Showing posts with label "When Heaven Burns 天與地". Show all posts
Showing posts with label "When Heaven Burns 天與地". Show all posts

Wednesday, December 19, 2012

TVB Anniversary Awards 2012: Recap of the Winners + My Thoughts

TVB’s annual Anniversary Awards show took place much later than usual this year, which isn’t too surprising given the fact that TVB had to wait until their 2 anniversary series finished airing so that both programs could be included in the awards ceremony.

This year’s awards show was also different from previous years because of the new ‘rules’ that TVB set in efforts to attract more audiences to watch and participate in the show.  Instead of having TVB executives and producers determine the winners for all award categories, TVB chose instead to have the 3 biggest award categories – Best Actor (TV King), Best Actress (TV Queen), and Best Series – be determined 100% by audience vote (what they call the OVPP system).  Since I already stated my opinion multiple times about the OVPP thing and why I don’t feel that it’s a good idea, I’m not going to rehash that ‘argument’ here.  But I will say that TVB pretty much used the whole OVPP thing as a ‘gimmick’ in efforts to ‘change up’ the awards show and also get more audiences to watch as well as participate (which seemed to have worked, since the latest update is that the ratings for the show shot through the roof:  ratings averaged 36 points, peaking at 41 points….even higher ratings than TVB’s series!!).

Unlike last year’s award ceremony, which I had no interest in watching whatsoever (though I still ended up watching and writing up a recap post on it), I was actually interested this year because there were quite a few artists and series nominated that I actually like…plus I was curious to see how the whole OVPP thing would turn out (and whether the Miss HK voting fiasco would repeat itself or not).

Overall, I felt that the results were satisfactory and I wasn’t too surprised with who ended up winning (well, except for in 1-2 categories that is).  The awards were pretty evenly distributed this time around and the people whom I expected to win did (for the most part). 

Of course, the biggest surprise for me was the presentation of the “Outstanding Artist” awards to the 5 ‘veteran’ artists – even though I already knew that TVB was going to have this ‘new’ award this year (it was announced a few weeks ago), I had no clue what the criteria would be or who the nominees were, since TVB didn’t release any details about it.  Prior to the awards show, there was widespread speculation in the Media that this award was created as a ‘consolation prize’ to calm the backlash that erupted over the blatant omission of certain artists from the nominations list (i.e. Ben Wong, Raymond Cho, Linda Chung, etc.) – in fact, I even saw some Media outlet ‘claim’ that they had the ‘official list of winners’ from TVB and those 3 names (Ben, Raymond, Linda, etc.) were on it as the ‘winners’ of this award!  Obviously, that ‘report’ turned out to be BOGUS (again, be careful what you read in the Media and don’t believe everything you read / hear!).  The purpose of the “Outstanding Artist” award turned out to be completely different – it wasn’t a ‘consolation prize’ for those not nominated, but rather a ‘professionalism’ award to recognize those veteran artists who’ve worked hard for years and show professionalism both at work and outside of it.  Sure, people can say that this was pretty much a ‘pork’ award, but hey, the way I see it, at least TVB made the effort to recognize those artists (even if they probably only did so because of the external ‘pressure’ from HKTV and not wanting to lose those artists to competitors).  In any case, I’ll talk more about the winners for this award below and my feelings about it.

The other overall comment I had is that I was a bit disappointed with the lack of ‘meaningful’ presenters this year.  Every year, the ‘highlight’ of the anniversary awards show for me isn’t necessarily the nominees or the award winners (since I’ve lost confidence in TVB’s awards in the past decade, so I could really care less who won) – rather, I tune in to watch the awards mainly because of the presenters, since most years, TVB manages to invite artists / entertainment industry people whom we haven’t seen in a long time to present for them.  Also, the ‘speeches’ that the presenters give are usually the most interesting (and usually the funniest) part of the entire show.  I’ll talk a little bit about some of the presenters who were at the ceremony, but outside of those few, there really wasn’t much ‘excitement’ in this area this year.

Ok, so with all that said, here’s the list of the winners, my thoughts / opinion on their wins, and comments about the actual show itself.

.---. 

Lifetime Achievement Award:  Liza Wang
(Award presented by TVB’s Deputy Chairman Norman Leung)

.-- Even though I absolutely can’t stand Liza Wang, I’m actually ok with TVB giving her this award because she truly has contributed a lot to the industry and so for that, she does deserve to be recognized.  Plus I would much rather they give Liza this award than to keep giving her a spot in the Top 5 for TV Queen just to please her (which they didn’t do this year – thank God!).  I mean, seriously, must she get nominated for TV Queen each time she participates in a series?  How about saving that spot for the younger ones fadans who actually ‘need’ the TV Queen award more than she does?

.-- Anyway, I honestly didn’t pay much attention to Liza’s acceptance speech because, well, frankly I really didn’t care much – just wanted them to get the segment over with and move on.

.-- One comment about this segment of the awards ceremony:  Um, in the future, can TVB please not have Norman Leung speak?  I mean, ok fine, have him present the award if needed, but gosh, please don’t let the man open his mouth!   Not only does he speak incredibly SLOW, he’s also very incoherent (honestly, Sir Run Run Show is 104 years old and he probably speaks more clearly than Norman Leung!).  Also, most people probably didn’t notice, but Mr. Leung got some information wrong in his speech (when he was recounting some of the series that Liza participated in) – my mom and I were literally sitting there scratching our heads and wondering:  Huh?  I don’t hear Norman Leung giving long speeches too often, so I’m not sure if he speaks that way normally or if he was just really nervous that night (though I had the same feeling about his speech last year too – CRINGEWORTHY!). Argh!


Most Improved Female Artist:  Mandy Wong
(Award presented by Lawrence Cheng, Chin Kar Lok, and Janice Man)

.—First, a word about the presenters:  it actually did make sense for TVB to invite Lawrence and Chin Kar Lok to present this particular award (which is pretty much the ‘Best Newcomer’ award) because 1) Lawrence is currently one of the ‘main instructors’ for TVB’s newly revamped Acting Classes (he’s responsible for cultivating TVB’s new batch of ‘talents’, hence the connection to the newcomer award) and 2) Chin Kar Lok was one of the first winners of the ‘Most Improved’ award (as Lawrence reminded us during his ‘speech’) back in the 90s when the Anniversary Awards first started (back when they had the award separated into ‘drama’ and ‘non-drama’ categories) – so as the ‘big brother’, it was most appropriate for him to present the award to his ‘juniors’.  As for Janice Man – well, she’s a ‘newcomer’ to the film industry (and music too, right?) so that made sense too – though honestly, she didn’t really say much, since Lawrence and Kar Lok did most of the talking, so she probably didn’t really need to be there…

.— In terms of the winner….of course, the ‘expected’ winner in this category was Mandy, so no surprise there.  Actually, she is long overdue for this award already, as she actually should have already gotten it last year, but since she didn’t, then it only makes sense for her to get it this year. 

.—I definitely agree with Mandy winning this award because this year truly was ‘her year’ – not only was she in a lot of series this year, she also performed well in all of them…in some cases, even ‘stealing the show’ from the leads.  TVB definitely made a wise choice by giving this award to Mandy instead of the others who were nominated….in fact, I would venture to say that if TVB had pulled an ‘upset’ and given the award to someone else, all hell would have broken loose.


Most Improved Male Artist:  Oscar Leung
(Award presented by Lawrence Cheng, Chin Kar Lok, and Janice Man)

.—This was probably the only other category I actually ‘cared’ about going into the awards show because I really really wanted Oscar Leung to win.  Oscar pulled off excellent performances in pretty much every series he participated in this year and truly did deserve to win -- so yes, I am definitely glad he did win!  I actually don’t remember if Oscar was nominated last year or not but to me, he has always been a pretty solid actor, even back around the time that he started – seeing such promising young actors like Oscar do well makes me very happy because it reinstates some of the hope in the TV industry that I had lost years ago!

.—I will admit that  I was a little worried in the beginning whether TVB would choose to give the award to Him Law instead of Oscar….now don’t get me wrong – Him is a good actor too and certainly deserving of the Most Improved award as well (though to be honest, both Him and Oscar are sort of past the ‘newbie’ stage already….but hey, getting that award is better than getting nothing, right?) – but this year, Oscar definitely ‘stood out’ more in terms of his acting, as he had a wider range of roles that required more versatile acting versus Him’s roles this year pretty much being the same from one series to another.  Definitely very happy for Oscar!!

.—Lastly – I liked Oscar’s acceptance speech….it was touching to hear him thank all the people who had helped ‘teach’ him and give him advice over the years….and definitely very ‘sweet’ of him to thank his girlfriend Tina, who has stuck with him through thick and thin for the past 10 years.  Good for him!



Best Host of a Variety Program:  Luisa Maria Leitao (“Telling Maria”)
(Award presented by Mak Ling Ling and Lee Sing Chak)

.—This was not a surprise at all, as everyone was pretty much expecting Luisa to take this award.  Out of all the nominees, she was definitely the best one – not to mention her popularity soared big time this year due to her interview program being so well received.  I have no problems with Luisa winning at all – in fact, I’m very happy that she is also finally getting the recognition she should have gotten a long time ago (she’s been in the industry for 30 years).  Lastly – she also gave one of the most moving speeches of the night (especially the last part of her speech when she thanked her ex-boyfriend for all the support he had given her and helping to promote the program).



Outstanding Artist Award:  Chin Kar Lok, Benz Hui, Sunny Chan, Lee Sing Cheong, Dodo Cheng
(Award presented by Eric Tsang)

.—As I said earlier, I was pleasantly surprised with this award because I had no clue whatsoever that TVB would choose to ‘recognize’ its veteran artists (though it makes sense now given the volatile situation with additional stations vying for licenses).

.—First, let’s talk about Eric Tsang presenting this award.  Definitely a very appropriate choice given Eric’s tenure and status in the industry – plus he’s one of the few artists currently at TVB who was actually around when these veteran artists were still active and knows them very well (of course, he has collaborated with most of them in some way or another as well).  Eric’s ‘speech’ introducing each of the artists was very touching (and ‘humorous’ in the case of Chin Kar Lok) – good job in this area!

As for the winners of the award – all of them were definitely well-deserved.  I liked how TVB did the ‘surprise’ element with this award, as none of the 5 artists knew that they were going to get this award until their names were called to go on stage.

.—Chin Kar Lok – to be honest, I may not be too fond of Kar Lok as an actor, but I definitely admire and respect him as a person.  I remember the first time I knew of him was back in the mid-90s when he ‘replaced’ Jordan Chan as one of the co-hosts of Super Trio (he went on to host for many years alongside Eric Tsang and Jerry Lamb).  I’ve seen him in many hosting gigs since then and also I’ve seen him in series too – but his biggest contribution I feel is his role as action choreographer for movies, which is really his strength (plus it’s something that he’s been doing for years and recently won an award for).  So yes, totally deserving of this award because of his contributions to the industry but also his good overall attitude as well.


.—Benz Hui  -- I was absolutely ecstatic that Benz FINALLY got recognition – not just for his contributions to the TV (and movie) industry, but also for his great attitude and personality off-screen as well!   As Eric stated in his introduction, Benz was one of the graduates of TVB’s very first Acting Class (back in 1971-72) and he has pretty much worked for TVB since that time (40 years!!).  I myself grew up watching Benz in series after series (he was especially active back in the 80s) and over the years, he has become one of my favorite ‘green leaf’ actors of all time!  As an actor, he is brilliantly talented (he can do comical, serious, villain, grassroots, etc. – absolutely versatile!).  As a person – well, the introduction that TVB put together about Benz described him perfectly in my opinion – he definitely brings joy and laughter to everyone, no matter where he goes, as he has a truly infectious sense of humor that just endears him to everyone. 

From my recollection, in the 40 years that Benz has worked for TVB, he hasn’t gotten a single award (though as he said, from day one, he has never thought about getting any awards), so for him to get one now is definitely long overdue.  No wonder Benz was so touched (he almost cried, though he was able to hold it in and use his trademark sense of humor to lighten the mood) – I mean, I was almost in tears too (tears of joy that is) seeing one of my favorite artists finally get ‘rewarded’ after so many years!  Absolutely well-deserved!!


.—Sunny Chan – I was equally surprised when Sunny’s name was called because despite his great acting talent (obviously he’s one of my favorite actors as well), he has never been ‘recognized’ by TVB for any type of award (even though he did get nominated a few times, but was never in ‘serious’ contention).  I’ve liked Sunny as an actor since he started in the 90s – which is why for the past decade (ever since Sunny returned to TVB after a brief stint at ATV), I’ve been ticked off at TVB for giving him such lame roles in equally lame series and for ‘warehousing’ majority of his series.  To be honest, he can give any of the TV Kings from the past decade a run for their money in the area of acting, yet he is so under-promoted and under-utilized that it’s ridiculous – especially since he is a lead actor and has been since the 90s!  As a person, I have the utmost respect and admiration for Sunny, especially in the last few years after I found out how great of a father he is and all the sacrifices that he was willing to make for his autistic son – definitely a man of honor who absolutely deserves to be rewarded!

I’m so glad that TVB finally ‘woke up’ and recognized how much talent Sunny has as an actor (maybe, just maybe, I’ll stop being pissed at them now for ‘neglecting’ Sunny all these years)!   And I absolutely enjoyed Sunny’s acceptance speech (haha…Eric Tsang was spot on when he said that Sunny will ‘talk your ear off’ if he got the chance…but hey, that’s part of what makes him so endearing!) – you could totally tell that Sunny was overjoyed at getting the award (he was like a big kid who just got a big present…LOL!).  Great job, Sunny!


.—Lee Sing Cheong – I was pleasantly surprised that Lee Sing Cheong got an award because he has also been with TVB for decades and never got much recognition up until now!  He’s another actor I grew up watching (I started watching him in series when he actually still had hair…hehe!) and needless to say, he’s definitely another one of my favorites.  Lee Sing Cheong has always been a very versatile, talented actor who can take pretty much any type of role and run with it – he can be a ruthless villain one minute, a benevolent father the next minute, or a comedic sidekick the next minute.  He is tremendously underrated as an actor and absolutely deserves more recognition than he has ever gotten – which is why I was so happy to see him get this award.  It was obvious from his acceptance speech that he didn’t know about the award either (since TVB told him to attend the awards ceremony because they were going to have him present an award – though they never told him who he would be presenting to…turns out that was just an ‘excuse’ to get him to attend so they could ‘surprise’ him with the award).  Lee Sing Cheong was very moved by the gesture and even though he didn’t cry, other artists did shed a few tears because they were so happy for him (Myolie gave him a standing ovation and Fala was wiping tears from her eyes) – though it was very emotional for me as well, it was at the same time very heartwarming to see.  Congratulations and absolutely well-deserved!!


.—Dodo Cheng – the 5th Outstanding Artist award went to Dodo Cheng, which absolutely makes sense in my opinion because in all the years that she has been in the industry, Dodo is pretty much the ‘epitome’ of professionalism (if anyone needs examples of this, let me know!).  I loved her as an actress back in the 70s/80s (when she was with TVB) and even when she went into movies, I still enjoyed her works.  For me personally, I feel it’s a pity that she stopped acting and decided to do hosting full time instead because she’s an absolutely talented actress (though of course, she’s a great host as well – one of the best there is in the industry).  Definitely well-deserved and a natural choice to win this award! (And I loved how Dodo didn’t miss a beat – right after her speech, she continued right into her duties of wrapping up the segment for a commercial!)



Favorite Female TV Character:  Kate Tsui (as ‘Pat Chan’ in Highs and Lows)
(Award presented by Myolie Wu and Kevin Cheng)

.—There was no top 5 this year – pretty much all 10 nominees in the category were ‘finalists’, which I felt was kind of weird.  They should have at least narrowed it down to Top 5 like they did previous years – at least make the award more ‘important’ (especially since the award already has a ‘negative’ stigma of being a ‘consolation prize’).  I don’t know about others, but for me, the way they did this award, I really wasn’t too excited about the award itself – when they announced the winner, it was pretty much like: ‘oh ok – next?’

.—I actually have no comment about Kate winning because this year, I actually have not paid a whole lot of attention to the performances of the females – just like last year and the year before, none of the performances from the ladies stood out much to me, so as long as whoever wins in this category makes sense and doesn’t create backlash, then I’m fine with it.



Favorite Male TV Character:  Kenneth Ma (as ‘Cheung Yat Kin’ in The Hippocratic Crush)
(Award presented by Ng Man Tat and Benz Hui)

.—Compared to the Female Fav character award, the Male one was definitely much more ‘exciting’, probably because the male performances were definitely better this year and majority of the characters / artists nominated I felt deserved to win.

.—Again, no Top 5 for this category, which was a bit weird, but ok fine (though it would have made things more interesting to narrow the list and only pick one person from it). 

.—Of course, since I loved the series The Hippocratic Crush and loved Kenneth’s character in it, I’m absolutely fine with him winning – though as I said earlier, I would have been fine with any of the others winning as well (yes, even Raymond – his ‘Happy Sir’ character truly was a departure from the types of characters he used to play and in my opinion, it’s one of the more decent roles he’s had in the past couple years). 

.—Kenneth definitely gave a great speech – I loved how he was so honest in saying that people seem to not want the Favorite Male Character award because the person who receives it usually won’t get TV King, but he’s totally fine with it and doesn’t mind getting that award every year if no one wants it!  Haha…silly Kenneth!  One thing I like about Kenneth is that he is one of the few artists who actually thanks all the behind-the-scenes people in his speeches (i.e. the scriptwriters, costume, hair and makeup, etc.) – I respect him for that, especially since the behind-the-scenes people usually never get any type of recognition whatsoever.

.—The highlight of this segment for me was definitely the presenters – Tat Gor and Uncle Benz!  TVB made a great choice putting these 2 ‘funny men’ together – their ‘banter’ back and forth was absolutely hilarious!!   I already talked about Benz earlier, so not too much more comment there…but I was absolutely thrilled to see Tat Gor again!  Since he moved his career to Mainland, I had not seen any of Tat Gor’s works in recent years, so I was definitely starting to miss him – especially since he’s one of my favorite comedic actors (though he’s also very versatile and can do a variety of other roles as well).  Based on his presentation speech, he has not lost his comedic timing one bit!   Love it!



Best Supporting Actress:  Nancy Wu (Gloves Come Off)
(Award presented by Mandy Wong)

.—TVB did this award differently this year by first announcing the Top 2 artists in this category (basically the 2 artists who received the most number of votes).  Both artists were invited to the front of the stage and allowed to give a brief ‘acceptance’ speech – then they were given the envelope with the name of the winner and the person who doesn’t get the award is responsible for presenting the award to the winner.

.—Honestly, I didn’t like the way they did this because it was too awkward – especially since they didn’t set aside enough time for it.  The whole segment was so rushed, I sort of got ticked off at how ‘messy ‘ it was.

.—The top 2 finalists in this category were Nancy Wu and Mandy Wong.  Of course, I’m not surprised about Nancy, since she was the ‘hot favorite’ going into the awards and pretty much the one expected to win.  But I WAS surprised about Mandy getting the second highest number of votes – I honestly thought the ‘battle’ for Supporting Actress was between Nancy and Elena Kong (whom I felt was the only one out of the rest of the nominees who had a real chance at beating Nancy)…ah well, I guess it doesn’t make a difference now…

.—Anyway, absolutely fine with Nancy winning this award – in fact, she actually should have gotten this award a long time ago…glad TVB finally ‘recognized’ her, but really wish they would have done so earlier!



Best Supporting Actor:  Koo Ming Wah (Divas in Distress)
(Award presented by Power Chan)

.—Same format as the Supporting Actress award, except that this segment ran more smoothly – less awkward and the timing was a lot better.

.—The 2 finalists were (obviously) Power Chan and Koo Ming Wah.  To be honest, I love both actors, so it’s really hard for me to choose who I would have wanted to win – I’m pretty much ok with either one winning, though as I said before, I really wished this category would have been a tie so that both of them could win! 

.-- One thing I will say is that I was thrilled to see these 2 great actors FINALLY getting the recognition they deserve – it was definitely a very emotional moment for me seeing the 2 of them up there and seeing how much support both of them were getting from everyone (especially Power Chan, since I’ve been following his career since the 80s and pretty much grew up watching him). 

.—I absolutely loved Power’s ‘thank you’ speech, even though it was only 2 sentences!  It was so sweet of him to tell his wife and daughter how much he loved them (and kudos to the other artists for applauding when he made his ‘declaration’).  Awww, Power is such a good man!  Love him and continue to support him!

.—Koo Ming Wah gave a great speech as well – he was very emotional and thanked pretty much everyone – from TVB to the series producers and behind the scenes staff to his family to the fans who supported him.  I’m very happy for him, as he definitely deserved the award for his performance (though as I said earlier, Power was also equally deserving).



Best Variety Program:  Map of Happiness
(Award presented by Chung King Fai and Jerry Lamb)

.—I will be honest and say that I was surprised that Map of Happiness won because I absolutely thought that Telling Maria had this award in the bag.  Not sure what happened here because the result was totally unexpected in my opinion….but I’m not really going to complain because I did watch Map of Happiness and it WAS a pretty good program…one of the better ones that TVB has made over the years.

.—About the presenting:  Hahaha….at first I wasn’t sure why they had Jerry Lamb present with King Sir, but as soon as Jerry opened his mouth, I instantly remembered:   one of Jerry’s ‘hidden talents’ is that he is able to do an absolutely ‘dead-on’ impersonation of King Sir.  Omg, his impersonation was SO good (and it was funny to hear all the artists chuckling in the background…LOL!)



Best Informational Program:  Pilgrimage of Hope
(Award presented by Chung King Fai and Jerry Lamb)

.—Not much comment about this category, since I didn’t watch this program at all (though I do know some stuff about it based on reading up on it).



Best Actress (TV Queen):  Tavia Yeung (Silver Spoons, Sterling Shackles)
(Award presented by Miriam Yeung)            

.—Top 5 in this category:  Tavia Yeung (Silver Spoons, Sterling Shackles), Michelle Yim (The Confidant), Charmaine Sheh (When Heaven Burns), Linda Chung (Witness Insecurity), Kate Tsui (Highs and Lows)    

.—My honest opinion:  Doesn’t matter to me, since, like I said earlier, I wasn’t too impressed overall with the performances from the females this year.  I’m fine with the Top 5, since those were the same artists I expected to get into the ‘final’ list anyway.  Plus none of those who got into Top 5 are my favorites anyway…though if I had really had to pick based on performance, I probably would have picked Charmaine because she had the most impactful and difficult performance out of the 5.

.—My only other comment – not sure if I liked Tavia’s speech…I actually felt she was doing fine until she mentioned the part about Liza Wang – not sure what the point was of that?



Best Actor (TV King):  Wayne Lai (The Confidant)
(Award presented by Deanie Ip)                     

.—Top 5 in this category:  Damian Lau (Silver Spoons, Sterling Shackles), Moses Chan (The Last Steep Ascent), Raymond Lam (Highs and Lows), Wayne Lai (The Confidant), Kenneth Ma (The Hippocratic Crush)

.—I will say that I was surprised Wayne won because with the whole OVPP thing, I was thinking for sure that Raymond Lam had the award in the bag due to his large fan base.  Don’t get me wrong…I’m happy that Wayne won and from an acting standpoint, his skills are unquestionable – but is he really more ‘popular’ than Raymond to the point that he would receive more votes than him (this is assuming that TVB didn’t mess with the results that is)?  I’ve actually been thinking about this question the past few days and it’s actually starting to make more sense to me now….Wayne’s fan base isn’t really as small as we think – over the past 4-5 years, he has gained a lot of fans, especially after he became leading actor status – not only do the ‘housewives’ (and other audiences) love him, he also has a lot of support from his colleagues and others whom he’s worked with.  I mean, why else has TVB been promoting him so much and treating him so well when he’s not even a ‘biological son’ of theirs (and he’s still not as far as I know)?  It’s because Wayne is a ‘cash cow’ for TVB due to his overwhelming popularity with their main demographic – the ‘housewife’ audiences (and for those who think that the ‘housewife’ audiences don’t know how to use a computer or mobile app to vote – well, there is such a thing as having their kids do it for them, right?).  Of course, no complaints here, since I adore Wayne – it’s just that I wasn’t expecting him to win this time around…but he did and I’m very happy for him!

.—Wayne actually gave a very good speech – he was very calm, composed, coherent, and was able to thank everyone he wanted to thank with making it seem rushed or awkward….of course, I shouldn’t be surprised because Wayne has always been a very well-spoken person.  And with this being his third TV King win, he has ‘experience’ enough now to keep his composure during these types of events and not break down.

.—Lastly, a word about the presenter:  Deanie was very elegant as usual but also funny in her own unique way.  I liked how she was able to make a comment about each of the top 5 nominees – then when she got to Kenneth, she asked “Who is Kenneth Ma?” (obviously she doesn’t watch much TV…haha).  That part was funny!



Best Series:  When Heaven Burns
(Award presented by Ng See Yuen)

.—Top 3:  The Hippocratic Crush, The Confidant, When Heaven Burns

.-- A lot of people were surprised that WHB won Best Series, considering it was the 2nd lowest rated series of the year and it didn’t appeal to majority of TVB’s audience demographic:  the housewives.  Back when the series aired, there were complaints galore about the ‘cannabalism’ theme (which turned out to be over-exaggerated) and the ‘differentness’ of the series that caused majority of housewives not to understand what the series was about or what they were watching.  It wasn’t until after the series aired that people really started picking up on this series (primary reason was because of the addictive sub-themesong, which spread like wildfire, and also the ending of the series, which was very well-done and a definite departure from TVB’s standard fare).  I actually find it kind of ironic that audiences only started liking the series after it aired – to the point that TVB parted from tradition and specially placed all episodes of the series on MyTV for an entire week so that netizens who missed the series when it aired on TV could watch in its entirety!   With netizens literally ‘adoring’ this series and even dubbing it as a ‘godly’ series, it’s not surprising in the least that majority of the audiences would vote for WHB as the Best Series.

.-- The part that WAS surprising – that TVB actually allowed WHB to win!  Given that majority of the main cast already left TVB (Charmaine, Bowie, etc.) and most of the behind-the-scenes people are gone too (scriptwriter Chow Yuk Ming already left TVB a few months back and producer Jonathan Chik will be leaving at the end of this month), plus the ratings were pathetically low, I didn’t think that TVB would allow it to get anything!

.—Lastly…about Ng See Yuen presenting…again, another surprise because he’s the President of the HK Film Workers Association and recently took the lead in holding a press conference urging the government to issue additional free-to-air licenses to other TV stations (and thereby ‘opposing’ TVB’s firm stance on the issue).  The press conference just occurred last week (so still ‘fresh’ in a sense), so it felt a bit weird (to me at least) that TVB would turn around and invite him to present one of the night’s biggest awards.

Friday, October 19, 2012

My ‘TVB Rant’ # 23: Recap of My Thoughts on 2012’s TVB Series

I know this post might be a little ‘early’ considering there are still 2 TVB series for 2012 that have yet to air [the 2 anniversary series Silver Spoons Sterling Shackles (名媛望族) and The Confidant (大太監) ] but I wanted to do this post anyway, especially since all the other series have already aired (for the most part) so I feel it’s appropriate to share my thoughts on those – plus I’m only interested in watching 1 of the 2 anniversary series anyway and there’s no point holding back this post because of that one series.

Before I go into my commentary on this year’s series, there are a few ‘disclaimers’ that I have to make (yes, I’m anal about this kind of stuff, so my apologies if this seems too long-winded):

** When I refer to ‘2012 series’ in this post, I am using TVB’s Anniversary Awards as the ‘basis’ for the timing – so that means the series aired right after last year’s Anniversary Awards (which took place at the beginning of December last year) are considered 2012 series, even if they technically aired in 2011 (which is why I included both Bottled Passion and When Heaven Burns in this post) .

** Those who’ve been following my ‘rants’ for awhile probably know that my definition of ‘watching’ a series is different from most people’s and the ‘criteria’ I apply for whether I like a series or not is most likely different from mainstream audiences. This has especially been the case in the past decade or so when the quality of TVB’s series started to decline year after year and so I couldn’t bring myself to continue watching their series as ‘religiously’ as I used to (hey, my time is precious nowadays so I’m not going to waste it).

Out of all the series that aired this year, I’ve only actually ‘watched’ 4 to 5 of them in their entirety -- meaning that I watched the entire series from the beginning to end without skipping a single episode or a single scene. All the rest of the series I either only watched partially (which could range from a few episodes only to as much as 2/3rds of the series) or didn’t even bother watching period.

** As with all of my TVB rants, the below is strictly my personal opinion and doesn’t represent majority opinion. Therefore, those reading this post are welcome to disagree with me, as I respect different opinions and don’t mind hearing what others have to say (that is, as long as you don’t bash me for having an opposing opinion). It most likely won’t change my opinion, but it does give me some good ‘food for thought’.

** The below is only a summary of thoughts that come to mind about each of the series and is NOT considered a review of any of the series whatsoever (actually, this ‘recap’ is my LAZY way of sharing my thoughts without having to write a lengthy review…LOL). However, if I did happen to write a review for any of the series mentioned, I included the link to it as well in case anyone was interested in reading it.

** Note that I didn’t comment on every single series aired – only the ones that I felt like saying something about. However, I did list the rest of the series that aired this year at the bottom of this post just as a point of reference.

**Lastly, there is NO particular reasoning behind the way I listed the series – I pretty much just went with what came to mind as I was writing up this post.

Ok, so with all that out of the way, here’s a recap of my thoughts on some of this year’s series:


1) Bottled Passion (我的如意狼君)
Now that majority of 2012’s series have aired, I can safely say that BP was definitely my favorite series of the year! True, the ending absolutely sucked and I wish producer Lee Tim Sing (as well as the scriptwriters) would have done a better ending because of how negatively the ending detracted from the series – but overall (with exception of the ending), the series was quite well-written and pretty much the entire cast put in excellent performances (if it weren’t for the ending, I would have voted this series as the ‘Best Series of the Year’ in terms of awards and such…LOL). Also, this is the first series in probably the last 5 years or so that was truly an emotional roller coaster for me when watching it – I cried a lot during most of Raymond Wong and Niki Chow’s scenes (especially near the middle and end of the series) as well as some of the other heartwarming scenes in the series, but at the same time, I also couldn’t help smiling at some of the ‘light-hearted’ moments interspersed throughout the series (most of the Raymond Cho / Claire Yiu scenes as well as the Raymond Wong / Eric Li scenes).

I’m actually not going to comment too much on the series in this post, since I already wrote a lengthy review about it back in January after the series finished airing. But I will say that I’m currently re-watching BP again and enjoying every minute of it (it’s been less than a year since the series debuted and this is already the 3rd time that I’ve re-watched the series…goes to show how much I liked the series…LOL). Too bad that this series (and its cast) won’t get much recognition at the Anniversary Awards, since most audiences seem to have forgotten about this series already due to it airing so early (and in a ‘cannon fodder’ timeslot I must add)…such a pity!

Link to Series Review: Bottled Passion
Link to Themesong Lyrics translation: ‘Dawn Blossoms Picked at Dusk’


2) The Hippocratic Crush (On Call 36小時)
Out of all the series that have aired this year so far (not counting the 2 anniversary series), I feel that this series truly deserves to be called ‘Best Series of the Year’ because it was the most well put together in so many aspects -- from the near flawless script (a lot of the dialogue in this series was very beautifully written), to the logical plot and flow of storyline (the flow actually made sense and I found very little to criticize), to the good performances from majority of the cast (with a few exceptions of course)….combined with a great ending, this series had all the elements necessary to make it ‘best series’ in my opinion! It’s rare to have a series (especially nowadays) that blends all the elements so well (usually the cast is great but the script sucks or vice versa or both), plus have an ending that is very well done and ties up most of the loose ends without using the traditional cheesy TVB formula (i.e.: tragic ending, group BBQ, wedding scene, etc.) – in my opinion, the ending to THC was the best ending of the year!

Again, I won’t comment too much about this series here because I already said most of what I wanted to say in the review I wrote several months ago. In all likelihood, I will probably be re-watching this series again very soon (especially if the upcoming new series being aired don’t pique my interest). Oh, and just for the record – I am NOT looking forward to the sequel…in fact, I probably won’t even watch the sequel out of ‘protest’ because I was so adamantly opposed to TVB doing a sequel in the first place (I list out the reasons why in my review).

Link to Series Review: The Hippocratic Crush
Link to Themesong Lyrics translation: ‘Serial Drama’


3) Witness Insecurity (護花危情)
Despite a lot of the bad reviews for this series and the fact that the script was hugely flawed and the ending sucked as well, I actually did like this series overall – especially the first half of the series (I do state in detail in my review the reasons why I liked this series, so again, not going to say much here).

Currently this series is still in the number one spot on the ratings chart for this year (whether the series deserves it or not is another story) and if it can maintain its spot, it’s probably a good sign that the series or its cast will be a force to be reckoned with at the Anniversary Awards in December (though to be honest, I highly doubt that WI will stay in its position given that Highs and Lows is still airing and the 2 anniversary series will very likely be ratings winners – all 3 have the potential to knock WI out of the number one spot). Either way, I personally don’t really care, since ratings are not a factor that I consider anyway when I watch series (though of course it’s a driving force in the entertainment industry and for TVB when they determine who to give awards to). To me, whether the series is enjoyable to watch is more important…

Link to Series Review: Witness Insecurity
Link to Themesong Lyrics translation: ‘The Most Blissful Thing’


4) Tiger Cubs (飛虎)
This was another series this year that I liked enough to watch from beginning to end – and pretty much the only one where I will look forward to watching a sequel WITH THE ORIGINAL CAST if they decide to make one (if you haven’t figured it out already, I’m generally very much opposed to making sequels to series – especially TVB series – so the fact that I’m advocating a sequel to this series shows that it makes sense to do one).

It has actually been a long time since TVB has taken a production this seriously – from the costumes to the script to the action sequences, etc. – it was obvious that a lot of effort had been put into research and prep work. I also liked the fact that they (the production team / scriptwriters) stayed true (for the most part) to the concept of what the SDU truly does (tactical operation team that doesn’t get involved in the investigation of cases) rather than try to change things to suit their needs (like other series sometimes do).

Oh and I’m definitely glad that for this particular series, TVB chose to forego the whole romantic storyline thing and instead put most of the focus on the actual profession itself (SDU team) – the way that they kept the romantic storylines at a minimum (they touch on it, but don’t develop in detail) and focus more on the SDU missions and the police investigations made the series more fast-paced and meaningful (I actually learned a thing or two from watching this series…LOL!).

Too bad this series was aired on the weekends though because that timeslot really killed the ratings overall…true, it ‘broke records’ in terms of ratings for that particular timeslot, but the overall ratings sucked – the series didn’t even make it into Top 10, which means it likely won’t get much recognition at awards time (not that I care much about the awards anyway….but it annoys me to see good performances possibly not get recognized…)


5) When Heaven Burns (天與地)
I will admit that I barely watched a third of this series because, well, frankly speaking, the series that producer Jonathan Chik + scriptwriter Chow Yuk Ming have come up with in recent years just don’t appeal to me (I can’t even remember the last Jonathan Chik / Chow Yuk Ming series that I watched entirely from beginning to end – last one might have been back in the 90s some time….). But the ending was pretty good though and the MV concept was quite well-done (though I actually had to read commentary afterwards in order to truly understand the ending…haha…).

Of course I didn’t write a review on this series (since I barely even watched it), but I did put together some overall thoughts about the little I did watch back when I translated and posted the sub-theme song lyrics on my blog (link to that post here). That post pretty much sums up my thoughts on this series.


6) Gloves Come Off (拳王)
Given the sports-oriented theme, I definitely would NOT have chosen to watch this series on my own accord (sorry, but I generally find sports-oriented series / movies very boring, probably because I’m not into sports myself). The main cast also didn’t appeal much to me either, but since I like most of the supporting cast (i.e. Raymond Wong, Power Chan, Nancy Wu, Eric Li, Lau Kong, etc.), plus the series came on TV, I ended up watching it. In all honesty, the first half of the series was pretty good – in fact, the first few episodes especially were very well done. Unfortunately though, in typical TVB fashion, the series pretty much ‘fell apart’ in the second half – that’s the part when they started focusing on relationship issues between the main characters and so the series started to get extremely draggy…plus it didn’t help that the main story (about the whole boxing thing) started to go nowhere and didn’t really come back into play again until near the end of the series. Also, some of the characters were very poorly written and lacked development, which was annoying and definitely detracted from my overall viewing experience with this series – basically the only character who I feel was appropriately developed and stood out to me was Nancy Wu’s deaf girl character….everyone else I pretty much found were either underdeveloped or their characters ended up being annoying. Needless to say, I ended up skipping a lot of the series – to the point that I didn’t even bother tuning in to the finale episode (though I still found out about how the series ended later on).


7) Daddy Good Deeds (當旺爸爸)
This was actually one of the more watchable series from this year -- for a light-hearted comedy, this series definitely does deliver the goods. One of the things I enjoyed most was the witty dialogue, which was delivered with the right amount of comedic timing by the cast – the unique thing about the script was the rhyming dialogue that was interspersed throughout the series, which I felt was quite clever, especially since the way they worked that dialogue in, it sounded very natural and effortless (at certain points, I didn’t even realize the dialogue rhymed until someone pointed it out to me).

The other thing I liked about the series were the pop culture references, many of which were unique to HK culture. This is where I need to give props to the scriptwriters for being brave enough to go down this route because it’s definitely risky, since having too many HK pop culture references and ‘inside jokes’ that most likely only Cantonese-speakers would understand / appreciate limits the potential for this series to break out into other markets. But I guess as long as the HK audiences are able to relate and appreciate the series, that’s what matters most, since the ratings are based on HK audiences. Oh, and I have to mention the ‘guest star’ thing that they did in this series – though it wasn’t unique (TVB has done it before in other series), it was definitely fun to see who would pop up next and under what circumstances. I had read somewhere that some audiences felt the ‘guest star’ thing was merely a ‘gimmick’ to get people to continue chasing the series (curiosity factor) -- yes, that’s probably true but my thought on this is that as long as they incorporated the guest stars in a way that made sense (and didn’t just put them in randomly for the heck of it), then gimmick or no gimmick, I’m fine with it.

One last note….originally, I decided to watch this series primarily because of Steven Ma (since this was his last series with TVB) and Ha Yu (just because I grew up watching his series…haha) – of course, both of them didn’t disappoint in terms of their performances and I definitely enjoyed watching them….but in terms of ‘breakthrough’ performance in this series, Edwin Siu was definitely the one – he absolutely deserves some praise for his portrayal of ‘Ah Yap’, as he was truly pretty funny and his ‘obsession’ with finding his long-lost sweetheart was quite cute (plus his ‘chemistry’ with Steven and the rest of the cast was quite good). Overall, I’d say that this was an enjoyable series!


8) The Greatness of a Hero (盛世仁傑)
Even though I liked this series a lot (to the point of having re-watched it a few times already), I’m not going to comment much on it in this post because I actually don’t consider this a 2012 series. The series was actually produced 3-4 years ago and had already aired overseas (outside of HK) way back in 2009. I have no clue why TVB decided to warehouse this series in the first place or why they decided to all of a sudden air this series in their ‘golden’ timeslot so many years later (especially since some of the artists in the main cast no longer work for TVB). To me, it’s kind of stupid to air a series overseas and even release it on DVD, then ‘premiere’ it in HK years later as though it were a ‘brand new’ series -- given today’s technology, most HK audiences probably already saw the series on the internet back when it aired overseas anyway, so what’s the point of airing it as a ‘new series’ in HK? Kind of awkward if you ask me….seemed more like a space-filler series than anything else….


9) King Maker (造王者)
I’m generally not into ‘political thriller’ type series, but I decided to watch this one primarily because of the strong cast (when I say ‘strong’, I’m referring to the ‘acting’ piece, since the main cast consisted of established character actors who are known for their acting skills). Plus this was supposed to be a ‘follow up’ series to The Greatness of a Hero because of the collaboration between Kent Cheng and Wayne Lai – since both actors are among my favorites, I was definitely looking forward to watching the 2 of them match wits again!

To be honest, I can’t really say that I ‘enjoyed’ watching this series because some parts were a bit too slow and draggy, but overall I was able to ‘appreciate’ the series for the great acting performances from most of the cast (save for a few). Kent was excellent in his portrayal of ‘Tung Chiu’ and even though some audiences felt his acting was ‘exaggerated’, I actually beg to differ – his character was very complicated from a mental / emotional standpoint and in my opinion, the way Kent chose to portray the character was perfect…I actually don’t feel that anyone else would have been able to bring forth the ‘frustration and anguish’ component of his character as well as he did. Wayne was good too in his role, but I sort of felt he didn’t stand out much because the character of ‘Yu Jing’ seemed too much like the ‘usual fare’ for him – his character definitely wasn’t as complicated and interesting as Kent’s. As for the rest of the cast – let’s just say that overall, I was fine with most of the performances pretty much except for Natalie Tong….sorry, but I just can’t stand her in ancient series because she’s not a good fit for them – the way she says her lines and her body language, etc. are just way too ‘modern’ and it makes her performance unconvincing (just like she did back during Life and Times of a Sentinel, I felt that she was ‘reciting’ her lines rather than actually ‘performing’ her lines – maybe that’s why I felt there was little emotion to her performance…).

In comparisons to its supposed ‘sister’ series TGOAH, I have to say that King Maker is on a completely different level altogether – the plot and storyline for KM was way more complicated and the dialogue was more arduous. Both series are worth watching though!


10) Divas in Distress (巴不得媽媽…)
Ok, I will be honest and say that I initially had absolutely no intention of watching this series whatsoever, since I can’t stand Liza Wang (never liked her, both as an actress and as a person) and I knew she would be playing another one of those irritating bxxch characters again in this series, which meant that I would be forwarding through majority of her scenes so I wouldn’t get a headache from listening to her yell and scream at people (LOL). I also wasn’t too fond of most of the cast either (um, sorry, but Chin Ka Lok and newbie actress Eliza Sam being cast as the leads in the series really turned me off)…. so even less motivation to watch.

I actually decided to watch this series primarily because of producer Poon Ka Tak (he also produced THC as well as a lot of my favorite series from the 90s, such as DIF and UE) and even though I was disappointed with the series overall (the script was all over the place and a few of the characters were underdeveloped….plus there were other things as well), there were some good things that came out of the series – for example, the overwhelming support and recognition that veteran actor Koo Ming Wah got for his portrayal of ‘So Kei’! He was absolutely the highlight of this series and if it weren’t for him, I definitely would not have even bothered sitting through the series at all (I did forward through majority of the episodes though, so I guess I technically didn’t sit through the ‘entire’ series per se…LOL). I also did end up liking some of the other supporting cast’s performances too though (i.e. Lee Sing Cheong, Mimi Chu, King Sir, etc.)

Interestingly enough, the series got high ratings and surprisingly, even made it into Top 3 on the ratings chart! Though on the one hand, the high ratings is a ‘good’ thing for supporters of Koo Ming Wah (like myself) in that it raises the chances for him to get the Best Supporting Actor award at the Anniversary awards ceremony (he’s pretty much the most deserving one to snatch that award so far this year), but on the other hand, that also means the other less outstanding (and less deserving) performances in the series also have a bigger chance at getting an award (not going to name names but I’m sure most people know which ‘performances’ I’m talking about). Ah well – I’m probably not going to like the results of this year’s anniversary awards anyway, so it doesn’t really matter, I guess….


11) Highs and Lows (雷霆掃毒)
I wasn’t planning on watching this series either since I don’t like majority of the cast, but due to Michael Miu and Ben Wong, plus a potentially interesting storyline, I decided to give the series a shot. Quite honestly, the series did start off pretty strong with the action-packed scenes and the interesting first case, but the plot really started to drag around the 5th or 6th episodes and unfortunately, it continued to drag throughout the rest of the 2nd week of airing. Also, the ‘wishy-washy’ nature of the plot – especially the whole thing about trying to figure out who is the ‘black cop’ and who isn’t -- really started to frustrate me…in addition, quite a few elements of the plot don’t make any sense and the slow pace of some of the cases made the middle part of the series difficult to sit through. I also feel that the storyline surrounding Michael is very poorly developed – it started off strong in the first few episodes with him going undercover and such, but lately, it seems the focus is more on his relationship struggles with Elaine Ng (another actress I can’t stand). Oh and maybe it’s just me, but the plot and characters in this series reminds me too much of Lives of Omission….I’m starting to wonder if TVB’s scriptwriters got lazy again and lifted ideas from LOO, then repackaged it into a different series thinking that we audiences won’t notice? In any case, I already dropped the series….though I’ll probably still tune in for the finale just to see what happens (and to see whether the ‘spoilers’ that just came out about the ending are true or not….)


12) The Last Steep Ascent (天梯)
You would think that based on producer Lee Tim Sing’s good name alone (plus seeing how much I loved his previous series Bottled Passion and TLSA is supposed to be similar in terms of the love story theme and the pre-modern genre), that would be enough motivating factor for me to give this series a try? Under normal circumstances, that probably would have been the case, especially since there are quite a few of Tim Gor’s past series that I liked – but with this series…well, um, NO. Why? Two main reasons:

.—The story: TLSA is supposed to be ‘loosely based’ on the real life story of a husband who built a 6000 step ‘ladder of love’ for his wife. I’ve read the original [real-life] story (several times in fact) and it truly is a very touching love story – it brings tears to my eyes every time I read it. Unfortunately though, the series itself pretty much has NOTHING to do with the original story except for like the first and last episodes – everything else in the story is pretty much made up. In fact, producer Lee Tim Sing himself said that he had to add other elements to the story (such as the family inheritance battle and love triangle storylines) because the original ‘love ladder’ story itself is not enough material for a 20+ episode series (he said that if he were to stick only to the original story, it would only be enough for 5 episodes or less). Call me hard-headed if you want, but I’m just one of those people who can’t stand adaptations (whether TV series or movies) that stray too far from their original works (unless I haven’t read the original story or book yet – in which case I’m less likely to care). Plus, as much as I like Lee Tim Sing, he unfortunately has a track record for taking huge liberties when it comes to producing series based on original stories / books (most of the series that I like of his are non-adaptations) – based on everything I’ve read, this series is no exception in terms of the ‘huge liberties’ part…so in order not to frustrate myself, I chose to pass on this series after only watching the first 2-3 episodes.

.—The cast: The other reason why I’m not interested in watching this series is because I don’t like majority of the main cast. Maggie Cheung is a good actress, but she’s just not my ‘cup of tea’ in terms of actresses that I like to watch onscreen (don’t ask me why, but she’s just never appealed to me for some reason) – I don’t dislike her, so I have no problems watching a series with her in it, but I definitely wouldn’t ‘purposefully’ watch a series just because of her. As for Moses Chan….well, to be honest, I’m sort of sick of him now and can’t bear to watch him onscreen anymore – he’s had way too many OTT roles over the past few years, to the point that nowadays when he tries to go back to those serious, dramatic-type roles, it’s just not convincing anymore (plus I find his performances bland and boring nowadays anyway so even more reason not to watch). Kenny Wong is a decent actor, but unfortunately, he’s extremely boring to watch (not sure if it’s him or the characters he’s given to play), so knowing that he is the second male lead in this series diminished my desire to watch. And lastly, there’s Aimee Chan, who is considered the second female lead in this series – no offense to her fans, but I really can’t stand Aimee’s acting….yes, part of it is the poor Cantonese (which is one of my pet peeves and annoys the hell out of me), but also something about her acting just comes across very unnatural and ‘fake’ to me (I heard that her acting had actually improved in this series, but um, sorry, still not interested). Outside of the main cast, I heard that the supporting cast performances have been quite good though….

** Spoiler Alert***

Even though I haven’t been watching TLSA, I’m still planning on tuning in for the finale episode, primarily because that’s one of the few episodes that actually talks about the original ‘love ladder’ story (curiosity factor for me) – plus I just found out that there will be a special guest star in the last episode: Raymond Wong will be making a cameo appearance as one of Maggie’s grown sons – I read that he will be in at least half of the last episode (I’ve been re-watching Bottled Passion again lately, so obviously I’m in the ‘Raymond’ mood right now…LOL).


13) Ghetto Justice 2 (怒火街頭2)
I started watching this series only because my mom was watching it and I was curious to see if it would live up to the ‘hype’ of the first installment (which I actually didn’t finish watching either). Given the fact that I’m NOT a Kevin Cheng or Myolie Wu fan (in fact, I can’t stand either of them in terms of acting), I’m actually not surprised that I dropped this series barely a third of the way into it (though I did continue watching some of the Raymond Cho scenes throughout the rest of the series because I just love the guy too much…haha!)

The biggest turnoff with this series for me was the fact that TVB cast so many ‘non-Cantonese’ speakers in this series and gave a few of them pretty heavy roles. As mentioned earlier, this is one of my biggest pet peeves because, well, when I watch a series, I want to be able to understand what the characters are saying without having to resort to subtitles (having to read subtitles distracts from the viewing experience and is extremely annoying!). I know people will probably think I’m anal for harping on this point, but I don’t care – to me, the language thing is a ‘basic requirement’: if you’re going to film a Cantonese series, then learn to speak decent Cantonese – otherwise, don’t take on a ‘lead’ role and ‘torture’ us audiences with having to listen to your broken Cantonese in every episode! (I’m actually more ticked off at TVB on this one than at the artists, since the casting decisions lie with TVB). For some of the episodes, I felt like I should have just put the sound on mute and read the subtitles instead (yes, it was THAT bad) – needless to say, I’m glad I dropped this series as quickly as I did!


14) L’Escargot (缺宅男女)
Obviously, I watched this series because of Michael Miu and even though his performance was good (Sonjia Kwok’s performance wasn’t bad either), the overall plot / storyline wasn’t anything to shout about. I mean, it was interesting in the beginning to see how Michael’s huge family handled living together in such a small, cramped space and the various challenges they faced because of it, but halfway through the series, that premise started getting ‘old’. Plus I felt the plot was all over the place, so not surprisingly, I lost interest in the series fairly quickly.

With that said though, there were definitely a few standout performances in the series , mostly from Oscar Leung and Mandy Wong (though to be honest, I sort of got annoyed with Mandy’s character after awhile). But the thing that REALLY ruined this series for me was the stupid love triangle storyline thing between Ron Ng, Linda Chung, and Michael Tse! Linda’s character was just downright annoying and throughout the series, I just felt like slapping her silly (I ended up forwarding through a lot of her scenes in the second half); no comment on Ron’s performance because I never pay attention to him anyway in any of the series he’s in (for some odd reason, I always find his performances bland and boring); and Michael Tse – well, let’s just say that I was still in my ‘boycott Laughing Gor’ mood back when I watched this series, so I didn’t pay much attention to him either (plus his character in the series was a jerk anyway).

Overall, I guess you could say that I didn’t like this series much so it was probably wise that I forwarded through majority of the series and only watched a few episodes here and there….would have been a time-waster for me to sit through majority of it!


15) No Good Either Way (衝呀!瘦薪兵團)
I barely watched half of this series, so I’m probably not the best person to be commenting on it. But I will say that the first thought that comes to mind about this series is that I felt like I was watching a sitcom rather than an actual series (perhaps because several of the cast members -- for example, Stephen Au, Florence Kwok, Celine Ma, etc -- are ‘sitcom regulars’?). Plus there were quite a few people from the sitcom Be Home For Dinner in this series as well, so I guess it’s not too surprising that I would get the ‘sitcom feel’ from it.

Overall, I felt that the series was decent and I actually did like the pairing of Ruco Chan and Kristal Tin – but I also sort of felt this series was a waste of their talent because the characters they portrayed really weren’t that interesting. I mean, I’m happy that both of them got lead roles, but still….I definitely prefer to see them collaborate in a more interesting series if possible…

.---.

To round out the list, here are the rest of the series (not including sitcoms) that aired this year (in no particular order)….I don’t have anything particular to say about these series because I barely watched them – I basically included them in this post merely as a point of reference :

Wish & Switch (換樂無窮)
Let it Be Love (4 in Love)
Queens of Diamonds and of Hearts (東西宮略)
House of Harmony and Vengeance (耀舞長安)
Three Kingdoms RPG (回到三國)
Master of Play (心戰)

.****.

That pretty much does it for my ‘recap’ of this year’s series….I may end up doing a follow up post after I watch The Confidant, but not sure yet at this point….depends on whether I end up liking the series or not….

Tuesday, January 10, 2012

TVB series “When Heaven Burns 天與地” (2011): General Thoughts & Sub-theme Song Translation

TVB series "When Heaven Burns" just finished airing last week. I have no intention of doing a review on the series because to be honest, I didn't really "watch" the series, since I only caught various episodes here and there when my family was watching the series (I did tune into the 2 hour finale though and watched that in its entirety). In case you're wondering....no, I didn't decide to skip this series because of the cannibalism theme or the cast or whatnot -- in fact, from the little I've seen of WHB, I could tell that the series was well thought out in terms of script and the filming method as well as acting from artists were all above standard. Unfortunately though, the biggest problem with this series is that it was agonizingly SLOW and draggy (this is the reason why I chose to skip the series)...it's one thing if only the first few episodes were slow but with this series, almost every single episode dragged out, to the point that it became a bit too tedious to sit through and watch. Yes, the series did start to pick up pace about two-thirds of the way in, but unfortunately, it was too late -- I had already given up on the series less than halfway through because I didn't have that kind of time to waste (plus I don't tolerate slow / draggy series very well).

That being said, I did tune in to watch the 2 hour finale episodes (primarily out of curiosity) and I'll be the first to admit that the finale (unlike the rest of the series) was definitely worth the time to watch. I especially enjoyed the 2 musical segments in the finale: 1) the rock concert segment that featured the reunion of Hak Jai (Moses), Gu Lo (Bowie), and Ronnie (Kenny) singing "Youthful Ignorance" (which just so happens to be the sub-theme song of the series itself) -- I felt that segment was particularly moving and well done; 2) the "What If" video at the end of the series (again featuring the sub-theme song) was also nicely put together (plus I felt it was an appropriate ending to an otherwise intense series).

Talking about the sub-theme song..... 年少無知 (’Youthful Ignorance’) has become very popular in recent weeks (and deservingly so in my opinion, as the melody of the song is quite catchy and the lyrics are meaningful). The feedback I’ve heard regarding the song is that many people who haven't even watched the series are able to relate to the song’s lyrics and apply them to their own lives in some way – now THAT’s what I call an influential song!

A few people have asked about an English translation to the sub-theme song's lyrics -- originally, I was surprised that there wasn't already an English translation of the lyrics circulating out there somewhere, given the popularity of the song, however after studying the lyrics further, I understand why.....the lyrics are a bit tough to translate into English without losing some of its meaning.

Anyway, for those who are interested, I went ahead and translated the lyrics of the song into English -- however, I have to put a disclaimer that this is purely my interpretation of the lyrics and may not necessarily be a 100% correct translation. Also, I tried to keep to the flow of the song as much as possible while still maintaining the essence of the lyrics, however keep in mind that the song itself is not meant to be sung in English – so the translation is basically for reference only.

For those who understand Chinese, I highly recommend listening to the original version of the song (which is why I also included the link to the song's MV below).

Lastly, if anyone has feedback regarding the translation, you’re welcome to comment! :-)

.****.

Link to MV (as posted on Youtube): 'Youthful Ignorance'

[Translated by: llwy12]

年少無知
Youthful Ignorance

電視劇【天與地】片尾曲
TV Series “When Heaven Burns” sub-theme song

主唱:林保怡.陳豪.黃德斌
Performed by: Bowie Lam, Moses Chan, Kenny Wong

作曲:黃貫中
Composed by: Paul Wong

填詞:林若寧
Lyrics by: Lam Yeurk Ning

編曲:黃貫中.劉志遠
Musical arrangement: Paul Wong, Lau Chi Yuen

監製:黃貫中
Producer: Paul Wong

(B = Bowie, M = Moses, K = Kenny, T= Together)


林:年少多好 頑劣多好
B: How good is youthfulness, how good is stubbornness

不甘安於封建制度裡迷信上街真理會達到
Unwilling to be content with feudalism, superstitious that on the streets truth will be attained

旗幟高舉 群眾聲討
The flag lifted high, condemned by the masses

不惜犧牲一切去上訴權貴的想法太俗套
Unhesitatingly sacrifice everything to appeal, the thought process of those in power is too conventional

只可惜生活是一堆挫折 只可惜生命是必須妥協
Unfortunately, life is a pile of setbacks, unfortunately, life requires compromise


陳:年少多好 貧困多好
M: How good is youthfulness, how good is poverty

一蚊積蓄足以快樂到廉價結他抒發我暴躁
A dollar in savings is enough to be happy, a cheaply-priced guitar to vent out my irritabilities

財富得到 年歲不保
Riches are obtained, youthfulness cannot be maintained

捐輸不必講究有回報人世間總會有異數
Contribution need not be concerned with payback, the secular world inevitably has its differences

只可惜生活是一聲發洩 只可惜生命是一聲抱歉 怕追討
Unfortunately life is the sound of venting, unfortunately life is the sound of apology, afraid to be chased down


合:如果命運能選擇十字街口你我踏出的每步更瀟灑
T: If, fate could be chosen, each step we’d take at the end of the crossroads would be more natural and unrestrained

如果活著能坦白舊日所相信價值不必接受時代的糟蹋
If, we could be honest with life, the values we believed in the past would not need to accept the ruin of an era


黃:年少多好 朋友多好
K: How good is youthfulness, how good is friendship

一番爭執不會有被告遊戲競爭不會記入腦
A dispute would not require a defendant, competition in a game would not be remembered

年歲增長 無法修補
Increasing age, unable to mend

青春的詩總會老 時間多恐怖
The song of youth will eventually get old, passage of time so terrifying


合:如果命運能選擇十字街口你我踏出的每步無用困惑
T: If, fate could be chosen, each step we take at the end of the crossroads would not need to be perplexing

如果活著能坦白舊日所相信價值今天發現還未老
If, we could be honest with life, we’d discover today that the values we believed in the past have not aged

如果命運能演習現實中不致接納一生每步殘酷抉擇
If, fate could be practiced, we would not have to accept a life of cruelly choosing every step

留守過去的想法我會否好像這樣生於世上無目的鞭撻
Standing behind the previous way of thinking, would I be subject to the blind lashing of today’s world?