安) – in his younger days especially -- bore a striking resemblance to Leslie and some even mistakenly thought that perhaps they are related. The truth is that they are NOT related, but Roger definitely did look a little like Leslie back in the 80s, especially between 1986 and 1988. Roger's fellow colleagues at TVB apparently thought so as well: during TVB's Anniversary Gala in 1988, Leslie was one of the special musical performers at the end of the show -- while he was performing, a bunch of people pushed Roger out to the front of the stage where Leslie was. Roger had a (cute) slightly embarrassed smile on his face -- being the good sport that he is, Leslie hugged Roger and said loudly into the microphone: "My Brother!" (Aww, such a sweet moment! I remember that particular Anniversary Gala show, as I've seen it several times -- it's among my favorites in terms of TVB galas).
.-- Leslie is very good friends with [my idol] Jacky Cheung. Part of the reason is because of Anita, since Jacky is Anita's 'brother-in-law' and of course, Anita is Leslie's close friend and 'sister' -- plus they all started around the same time (in the 80s) and all had mutual friends, so they hung out together alot and also collaborated alot onscreen (in music and movies) as well. But of course, the other 'common link' between Leslie and Jacky is Florence Chan -- as already stated above, Mrs. Chan was Leslie's manager for most of his singing career (starting in the early 80s) and in the mid-90s, she became Jacky's concert manager (Jacky's manager in the 80s and early 90s was 'golden' manager Willie Chan), a position she continues to hold currently. (When Leslie made his comeback to the music industry, Mrs. Chan continued her role as his manager, up until the point of his death in 2003). So with the added relationship of being Mrs. Chan's 'sons', it's no surprise that Jacky and Leslie were close.
In 2001, during a celebration dinner for Mrs. Chan’s birthday, Leslie talked with Jacky about the 2 of them doing a musical together as their mutual gift to Mrs. Chan for her birthday. By the next year, Jacky had already completed the initial script for the musical and had even showed it to Leslie for review. Unfortunately, before Jacky was able to complete the final revisions to the script, Leslie was already gone. …
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CONCLUDING THOUGHTS
I’m sure everyone would agree that even when he was alive, Leslie was already an ICON in every sense of the word – with his passing, he has become more than just an icon….he has become a LEGEND.
In a sense, this post can be viewed as a ‘coping mechanism’ to help those (like me) who still struggle from time to time in accepting the fact that Leslie is truly gone…. but most importantly though – just like with my previous posts on Anita and Danny -- it’s also my way of paying tribute to a legend. I hope that whoever gets the chance to read this post – whether you’re a Leslie fan or not – can benefit from it in some way: whether it’s learning things about Leslie that you may not have known previously, or, in the case of his fans, simply serving as a reminder of why your love for Leslie continues to remain strong and steadfast so many years after his death. In putting together this post, I myself have definitely gained a better appreciation for Leslie, both as an artist and as a person.
One last thing…..
I wish I could include some of the pictures from the book in these posts, as each chapter shows a collection of pictures from Mingpao’s archives that are relevant to the people or events being discussed. One of the many things I like about this book is that the author really took the time to look through her picture archives and choose pictures that created a ‘historical chronology’ of sorts for each artist (for example, the section talking about the artist’s childhood included baby pictures and other family pictures, the section about the artist’s relationships has pictures of their significant other(s), all with detailed captions and the year the picture was taken). For me, while reading this book, looking through all the pictures and reading the captions that accompanied each picture was almost as good as reading the book itself!
** Disclaimer #1: The below is a recap of one of the chapters in the book and is written from my perspective – it is not by any means a direct translation of the entire chapter. For a detailed description of what this particular book is about, please refer to post #1.
** Disclaimer #2: This book does NOT tell the entire life story of Leslie, but rather focuses only on certain aspects of his life and career gathered from previous interviews with him (as well as the writer's own knowledge of him). Therefore, please understand that the below recap won't be 'all-inclusive'.
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April 1st, 2003 -- a day when we tragically lost one of the HK entertainment industry's biggest stars: singer/actor Leslie Cheung. It was a sad day, one that most Hong Kongers (as well as Leslie’s fans everywhere) will never forget.
Though I don't live in HK, I've been an avid 'follower' of HK entertainment my entire life -- even before I knew how to talk, I was already watching HK TV series, movies, show and listening to HK music (though I didn't really know what was going on at the time) -- so for me, the HK entertainment industry has always been a huge part of my life. I grew up in the 80s, so there is definitely a special place in my heart for anything related to that time period -- including the artists who were active in the industry during that time. And of course, Leslie was one of them -- he was one of the biggest names in the HK music world at the time (and was already an established television actor prior to that) so of course everyone knew who he was. Though I can't really call myself a "fan" (in the true sense of the word, since I have a certain 'definition' in my mind of what being a 'fan' is about), I still adored Leslie, just like I adored all the other talented artists from that generation.
I remember vividly where I was and what I was doing the day news came out that Leslie had died. I had just gotten in my car and was driving to work (since I'm in the U.S., it was actually morning for me), listening to the radio (the local Cantonese language station that I normally listen to). As I stopped at a traffic light, my hand reached over to turn up the volume on the radio when an announcement came through (interrupting the program I was listening to): superstar Leslie Cheung had committed suicide, jumping to his death from the 24th floor of a famous HK hotel. The first thought that went through my mind at the time was: Is this some sort of cruel April Fool's joke? Because if it is, then whoever made it up should be sought out and publicly ridiculed for the rest of their life! Apparently, the hosts of the program thought the same thing and were even commenting on how "not funny" that news was and reprimanding the colleague who had given them the information. Not too long after that, as I parked my car in front of our building, the "confirmation" that none of us wanted to hear came through the radio: the report of Leslie's death was true. As some of the details started coming through, I just sat there in a state of shock, with my ears practically glued to the radio....needless to say, it was pretty difficult to concentrate at work, but I made it through and when I got home, the rest of the night was spent watching / reading the news and finding out as much information as I could.
Just like many of Leslie’s fans and other close friends have stated throughout the past 8 years: even now, so many years later, it’s still hard to accept the reality of Leslie truly being gone. Sometimes, when I watch his past performances, I can’t help but feel saddened at what we (the Chinese community as a whole) had lost.
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INTRODUCTION
To his many friends, colleagues, and fans, Leslie was known by the nickname ‘Gor Gor’ (elder brother). In terms of the story behind how Leslie got this nickname, there have actually been a few different ‘versions’ over the years, but in my opinion, the 2 ‘versions’ recounted in the book seem to be the most plausible, so those are the 2 that I’ve chosen to go with all these years.
.—Version 1: In 1993, Leslie collaborated with popular Taiwanese actress Brigitte Lin (林青霞) in the movie “The Bride with White Hair” (白髮魔女傳) directed by Ronny Yu. It was said that the cast and crew on the set liked to call Brigitte (who was a big star at the time) ‘Jie Jie’ (Big Sister) – therefore, in a joking manner, Leslie would say to her: “If you’re Jie Jie, then that means I’m Gor Gor!” From that moment on, the 2 ‘superstars’ would refer to each other as ‘Jie Jie’ and ‘Gor Gor’ – after awhile, people started getting used to the nickname and soon enough, Leslie started to become ‘Gor Gor’ to everyone else as well.
.—Version 2: In 2008, during the musical tribute concert that was specially organized to commemorate the 5 year anniversary of Leslie’s death, his good friend So Sze Wong (蘇施黃) recounted a completely different story about how Leslie got his nickname. We all know that Leslie loves to play Mahjong whenever he has time and many of his friends in the entertainment industry are his Mahjong ‘buddies’. As the story goes, a bunch of his Mahjong buddies were having a conversation one day and it was mentioned that someone in their group had the nickname ‘Gor Gor’ – actress Carina Lau (one of Leslie’s good friends and Mahjong buddies) mistakenly thought that the ‘Gor Gor’ they were referring to was Leslie. The friends didn’t bother to correct her and let her continue to believe that the ‘Gor Gor’ they were talking about was indeed Leslie (probably as a joke?) – therefore, from that point on, everyone started referring to Leslie as Gor Gor.
Interestingly enough, Leslie is affectionately known as ‘elder brother’ to almost everyone, however in his own family, he was actually the youngest child in the household.
CHILDHOOD / PERSONAL LIFE
Born the youngest of 10 children (3 of his siblings died at birth), Leslie’s original name at birth was Cheung Fat Chung (張發宗 ) – it wasn’t until later that he changed his name to Cheung Kwok Wing. His father (Cheung Wut Hoi) was a well-known tailor whose clients included many Hollywood stars who didn’t mind taking the long trip to HK to have him specially fit their suits for them. Leslie’s parents were very busy people and rarely had time to see their children – therefore, the children were placed under the care of their grandmother and it was only during special occasions (such as Chinese New Year) when the entire family would gather together for dinner. Leslie in particular was actually raised by his nanny, Luk Jie (六姐) and for him, she was one of the most important women in his life (aside from his mother) – Luk Jie loved and cared for Leslie as though he were her own son. It’s no surprise then that when Luk Jie passed away in 1991, Leslie was deeply grieved.
In terms of his relationship with his parents, Leslie once described it this way: “A lot of people ask me – Leslie Cheung, now that you already have everything, there should be no more regrets in life, right? Actually, in my childhood, I did not receive adequate love from my parents – to me, this is a huge regret.”
Even though Leslie’s relationship with his parents was not very close, he still loved his mother dearly. Unfortunately, the same couldn’t be said about his father – to the Cheung family, the father was viewed as the ‘source’ of much unhappiness for them and in fact, a few of the children were even estranged from him at some point (when Leslie’s eighth brother got married in 1986, he refused to invite his father to the wedding). In 1986, the author (Wong Lai Ling) asked Leslie whether he had a certain fear of marriage due to the way his parents’ marriage turned out, to which Leslie replied: “Yes, perhaps because my parents’ marriage was not happy, it affected me. When my dad was young, he was a ‘player’ who had many women – I actually had 2 mothers and both lived under the same roof at one point. But because there were too many conflicts, the mistress moved out right before I was born – she only has one adopted daughter and I haven’t seen either of them in over 20 years…if I were to bump into them in the street, I would not know who they are.” Leslie continued: “All along, my mom loved my dad very much, so a lot of times, she would just endure the pain he caused without a word. However, several years ago, my dad did something that my mom could not take and finally, they separated. Amongst the seven of us [Leslie & his siblings], only myself as well as another brother are still willing to call him ‘dad’. As far as the issues between my mom and dad, I’ve always tried to maintain a neutral position – after all, no matter what, he is still my dad.”
In his early teens, Leslie went to study in London – he attended a boarding school there and during his days off, he would go live at the home of a long-time family friend (the friend was late actor Alexander Fu Sheng’s sister) and also work part time at her restaurant, which had a band that performed regularly. It was at this restaurant that Leslie ‘performed’ publicly for the first time, singing with the band on the weekends.
After 4 years in England, he returned to Hong Kong, but due to the difference in education levels between the 2 regions, he ended up having to repeat certain courses – plus his exam results were not very good, so he decided to give up on school and try his luck in singing instead. He participated in the HK region pre-qualification round of the ‘Asia Singing Contest’ held by Rediffusion Television (ATV’s predecessor) in 1977 and with his rendition of the song ‘American Pie’, he won second place and was allowed to advance to the final level of the contest, representing HK. Despite his singing skill, Leslie was not able to make it into top 3 in the final contest, but not because he didn’t sing well (one of the judges on the panel of the contest had actually ‘rigged’ the scoring in favor of his own country’s contestants, so none of the contestants from HK made it into any of the top positions). Even though he lost the contest, Leslie’s talent was recognized by RTV and so he signed a 2 year contract with them, thereby officially becoming an RTV artist. That same year (1977), he also signed with his first record company (Polydor) and released his first album, ‘Day Dreaming’. With this, Leslie ‘officially’ began his career in the entertainment industry.
RELATIONSHIPS: THE WOMEN LESLIE ONCE LOVED
It’s no secret that when it came to his sexual orientation, Leslie was bisexual – even though he denied it early on, he did admit this fact later on in his career. Of course, we all know that the ‘significant other’ who accompanied Leslie during most of his life was his same sex partner Daffy Tong (唐鶴德). I’ll talk more about Leslie and Daffy’s relationship later on in this post, since there is a huge section about it in the book and this relationship was definitely an important one in Leslie’s life. However, for now, the focus will be on the women who were once a part of Leslie’s life: the girlfriends that he had after he entered the entertainment industry starting in the late 70s (and prior to meeting Daffy).
Teresa Mo: his first girlfriend
In 1977, while filming the series “Love Story” for RTV, rumors surfaced that 20 year old Leslie had fallen in love with his 17 year old co-star, Teresa Mo (毛舜筠). When asked about this, Leslie graciously admitted the relationship to reporters: “Yes! At first, it was only a promotional tactic for the series – when filming the promotional clip, we were asked to hold each other’s hand, so I jokingly told Teresa: ‘I’ll be your boyfriend, ok?’, to which she replied ‘Ok!’. After we finished filming the series, I felt that she was a very good girl, very cute, and we got along well, so I invited her to watch a movie together and hang out. Even though neither of us have ever expressed that we are really really in love with each other, I truly do like her a lot and I believe that she feels the same way about me. But, she has a lot of boyfriends. She and I are different in that regard – I am very dedicated and once I like a girl, I will continue to be good to her only.” Leslie also emphasized: “We are very serious about our relationship.”
Teresa was Leslie’s first girlfriend after he entered the entertainment industry (though she was not the first woman in his life – his ‘first love’ occurred when he was studying in England, but he was only with the girl for 2 weeks and they broke up). Even though he may not have realized it at first, Leslie was definitely smitten with Teresa the first time he saw her, to the point that he wanted to marry her not too long into their romance: “Towards her [Teresa], you can say that it was love at first sight. Not too long after we met, I was already in front of her with flowers, asking her to marry me.” Unfortunately, Leslie’s good intention backfired, as his sudden proposal actually scared Teresa, causing her to drift away from him. Of course, it’s understandable why Teresa would reject Leslie’s marriage proposal, as she was only 17 at the time, not even at legal age – plus Leslie was very young as well, so it probably wasn’t a good idea to get married at such a young age. Even though the romance between Leslie and Teresa did not last, the 2 still remained good friends even after they broke up (in fact, Leslie is good friends with Teresa’s current husband Tony Au Ding Ping).
Years later, during a TV program that she hosted for i-Cable, Teresa invited her good friend Leslie for a one-on-one interview, during which both very openly discussed their previous relationship. During that interview, Leslie told Teresa: “If back then you had agreed to marry me, it very possibly would have changed my life forever.”
Shirley Yim: a short-lived romance
In 1979, Leslie met a young woman while dancing at a local disco – her name was Shirley Yim (雪梨), the younger sister of actress Michelle Yim (米雪). Shirley was also an actress herself, just getting her start in the TV industry around that time. A year after that first meeting, Leslie and Shirley bumped into each other again during a charity sport event and that same evening, Leslie gave her a ride home. Not long after that, rumors started to surface that the two were dating. The next time the author met up with Leslie, she asked him about his relationship with Shirley and he graciously admitted it: “She can’t be counted as tremendously pretty, but she is very refined and a very interesting person. She told me that people usually call her by her nickname ‘baby elephant’.”
Again, this relationship was short-lived, as Leslie and Shirley were still young at the time and to a certain extent, were not entirely compatible. The couple tried hard to adapt to each other’s interests – Shirley liked to dance, so Leslie would accompany her to discos and Leslie liked for women to wear dresses, so Shirley would wear them occasionally to please him (even though she hated wearing dresses). However, having to constantly accommodate each other eventually took a toll on the relationship and it pretty much ended not too long after it started.
Ngai Si Pei: sweet young love
In 1981, while filming the RTV series “Agency 24”, Leslie again fell in love with his co-star, but this time it was actress Ngai Si Pei (倪詩蓓). A year later, when Ngai Si Pei was involved in a bitter contract dispute with RTV, Leslie immediately came to her defense and it was around that time that their relationship was made public. Their relationship lasted only two years.
Many years later, when asked about her relationship with her former lover, Ngai Si Pei praised Leslie for being a very romantic, good man: “When we were dating, neither of us had drivers licenses. Every time we went on a date, he would come pick me up and show up at the doorstep with a bouquet of yellow roses because he knew I liked that type of flower. We dated for close to 2 years – later on, I went to England to study fashion design and our relationship eventually dissolved.”
I personally don’t know too much about Ngai Si Pei, and unfortunately, there is very little information out there about her nowadays. In my research, I discovered that in addition to being one of Leslie’s former girlfriends, she was also linked to actor Kent Tong at one point (though it’s my understanding that they didn’t have a very good relationship at all). She married Asia’s ‘Cartoon King’ Wang Yuk Long in the late 1990s and they divorced 6 years later.
Cindy Yeung: from lovers to friends
In 1985, the author asked Leslie about his current love life and he revealed to her that his new girlfriend is someone he has known for 7 years already, but was never romantically involved with until now. The ‘girlfriend’ he was referring to was Cindy Yeung (楊諾思), the eldest daughter of Emperor Entertainment Group’s chairman Albert Yeung. In 1984, Leslie went to Albert Yeung’s house often, as he was a friend of the family’s and that year, he had to borrow the family’s swimming pool to film the cover of his latest album. With more opportunity to meet up and get to know each other better, Leslie and Cindy eventually started dating – however, they parted ways amicably a year later, though they still continued to remain good friends.
Currently, Cindy is a successful businesswoman overseeing part of her father’s business empire (she is in charge of Emperor Watch and Jewelry Company).
CAREER: THE LONG AND DIFFICULT ROAD TO FAME
Even with his natural talent and hard work, Leslie’s path to success in the entertainment industry was not an easy one at all. Despite a steady acting career in television, Leslie did not do too well on the music front early on in his career – not only were his first 2 albums (‘Day Dreaming’ from 1977 and ‘Lover’s Arrow’ from 1979) poorly received by the general public, he also did not have much luck with his performances or position in the music industry either. He once told the author: “I admit that at one point, I felt discouraged and disappointed – I would ask myself why I always ended up in a ‘secondary’ position? But I continued to bear with it and persevere. I remember one performance in particular where, in the hopes of accommodating the atmosphere at the time, I tossed the hat that I was wearing out into the audience – to my surprise, the hat was immediately tossed back up to me. I was very hurt and embarrassed by this and at the time, I just wanted to dig a hole in the ground and bury myself in it.”
Fortunately for Leslie, he had a chance meeting with Florence Chan (陳淑芬) in 1982; working for record company Capital Artists at the time, Mrs. Chan (as she is known in the industry) knew that Leslie had just ended his contract with Polygram and so she invited him to join Capital Artists as a singer. This proved to be the beginning of a ‘golden’ partnership, as it was after Leslie signed with Capital Artists and Mrs. Chan became his manager that he started to achieve fame and success as a singer. Their first collaboration in 1983, when Leslie released the song 風繼續吹 (‘The Wind Blows On’) was an instant hit and the next year (1984), Leslie’s singing career reached new heights with his first award-winning hit ‘Monica’. In 1985, with the release of his album 為你鍾情 (‘For Your Love Only’), he set records when the album achieved ‘double platinum’ status not long after it was released. [Note that currently, an album achieves Platinum status when it sells more than 1 million units – back in the 80s, I believe that number was higher, so for an album to achieve ‘double platinum’ in such a short amount of time is definitely a huge achievement!] That same year (1985), Leslie held his very first concert at HK Coliseum.
Another important person in Leslie’s career was music composer / producer Michael Lai (黎小田). Michael was actually one of the judges of the ‘Asia Singing Contest’ (the HK pre-qualification round) back when Leslie participated in the contest (Michael was RTV’s music director at the time). Michael remembered Leslie so vividly at the time because Leslie was the only contestant who actually dared to argue with him; Michael admired Leslie’s personality and respected his persistence – from that moment forward, they developed a close friendship (Michael became Leslie’s ‘god-father’) and they subsequently collaborated frequently on albums and concert performances.
To conclude this section about Leslie’s music career and his relationship with Florence Chan, I felt the need to include the subsequent paragraph recounting the final moments of Leslie’s life – after reading this section, I have to say that I admire Mrs. Chan’s strength in overcoming the tragedy of Leslie’s death:
Indeed, it can be said that Florence Chan was truly the one responsible for Leslie becoming the ‘superstar’ that he is. From 1982 on, Mrs. Chan became Leslie’s manager as well as close friend and confidante – for the next 2 decades, Mrs. Chan would become one of the most important women in Leslie’s life – their relationship was akin to that of mother and son. With the closeness of Leslie and Mrs. Chan’s relationship, I’m sure we can understand how painful it must have been for her to ‘witness’ Leslie’s death on that fateful day. As most of us know, Mrs. Chan was the last person to speak with Leslie on the phone prior to his death – she was scheduled to meet up with Leslie for tea that evening and had actually arrived at the Mandarin Oriental Hotel a few minutes before their scheduled time of 6pm. When Mrs. Chan checked the usual places at the hotel where Leslie usually frequented, she was not able to find him, so she called him to find out where he was. Leslie told her that he had stepped out for a bit and would be back shortly, so Mrs. Chan decided to wait for him (in reality, Leslie had not stepped out – he was actually on the 24th floor, writing a note and making a few phone calls). A few minutes before 6:41pm HKT (the moment Leslie jumped from the hotel), Leslie calls Mrs. Chan and tells her to wait for him near the entrance of the hotel – she immediately heads toward the specificed location and waits there for Leslie. Five minutes later, she hears a huge ‘thud’ sound and sees a crowd forming a few feet away from her – from where she was standing, she could vaguely make out the outline of a human body near where the crowd was -- she thought that perhaps there was an accident of some sort, but she did not dare move from the area she was standing to go look because she was afraid Leslie wouldn’t be able to find her once he arrived…..little did she know that her waiting would be in vain. Tragically, by the time she realized what had happened, Leslie was already gone.
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ANITA MUI: LESLIE’S BELOVED ‘LITTLE SISTER’
Of course, it is impossible to write about Leslie without mentioning his long-time friend and ‘sister’ Anita Mui (梅艷芳). Leslie and Anita had a very special relationship, one that was rare and probably will never occur again in the HK entertainment industry. Leslie met Anita for the first time in 1982, when he signed with Capital Artists; that was also the same year that Anita won the New Talent Singing Contest and had also signed to the same record company – so it can be said that the two of them started on their path to fame together.
Prior to her death, Anita had described her relationship with Leslie this way: “A lot of people think that I’m a very ‘tough’ person -- it is only in front of Gor Gor [Leslie] that I can completely become myself once again. I can be a ‘woman’ again and no longer need to pretend to be strong, because I have him here to protect me – he is an elder brother who truly truly loves me and dotes on me very much.” She continues: “[Gor Gor] and I are great partners and confidantes. We started out together, working from scratch at Capital Artists. All I know is that when I have him around, I feel most at ease, and by the same token, when he has me around, he is also most at ease.”
In 1985, when Leslie held his first HK Coliseum concert, his special musical guest was none other than his ‘little sister’ Anita. It was actually Leslie’s idea to invite Anita as musical guest (not the company’s idea, as some people might think)…at the time, Leslie himself stated: “[Anita] and I are good friends and in the near future, she will be holding her own concerts, so I felt that she should have the opportunity to ‘test the waters’ and see how the audience reacts – for a singer, this is very important. During the show, when I heard the applause and cheers that the audiences gave to Anita, I thought in my heart: ‘Anita, you’ve succeeded!’” Thinking back to those early days in both their careers, Leslie and Anita constantly talked about how the two of them would travel all over the world together, performing at various venues and going through ‘thick and thin’ together – no matter how tiring or difficult things became, they had the assurance of knowing that they were in it together. Even during their travels, when they would stay at hotels, they would make sure to book rooms that had a common door so that in the event anything happened, they could be there for each other.
Having endured hardship and success together, it’s no surprise that Leslie and Anita developed such a strong bond. They were truly a ‘perfect match’ and ‘dream team’ in every aspect (except romantically), even though their personalities and hobbies were complete opposites. Anita was the bold, adventurous type who enjoyed high risk activities such as roller coasters and thrill rides, whereas Leslie could barely stand to go near those types of things because he had an incredible fear of heights (ironically, he chose to end his life by jumping off a building). Nevertheless, their different personalities did not prevent them from enjoying each other’s company and developing a ‘non-romance’ closeness that was practically unheard of (especially between a man and a woman) at the time. In describing how much Leslie meant to her, Anita stated that he knew her better than her own family – in fact, every time she met a new boyfriend, she would make sure to take him to meet her protective ‘big brother’ Leslie so he could give his blessing.
When Leslie passed away, Anita not only cried endless tears for him, she also was so upset that she was not able to eat for the longest time: “The first few days after his passing, my heart hurt so badly, I was barely able to speak – I felt that all of a sudden, I had aged 10 years. I would ask the Heavens non-stop: ‘Why did it have to be like this?’” During the last few months of Anita’s life, when she herself was courageously battling cancer, she met with the author one last time – during that interview, she stated: “[Leslie] is forever my elder brother! Our relationship is as close as……” she was not able to find an appropriate word to describe the relationship… “In any case, it’s not something that can be expressed in a few words; he is forever branded in my heart.”
On December 30th, 2003 – 8 months after her beloved Gor Gor passed away – Anita was finally reunited with him in Heaven.
RETIREMENT AND COMEBACK
It was in 1987, while at the height of his career, that Leslie told his friends for the first time that he wanted to retire from singing (though it was something that he had thought about numerous times in the past). At the time, most of Leslie’s friends didn’t believe that he was serious about retiring, but it turns out that his mind was already set: on December 21, 1988, Leslie kicked off his Farewell Concert Tour – his way of saying goodbye to his fans – and during the very last show held on January 22, 1990, he performed a special ‘hanging up the microphone’ ceremony to show that from then on, he would leave his singing career behind him.
After he left the music industry (as a singer that is), Leslie invested a lot more time into his movie career, as he wanted to focus on acting and also try his hand at directing some day. It definitely seemed that he had made the right decision to retire at that time, as his movie career started to soar (well, technically he was already a well-known movie actor by that time anyway, but it was in the early 90s that he truly achieved ultimate success in acting in terms of awards and international recognition).
I’m actually not going to go too much into Leslie’s movie career, as this is one area that most people are already familiar with. Instead, I am going to skip to the year 1995, when Leslie made his official comeback to the music industry. (The reason why I decided to focus on this aspect is because I feel it’s more important to understand Leslie’s inner thought process with regard to his retirement and comeback rather than recount which films he had starred in.) Just like starting off in the industry was not easy for him, returning was even more difficult – primarily because of all the ‘pressure’ that he had to deal with from the Media. During the contract-signing event marking his ‘official’ return in 1995, Leslie was surrounded by reporters who started firing questions at him left and right, asking him if he felt that he was ‘going back on his word’ by making a comeback…. Leslie patiently responded to the reporters’ questions: “My thought process has definitely changed. Back then, I was insistent on retiring, but I have matured now, so my thinking is no longer the same. After filming movies for so many years, I would be lying if I told you that I had not thought about singing again. You can say that I am going back on my word – regardless, my thought process has changed.” Indeed, Leslie’s decision to come out of retirement was not a brash one, as he had already considered it for 2 years before actually proceeding. During his return concert in 1997, Leslie told his fans: “Leaving the stage for 7 years, I have never regretted it – at the time, I had left wholeheartedly…having another concert now is a good thing, as I feel that my foundation is deeper – hopefully I can reach another peak in my career. If everyone where to ask me how long I hope to continue singing, I would respond: Forever….” (Though the Media did not seem to share in his ‘happiness’ of returning to singing, at least his fans did!)
One thing I don’t understand is -- with Leslie’s popularity and talent, shouldn’t people be happy that he decided to come out of retirement and release albums again? Since when is coming out of retirement and returning to the music industry a bad thing? Personally, it’s hard for me to understand the Media’s (and general public to some extent) method of thinking in this regard…why should it matter whether Leslie coming out of retirement meant that he ‘went back on his word’? I find it sad that the Media would choose to focus on the ‘negative’ aspect of his decision rather than the more important piece of how much joy his return brought to fans. Once again, this is another example of what is wrong with HK Media (a point that I had talked about earlier in the post about Danny Chan). It’s no surprise then that Leslie felt so disappointed in the Media at the time.
Unfortunately though, this would not be the last time that Leslie would be ‘hurt’ by the Media (in fact, this was only the beginning). In 2000, Leslie held what would eventually be the very last concert of his career and life (due to his passing 3 years later). His ‘Passion Tour’ concert series had special meaning for Leslie, as it marked the first time that he would serve as art director as well as singer for a concert -- to demonstrate how important the concert was to him, he specially invited renowned designer Jean Paul Gaultier to design all the costumes for the concert. One of Leslie’s goals for this concert was to express himself artistically (hence the long haired wig and the beard) – to some extent, he was able to achieve this goal, as many of his colleagues and industry people who saw the concert praised his efforts and told him that his concert was “true art”. After the opening show, when he happily met with reporters, all of them praised him in unison as well, telling him how great the show was – this gave Leslie confidence and truly made him believe the show was near perfection artistically….never in a million years could he have imagined that the reporters that night were merely giving him ‘lip service’: when the Media reports came out the next day, the ‘praise’ turned into severe criticism – a completely opposite reaction from what the reporters told him to his face the night before. Towards this, he was extremely disappointed and heartbroken. Even though the ‘Passion Tour’ eventually became a huge success on the international front and Leslie won many awards because of it, the HK Media’s harsh criticism had already done its damage…..
In November 2000, during his acceptance speech for the “Grand Salute Award” bestowed on him by Mingpao Weekly (for his work on the Passion Tour concerts), Leslie finally spoke the words that had been in his heart for several months [my apologies for the long excerpt, but this speech is a very important one and in order to do it justice, I felt the need to include the entire quote that was in the book]: “After the opening night performance, there were a lot of reporters who came backstage – the reaction I had gotten from them at that time was: ‘the show was absolutely awesome!’ However, the next day, when I opened the newspaper, what I saw was: ‘the long hair means that he is Zhen Zi [TN: a female ghost from a horror flick] and wearing a skirt means that he is a woman’, as well as other criticisms -- all of this only shows how superficial the Media is….sometimes, I feel that entertainers at our level should try things that no one else has done before and help set precedence; to be honest, during my 1997 concert, when I wore high heels onstage, I could understand being called a woman, but during this concert [Passion Tour], I never once thought of myself as a woman! Perhaps they [the Media] did not pay close enough attention – the ‘woman’ that they talked about in their reports actually has a mustache!”
Leslie continues: “On the 3rd day of the concert, Jean-Paul Gaultier [the renown designer who was responsible for Leslie’s wardrobe for the concert] emailed me from France – after I read the email, I almost fell to the floor. He wrote: ‘You Hong Kong people are ridiculous! In the future, NO international level designer will ever collaborate or work on HK shows again.’ I feel that this is something the HK Media needs to self-reflect upon because there are many of us entertainers whose level has already reached international standards. I recently held 10 shows in Japan and afterwards, the Japanese Media used the word ‘FANTASTIC!’ to describe the shows – at the same time, I was asked by other international Media outlets and concert organizers: ‘why is it that the Media in Hong Kong would choose to destroy and hurt its entertainers [with its reporting]?’”
Leslie’s words at that time were truly a reflection of what was in his own heart, but I’m sure that he also expressed the sentiments of all HK entertainers as well. He was very blunt in his criticism of the HK Media and I admire as well as respect him for that. Leslie’s personality has always been very straightforward and genuine -- it’s part of what endears him to so many people. Towards his personality, Leslie had this to say: “All these years, whether I encounter success or failure, I’ve always spoken what is in my heart. Unfortunately, this type of personality has brought me much pain and suffering.”
DAFFY TONG: LESLIE’S PARTNER UNTIL THE END
In January 1997, at the end of the 24th show of his post-retirement concert, Leslie publicly thanked 2 of the ‘most beloved’ people in his life. The first person was his mother Mrs. Cheung and the second one was his long-time partner, Daffy Tong: “Over 10 years ago, when I was at the lowest point in my life and had problems financially, this particular friend took several months worth of his salary and lent it entirely to me, helping me get through my crisis. Actually, I don’t have to say it, as you guys probably already know. Mom, he is your god-son, Mr. Tong.” Then, in 1999, during an interview with a radio show, Leslie once again spoke of the 2 most important people in his life – with this revelation, speculations over Leslie’s sexual orientation that had been running rampant for many years -- finally ended.
On April 1, 2003, Leslie’s sudden death not only shocked the entire entertainment industry, but also the entire Asian community worldwide. Unfortunately, within just hours after his death, the rumor mill was ‘ignited’ again: all kinds of speculations and rumors concerning Leslie’s death spread like wildfire, with the most ‘hurtful’ rumors coming from local gossip magazines and tabloids, which focused on Leslie’s sexual orientation and possible relationship issues as ‘reasons’ for his suicide. Due to the intensity of the rumors and the strong desire to allow Leslie to rest in peace, his family – including his partner Daffy – had to take a moment out of their immense grieving to refute some of the rumors that surfaced (shame on the Media for inflicting so much pain on a grieving family!!).
The below passages translated directly from the book demonstrate the frustration and anguish that Daffy especially had to go through :
With Leslie’s sudden death, Daffy was more hurt and grieved than anyone – yet in order to dispel rumors that were already surfacing, he agreed to be interviewed by reporters through the screen door of his home the morning of April 2nd (just hours after Leslie’s death). Daffy was wearing a white bathrobe, his eyes were red and swollen, his face was tired and worn. He told reporters: “Our relationship of more than a decade has always been good – there was never a ‘third party’ in our relationship and my feelings for him have never changed; all these years, my love for him has never wavered.” He also revealed that the first time Leslie had attempted to end his own life was back in November of last year (2002) – he said that Gor Gor suffered from depression and had been seeing various doctors for awhile already.
Unfortunately, Daffy’s confirmation of Leslie’s illness did not do much to dispel the ruthless rumors and speculations that continued to run rampant in the Media. In an attempt to quell the rumor mill, Leslie’s close confidante and manager Florence Chan stepped forward in Daffy’s (and Leslie’s) defense: “Leslie and Daffy met back in 1982 and since then, have been through thick and then together – their relationship all these years has always been good. In the past year that Leslie has been ill, Daffy has stood by him unwaveringly, taking care of him without complaint, their relationship stronger than ever. Leslie is already gone and Daffy is already in tremendous pain – what’s the point of inflicting even more pain on him? Leslie has always been very loyal in his relationships – in the past 20 years, his feelings for Daffy have never changed.”
In an interview with the author several days later, Daffy once again reiterated the unchanging devotion that he and Leslie had for each other – and he once again implored that the Media allow Leslie to rest in peace: “….In the past, whenever there were rumors about us, both Leslie and I would choose to remain silent and instead dispel those rumors through our actions – for example, going out together publicly to watch a movie or have dinner….but now, this is no longer possible…Leslie is already gone, there is no way for him to defend himself or refute the rumors, yet some people still choose to use written or verbal words to attack his spirit! The dead is already gone, let the rumors be buried as well! Instead [of focusing on the rumors], I hope that everyone can appreciate Gor Gor’s contributions and his great love and passion for his work….let’s allow Leslie to truly leave in peace!”
Sadly, to this day, there are still many rumors and speculations surrounding Leslie’s death, though the intensity of those speculations has (fortunately) died down. Despite Leslie’s own confession in his suicide note that he was suffering from depression as well as confirmation of this from his closest friends and relatives (it was also mentioned at his funeral), some people (perhaps out of ignorance or lack of understanding of the disease?) still refuse to accept the fact that it was this illness that drove Leslie to take his own life and instead continue to conjure up various other ‘reasons’ to explain it– as an HK entertainment fan, it’s definitely upsetting and at the same time frustrating to see this type of thinking. Hopefully, this post will help those who are still of this particular mindset gain better clarification.
OTHER INTERESTING FACTS
The book actually clarified a few things regarding Leslie that devoted fans may already know, but most of the general public might not -- therefore, I felt it was appropriate to include a few of these ‘interesting facts’ in this particular post:
.-- At one point in time, it was thought that actor/singer Dicky Cheung (張衛健)was Leslie's cousin. This is actually not true -- even though both Dicky and Leslie have the same surname, they are not related to each other at all. Below is a direct quote from Leslie on how the whole thing about Dicky being his cousin came about:
He [Leslie] has a heart of gold – in order to help others, he does mind telling a well-intentioned ‘untruth’. In 1984, Leslie was already a well-known first-line singer – in that year’s New Talent Singing Competition, there was a kid named Dicky Cheung who was rumored to be a cousin of his. It wasn’t until after Dicky won the gold award that Leslie refuted the rumors of Dicky being a relative: “Dicky and I met a year ago. Not sure how he got my phone number, but he called me and we agreed to meet up. At the time, he was singing at restaurants in order to support his entire family. For a period of time, he didn’t have any work opportunities while I would do occasional restaurant gigs myself, so I figured I would help introduce him to the restaurant people I knew. At first, I introduced him as my friend, but that didn’t seem to help, as he still didn’t get many opportunities, so I figured why don’t I just claim him as my cousin – after that, I was able to help him find quite a few jobs.”
Leslie later clarified in an interview that Dicky wasn’t his cousin – but he chose to do it way after Dicky won the NTSA competition, as he didn’t want to affect Dicky’s chances and also didn’t want to hurt his feelings.
.-- Alot of people say that Roger Kwok (郭晉安) – in his younger days especially -- bore a striking resemblance to Leslie and some even mistakenly thought that perhaps they are related. The truth is that they are NOT related, but Roger definitely did look a little like Leslie back in the 80s, especially between 1986 and 1988. Roger's fellow colleagues at TVB apparently thought so as well: during TVB's Anniversary Gala in 1988, Leslie was one of the special musical performers at the end of the show -- while he was performing, a bunch of people pushed Roger out to the front of the stage where Leslie was. Roger had a (cute) slightly embarrassed smile on his face -- being the good sport that he is, Leslie hugged Roger and said loudly into the microphone: "My Brother!" (Aww, such a sweet moment! I remember that particular Anniversary Gala show, as I've seen it several times -- it's among my favorites in terms of TVB galas).
.-- Leslie is very good friends with [my idol] Jacky Cheung. Part of the reason is because of Anita, since Jacky is Anita's 'brother-in-law' and of course, Anita is Leslie's close friend and 'sister' -- plus they all started around the same time (in the 80s) and all had mutual friends, so they hung out together alot and also collaborated alot onscreen (in music and movies) as well. But of course, the other 'common link' between Leslie and Jacky is Florence Chan -- as already stated above, Mrs. Chan was Leslie's manager for most of his singing career (starting in the early 80s) and in the mid-90s, she became Jacky's concert manager (Jacky's manager in the 80s and early 90s was 'golden' manager Willie Chan), a position she continues to hold currently. (When Leslie made his comeback to the music industry, Mrs. Chan continued her role as his manager, up until the point of his death in 2003). So with the added relationship of being Mrs. Chan's 'sons', it's no surprise that Jacky and Leslie were close.
In 2001, during a celebration dinner for Mrs. Chan’s birthday, Leslie talked with Jacky about the 2 of them doing a musical together as their mutual gift to Mrs. Chan for her birthday. By the next year, Jacky had already completed the initial script for the musical and had even showed it to Leslie for review. Unfortunately, before Jacky was able to complete the final revisions to the script, Leslie was already gone. …
.--.
CONCLUDING THOUGHTS
I’m sure everyone would agree that even when he was alive, Leslie was already an ICON in every sense of the word – with his passing, he has become more than just an icon….he has become a LEGEND.
In a sense, this post can be viewed as a ‘coping mechanism’ to help those (like me) who still struggle from time to time in accepting the fact that Leslie is truly gone…. but most importantly though – just like with my previous posts on Anita and Danny -- it’s also my way of paying tribute to a legend. I hope that whoever gets the chance to read this post – whether you’re a Leslie fan or not – can benefit from it in some way: whether it’s learning things about Leslie that you may not have known previously, or, in the case of his fans, simply serving as a reminder of why your love for Leslie continues to remain strong and steadfast so many years after his death. In putting together this post, I myself have definitely gained a better appreciation for Leslie, both as an artist and as a person.
One last thing…..
I wish I could include some of the pictures from the book in these posts, as each chapter shows a collection of pictures from Mingpao’s archives that are relevant to the people or events being discussed. One of the many things I like about this book is that the author really took the time to look through her picture archives and choose pictures that created a ‘historical chronology’ of sorts for each artist (for example, the section talking about the artist’s childhood included baby pictures and other family pictures, the section about the artist’s relationships has pictures of their significant other(s), all with detailed captions and the year the picture was taken). For me, while reading this book, looking through all the pictures and reading the captions that accompanied each picture was almost as good as reading the book itself!
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