Showing posts with label TVB Acting Class. Show all posts
Showing posts with label TVB Acting Class. Show all posts

Thursday, April 14, 2011

Mingpao Weekly: Interview with Felix Wong (黃日華)

This particular article is actually old (from December 2010). The interview was done around the time "Gun Metal Grey" was airing. I had actually translated this article for AF back during that time, but for some reason, didn't think to post it on my blog -- since I've been in a nostalgic mood recently and have been chatting about the 5 Tigers with others on their blogs, I figured I would post this as a 'treat' for me and for my fellow 80s HK entertainment fanatics (LOL)!

Enjoy!!  :-)

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Mingpao Interview: Felix Wong does not chase after fame and fortune, chases after soccer balls

Original article published 12/12/2010
Source: Mingpao (reposted on TVB Channel)

Translated by llwy12

Picture credits as listed

Felix Wong – a 30 year veteran in the HK entertainment industry -- graduated from TVB’s Acting Class in 1980 and almost immediately took on the role of leading actor in TV series. He’s known for being a bit ‘explosive’ at times when it comes to his work, but that is because he takes his work seriously and has high expectations – in other words, Felix is merely trying to do his job well. Felix does not fight for any awards and actually feels that earning too much money is troublesome, so in terms of chasing after fame and fortune, there’s no need to include him – he is perfectly happy living a quiet, leisurely life doing what he loves best: ‘chasing balls’ on the soccer field. So then, what is it that has motivated Felix to film so many classic and memorable television series all these years? Felix replies: “Since I promised to do the job, I have to do it well! Actually, I don’t like this career (being an actor) at all and do not have an ‘acting addiction’ – to me, this is purely a ‘job’, but I still have to do it well!”

Even though he has been doing this ‘job’ for 30 years, Felix never mentions anything about having a passion for acting; instead, he claims that he only ‘loves’ soccer.

Felix: “After graduating from high school, I tried enrolling in the army, but was not successful, so I applied for TVB’s Acting Class. My personality is not a good fit for the entertainment industry, as I dislike being hypocritical and am not the type to ‘network’ or be sociable – I feel that trying to force myself to change in order to accommodate someone else is extremely painful. Even when my work became very difficult and exhausting, I never thought about giving up – I guess this is one of the attributes of those born in the 60s: willingness to endure hardship. I also don’t like changing to new environments, so if I had not entered the entertainment industry, I would probably be a soccer player. Luckily though, I was not drafted to any soccer teams back then because the career of a professional soccer player only lasts about 10 years, so it would have been hard for me to make the type of living that I did in order to have a good life now. I never did too well in school, however those from my generation who did do well in school may not have the same type of leisurely and carefree lifestyle that I have now either. In my opinion, those who are easily satisfied are the happiest.”

More Money = More Troubles

In the past 10 years, Felix has not ‘worked’ a whole lot and gave up on many opportunities to earn money. Why? Because he chose to allow himself to ‘slow down’.

Felix: “I worked very hard in the 1980s because at that time, I had a mortgage to pay; it wasn’t until I had accumulated a decent amount of savings and no longer had to worry about being burdened financially that I was able to choose for myself the life that I wanted to live. The amount of money that I earn from filming series in mainland China is several times greater than what I earn in Hong Kong, plus the filming schedule is already determined at the time the contract is signed, so it’s not as exhausting, however it would require me to be away from home for 4 to 6 months in the year, which won’t work for me. Filming in HK is more exhausting and difficult, but at least I’m able to go home to rest – that’s why I rejected a lot of opportunities to film series in mainland China. Even if it’s live stage performances in China, I try not to do too many either – though if I were willing to accept those job offers, I could have bought several houses already! Actually, my thought is that more money equals more troubles. A person needs to be able to pick up and let go – if the more you are willing to give up physically, the more you’ll eventually gain.” Though the opportunities to earn money are right in front of Felix, he doesn’t bother to pursue them. Even Felix’s assistant admits that when he arranges jobs for Felix, the primary ‘requirement’ is to ensure that the work does not affect his ‘Happy Wednesdays’, as that is the day that he has soccer practice with the HK Celebrity Soccer Team.


Teaches younger generation to build a solid foundation

Earlier, when Felix agreed to film the series 'Gun Metal Grey', he had to sacrifice his ‘Happy Wednesdays’ – now that the series has finished airing, Felix expresses that after not filming a TVB series for 9 years, this was a new experience for him.

Felix: “The artists I collaborated with in this series are all very hard-working and really threw themselves into their roles – it was a very happy experience. I didn’t put myself on a pedestal when interacting with the newer artists, but rather I chose to act as a role model for them by fully preparing my scenes before entering the studio. A newbie once asked for my opinion, saying that he has been in the industry for a year already but still has not encountered many opportunities for growth. I told him to look at artists such as Wayne Lai and Evergreen Mak – they worked for 20 plus years before they encountered such an opportunity. In this industry, a lot depends on fate as well as luck – there are even more older generation artists who never get such an opportunity in their entire lifetimes. Before trying to ‘stand out’ and be above everyone else, it’s necessary to first perform one’s own duties well; once that solid foundation is built, then the opportunities will come. I was one of the lucky few, as I entered the television industry during its golden era, so I was already playing the lead role in my very first series, 'The Lonely Hunter'. I was also most fortunate to encounter many seniors (older generation artists) who were willing to teach me.”

He continues: “In the past, filming series was really about working as a team and even though everyone spent most of the energy hard at work, emphasis was on team spirit. This time, when I returned to TVB, I felt that things have become more ‘systematic’ and no one dares to overstep their bounds. True, the company is physically ‘bigger’, but there is less of that family-like feel – luckily, I had already prepared myself emotionally for the ‘change’ in the work environment, so it was a matter of getting used to it. If TVB asked me to film another series, I’m willing to think about it – if it could be a comedy, that would be great, but most important is to be able to work with a group of colleagues who take their work seriously. My only ‘requirement’ would be to make sure I get good lighting so that I can look younger on screen and the audience can’t see the bags under my eyes…haha!”


Award ‘in the bag’ but ‘fell’ out

Felix’s performance in 'Gun Metal Grey' brought him a TV King nomination, but in the end, he lost out. Does he regret not winning any awards?

Felix: “The awards ceremony is merely a game and I already made it clear that I would not participate. The fact that the series itself garnered good feedback and word of mouth, I am already very happy; I don’t need awards. I’ve never been ‘lucky’ in terms of winning awards and I’ve already accepted this fact – I once had a good chance of winning an award, to the point of it being ‘in the bag’, but in the end, it ‘fell’ out. Back in 1997, during the first year of the anniversary awards, I was nominated for my role as Kiu Fung in 'The Demi-Gods and Semi-Devils 1997', the performance was not bad and the fighting scenes were done well – at the time, I thought that I had a pretty big chance at winning TV King, but in the end, I lost to Gallen Lo. It was the same with movies – I was nominated for Best Supporting Actor twice, but the first time I lost by one point to Anthony Wong and the second time, because I did not attend the Asian Film Festival, a Korean actor won instead. If you win an award, you still have to work and if you don’t win one, you’ll still get job opportunities – awards only bring fleeting happiness. If I was asked to film a series / movie for the purposes of winning an award, I definitely wouldn’t do it, as I don’t want the added pressure.”


Enjoy life and it will last longer

Slow down, enjoy life, and it will last longer. These are words of wisdom from Felix Wong.

Felix: “The amount of working I did in the first 20 years of my career is equivalent to 40 years worth of work for someone else, so I should be allowed to rest now, right? This industry is very weird – when I’m working hard, people advise me that I should slow down and rest, but then when I’m ‘resting’, people are endlessly asking me when I will be going back to work. Looks like the best thing to do is knead me together with Andy Lau, then redistribute, as he is quite the opposite – I’m constantly advising him to rest, but he always tells me it’s not exhausting and he likes working.”

Other than his Wednesday soccer practices and occasionally performing in mainland China, how else does Felix keep himself busy?

“Haha! I’m very busy! I ‘hang out’ at home playing video games, watching TV, gardening…also, there are 2 new ‘members’ of the family now, 2 dogs that I have to take care of. I also need to take my daughter to school and take care of some matters related to the Celebrity Soccer Team. Who says that I have a lot of free time? I’m also constantly re-watching my old series – recently, I re-watched 'The Lonely Hunter' as well as 'Legend of the Condor Heroes'. In doing so, I realized that back then, I didn’t know how to act at all! When I watch my performances from back then, I can’t help but laugh at myself!”

'The Lonely Hunter', 'Legend of the Condor Heroes', and 'Soldier of Fortune' are all classic TV series from the 80s, however many of those born in the 90s and after have never seen these series (including Felix’s daughter Zi-Ching). Asked for recommendations, Felix suggests re-watching 'Racking Peak', 'Looking Back in Anger', and 'Secret of the Heart', all series that he really likes. As for series from the 80s, he says that 'Soldier of Fortune' is definitely worth re-watching.

Felix is currently 49 years old – next year, he’ll be at the ‘half century’ mark (50 years old).

Felix: “Next year, I am going to change my name to『半百人』(‘half century person’) or『50人』(’50 person’). I don’t worry about age, as many people who are 50 or 60 years old are still quite healthy and energetic in today’s world. A fan once commented that ‘Felix Wong certainly looks like he has aged!’. Of course, it’s normal for me to look like I’ve aged, as I’m certainly not young anymore, unless I go get plastic surgery, then maybe I can still keep my face looking youthful. Hey, come to think about it…in the past, I never felt that I needed plastic surgery, but in recent years, I’ve been more accepting of it…perhaps I should go get surgery done for the bags under my eyes! Hahaha!!”


Good husband, good father

Felix Wong and former TVB actress Annie Leung married in 1988. Annie was Felix’s ‘first love’ – they dated for 8 years before getting married, so this year, they celebrate 30 years together. All these years, they’ve stood together to face life’s ups and downs and even to this day, Felix has never wavered in his determination to be a good husband and a good father.

Felix’s 20-year old daughter Zi-Ching is the beloved ‘pearl in his palm’ – he plays the part of chauffeur every day driving her to and from school. Ever the benevolent father, Felix even accompanied his daughter last year to meet her idol, Taiwanese boy band Lollipop-F – his great love for his daughter is obvious! As for his relationship with his wife Annie, some of HK’s gossip mags have used words such as ‘boring’, ‘dull’, and ‘each have their own fun’ to describe it.

Felix: “I love soccer and she loves Cantonese opera, so I guess you could say that we do have ‘our own fun’. However, recently, when we had personal gatherings with the GMG cast and crew, she participated as well. As for our marriage, it’s actually not ‘boring’ or ‘dull’ at all, rather, it has ascended to the highest level – being able to understand each other’s thoughts completely and having mutual respect and concern for each other, it has actually made our marriage even stronger. In the past 10 years, as I’ve reduced my workload, I’ve truly been able to enjoy our romance more; plus our daughter is grown up now and is dating, so my wife and I have more one-on-one time together. In the past, I would be working non-stop and any little free time I had would be spent sleeping. But now, I have the time to do the ‘ordinary’ activities that I never got a chance to do before, such as taking a stroll down the street with my wife, going to see a movie, going on vacations, etc. For me, being able to spend that time with my wife doing ‘ordinary’ things, it’s definitely a joy.”

Asked which places Felix likes to take his wife to for a nice dinner, he replied that there are a few places in Tsim Sha Tsui and Kowloon Tong that they go to often. Another ‘hot spot’ for them is the ‘BB Happy Restaurant, a small eatery in the Tai Po district – in fact, when asked where he wanted to do this interview, he picked this particular restaurant. As soon as he sat down at the restaurant, the owner already filled the table with all his favorite dishes and drinks (he didn’t even need to look at the menu)!


Three famous songs

Felix Wong and fellow actor Eddie Cheung are good friends and the 2 of them often perform in mainland China together in one of their famous ‘Fai Wong’ concerts [TN: ‘Fai’ is Eddie’s Chinese name Cheung Siu Fai and ‘Wong’ is of course Felix’s surname]. Every year, they do 20 to 30 shows and sometimes, they even travel outside of HK and China for their shows.

Felix: “It’s a pretty good living. We came up with the 'Fai Wong’ concerts thanks to Liza Wang – one time, she asked me why I don’t try going back to mainland China to perform onstage? I told her that my singing is really bad, but she said not to worry, as the fans won’t mind since I’m not a professional singer – she advised me to learn a few songs very well, then when I get on stage, perform the songs and play a couple games with the fans, and that’s it. So I learned to sing 2 of the themesongs from 'Legend of the Condor Heroes' as well as Liza’s classic song ‘Chinese People’; Eddie also has his own ‘specialty’ songs. For the past 6 years, no matter which event, we pretty much only perform these few songs, however the reaction from the audiences has always been very strong. Finally, I am able to experience the satisfaction that singers get when they receive applause and praise from the audiences.”

Though Felix and Eddie travel to mainland China often, Felix indicates that their wives don’t have to worry, as they don’t participate in any social events over there – in fact, they rarely go outside of their own hotel rooms.

Felix: When we’re performing in mainland China, the only 2 places that we go to are the performance location and the hotel – we refuse all parties and other social events, as it is easy to get in trouble when artists go to KTV places or bars. When we’re not performing, both Eddie and I choose to stay in our hotel rooms and do our own things – Eddie likes to have a cigar and some red wine, while I like listening to music and ‘playing’ Weibo. One time, it was really funny because we traveled to a very underdeveloped city in China and even though we stayed at one of the city’s best hotels, the condition was not too great and there were a lot of flies in the room. The hotel attendant gave me a fly swatter, so that day, my assistant and I played ‘swat the flies’ all day in my room!”


Addicted to Weibo

Felix is an admitted ‘Weibo fanatic’…in addition to ‘bursting out’ at TVB earlier on his Weibo, he also uses the platform to share the latest information about his life and career with more than 70,000 fans.

Felix: “I never thought that Weibo would be so far-reaching! With the ‘outburst’ situation, I was simply expressing what I felt was unfair from an audience’s perspective, didn’t realize the situation would spiral as big as it did. I’m a firm believer that if there’s sufficient evidence to back up a particular situation, it will gain attention and support. When I first started on Weibo, I thought it was merely a promotional platform for artists to interact with their fans, but turns out that it is a good communication tool – in the entertainment industry, artists don’t see each other often and even when we do get together face to face, it’s not always easy to open our mouths to express support for a certain person or situation. With Weibo, it brings us closer together and breaks down some of that awkwardness from a face to face encounter.”

Felix’s daughter is also on Weibo and is also one of his ‘Weibo fans’, however the 2 of them do not interact on-line. She said that she has already ‘followed’ him on Weibo, however Felix admits that he actually does not know his daughter’s Weibo screenname.

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Chinese Version

黃日華不追名利愛追波 微博玩上癮


在娛樂圈工作30年,於1980年無綫藝員訓練班畢業便當劇集男主角,他火爆是因為他對工作認真有要求;黃日華要做好呢份工。不爭獎又嫌錢太多好煩,追名逐利不要預他的份兒,樂得清閒在足球場上追波。支持他多年來拍攝了多部經典電視劇的動力從何而來?黃日華說﹕「答應了的工作一定要做好,其實我唔鍾意做呢行(演員),也沒有很大戲癮,只視為一份工,我就要做好呢份工!」

這份工做了30年,黃日華沒有說自己多熱愛演戲,他只愛踢波。

「中五畢業我投考南華青年軍失敗後才報名無綫藝員訓練班。我的性格不適合娛圈,不喜歡虛偽、打交道,強迫自己改變去遷就別人好痛苦。在工作最辛苦的階段我又未想過放棄,這是60後肯捱的特質;我又唔鍾意轉新環境,若我沒有入娛樂圈,我可能成為足球員。好彩當年未被選入足球隊,職業球員生涯只有10多年,好難掙到我現在的生活。我讀書唔叻,跟我同年代讀書叻的人也未必可以似我現在優游自在生活。人易滿足才會開心。」

「愈多錢愈多麻煩」

黃日華近10年的工作量不多,有錢唔掙,因為他選擇了讓自己放慢腳步。

「我最搏命搵錢是80年代,因為當時要供樓,直至有積蓄沒有經濟負擔,我可以選擇自己的生活。內地拍戲掙錢是香港的數倍,而且工時是簽約規定,故不辛苦,但要我離開香港4個月、半年便不可以。在香港拍戲更辛苦,但起碼可以回家休息,所以我推掉很多內地劇集。就算接內地登台的次數也不想太多,要是肯多接工作便多買幾層樓了。其實愈多錢便愈多麻煩。做人要拿得起放得低,有捨才有得。」有錢唔掙,華哥的助手為他接工作以不影響他的Happy Wednesday為原則,逢周三是明星足球隊練波的日子。

教後輩打穩基礎

早前黃日華接拍《刑警》也犧牲了他的踢波快樂時光,現在劇集也播完,9年沒有拍TVB劇集,今次讓他有新體驗。

「今次合作一班藝員也很勤力投入,是開心的。我沒有高高在上的跟新一輩相處,以身作則,做好準備才入廠。有新人問我意見,說入行一年也沒有發展機會。我叫他看黎耀祥、麥包,他們做了20多年才遇到機會。做這行一命二運,更多前輩是一世也沒有機會,想出人頭地前不如先做好本分,打穩基礎才有機會。我是少數幸運的,入行正值電視高峰期,第一部劇集《過客》便做主角。最好彩是初出道時遇到很多好前輩給我教導。」

「以前拍劇重團體精神,大家搏命工作,但今次返TVB的感覺是制度化後大家不敢越界。地方大了卻少了親切感,幸好我有心理準備工作環境變了,自己要適應。若果TVB再搵我拍劇,是可以考慮的,最好是喜劇,有一班工作認真的對手便好了;唯一要求是給我好的燈光,令我在熒幕上皮光肉滑,眼袋不太大。」

獎座入袋又跌走

《刑警》問鼎視帝落敗。未曾獲得獎項的榮譽是否遺憾?

「頒獎禮就是遊戲一場,我早聲明不參與的,劇集播映贏得口碑已開心,我不需要獎。我與獎無緣唯有認命,曾遇到有很大機會得獎的,獎座袋了入袋也跌出來。1997年首屆台慶頒獎禮,我在《天龍八部》演喬峰,文戲得、打戲又得,當時以為自己有機會做視帝,但最後輸給羅嘉良的李奇。電影也試過兩次競逐男配角,有次輸了一分給黃秋生,又一次亞太影展因沒有出席,讓韓國演員獲獎了。有獎一樣要工作,無獎一樣有機會,獎項帶來一陣子開心。若果要我拍一部要攞獎的戲,我不會接拍,只怕增壓力。」

享受生活命長久

放慢腳步享受生活,命都長啲,這是黃日華說的。

「入行前20年的工作量是別人做40年的時間,現在也要讓我休息吧。這圈子很奇怪,勤力工作的便有人勸應休息,我休息中卻不斷被追問何時再投入工作。將我跟劉德華搓揉再均分便最好,我經常勸他休息,但他說不辛苦,喜歡工作。」

除了逢周三的踢波日與偶然返內地演出,問華哥如何打發日子?

「我好忙o架!在家中hea,打機、睇電視、種花,最近家中多了兩個新成員,收養了兩隻狗也要照顧。我又要送女兒返學,與處理明星足球隊的會務,誰說我好得閒。我還不時翻看舊作,最近重溫了《過客》與《射鵰》,那時候不懂得演戲,現在看自己的演出也忍不住笑。」

《過客》、《射鵰》與《香城浪子》皆是80年代經典劇,但對「90後」,大部分也未看過,包括華哥的女兒。他強力推介要重溫的劇集是《馬場大亨》、《義不容情》與《天地豪情》皆是他喜歡的。80年代不得不看的是《香城浪子》。

華哥今年49歲,明年便半百(50歲)了。

「明年我會改藝名做 『半百人』或『50人』。我唔介意年紀多大,這年代50、60歲還是壯年。有影迷話歲月催人,黃日華老了!我年紀大了是正常的,除非我整容才保住年輕的樣子。話時話,以前我覺得不需要整容,近年已漸漸接受整容這件事,會考慮整一整眼袋……哈哈哈!」

好老公.好爸爸

黃日華與梁潔華1988年結婚,華女是他的初戀情人,「雙華戀」拍拖8年才結婚,相處了30年。這些年來兩人共同面對風浪,華哥要做好老公、好爸爸的角色從沒鬆懈過。

20歲的女兒芷晴是掌上明珠,每天由父親駕車送返學。去年他還陪女兒追星睇棒棒堂,這個廿四孝父親令人無話可說。但提到他跟太太梁潔華,兩人的生活被周刊形容為「各有各玩」、「平淡無味」。

「我愛踢波,她喜歡粵曲,確實是各有各玩;但最近我跟《刑警》同事聚會,她也有參與。我們的婚姻生活並不平淡,而是昇華到最高境界。互相意會對方的想法與關心,感覺是更鞏固的關係。」

「近10年我將工作量減少才享受到夫妻間的浪漫,女兒長大了,她要拍拖,我跟太太也有二人世界。以前不停工作,有空閒時間便睡覺。現在我有時間做以前未有機會做的事情,逛街、睇戲、去旅行是很平凡的節目,對我而言跟太太有這些活動是享受。」

問華哥跟太太的拍拖勝地在哪裏?他說﹕「我就是習慣了到尖沙嘴、九龍城與又一城食飯。」他們另一熱門蒲點是大美督的「BB開心棧」,正是他提議相約訪問的地點。華哥剛坐下未點菜,老闆娘已將他平日愛吃、喝的堆滿面前。街坊小菜館,沒燭光晚餐兼被蚊叮,他有老婆陪伴便感覺浪漫。

3曲走天涯

黃日華與張兆輝組成「輝黃」經常在內地開騷掙「人仔」,每年平均20至30場,所到的地方遠至海拉爾(近俄羅斯)與鴨綠江等。「山大斬埋有柴,都幾好掙。『輝黃』的組成多謝汪阿姐提點,有次她問我為何不返內地登台?我說因唱得太難聽。阿姐話粉絲不會介意,只要操練幾首歌、在台上玩遊戲便可以。我便專攻《射鵰》的《鐵血丹心》與《世間始終你好》,再加《中國人》;輝哥另有首本名曲。內地很多招商會活動,『輝黃』出馬皆是唱這幾首歌,6年來沒有變。我敢說劉德華在內地唱《中國人》的次數也不及我多。獨自登台時,我也是3曲走天涯。我們每次演出反應很熱烈,我也感受到做歌星獲歡呼支持的滿足感。」

華哥與張兆輝,在內地工作時與異性絕緣,所以沒有機會惹麻煩。

「我們在內地工作的活動範圍就是演出場地與酒店,謝絕額外的應酬。藝人在卡拉OK、夜店易惹麻煩。我們選擇在房間玩『鬥地主』,輝哥愛歎雪加、紅酒,我便聽歌、玩微博。有次到偏遠的地方,難得踏足大草原,我們才走出酒店範圍。最搞笑一次是到二、三線城市演出,住當地最好的酒店,但房間有很多烏蠅,服務員給我烏蠅拍,我便跟助手在房間玩拍烏蠅。」

微博玩上癮

黃日華是「微博瘋」,繼「噴火華」微博現身轟TVB不公平,他也經常向7萬多粉絲分享工作近況,生活感受。

「我意想不到微博威力咁勁,噴火事件我不過將旁觀者認為不公平的意見轉發,竟鬧到滿城風雨。我相信有理據的事情會獲得迴響與支持。當初開微博是認為這是跟粉絲接觸的宣傳平台,原來這也是溝通橋樑,大家娛樂圈中人不經常碰頭,就算面對面也不容易開口說支持!加油!的鼓勵說話。透過微博可以拉近距離,有次我看到巨星二幫的國峰隊長訴苦說不如意,我在網上找了一幅『發脾氣不如爭氣』的圖轉發給他。年輕人需要鼓勵,後來我在台慶亮燈遇見他,大家也傾了一陣子。」

女兒芷晴也是他的微博粉絲,父女卻沒有網上對談,女兒說已「關注」他,但他竟不知道女兒微博的名字。

Saturday, March 19, 2011

Book Review: 從零開始 (Now and Then II) -- post #3…Chow Yun Fat (周潤發)

** Disclaimer: The below is a review of one of the interviews in the book and is written from my perspective – it is not by any means a direct translation of the entire interview. For a detailed description of what this particular book is about, please refer to post #1.**

In continuing my book review series on 80s/90s HK artists, I decided it would be fitting to write about another one of my idols – an artist who I absolutely adore, admire, and respect: Chow Yun Fat (Fat Gor).

Introduction: (note: most of the ‘intro’ part below is my personal assessment of Chow Yun Fat and a lot of it is not in the book)

Fat Gor is definitely a cultural icon for us Hong Kongers – in fact, there are very few people in Asia who do not know who Chow Yun Fat is (and now, most people in Hollywood know him as well). Fat Gor was instrumental in shaping the HK television and movie industries in the 70s and 80s and even now, after being in the industry for 30+ years, he is still able to generate millions of dollars in revenue at the box office with his high quality acting (though he is no longer active in the HK movie industry and does most of his work in mainland China or in the U.S.). Fat Gor is one of the few artists who actually possess what I call the ‘entire package’ – looks and talent. (Even now, despite being in his 50s, Fat Gor is still very attractive – to me at least!)

With Fat Gor being such a big star / celebrity, it would be logical to think that perhaps he travels with an entourage or lives in a huge mansion with people waiting on him hand and foot? Or perhaps that he demands star treatment wherever he goes and has to be the center of attention? NOPE!!! Actually, Fat Gor is the complete OPPOSITE of all that – he is extremely down to earth and nice, he has a warm, friendly personality, an awesome sense of humor, and most important of all, a naturally revering, humble attitude…a man with excellent work ethics who is constantly looking out for his juniors, and an avid learner who – despite being away from the HK television and film industries for so many years already – is still constantly in tune with all things related to both industries!

I know that Fat Gor has an especially soft spot for TVB, as the TVB of the 70s and 80s helped shape his career and he still feels a connection to them. Fat Gor has mentioned in past interviews that whenever he is at home in HK, he would be sure to watch the latest TVB series that is on before he goes to bed (though he doesn’t watch the entire timeslot, since he has an early bedtime…lol). Oh and of course, in the rare opportunity when a TVB reporter gets to interview him (which always happens to be around TVB anniversary time...hmmm) and undoubtedly asks him who his ‘favorites’ are for TV King and Queen, he demonstrates through his (often humorous) responses that he definitely has a good grasp of which artists and series are popular right now!

Fat Gor has always said that he is not a big star, but rather, just an ordinary person like everyone else – indeed, the biggest ‘proof’ of his ‘ordinary-ness’ (is that a word?) is his sincerely humble attitude! Here are just a few examples (from my memory) of how Fat Gor demonstrates this trait:

-- Fat Gor attended a press conference in Asia (can’t remember if it was in China or Taiwan) to promote his latest movie. After the press conference was over, instead of getting up and heading off to the dressing room (as most ‘big stars’ probably would have done), he stands up and starts helping the crew fold up and put away chairs. When the MC / host of the event (Huang Zi Jiao) saw this, he quickly went over to Fat Gor and said: “Fat Gor, you’re putting away chairs for us? How could we have a famous star like you putting away chairs?” To which Fat Gor replies: “Why not? I need to make myself useful! Not an ‘old man’ yet!” (typical Chow Yun Fat humor – I love it!!!).

-- On any typical day, an ordinary HK citizen may bump into Fat Gor at the local street markets buying fresh groceries to cook for his wife and himself. He is usually ‘decked out’ in a flannel shirt and jeans, wearing a baseball cap on his head and carrying a backpack – indeed, he does ‘blend in’ with the crowd to some extent, but those handsome features of his (plus his height) usually give him away. But that’s ok – because if passers-by recognize him and ask for his autograph or – better yet, ask to take a picture with him – with his friendly personality, he will try to accommodate as much as possible, without causing a commotion.

-- So how does Fat Gor ‘travel’ around HK? No, he does NOT have a chauffeur and no, he does NOT drive his own car. Instead, he either walks or takes the bus / subway / train. Now which other famous ‘superstar’ out there do you know of who takes public transportation to and from places? I challenge you to give me one name! LOL!

Is it any surprise then, that Chow Yun Fat is so respected / loved / revered by so many people (both ‘ordinary’ citizens and fellow colleagues alike) all around the world?

The below quote from the book is one of the best descriptions of Chow Yun Fat that I’ve come across so far:

Coming from a ‘grassroots’ background, Chow Yun Fat indeed still has that ‘grassroots’ nature in his bones. Even now, what he chases after is simply encountering a good acting role rather than living a luxurious life or indulging in extravagance: “Being ‘ordinary’ is a blessing – one’s passion and love towards work has nothing to do with how much wealth that person has. For me, what type of car to drive no longer has any meaning – in fact, I like riding the bus and taking the subway the most, as it’s more practical. I enjoy being an ‘ordinary’ person.”

He [Fat Gor] often dresses casually and personally goes to the local street market in Kowloon City for groceries – when the street vendors see him, they do not look at him with an awestruck, surprised expression. Yes, he is a superstar, but everyone has pretty much accepted that he is also an ‘ordinary’ person amongst us…an ‘old friend’ of ours whom we may bump into occasionally and greet each other with a quick ‘Hello’ – there is no fanfare nor overcrowding him to the point that he cannot move – thereby allowing him to enjoy a privilege that most other superstar idols may never have: freedom and space.

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CHILDHOOD

Chow Yun Fat was born into a poor family in the fishing village of Lamma Island in the 1950s. His father was a fisherman who was constantly out at sea and only returned home once a year to see the family (Fat Gor has 3 brothers and sisters). Growing up in the village, majority of Fat Gor’s time during childhood was spent working the fields, tending the animals that lived in the pastures, and playing in the village square with the other kids. Indeed, Fat Gor is a self-proclaimed ‘village boy’: “As soon as I opened my eyes [as a baby], the first thing I came into contact with was nature.”

Fat Gor had a very close relationship with his mother and as a child, he would follow behind her as she made various snacks to sell, then he would help her carry the baskets of goodies across the hills to the markets. After a day’s toil, the family would come home and have dinner – usually a simple meal of rice and lard with salty turnips. Even though village life was difficult, Fat Gor never had any complaints – his family was poor, but they were happy. Fat Gor entered school when he was 8 years old, but unfortunately, he was never ‘student’ material – he didn’t like school and never excelled in it. In order to give her children a better life, Fat Gor’s mother went to work in the city, cleaning houses for families, washing dishes at local restaurants, etc. and often times she would take her 2 youngest children (Fat Gor and his little sister) with her, leaving them at a relative’s house nearby until she was done. Even during the 1960s, village life was extremely different from city life and recounting those times now, Fat Gor admitted that it was difficult to adjust to life in the city due to his strong connection with nature in the village.

Fat’s Gor’s love for his mother is both admirable and extremely moving – he admits that he is a “Mama’s boy” and when he had to attend boarding school for a few years when he was 11, he cried for 1 week at the thought of having to leave his mother! Indeed, Fat Gor has always been known for being a filial son, but he’s that way not just because of obligation or responsibility. Fat Gor states it best when he describes his relationship with his mother and life in the village this way:

“My mom and I are the best partners. Back when she was a street vendor in Lamma Island, she would carry a big basket and I would carry a small one; later, when she went to the restaurants to wash dishes, I would substitute for her when she didn’t have time to do it. She is a great example for me – her ability to work hard in the midst of hardship and overcome adversity is an inspiration to me….she is the one who had the biggest effect on me. I treasure those days from the past – bearing hardship was a lesson in endurance and the memories were good ones. Without the past, I wouldn’t be who I am today.”

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CAREER

As stated earlier, Fat Gor was never a good student and disliked school – so before he even graduated from high school, he decided he would quit school and get a job. His first job was as a bellboy at a hotel, helping guests with their luggage, then after that he worked at the post office and later as a delivery boy for a photography shop.

In 1975, when Fat Gor was 20 years old, TVB was doing recruitments for their 5th Acting Class. Interestingly, Fat Gor almost didn’t make it into the class, as his reading of some dialogue during the interview portion was not very fluent and majority of the judges gave him non-passing scores. Luckily, TVB’s acting classes instructor Chung King Fai (Fat Gor’s future mentor) saw potential in Fat Gor and felt that with his tall, handsome features, he could be future star material – so he gave Fat Gor a chance and accepted him into the class. (Thank you to King Sir for making the right decision – he is truly the one who should receive credit for helping to create a Hong Kong icon!)

During his Acting Class days, Fat Gor received mainly small, ‘kelefe’ roles – it wasn’t until after he graduated from Acting class in (in 1976) that he began to get ‘meatier’ roles in big productions such as “Hotel”, “The Celebration”, “Tycoon”, “Conflict”, “The Good, the Bad, and the Ugly”, etc. By 1980, Fat Gor was already TVB’s top-rated ‘siu sang’, however it was the popular series “The Bund” that really made him a household name. With his popularity, Fat Gor made 10x more money that he did when he started (he only made 500 HKD a month when he started), but during that era, the amount he made was way less than a lot of the big name artists from outside that TVB would sometimes invite to participate in their series.

Almost from the start (when he graduated in 1976), Fat Gor was already ‘dabbling’ in movies and throughout the time he was at TVB, he also filmed a few movies a year….needless to say, he was definitely a busy man, participating in both TV series and movies as well as being invited to perform at various venues by commercial sponsors. His career grew from there and soon, he was even doing some hosting of TVB’s anniversary galas (of course, he would be paired with Dodo Cheng, who was pretty much the only female who could ‘match’ him at that time in terms of physical appearance and chemistry). In 1985, Fat Gor participated in his last TV series, “Police Cadet 1985” (his fourth TV collaboration with Tony Leung) and left TVB shortly after that to concentrate on his film career (another great decision!). Lucky for those of us who actively followed TVB in the 1980s, Fat Gor continued to maintain a good relationship with TVB even after he left and actually returned a few times to help host or even just participate in their anniversary galas!

As we all know, Fat Gor went on to build an illustrious, successful career for himself in HK’s film industry and received many acting awards along the way. I am actually not going to go into detail about his film career, since that would take several posts to do (LOL)! I do want to talk a little bit about Fat Gor’s venture into Hollywood though, which officially occurred in 1997 when he filmed his first Hollywood movie, “The Replacement Killers” with Mira Sorvino. One of Fat Gor’s biggest obstacles in ‘conquering’ Hollywood was, of course, the English language – so starting from the time that he made the decision to enter that industry, he started to diligently learn English. Luckily, he had a 24 hour instructor (his wife Jasmine, who is from Singapore and knows the language) and also hired an additional instructor to work with him for 2 hours a day. As with everything he does, Fat Gor persevered and put his complete effort into learning English – even his wife Jasmine couldn’t help complimenting her husband’s efforts: “He is very hard-working, when we first started, except for eating, he would stay in the room the entire time and practice over and over again."

Even after Fat Gor became popular in Hollywood (though most of his movies didn’t do well at the box office), his easygoing nature and humble personality did not change – whenever fans asked him for his signature or pose for a picture, he would patiently satisfy them. He would also treat the cast and crew to dinner occasionally and share his infectious humor with them. When reporters from HK flew to the U.S. to interview one of the directors who worked with Fat Gor, he praised Fat Gor in this way: “His preparation for filming is excellent! From the beginning when we started working with him, we’ve praised his work ethic! He is able to handle the English language portion without a problem – he even volunteered to lose weight in order to match his role more. Whether he’s onscreen or behind the scenes, Chow Yun Fat definitely has elegance and grace.”

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RELATIONSHIPS

After entering the entertainment industry, Fat Gor did have a few very famous (though not necessarily public) relationships. Here’s a recap of the most famous ones that were mentioned in the book….

Cora Miao: Love on the set

When we think of ‘legendary’ on-screen couples in HK entertainment, Chow Yun Fat and Dodo Cheng undoubtedly come to mind, as their collaborations in the late 70s/early 80s have been deeply etched in most audience’s minds….but in reality, they were never a couple in real life (just good friends and partners at work). Prior to 1980, Chow Yun Fat’s on-screen partner was former Miss HK Cora Miao – the two of them not only collaborated on series, but also hosted shows together and performed together in other venues. During the filming of “Hotel” in 1976, Fat Gor admitted that he and Cora were dating in real life (in his words, he was “in love with her, completely mesmerized by her….”). Unfortunately though, their relationship only lasted a short time, ending almost before it truly began: “…She and I once had 15 days of happiness, but once the news of our relationship was revealed, her family objected to us being together – she cried when she told me. Actually, our personalities don’t match at all….” Even after they broke up though, they continued to work together in television and movies, though not as often as previously. Cora eventually married film director Wayne Wang and is no longer active in the industry.

Idy Chan: a love / hate relationship

Fat Gor’s relationship with Idy Chan started around 1977 and ended 5 years later – interestingly, in the 5 years that they were together, they were rarely seen together in public and were photographed together only once, in 1979, when they did a television special together (that’s also when their relationship was revealed).

Throughout the time they were together, Fat Gor and Idy had a rocky relationship – Idy had a strong personality and Fat Gor’s mother was not very fond of her at all (which probably put added pressure to the relationship, knowing how filial Fat Gor is towards his mom). However, Fat Gor’s busy schedule definitely got in the way too, as he was often not able to spend a lot of time with Idy. Also, due to their busy schedules, there were times when they would spend months away from each other, which definitely impacted the relationship. In fact, even Idy herself did not have much confidence that her relationship with Fat Gor would last and rumors of their breakup persisted almost throughout the entire 5 years that they were together.

The rumors of a breakup was strongest in mid 1982 – coincidentally, in October of that year, Fat Gor was rushed to the hospital due to food poisoning, however due to the rumors of his breakup with Idy, the Media spun the story into ‘Chow Yun Fat attempts suicide over breakup with Idy Chan’. (sorry, but I have to say that the Media is just plain stupid….Fat Gor was at Idy’s sister house when the incident occurred and when he was at the hospital, Idy was by his side the entire time, bawling like crazy….even if there was something going on between the 2 of them at that time, I don’t see how that has anything to do with ‘suicide’). Not long after the incident, Fat Gor returned to work and filmed the series “The Radio Tycoon” with Angie Chiu. It turns out that Idy Chan was also supposed to participate in this series back then (1982), however after Fat Gor’s hospital incident, she withdrew from filming the series. (that’s interesting – I actually never knew that Idy was originally slated to be part of “The Radio Tycoon” cast).

Though the exact date is not mentioned in the book, I sort of figured that Fat Gor and Idy’s relationship ended around November/December 1982 (based on his announcement of marriage to Candy Yu in January 1983 – more on this later). Their relationship actually did not end on good terms, as there were ‘rumors’ and ‘suspicions’ between them about ‘third parties’ in the relationship. We will probably never know for sure how and why the relationship ended, but I think that the below 2 quotes from the book gives pretty good insight as to what may have occurred (both Fat Gor and Idy have different opinions about the relationship, so I’m not going to even attempt to figure out the reason – after reading the below, you may interpret as you wish…).

--- From Idy’s perspective: “We have been threatening to ‘break up’ for 2 years already – it’s been going on for too long. Each time, I’m the one who suggests parting ways because I feel that the 2 of us have no way of being together forever. Fat Jai (Chow Yun Fat) doesn’t want to break up, but honestly, our relationship can’t continue on this way – having a boyfriend is the same as not having one. I admit that I am not able to ‘get used to’ Fat Jai.”

--- From Fat Gor’s perspective: “In the entertainment industry, I have never encountered as good a woman as her [Idy] – out of all the girlfriends I’ve had in the past, she is the most simple and obedient one…but she has a strong personality and at that time, I did not have a whole lot of patience – she would stand firm and I would stand even firmer. She had to ‘endure’ me for 5 years – I was not good to her and I entirely did not understand how to treasure her. After she refused my marriage proposal, I realized only then how much I truly loved her.”


Candice Yu: doomed relationship from the start?

In January 1983, Fat Gor made an announcement that rattled the entire HK entertainment industry at that time – he was marrying actress Candice Yu On-On. I use the word ‘rattled’ because this was indeed big news at the time, considering how Fat Gor and Idy never officially announced breaking up, so the public still thought that the 2 of them were together. Indeed, for those unfamiliar with ‘old’ HK entertainment history, this announcement may sound like it came out of left field, but after looking at this ‘history’, it actually makes sense: you see, Candice Yu was actually one of Fat Gor’s former girlfriends. They had dated briefly in 1976 (his second girlfriend after entering the industry), but broke up after a few months. The 2 of them married about a month after the announcement (in February 1983), but unfortunately, the marriage did not last – in November that same year (9 months after they married), the couple separated (though the divorce was not actually finalized until 2 years later).


Jasmine Chan: partner for life

In 1984, it was rumored that Fat Gor had a new girlfriend – a woman from Singapore who was also a college graduate and a business woman. The ‘rumors’ proved to be true, as the author of the book (longtime Mingpao contributor and editor Wong Lee Ling) was a also a close friend of the Chow family and at the time, she had personally called Jasmine to confirm the information. They officially married in New York in October 1986 (during a break from filming a movie) but in March 1987, they decided to hold an ‘official’ wedding ceremony in Singapore for family and friends. The interesting thing about the wedding ceremony is that Fat Gor used a ‘fake’ Chinese name on the wedding invitation (which was released to the media shortly after the ceremony), though his English name was real (not many people know his real English name) – he probably did that in order to avoid ‘harassment’ from the Media (as we all know how HK paparazzi can be) – plus the invitation didn’t matter much anyway, since Fat Gor and Jasmine were technically already married back in 1986.

The story of Fat Gor and Jasmine’s relationship and marriage is very heartwarming (and a little bit humorous at times) and throughout the 24 years that they’ve been married so far, they have been (and still are) known in the industry as a ‘golden couple’….but it wasn’t exactly ‘smooth sailing’ for them all these years. In 1992, the couple endured a tragic loss: Jasmine became pregnant, but 2 weeks before the baby was to be born, she felt stomach pains and was afraid that something was possibly wrong with the baby (a girl), so Fat Gor rushed her to the hospital. They found out that the baby had died in the womb (the umbilical cord had accidentally wrapped around the baby’s neck and suffocated her), so doctors had to deliver the baby stillborn. Both Fat Gor and Jasmine were devastated (especially since both of them love kids and had been happily preparing for the birth). Just reading the account of what happened (it was quite detailed in the book) brought tears to my eyes, even though I had already heard about the situation back in the 90s through news reports and such. The difference is that this particular account (in the book) was written from the perspective of a family friend (as well as partially via interviews), so there was a certain ‘personal’ level to it that no other news report could ever deliver, so it made the story even more heartwrenching.

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CONCLUDING THOUGHTS

As I stated earlier, this ‘review’ is simply an effort by me to share memories about some of my favorite artists from the 80s and 90s. It is NOT meant to be a comprehensive biography about the artists’ lives or careers.

Anyway, I hope you enjoyed this post about Chow Yun Fat – he is certainly one of the most popular and well-known icons of the HK entertainment industry, and so it is only fitting that I dedicate a longer post to his story.

Lastly, my apologies for the LONG post….I greatly appreciate whoever takes the time to read through this post!

Thursday, March 10, 2011

Book Review: 從零開始 (Now and Then II) -- post #2…Tony Leung 梁朝偉

It's time for another post about the book I'm currently reading, Cong Ling Kai Shi (for an introduction on the book, refer to this link).

One of the things that I actually forgot to mention in the introductory post to this book review series: one reason why I decided to write about the Cong Ling Kai Shi books is because many of the interviewed artists are 'big names' from the 80s and 90s (many of whom are still active in the industry today) and with me being an 80s/90s girl, I have a lot of nostalgia for the HK entertainment industry from that era (the "golden era" of HK entertainment). But it's not just about the nostalgia....I also wanted to provide some insight into how the HK entertainment industry has evolved (or, more fittingly, how the industry has 'deteriorated') and also highlight some of the struggles that those artists -- most of whom are still famous even now, 20+ years later -- went through on their paths to stardom. I guess you could say that this is my way of showing support for the artists from my generation and also sending a message to today’s generation of artists and fans on how ‘good’ they actually have it right now compared to before (so some of them can stop being so arrogant or have a false sense that fame and fortune come easily).

Ok, so moving on to the featured artist in this post: Tony Leung Chiu Wai (梁朝偉).

Tony is undoubtedly one of the most well-known and naturally talented actors on the planet (and yes, I mean ‘on the planet’ because Tony is definitely an international star now). He is also one of the most well-respected actors in the industry as well as one of the most ‘decorated’ (in terms of awards). However his road to fame was definitely not easy and after reading his interview in this book, I have so much more respect for him (he has always been one of my favorite actors, even from back in his television days).

Below are a few highlights from the interview (again, my disclaimer – this post does not cover everything that was talked about in the book – to find out more, I suggest that ‘Tony fans’ actually read the book!):


CHILDHOOD

Tony grew up in a single parent family, which is no surprise, since he has talked about this in past interviews. It’s also ‘public knowledge’ that he has a very introverted personality and doesn’t like to talk much or socialize much with people (which I also already knew about him). But what I didn’t know was the reason why he became so introverted – his father was a prolific gambler who left his wife and kids and never returned. So at the young age of 9 years old, Tony had to ‘grow up fast’ and become the ‘man of the house’, taking care of his little sister (who was only 1 year younger than him) and helping out around the house, since they didn’t have much money and his mom had to work all day in order to put food on the table.

Every day, Tony would get up early, make a simple breakfast for himself and his sister, then, holding his sister’s hand, the two would leave for school. In the afternoons, for lunch, he would go buy bbq pork rice bowl (which only cost a few dollars) for his sister (and himself), then after school, they would go home and do homework – he would always help his sister with her homework first and make sure she understood it and finished it before sitting down to do his own homework. In the evenings, when his mom got off work, though tired, she would cook a nice dinner for them to eat. This pretty much happened day in and day out through Tony’s childhood up until he graduated from high school.


CAREER: the TVB days

The story of how Tony entered TVB’s 11th year acting class is actually quite humorous – pretty much it was because of $10HKD!

As the story goes, Tony actually was friends with Stephen Chow – who at that time, had not yet entered the industry – and together, the 2 of them decided to apply to TVB’s 11th Acting Class in 1981 (Tony was 19 years old at the time). At that time, trying to get into acting class was a huge affair – hundreds of people would apply, but only a few were accepted. Tony was called in for an interview and when he reached the location, there were hundreds of people already in line – when he saw how many people there were, he wanted to give up and go back home, since he also wasn’t too confident that he would be able to pass the interview and exams anyway (silly him..LOL!). But then, he thought about how he had paid $10 HKD for the application fee and that money would be wasted – so he decided to be patient and wait it out. (Luckily for us because if the application was free, Tony probably would have left and the HK entertainment industry would not have the big star that it has today!!)

Tony was accepted to the 11th Acting Class at TVB. I guess we could say that this class was the one that produced the most talents, as 3 Best Actors in Film (Tony Leung, Francis Ng, Stephen Chow) and 1 Best Actor in Television (Bobby AuYeung) came out of this class!

As most of us know, Tony started his career hosting children’s programs (along with his classmate Stephen Chow), but it was obvious from the beginning that he had talent (the book goes into great detail about the scene that he did for his graduation exams – from seeing how that scene played out, it’s quite obvious Tony was born for this industry!). Not too long after that – in 1982 – he was recruited to the drama department and participated in his first series, “Soldier of Fortune” (he played Kent Tong’s younger brother). In comparisons…Stephen Chow remained in the variety programs department and continued hosting children’s programs for another 4 years.

When asked why he decided to go into acting, Tony replied: “It’s fun! I really like acting – even during the acting class days, I never feared getting up in front of a lot of people and performing. A lot of people had told me that whenever they film with Chow Yun Fat, they are afraid to look straight into his eyes…but I am not afraid!”

One of my biggest pet peeves is seeing artists who have no respect for the industry or their own jobs and instead let fame and fortune get to their heads as soon as they achieve just an ‘inkling’ of success. This is why I like most of the 80s artists so much – partly because they were truly talented, but mostly because they don’t have the ‘problem’ I described above – most of them had to go through a lot to get to where they are at today and so they don’t exhibit those ‘arrogant’-type attitudes that a lot of the younger people nowadays (who pretty much got stuff ‘handed’ to them and so didn’t have to suffer like their predecessors did) are notorious for exhibiting.

To illustrate my point above (this is also one of the reasons why I admire Tony and have so much respect for him as an actor and person), I would like to quote one section from the book:

People around him feel that he is lucky, but he [Tony] feels that one cannot rely on ‘luck’ alone: “Nowadays, whether I’m walking or sitting down, I’m constantly thinking about things related to acting. I like to observe people’s day to day actions and from there, derive inspiration to help me with my own acting – for instance, when I see someone drinking water, I think to myself ‘why is it that the person holds the cup in that manner?’ -- even the writers and producers say that I’m over-thinking things. But I can’t help it, as I love ‘thinking’ about things too much – sometimes, when I’m not able to think things through and there is no one to talk to or my friends aren’t available…during those tough times, I just feel like crying.”

Some people may say that Tony naturally had acting talent in him and I definitely agree with this to some extent – but I also feel (based on the above quote) that part of his success was due to his hard work…I mean, even during his own personal time, Tony would constantly be thinking about how he could better his acting and derive inspiration from even the simplest of things. (In comparison, many artists nowadays don’t even bother to practice their lines or even study their scripts for that matter, let alone use their ‘personal’ time to further develop themselves!)

.--.

A lot of us view the 1984 version of “The Duke of Mount Deer” as one of Tony’s best works and even now – more than 20 years and a plethora of remakes later – it is still a classic and considered the best version ever made. Tony definitely agrees that this series was his best ‘representative work’ (though I actually think he has too many great series to only consider this one as his best) and was pretty much the series that boosted him to stardom….BUT, what a lot of us don’t realize is this series was also the most ‘draining’ for him – both physically and mentally. And yes, the popularity that he gained from this series was the ‘turning point’ of his career, but he had to pay a price for it – after this series, he had to film series after series, one after another, with little to no rest – not too long afterwards, he started suffering from lack of sleep (he would go days without sleeping) and chronic headaches…some days, he would even have to take pain medication (for the headaches) in order to function properly! During that time, Tony would describe himself as “a dead fish on the beach.”

Of course, any discussion of Tony’s career at TVB would not be complete without mentioning the contract issue between TVB and the 5 Tigers that occurred in 1984 (TVB wanted to ‘keep’ the 5 Tigers and prevent them from venturing out by telling them to sign a 5 year long-term contract). In the interview, Tony goes into great detail about that particular issue and gives his ‘reasoning’ for signing the contract: he needed to provide for his family (he was only making about 4000HKD at that time) and TVB offered to double his salary. His first thought was that at least he would not have to ‘worry’ about being able to put food on the table for the next 5 years.

I honestly don’t blame Tony for signing, as he had a family (his mom and sister) to take care of. And to be honest, the situation with Tony and the other 4 Tigers was a little different – by the time Tony started to become popular in 1984, the other 4 Tigers were pretty much already established actors who had been in the industry for several years and were already doing lead roles – plus they already had quite a few “hit series” under their belts (i.e.: Kent had “The Demi-gods and Semi-devils”, Felix and Michael had “Legend of the Condor Heroes” plus a few other series, and Andy had “Return of the Condor Heroes”). Tony’s series “The Duke of Mount Deer” had not aired yet when the contract issue occurred. In the end, Felix also signed the 5 year contract, so both he and Tony stayed behind while the other 3 (Kent, Michael, and Andy) left TVB.

Note: Tony is well known for his illustrious film career, which is also detailed in the book…however, due to this post already being quite long, I decided to leave that part out (sorry if I disappointed anyone)…

RELATIONSHIPS

In addition to his acting talent, Tony was also know for his 3 famous romantic relationships with Margie Tsang, Kitty Lai, and Carina Lau. In this section, I will attempt to recap how each of the relationships started and – with 2 of them – how the relationships ended.

Margie Tsang: Broke up 3 times, reconciled 3 times

Margie entered TVB’s acting class 1 year after Tony – even though (ironically) both ended up hosting the same children’s program in the beginning, they actually met at a classmate’s birthday party. Tony was smitten by Margie’s sincere personality and they started dating not too long after that (this was in 1983).

Even though Margie was not Tony’s first love (he had other girlfriends prior to her), he does admit that he “loved her the most….even if I’m talking to someone, I would be thinking about her in my mind, worrying about her…the weather is cold – did she have enough to wear?”

Margie and Tony broke up for the 1st time in October 1984 – the reason? Tony’s career started to take off and he got busier and busier – to the point that he barely had any time to sleep, let alone go out on dates. Margie describes their breakup as follows: “We did not have an argument, did not have a misunderstanding – we very calmly and peacefully separated. Even if you love someone, does not necessarily mean that you will marry that person in the future. I would much rather my [future] husband love me more than I love him.”

One thing that not a lot of people knew is that Margie had a really good relationship with Tony’s mother and sister, so even after they broke up, she continued to maintain a close relationship with them. Indeed, Mrs. Leung liked Margie a lot and actually felt sorry for Margie because Tony couldn’t spend much time with her. She actually expressed that she did hope that Margie and Tony would reconcile…well, 3 months after they broke up, Mrs. Leung got her wish, as the two reconciled and got back together (early 1985). Unfortunately though, it was not meant to be, as the two broke up again later that same year.

The 3rd time that Margie and Tony reconciled was in April 1988 (he had just broken up with Kitty Lai earlier that year) – the press found out about them reconciling when Margie was spotted at the airport with Tony’s mother (both were there to pick Tony up from the airport). At the end of that year (November 1988), Margie and Tony broke up once again – this time, for good. During that time, Tony explained the break up this way: “Margie is still the woman I love most, but because both of us have grown up now and matured, it is no longer possible to capture the feelings that we once had.”


Kitty Lai: From dislike to love

Tony’s relationship with Kitty actually started in 1986 when they were filming “The New Heaven Sword and Dragon Sabre” together. At first, Kitty did not have a good impression of Tony at all, but after getting to know him better during their few months of filming together, they eventually fell in love and started going out.

Unfortunately, the public never really gave these 2 a chance, as everyone had already accepted Tony and Margie as a couple and felt that only they matched each other the best (the book described Tony and Margie’s pairing as 金童玉女)….so from the beginning, there was already a strain on the relationship.

In November 1987, Kitty participated in the filming of the series “The Book and the Sword" and rumors started to fly, linking her to the series’ other co-stars, including Simon Yam, Shek Shau, and Lawrence Ng. Around the same time, Tony was rumored to have been seen with newcomer Fiona Leung (Kitty’s co-star in “The Book and the Sword”) at a disco. Despite the rumors, Kitty insisted that her relationship with Tony had not changed.

Not too long after that (in early 1988), Kitty and Tony were slated to star in the series “The Two Most Honorable Knights” (aka “Chuet Toi Sheung Kui”) – at the costume fitting for the series, it was obvious that something was wrong, as Tony and Kitty seemed very ‘cold’ toward each other and did not come across like a couple at all. Shortly afterwards, Tony and Kitty officially broke up and not too long after that, he and Margie got back together.


Carina Lau: the woman who changed Tony’s life forever

Even though Tony already met Carina back in 1983 and the 2 collaborated on a few series throughout the next couple years (most notably, the series “The Clones” in 1984, “The Duke of Mount Deer” in 1984, and the “Police Cadet” trilogies in 1984, 85, and 88), their relationship was only one of friendship, as Tony was dating Margie at the time and Carina was just getting her career started in HK. It wasn’t until the two of them collaborated in a charity stage performance for the HK Artiste Training Alumni Association (which they were both members of) that they actually fell in love. However, their relationship was not made public until May of 1989, when they were spotted at the airport together.

As many of us know, Tony and Carina have very opposite personalities – Tony is very introverted, doesn’t like to talk much, and is constantly thinking about his work. Carina, on the other hand, is very extroverted, optimistic, and pretty much was a social butterfly. I guess this was the ultimate case of ‘opposites attract’, as these two seemingly incompatible people ended up finding each other. Over the years, Tony and Carina have had their fair share of ups and downs – and just like any other couple, they had arguments and disagreements on things….but at the end of the day, they continued to remain together because of one thing – Love!

Back in 1986, after 2 years of suffering from sleep deprivation due to filming series back to back without rest, Tony had made a commitment to himself that he would end his career and leave the industry in 5 years. This continued to be a major goal of Tony’s throughout the rest of the 1980s…until he started dating Carina – indeed, it is Carina who is credited with helping Tony turn his life around and caused him to make the decision to stay in the industry. Tony states: “Since we [Carina and I] started dating, we saw each other almost every day. Whenever she would see me with a ‘black face’ , she would automatically know that I was upset about my performance [in acting] again – she would reprimand me and tell me that if I continued on like this, I will go crazy someday. I thought to myself – ‘in this world, there isn’t another person who understands me as well as she does and who cares so much about me.’ From that moment on, I set a rule for myself – every day, I would completely relax for at least 5 hours a day and not think about work or acting at all. As a result, I became a much happier person.”

Despite the various rumors that were rampant throughout their 20 year relationship, Tony and Carina pretty much ignored what others would say and continued to live their lives together the way they wanted to. This well-known celebrity couple finally tied the knot on July 21, 2008 in a brilliantly (and smartly) arranged wedding ceremony in Bhutan.

Of course, there is much more to Tony and Carina’s relationship than just what I described above (they’ve been together for 20 years, after all) and there were plenty of ‘sweet’ moments described in the book, but in the interests of time, I only chose a few highlights to include here.

CONCLUSION

Hopefully, after reading this LONG post, you have better insight into Tony as a person – and also have a better understanding of why he has long been one of my favorite HK entertainers!

EDIT...

I am curious to know who you guys (everyone reading this post) would be interested in reading about next...therefore, I added below the list of celebrities featured in this particular book:

*Tony Leung 梁朝偉
*Maggie Cheung (Man Yuk)張曼玉
*Andy Lau 劉德華
*Cherie Chung 鍾楚紅
*Chow Yun Fat 周潤發
*Faye Wong 王菲
*Danny Chan 陳百強
*Shu Qi 舒淇
*Stephen Chow 周星馳
*Anita Mui 梅艷芳

Tuesday, March 1, 2011

Oriental Daily Interview Series -- Part 4: Lawrence Ng

Part 4: Interview with Lawrence Ng

Original article published 2/27/2011
Source: Oriental Daily

Translated by: llwy12


Picture credits as listed

Lawrence Ng reveals that Tony Leung is good at ‘stealing hearts’

Nicknamed ‘young master’ by his former classmates, actor Lawrence Ng reveals that 28 years ago, while studying in TVB’s 12th Acting Class, he had a crush on Margie Tsang (nicknamed ‘little miss’ by her classmates). In terms of ‘background’, it’s logical to think that ‘young master’ and ‘little miss’ would be a ‘perfect match’— but it was not meant to be, since ‘young master’ encountered too strong of a rival. During a recent interview with ‘woman of his dreams’ Margie Tsang, Lawrence takes the opportunity to ‘reveal’ that back during their Acting Class days, Margie was already dating senior acting class ‘brother’ Tony Leung!

M = Margie Tsang
L = Lawrence Ng


M: Brother Lawrence…..how are you! (shakes his hand)

L: Wow, shaking hands!? You just wanted to seize the opportunity to touch my hand, huh?

M: Haha…I haven’t ‘touched’ your hand in 28 years…feels a little bit ‘rough’ if you ask me! My deepest impression of you is that you’re such a ‘cool’ actor. I still remember one of the performances you did during class – you walked in, dug a piece of paper out of your pants pocket, ripped the paper to shreds, threw the pieces down, and left – wow, you performed so fast that I didn’t even know what that scene was supposed to be about! It was probably less than a minute. At that time, I felt that you were so cool (and also a bit arrogant), but a lot of girls liked you. In fact, you were very popular among our female classmates – even I admired you a lot!

L: Well, if you talk about ‘handsome’, I can’t compare to the others – at the time, there was Wong Wai Leung [did not enter the industry] and also Michael [Tao] – plus I was too skinny! Even though I never had much to say, I got along quite well with the other classmates – I remember how all the male classmates would get together and talk about pursuing the female classmates…not only that, but we would help each other lie…a few of the guys were ‘players’ – they would have one girlfriend in the morning and by afternoon, they already had a different one…of course I am not going to reveal any names…..

M: It was very strict at that time – students from the same class were not allowed to date.

L: You had nothing to worry about, since you were already dating one of the senior apprentice brothers from the previous class [takes the opportunity to reveal that Margie and Tony were dating at that time]

M: That’s why we had to be so secretive about it [a bit embarrassed]

L: You thought that it was a secret, but actually everyone knew about it.

M: You didn’t ‘eye’ other female classmates?

L: At that time, you were the prettiest one in the class, but already ‘belonged’ to our senior brother [Tony Leung]. In terms of the others….well, Sandra [Ng] was a bit crazy, so definitely was not the type I would pursue…as for Carina [Lau] – she was also one of the prettier girls and definitely had the best figure, but I felt that she had too much of the ‘China girl’ feel (perhaps not too intelligent)….and Kiki [Sheung] – well, she was the ‘big sister’!

M: Really? [surprised at ‘discovering’ such a big secret, but happy at the same time] It took me 28 years to find out this secret!

.—

M: You must be in the happiest phase of your life right now, with a wife and a daughter? See, look at you – as soon as I mention your daughter, your ‘benevolent father’ look comes out!

L: I admit that this is definitely the happiest stage of my life right now! But I wouldn’t really consider myself a ‘benevolent father’ – I sometimes take on both the ‘good’ and ‘bad’ role and discipline my daughter when I need to. To tell you the truth, I’ve always desired a warm, loving family ever since I was little, so when my daughter was born, my mentality definitely changed – now, before I do anything, I think about my daughter first and put her needs in front of all else. I’ve heard people say that having children is a burden for life, but I have to disagree – I actually feel that it’s very sweet!

M: Do you plan on going for a son?

L: Thinking about it. As parents, it’s necessary to take the time to be with our children…my wife is considering it as well…it’s definitely a possibility.

M: Do you want your daughter to enter the [entertainment] industry in the future? You and your wife met on the set while filming, so if your daughter is in the industry as well, then your whole family would be ‘fated’ for the industry.

L: I actually wouldn’t want my daughter to enter the industry, but I will leave it up to her to decide in the future.

M: Were you the one who pursued your wife? The reason I ask is because you give me that ‘big man’ [male chauvinist] feeling?

L: Of course I was the one who pursued her! But I’m really not a ‘male chauvinist’ – in fact, I’m the one accommodating others a lot of the time! In the past, I did have a bad temper, but as I grew older, my temper has gotten much better – perhaps because I matured, I changed….in life, it’s impossible for a person to not change even a little bit!

M: Those who are by your side right now are the most fortunate, since they don’t have to endure your temper…hahaha!

L: Not entirely! Hahaha…I hope that everyone [all his classmates] has a pleasant life right now and I hope that we are able to get together even more. It would be great if all of us had the opportunity to collaborate, as each of us has box office value – I don’t mind playing the villain if necessary – hopefully there’s a ‘boss’ out there who would support us!

M: We don’t collaborate very often – I remember we only collaborated one time, on Taiwan series "俠義見青天" [TN: not 100% sure on the English name of this series, but I’ve seen it translated as "The Bold and The Chivalrous"]….I played the role of a blind girl and you were the guy who raped me!

L: After graduating from acting class, I was an ‘extra’ for 2 years but didn’t have many other opportunities, so I thought about going back to England to continue my studies. At that time, I didn’t even get to play villain roles – it was basically just bit parts…it was definitely discouraging. Later on, I get the chance to film the series "The Other Side of the Horizon" -- I played a villain, but at least I was the second male lead and therefore had a lot of lines…it was a pretty good opportunity! Of course, afterwards I started getting better opportunities, such as the "Healing Hands" trilogy, "Heaven Sword and Dragon Sabre 2000", etc. The "Healing Hands" series was definitely my representative work!

M: "Healing Hands" was definitely your ‘turning point’! A lot of people still think of you as a doctor and you definitely look like one (my entire family consists of doctors) – with such a good image, there must have been a lot of girls who fell for you! Haha!

L: Yes, there were some people who really thought I was a doctor! I was filming a commercial for a particular hospital in mainland China and the boss told me that someone actually called asking for ‘Dr Paul Ching (Tsi-Mei)’ [Lawrence’s character in the "Healing Hands" series]! This proves that the character had a deep impression in the hearts of the audiences.

To be honest, in the past, I played villain roles for many years and never once was I happy. Throughout all the years I’ve been in the industry, I feel that I had more low points in my career than high points – I was pretty much doing things for money rather than going by my own will. For instance, when we filmed that Taiwan series and had to do that rape scene – I really didn’t want to do it. The director who asked me to film the series told me at first that the role would not be a villain, but then when I was in the make-up room putting on the costume and he gave me the script, I realized the character was actually a villain that does bad things to you [Margie] – plus the rape scene was in there. At the time, I told the director that I didn’t want to film it and wanted to leave, but he kept on insisting that they were in a hurry to wrap filming….not sure why I always encounter those types of situations.

M: You would always easily agree to things in the past?

L: When I collaborated with that particular director and crew on a movie, it was actually a good experience. After that, he asked if I would film a romantic movie that he was working on – of course I said yes, since we had a good collaboration before….but then I discovered that it was actually an ‘adult’ movie – I told him that I refuse to film those types of movies, but then I was threatened with ‘If you don’t want to film it, then pay 20 million HKD in compensation!’

M: Oh, I didn’t know about all that behind-the-scenes stuff….when I was filming that series with you, all I knew was that you were not very happy.

L: When I watch any type of performance, I’m often very engrossed in it – for instance, I was watching my idol Chow Yun Fat’s movie and absolutely hated the guy that kept doing bad things to him, even though I didn’t even know the guy’s name (and don’t need to know) – that’s how fans are and I understand it. But when I’m in that same position and become the ‘no-name’ villain, of course I’m not happy! In the past, I really did not put much heart into doing those villain roles, plus there would be people who would curse at me in the street. Obviously, things are different now – just look at Nick Cheung – he won 7 Best Actor awards for his villain role!

.---

Lawrence lives with his family in Beijing now, but since he promised his good friend Margie that he would do this interview, he especially arranged to fly to Hong Kong to sit with her for the interview, which moved Margie greatly. It’s no wonder that Margie had such a deep impression of Lawrence and the fun they had together.

During the interview, Margie also reveals why Lawrence is truly fitting of his ‘young master’ nickname….

M: I remember one situation back in the day when you wore a pair of contact lenses to class, but when one of the lenses fell out, you asked all of us to help look for it. Honestly, how do you expect us to find it? They’re contact lenses after all, and are meant to be ‘invisible’! Of course, we weren’t able to find it, so you got upset and left without even going to class! The next day, when you came to class, you told us that the ‘missing’ lense was actually in your eye the entire time (it had slipped up into your eyeball)!

There was another situation when all of us were going to take the bus across the harbor, but you said to take a taxi instead…of course we didn’t want to, since it’s so expensive. The entire trip, you kept nagging about it and finally when the bus reached Lockhart Street, you pressed the bell to get off the bus…we were all shocked! From that time on, we gave you the nickname ‘Stop at Lockhart please’!

Laughing, Lawrence replied to Margie’s ‘accusations’: By saying that, are you trying to say that I have a bad temper? When I was young, it’s quite true that I had a bad temper, but doesn’t have anything to do with having a ‘young master’ temper. When I was studying in England, it was a difficult period and I got taken advantage of a lot – definitely not the easy overseas student life!

.***.

Chinese version:

吳啟華踢爆偉仔偷心賊

被形容為「大少爺」的吳啟華,原來在廿多年前讀無綫藝員訓練班已暗戀有「千金小姐」之稱的曾華倩,二人「身份」上雖算絕配,但少爺啟華當年卻遇上勁敵,在最近二人首次聚頭的訪問中,他不惜自爆「夢中情人」曾華倩早在訓練班時,已被大師兄(梁朝偉)溝了,一洩心頭之憤!

曾:曾華倩 吳:吳啟華

曾:啟華哥……你好!

吳:嘩,使唔使握手呀!乘機想摸吓我隻手?

曾:廿八年嚟都未摸過……不過「鞋」咗啲!我最深印象係你做戲好型。訓練班有次個人表演,你行出嚟,跟住喺褲袋摷張紙出嚟,然後搣爛丟咗就行開,嘩,演得好快,我都唔知你嗰場戲係做咩?唔夠一分鐘。嗰時我覺得呢個人好型,又好寸,但又好多女生鍾意,你喺我哋女生中好受歡迎,我都成日mark你o架!

吳:講靚仔邊輪到我呀,嗰時有黃偉良(沒有在這行發展)、大宇喺度,我又瘦蜢蜢!雖然我冇乜嘢講,但訓練班時我好合群,跟男同學一齊溝女,又互相幫對方講大話,有啲男同學好花心,早餐一個(女友),午餐又另一個,我唔講邊個啦……

全班最索

曾:我哋嗰時好嚴,同班嘅唔可以拍拖。

吳:你又唔同,你同高一班嘅師兄拍拖(乘機爆華倩、朝偉拍拖)。

曾:所以我哋要偷偷摸摸(好尷尬)。

吳:你以為偷摸啫,其實全部人都知。

曾:冇(目及)其他女同學咩?

吳:嗰時你係全班最索,但一早畀師兄搞掂咗,其他嗰啲……好似君如就癲癲哋,肯定唔係我追求對象,而劉嘉玲,佢都係其中一個索,身材係最好,但又覺得佢大陸味重咗啲……好似蠢蠢哋咁,而娥姐(商天娥)就大家姐咁啦!

曾:係咩?(大發現但又好冧)我廿八年後今日先知呢個秘密!

有女萬事足唔係大男人

曾:最開心階段係咪依家呢?又有老婆又有女?睇你吖,一講個女成個慈父樣出晒嚟!

吳:呢個階段係最開心,但我唔係做慈父,我忠、奸都做,都會打囡囡屁股!其實我由細到大都想有個溫暖家庭,所以有囡囡後心態好唔同,做乜嘢都會為囡囡着想多啲,有人話仔、女係成世包袱,我反而覺得好甜!

曾:再追多個仔仔?

吳:考慮緊,做父母都要花時間陪仔、女,我太太都有考慮,都有可能嘅。

曾:你想囡囡入行嗎?好似你跟太太都係合作拍戲而認識,你一家跟演藝事業很有緣?

吳:我就唔會想個女入行,不過都會等佢自己決定,因為我同太太都係一齊演《俠》而認識。

曾:係你追太太嗎?因為我覺得你有啲「大男人」feel?

吳:梗係我追啦!但我真係唔係「大男人」喎,係我遷就人多,以前的確係脾氣差,不過老咗反而脾氣好咗,可能人成長就會改進,做人唔可以一成不變嘅!

曾:依家喺你身邊嘅人就最舒服,(唔使受氣)哈哈。

吳:都係架!哈哈,希望大家(成班同學)生活愉快啦,更希望多啲一齊,以及希望一齊拍戲,我哋個個都有票房,我咪做奸角囉,希望有老闆支持我哋!

為錢做壞蛋妙手回春

曾:我哋好少拍檔,只係喺台灣拍過一個單元《俠義見青天》,我做個盲妹,你要強姦我!

吳:訓練班出嚟,做咗兩年茄哩啡冇表現,有諗過返英國讀書,嗰時連奸角都未有得做,茶客甲咋,都幾受打擊,後來接演《魔域桃源》,係奸角但都係第二男主角,好多戲,都算係一個機會,之後有《妙手仁心》、《倚天屠龍記》,其中《妙手》都係代表作。

曾:《妙手》直情係你嘅轉捩點!你真係成個醫生咁,我全家都係做醫生(意思係好有權威去評價),形象咁好,咁有冇女仔借啲意要你打針?又有冇女仔同你講唔舒服要你幫佢聽吓個心?哈哈,講笑啫!

低潮多過高潮

吳:有人真係以為我係醫生,我幫內地一個醫院做代言人,老闆話真係有人打嚟搵「程至美」呢個人,證明角色好深入民心。

其實我做咗奸角都好多年,一路都唔開心,咁多年嚟,我覺得自己低潮多過高潮,成日都要為錢而做,好似嗰次喺台灣拍《俠義見青天》,要強姦曾華倩,唉,要我做啲咁嘅嘢。當時搵我拍嗰個導演,原本話唔係奸角,到我化妝嗰刻畀個劇本我,先知要強姦華倩,我同導演講唔拍要走,佢死話好趕,唔知點解我成日都遇到呢啲嘢。

曾:你之前咁易應承人?

吳:我同呢個導演成組人合作電影《跛豪》時好開心,之後佢同我講,話要拍套浪漫愛情片,嘩,我梗係制啦,點知嗰套係《肉蒲團》,我話唔拍啲咁嘅嘢,就即刻畀人兇:「唔拍咪賠二千萬囉!」

曾:我都唔知呢啲背後嘢,我同你拍《俠》劇時,只係知唔開心。

吳:我睇戲好投入,好似睇偶像發仔啲戲,我都好憎成日害佢嗰個「四眼仔」,佢叫乜名我唔知亦唔使知,總之影迷個心態就係咁,依家情況換喺我身上,要我做嗰個「四眼仔」,我梗係唔開心啦!我以前冇用心做嘅(奸角),仲試過畀啲貨車佬用粗口鬧。不過,依家就唔同,張家輝做奸角都攞七料影帝啦!

唔認有少爺脾氣

已定居北京的吳啟華認真有心,應承老同學曾華倩做訪問,當日特別坐飛機來港,令華倩相當感動,難怪訪問時華倩坦言對啟華的軼事印象深刻,但其實源自其少爺脾氣引發的兩宗罪。

華倩說:「當年你戴隱形眼鏡,點知跌咗一隻,叫我哋幫手搵,點搵啫!話明係隱形,梗係搵唔到,你跟住發脾氣唔上堂走咗!第二日返嚟先話畀我哋知,原來眼鏡攝咗喺眼球上面。另一件事,有次我哋(包括娥姐)搭巴士過海,你話要搭的士,咁貴梗係唔搭啦,咁你就一路哦,點知去到駱克道就自己按鐘要落車,我哋都愕然,所以你有個綽號叫『駱克道停一停』!」

華倩說來氣沖沖,但淡定的啟華笑問:「你咁講想表達我脾氣差?我年輕時係幾差,不過,唔係你哋講嘅少爺脾氣,我喺英國讀書都捱得好辛苦,成日畀人蝦,絕對唔係你哋諗嘅『番書仔』!」

文:影視組

攝:黃叔榮

場地:the mira HONGKONG

Oriental Daily Interview Series -- Part 3: Michael Tao

Part 3: Interview with Michael Tao

Original article published 2/20/2011
Source: Oriental Daily

Translated by: llwy12


Pictures credit as listed

Michael Tao and Margie Tsang enjoy being single

Margie Tsang and Michael Tao are former classmates from TVB’s 12th Acting Class. Earlier, the 2 friends got a chance to ‘reunite’ at fellow classmate Kiki Sheung’s wedding and both discovered that they actually had a lot to talk about.

Michael sat down with Margie recently to talk about various aspects of his life and career as well as reminisce about the old days’.

M = Margie Tsang
T = Michael Tao

M: I really like calling your name….大宇[Michael]! I’m curious to know if you felt that you were ‘handsome’ back when we were in Acting Class? Both Sandra [Ng] and I loved to partner up with you to rehearse scenes.

T: Really? I remember I was paired up with Carina [Lau] the most! As for the ‘handsome’ part…I felt that I was better looking back then – now, definitely not! Back then, everyone was handsome and pretty – hey, you’re a pretty girl too!

M: So….honest? Haha! Now you have a more mature feel about you – back then, you were too young and immature. I actually think that how you are right now is much better! (Displays a ‘satisfied’ look)

T: You looked better back then (hinting that Margie is not pretty now)…hahaha! Just kidding! You have ‘better taste’ now because of your maturity and experiences. This is especially important for actors / actresses – the more we experience, the more mature we become and the better our ‘taste’ is, which helps the acting. At Kiki’s wedding, I saw Sean [Lau] and the 2 of us would talk about our youth (‘When you were a young lad, you were this way…..’) – when I saw Carina [Lau], the images from our youth ran through my mind and we would also talk about what we were like back then….

M: How about me? In your mind, what kind of person was I like back then?

T: The teacher used the character for ‘snake’ to describe you! It was because when you walk, you always make the ‘ssst, ssst, ssst’ sound – it was very cute! Plus you were so ‘little girl’ during that time.

M: What do you mean [‘little girl’]? Immature? Better be careful what you say!

T: No, not immature…hmm, how can I say it? Definitely need to be careful what I say…sort of like that ‘young lady’ feel – basically the type we don’t dare to cross….

.—

M: So how was your career path after graduating from Acting Class? You’ve actually filmed quite a few ‘classic’ series…

T: At first I was walking around with my head in the clouds, didn’t really know what I was doing. My first series was "United We Stand" [TN: 1985 series with Michael Miu and Barbara Yung]– at least I had a recurring part…but my performance was only so-so – at that time, I was young and didn’t take things seriously, so when given a precious opportunity, didn’t know how to treasure it. Afterwards, I realized the mistakes I made during that time, as I didn’t have very many good performances for the next 8 to 10 years – everything was a mess and my career was pretty much stagnant.

M: Did you try going up to the production department offices and proactively seek out an opportunity?

T: Though I regretted my behavior at that time, I wasn’t the type to go seek out the producer to ask for an opportunity (due to my personality), so I continued to wait and at the same time reflect on my behavior. It wasn’t until I met my mentor Gary Tang [TN: former TVB producer now at ATV] and got the chance to participated in all 5 installments of his "Files of Justice" series, then after that was the "Detective Investigation Files" trilogy with producer Poon Ka Tak…I guess you could say that there was finally a turning point to my career. Unfortunately, later on, I was ‘disobedient’ and tried to negotiate higher pay with the company, thinking that I could follow in the footsteps of some of my seniors, but that backfired, so I ended up leaving…haha….

M: That’s how fate works! But then it’s because you encountered those situations that you learned to cherish things more later on!

T: Personality definitely changes fate! After I left TVB, I signed with [director/producer] Wong Jing, which resulted in the opportunity to film "Flaming Brothers" -- the series had good ratings and word of mouth back in the day. After that, I got the chance to work with Carina Lau on the series "Showbiz Tycoon", a happy collaboration that lasted 9 months – even though the 2 of us graduated from the same acting class in the 80s, that was actually the first time that we filmed together.

M: Looking back through Acting Class history, all of us [from that year] had pretty good achievements.

T: Looking back, I participated in quite a few ‘classics’ that audiences deeply remember, such as "Files of Justice", "Detective Investigation Files", "Flaming Brothers"….not too bad, since it wasn’t just 1 series, but several.

M: If you were to pick the series that you felt was the most ‘classic’?

T: "Detective Investigation Files"!! We had filmed several installments and at that time, it was very hard work.

M: That series also earned you the nickname ‘housewife killer’....in fact, my mom was also a big fan of yours! Hahaha….

.—

M: What is your opinion of today’s newer generation? In the past, us females did not have as many avenues for entering the industry, but nowadays, there are singing competitions such as <> as well as beauty pageants and also the ‘lang mo’ path.

T: So I guess you gals are ‘red envelopes’! Not ‘lang mos’, but ‘lo mos’! [TN: play on words – Michael is joking that Margie is a ‘lo mo’ or ‘old model’ rather than a ‘lang mo’ or ‘young model’]

M: What ‘lo mo’?

T: Haha! So that’s why I said ‘red envelope’…it’s more polite! Hahaha…

M: Out of all the ‘lang mos’, I like Angelababy.

T: Those type already are not my ‘cup of tea’, as I will be turning 50 years old soon.

M: Really? I couldn’t tell…I thought you were already past 50…hahaha! Though you are turning 50, still tell me a little about your love life.

T: Leave it up to fate….as long as there’s happiness!

M: I agree with you on that, because I’m also single, so I leave things up to fate as well. I don’t feel lonely at all – in fact, I enjoy too much the freedom that being single brings. To tell you the truth, I’m constantly wondering whether it’s necessary for people to get married? I like having my own ‘single’ world. Some of my friends worry about me and so constantly ask me to dinner or drinks because they are afraid I may be bored! But in reality, I love staying at home and doing things that I enjoy….don’t even bother me..I’m perfectly fine all by myself!

T: I agree with what you said about being single. I would thank my friends for being concerned about me, but when it comes to fate, it’s hard to say what may happen. If a relationship comes, then great, but if it doesn’t, that’s fine too – someone who is single can also enjoy the happiness that comes with freedom!

M: Any hopes for the new year? I know you’re very filial to your mother – even back in the Acting Class days, you were known for being a good son.

T: My hope now is for my mom to have good health, as she is at the age where older people illnesses will start showing up. The failure of my marriage actually gave me more time to be with my mom – these past few years, I’ve been able to have dim sum with her consistently. In the past, I would only have time to see her once every 3 months…I hope to make up for all the time that was lost.

.—

Both Margie and Michael feel that back when they were in Acting Class, there was definitely a lot of things to be learned. They also share memories of the interesting teachers they had during that time. Margie recalls the fear and respect she had for kung fu instructor Lee Kar Ting [TN: actor Gregory Lee’s father and an actor himself] and joked with Michael that luckily, Master Ting was not an instructor of the regular classes otherwise everyone would be bruised.

Laughing, she also mentions a teacher whom she no longer remembers the name, but recalls that he is very short – Michael immediately interjects and says: “Yes, that teacher was cross-eyed! When he taught martial arts, we were scared whenever he stuck his fists out because we thought he would accidently hit the wrong person. I remember one time, a student standing next to me actually asked the teacher who he was looking at and make sure he is striking at the right person.” To illustrate his point, Michael pretended to imitate the cross-eyed teacher doing martial arts, which made Margie laugh incessantly!

T: Back in those days, whenever our instructors taught, they loved to use Chow Yun Fat and Dodo Cheng as examples – in that era, the 2 of them were the most popular.

M: I remember that we were separated into day and night classes – altogether, there were approximately 40 people, but in the end, only 9 males and 9 females signed with the company.

T: That’s why our group was nicknamed ‘Gou Nam Nu’! [TN: literally translated as ‘Nine Males / Females’ – this phrase is another play on words]

M: Out of the females in the class, who did you feel would succeed the most?

T: Carina!

M: Wah, you seem to have an affinity toward Carina? It seems that you like Carina more than us – so Sandra and I don’t mean anything to you?

T: Haha! Well, maybe it’s a false sense on my part…because back in those days, the dance instructor loved asking Carina to demonstrate certain moves for the class and it seemed that she was involved in everything, so that’s why she would always come to mind first.

M: Actually, who in the class did you think would make it?

T: That I don’t know, but I did anticipate that I would be one of the ones signing with the company in the end because my test scores were pretty good and I had confidence in myself!

.***.

Chinese Version:

陶大宇曾華倩享受獨身樂

曾華倩和陶大宇是無綫同期訓練班同學,早前在商天娥的婚宴上重遇,展開講不完的話題,當中華倩滔滔不絕的「獨身論」大宇全程和應,而大宇面對老同學,坦承當年演藝生涯由「瀨嘢」到後悔,幸最後都遇上伯樂,成就多套經典劇集,不致枉費青春!

「小蛇女」

曾:曾華倩 陶:陶大宇

曾:好鍾意叫你個名……大宇!其實你覺得喺訓練班時自己靚唔靚仔?我同君如都鍾意mark你排戲。

陶:係咩?我記得我拍劉嘉玲多,至於個樣……我覺得自己嗰時靚仔啲,依家就唔得,嗰時個個都靚啦,你都靚女架!

曾:咁……老實?依家你係帶點成熟味道,以前又嫩口得滯!咁我覺得依家好啲!(擺出滿意樣)

回到o靚妹時

陶:你嗰時好啲(即係話依家唔靚),哈哈,講笑啫,依家係有味道!因為人大咗,尤其是做演員,要經歷過先有味道,娥姐結婚擺酒,見到青雲,大家又會講:「你o靚仔時係咁架……」見到嘉玲,即刻彈晒以前啲畫面出嚟,又話佢:「你o靚妹嗰時係咁……」

曾:咁我呢,喺你心目中又係點?

陶:導師係用蛇嚟形容你!你行路「雪雪雪……」好得意!你又o靚妹呢。

曾:即係點?幼稚?你小心啲講喎!

陶:又唔係幼稚,點講呢?真係要好小心講,有少少千金小姐feel,總之係唔好得罪嗰隻……

「瀨嘢年代」

曾:訓練班出嚟發展又點呢?你都拍過唔少經典劇?

陶:起初渾渾噩噩都唔知自己做乜架,第一套拍《生銹橋王》,叫做有個角色,但我表現麻麻,當年細路仔唔專心,有機會又唔珍惜,後來先知道「瀨嘢」,之後十年八年都冇表現,出嚟嘅嘢一塌胡塗,事業停滯不前。

曾:上製作部行個圈博個機會都好吖?

扭計扭出禍

陶:雖然我好後悔,但礙於性格問題,我又唔會搵監製傾博出路,所以咪一路等一路反省,直至我遇到「伯樂」鄧特希,拍咗佢一連五輯《壹號皇庭》,之後又拍咗幾輯《刑事偵緝檔案》,事業叫做有啲轉機,但我又扭計加人工,學啲師兄跳「草裙舞」,卒之外闖,點知又「瀨嘢」,哈哈……

曾:命運就係咁,你又咁樣諗,不過,可能要你遇過呢種情況,先會更加珍惜之後嘅嘢!

陶:性格改變命運啦,出咗去我簽咗王晶,又畀我拍咗套《縱橫四海》,當年喺亞視播都叫好叫座,又有機會同嘉玲合作拍咗套《影城大亨》,大家足足對咗九個月,都好開心,因為我哋自訓練班出嚟後,當年先係第一次合作。

「經典‧老模」

曾:睇番訓練班歷史,我哋個個都有番咁上下成績。

陶:睇番轉頭我都拍咗好多深入民心嘅經典劇,好似《壹號皇庭》、《刑事偵緝檔案》同《縱橫四海》,真係好難得,因為唔係一部,係幾部,都算係咁。

曾:如果畀你揀邊套劇你覺得最經典?

陶:《刑事》啦!一連拍咗幾輯,當年真係好辛苦。

曾:部劇仲為你贏得「師奶殺手」稱號,我阿媽當年鍾意到你嘔呀!哈哈……

曾:你點睇時下嘅新人?以前我哋女仔出嚟嘅渠道唔多,依家就話有《超級巨聲》、選美呀、o靚模呀咁。

陶:咁你哋咪變咗封「利是」!(俗稱利是為老毛)老模(毛)呀!

曾:咩嘢老模呀!

陶:哈哈……所以我咪話「利是」算囉!哈哈……

曾:o靚模中我幾鍾意Angelababy。

陶:呢啲已經唔係我杯茶嘞,我都就嚟五十歲。

「同聲又同氣」

曾:又睇唔出喎,我以為你一早五十(歲)咗,哈哈……雖然五十(歲)啫,你係咁意都講吓你嘅感情狀況。

陶:隨緣啦……開心咪得囉!

曾:呢樣嘢我又好信你講喎,因為我都係單身,我真係好隨緣啦,我一啲都唔覺lonely,太享受自己呢刻嘅自由,太鍾意呢個階段。其實,我成日諗,人一定要結婚嘅咩?依家我好鍾意自我天地,有啲朋友都曾經擔心我,成日約我出去飲嘢、食飯,怕我悶喎!我不知幾鍾意將自己關喺屋企,做想做嘅嘢,唔好煩我添呀,講真,我一個人都得架,自由度大嘛。

要孝順媽媽

陶:我都好贊同,但又咁講,朋友問候,當然多謝關心啦,有時緣分嚟冇得講,老土講句,有當然恭喜,冇咪冇囉,一個人都可以享受自由嘅樂趣!

曾:新一年你有咩願望?我都知你好孝順阿媽,以前訓練班你出名孝順。

陶:依家我嘅願望,係想媽媽身體健康啦,老人家啲病開始嚟,今次婚姻失敗,反而多咗時間陪阿媽,呢幾年我定時會搵阿媽飲茶,以前?三個月先見一次,以前忽略咗,希望依家補番。

扮鬥雞眼阿Sir

華倩和大宇同認為當年訓練班很多嘢學,又齊齊取笑教功夫的「鬥雞眼」阿Sir。華倩對教功夫的李家鼎又敬又畏,笑指幸好不是鼎爺做導師,否則個個癱晒!她更邊忍笑邊提及一位忘了名字、矮矮哋的阿Sir,大宇即說:「哦,嗰個阿Sir鬥雞眼嘅,佢打功夫時,出拳我哋都驚佢打錯隔籬,阿Sir有時出直拳,企隔籬嘅同學就問:『你會唔會打咗落我度o架?你係望我定望佢架?』」大宇更鬼馬的即席扮鬥雞眼Sir出拳,笑到華倩腰都彎。

「九男女」

陶:當年阿sir日日教戲都係攞發哥、嘟姐(周潤發、鄭裕玲)做教材,嗰個年代最紅佢兩個,我哋好似洗晒腦。

曾:嗰時我哋分日班、夜班,全部夾埋都有四十人,但最後簽咗九男九女。

陶:所以我哋咪俗稱「九男女」囉!

曾:女仔你覺邊個最得?

陶:嘉玲啦!

曾:嘩,你好似情有獨鍾佢喎?你特別鍾意嘉玲,都唔放我哋在眼內,當君如冇到?(醋意大發)

陶:我係有個假象啫,因為嗰時教跳舞嘅老師張亨利,佢一定叫嘉玲出嚟示範,乜都有佢架,咪覺得佢得囉。

曾:其實你覺得當時邊個會彈出?

陶:邊個彈就唔知,但我估自己會簽到,因為自己考試成績都幾好,對自己有信心!


攝影:沈建程

場地:the mira HONGKONG

文:影視組