My Thoughts on this year’s HK Film Awards

Not surprisingly, the HKFA was one award ceremony I absolutely was anticipating this year – main reason is of course my idol Jacky Cheung garnering a Best Actor nomination for his role in Heaven in the Dark (and unlike previous years, he was one of the hot favorites this time around).  My other reason for watching was for Sean Lau, as he’s one of my favorite actors and this is actually his first time hosting the awards (director and HKFA association chairman Derek Yee said that it took much persuasion to get Sean to agree to host).

I’m sure everyone has read the results of the HKFA and know who the winners are by now, so I’m not going to bother listing out the winners.  Instead, I am just going to focus on the categories that I actually cared about as well as the highlights (and low lights) of the ceremony this year.

First up – Best Actor (though ironically this was one of the last awards presented last night).  Jacky obviously didn’t win Best Actor (Aaron Kwok won for his role in Port of Call) – if he had won, this post definitely would’ve started with a scream of excitement, lol.  While I’m a little bit disappointed that Jacky didn’t win, I was surprisingly not too upset about it, since I sort of anticipated it already (Jacky just doesn’t have the luck when it comes to film awards).  Of course, us fans were hoping that the 6^th time’s the charm (he was nominated for HKFA Best Actor 5 times previously), but unfortunately it wasn’t meant to be. Well, awards are very much about luck and timing and in a way, all stars need to be aligned, so over the years, I’ve learned not to put too much emotion or attach too much significance to awards.  Whether he ever wins the BA award or not, Jacky will always be Best Actor in my heart and I will always support him!

Even though Jacky didn’t win Best Actor, he did win the Best Dressed award alongside his Heaven in the Dark partner Karena Lam, which I felt was well-deserved because he did look extremely handsome last night.  The expression on Jacky’s face when his name was announced was absolutely priceless – he was obviously very surprised!

Outside of the Best Actor category, the other category I was interested in was Best Picture.  I was actually a bit surprised that Ten Years won given how controversial the movie was, plus the great lengths that Mainland China went to in efforts to suppress the film -- including pulling strings behind the scenes to get all movie theaters to quietly ‘remove’ the film from showing after it became such a surprise hit, as well as Mainland’s latest move of ‘banning’ the HKFA ceremony itself due to Ten Years being nominated  (the awards show is usually aired live in Mainland every year, but this year, they released a statement saying that the show won’t be broadcast in China at all).  Ten Years is actually one of the movies on my ‘must watch’ list and I was super-happy that it had gotten a nomination at HKFA, though to be honest, I was like 99% sure that it wouldn’t actually win the award, since, in recent years, much of the HK entertainment industry has been reluctant to take on Mainland China head-on, so I figured the HKFA would continue along those same lines and not take the risk of doing something that is widely considered as slapping Mainland China in the face.  Well, I was wrong and boy am I glad!  This film went through so much and I’m happy that it was able to overcome all the obstacles it did.  With that said though, the movie still faces a difficult road ahead, but hopefully its HKFA win can help the movie in this area.  The producer was indeed correct when he stated in his acceptance speech that the award actually belongs to all the audiences who supported the film, as they were the ones who turned the previously unknown controversial independent film into a runaway hit.  For me though, I actually applaud the HKFA committee members for being so brave and not letting politics influence their decision this time around.  Congrats to the cast and crew of Ten Years for a well-deserved win!

Oh and one thing I just had to mention – I saw a lot of comments from pro-China supporters slamming the HKFA and there were quite a few netizens as well as other members of the general public who were ‘pissed’ that Ten Years won and felt it was ‘undeserving’ due to its status as an independent film with a largely unknown cast and ‘no name’ new directors, plus its hugely controversial subject matter.  My response to that is – those people’s comments can be ignored because it’s obvious their comments are politically-motivated and they don’t have a clue what movies or artistic creativity are about.  If they want to take the HK vs Mainland China thing so seriously (I agree with the sentiment that a lot of times, it’s really Mainland that is making the conflict bigger than it really needs to be), then they are the ones truly missing out.  They don’t see us Hong Kongers complaining when Mainland actors and actresses take home the Best Actor and Actress trophies, even when we feel our actors/actresses are more deserving, do they??

Ok, so onto the actual ceremony itself….

Here are my favorite moments from this year’s ceremony:

-          Sean Lau’s hosting:  he was great!  For someone who doesn’t like to talk, he did a pretty good job for his first time.   And yes, it was super-sweet that his wife Amy Kwok attended the ceremony just to support her husband (aww, love this couple).  I also got a kick out of Sean’s buddy Nick Cheung ‘teasing’ him throughout the ceremony – I actually feel that Nick was the one who laughed the loudest at all of Sean’s jokes, haha.

-          The segment where so many former child actors went on stage to talk about the first film they acted in and how old they were at the time.  At first, I actually thought this was only a ‘tribute’ segment to child actors, which was very appropriate given this year’s HKFA theme, but it turned out this was a ‘2-in-1’ thing where all of those artists remained onstage to present the Best Director award.  I enjoyed seeing so many of those former child actors again, especially the veteran artists who started back in the 1950s and are still active in the industry even now – really admire their dedication to the HK film industry!  For me, the other highlight was definitely seeing John Chiang and Paul Chun together on the same stage – the first thought that went through my mind in seeing them was how great it would be if their brother Derek Yee (who was nominated for Best Director that night) was up there too?  The Chiang family is one of my (and my family’s) favorite entertainment industry families, so I of course was happy to see Paul, John, and Derek together on the same awards show.  Now of course Derek Yee didn’t end up winning (Tsui Hark won instead for The Taking of Tiger Mountain), but it was still an enjoyable – and extremely rare – moment that I will cherish.  [Sidenote:  I also found it so sweet that Benji and Lesley attended the ceremony to support their dad Paul Chun – when he came out on stage, the camera panned over to Benji and Lesley, who were recording the moment with their cell phones…aww, so sweet!  Love this family!]

-          Another presenter moment I enjoyed was when McDull (from the McDull cartoon series) and Wu Ba (from the HK hit movie Monster Hunt) went onstage to present the award for Best Visual Effects.  Both of them were soooo cute!!  And whoever ‘scripted’ their speech did a pretty good job, as their speech was cute and also got quite a few laughs from the audiences. 

-          Andy Lau presenting the Best Newcomer and Best New Director awards alongside the 5 adorable little girls from the movie Little Big Master was also a nice touch.  I actually like it when they have little kids as presenters because it just makes the atmosphere so much lighter and happier (plus everyone is so much more forgiving when the presenters screw up their speeches).

-          I had fun with the segment where Jacky and Nick presented the awards for Best Screenplay and Best Action Choreography.  They continued to play off their ‘real-life brothers’ relationship right from the getgo, with Nick introducing himself as Jacky.  Throughout their presentation speech, they just kept acting silly, even dragging Sean into it at one point (of course, since Sean is one of Nick’s close friends, lol).  Jacky and Nick also sat together off-stage as well and there was a lot of interaction between them, which was of course expected given their close friendship.  And I swear, based on the number of times the camera panned over to Jacky and Nick, the camera man must be a fan of theirs or something, haha! 

-          Best presentation speech in my opinion goes to Carina Lau, who presented the award for Best Actor.  She did a great job livening the atmosphere and in my opinion, gave a speech that was both witty and fun – she got a lot of well-deserved applause and chuckles, which was definitely needed given that the Best Actor award was the second to last award of the night and everyone had been sitting there for 3 hours straight already.  Good job Carina!

-          Best acceptance speech in my opinion goes to the production team of Ten Years.  As a Hong Konger, I was actually quite moved by their speech, especially the part where they said that the last thing on their minds was that the movie would do well or get any awards – their intention was just to do a little something for HK, their hometown and a city they love.  And both producers humbly acknowledged that their film doesn’t measure up to the others in terms of technical standards (of course, since Ten Years was a low-budget independent film whereas all the others were big-budget commercial films), so they were all the more grateful that the HKFA recognized their efforts.

Concluding thoughts:  Aside from the issue of not very many ‘big stars’ attending the ceremony outside of the nominees (which, to be honest, has been an ‘issue’ with the HKFAs for like the past decade already), this year’s HKFA ceremony still ended up being one of the better HKFA shows the past few years in my opinion.  I enjoyed watching this ceremony more than any other awards show this year.

Congrats to all the winners and hopefully next year will see the emergence of more great films!

3 HK movies I plan on watching this year….

It has been awhile since I’ve watched a HK film.  Growing up in the 80s and 90s, I am grateful to have witnessed the ‘heyday’ of HK cinema back in those days (especially given what the HK movie industry has become today).  As an avid follower and huge supporter of the HK entertainment industry back then, I watched my fair share of HK movies and found most of them enjoyable, regardless of whether the story was good or not.  Of course it helped that there were so many big stars back then who possessed both charisma as well as acting skill, plus all the talent behind-the-scenes in terms of scriptwriters/directors/producers, etc., so it made it easier (in my opinion at least) to enjoy even the lowest quality of movies (i.e.: those raunchy slapstick ones where there is no coherent plot whatsoever yet still manage to be funny and enjoyable).

One of the things I’ve always enjoyed about HK movies is the distinct ‘HK flavor’ that most HK movies – especially the CNY (Chinese New Year) ones – possessed back then (those of you who’ve been watching HK movies for a long time will probably understand what I mean).   Unfortunately, that distinct ‘HK flavor’ has greatly eroded over the years, to the point that nowadays, you’ll be hard-pressed to find a ‘purely HK flavor’ movie that is meant to cater to the HK market (I’m throwing completely bogus numbers out there right now, but as a means of comparison, if 8 out of 10 HK movies back in those days were ‘HK-centric’, then that number is only 1 out of 10 today – if that….).  Don’t get me wrong – I’m not trying to diss non-HK movies in any way, as I don’t feel it’s in my realm to do so…I’m merely lamenting the erosion and ‘slow death’ of the HK movie industry (actually, the entire HK entertainment industry as a whole if we think about it) due to various factors that cannot be explained in one blog post.

When the industry started going downhill in the mid to late 90s and most of the artists/production people I knew and loved became less active in movies, I also became less and less interested in watching HK movies.  In the past 2 decades or so, I would venture to say that the number of HK movies I’ve watched is less than a third of what I used to watch in the old days – while I do have a few favorites from recent decades that were absolute gems and that I would re-watch all day if I could, it’s not surprising that a huge majority of my favorite HK movies are actually from the 80s/early 90s eras. 

At this point, you’re probably wondering why I’ve been ranting on for 3 paragraphs about the demise of HK movies in a blog post that is supposed to be about movies that I intend on watching this year.  Well, considering how few HK movies I watch nowadays, the fact that there are 3 movies that I plan on (more like WANT TO) watch this year is quite significant (last year, I only watched 1 HK movie – mostly because my idol was in it…in a sense, I’m trying to put things in perspective).  I have specific reasons for wanting to watch these 3 movies, which I will attempt to explain below (in my usual ‘wordy’ way of course, lol) – though in the case of #1 and #3, I admit that I am also trying to ‘shamelessly plug’ both movies in the hopes that more people will go see them (#2 obviously doesn’t need any ‘plugging’ from me, since there is enough ‘hype’ with the movie already and it will do well in the box office based on cast alone). 

So here are the movies:

1)      Heaven in the Dark (暗色天堂)

Cast:  Jacky Cheung, Karena Lam, Anthony Wong, Helena Law, Wong Hei, Edmund So, Catherine Chau, Michelle Wai

Director:  Steve Yuen

Distributed by:  Emperor Motion Pictures

Premiere date:  3/24/2016 in Hong Kong, 4/15/2016 in Taiwan (not sure if this movie will be shown in Mainland or not)

Trailer (note that this is the first ‘official’ trailer for the movie – as premiere date gets closer, there will undoubtedly be more trailers released):

I’m actually working on a blog post dedicated to this movie that will have details on the plot, background on filming and production, etc., so I’m not going to say much here.  Just note that Heaven in the Dark is absolutely the MOST ANTICIPATED movie of the year for me, one that I am very much DYING to see (3/24, please get here quickly!!!) – to find out why, please stay tuned for my follow-up post (which should be posted up by this weekend)…

2)      From Vegas to Macau III (賭城風雲III)

Cast:  Chow Yun Fat, Nick Cheung, Andy Lau, Jacky Cheung, Carina Lau, Li YuChun, Charles Heung, Jacky Heung, Law Kar Ying, Sean Yue, etc.

Director:  Andrew Lau

Executive Producer:  Wong Jing

Distributed by:  Wong Jing’s production company, Shaw Brothers, plus a plethora of other HK and Mainland production companies

Premier date: 2/6/2016 in Hong Kong, 2/8/2016 in Mainland China

Trailer (one of many):

Sub-theme song MV trailer (incomplete version): "Frozen" (停格) by Jacky Cheung

I was actually already working on this post prior to the movie premiering in HK, but had to put it aside due to getting busy with stuff, which of course means I had to re-write some content, so please cut me some slack if my comments sound choppy or don’t flow as coherently as they should.

Ok, so before anyone gives me crap about why I’m ‘supporting’ a Wong Jing-produced movie, I’m going to come right out and say that I am watching this movie for 2 reasons only:  1) my idol Jacky Cheung and 2) the nostalgia factor (more specifically, 80S/90S HK film industry nostalgia).  I will explain more about both reasons in a minute.  First though, for the record, I did not watch the first 2 installments of From Vegas to Macau and I don’t intend to in the near future either (just to make it clear:  no, I’m not ‘boycotting’ either movie, I just have no desire to watch, whether from a cast perspective or story perspective).  I don’t normally watch Wong Jing’s movies (I’m referring mostly to his movies from the past 2 decades or so, not the older ones from the 80s/early 90s) because I find them cheap, vulgar, and raunchy with recycled plots and storylines, crappy scripts, and generally bad acting (mostly from the newbies and his ‘Jing ladies’) – besides, most of Wong Jing’s movies the past several decades have been low quality category III sex movies anyway, so of course I won’t bother to watch.

Before I elaborate on my 2 main reasons for watching, just wanted to give a quick shout-out to the ‘legitimate’ naysayers out there by saying that I totally GET why you guys don’t want to watch this movie. [Side note: I use the word ‘legitimate’ because nowadays, people boycott stuff left and right purely out of political reasons that have nothing to do with the work/program itself.  If people are not watching this movie purely because Wong Jing holds different political views than them – um, sorry, but your opinion doesn’t count in my book!)  With that said, I personally can’t stand Wong Jing, but not because of political reasons (I don’t give a crap what his political stance is to be honest, since politics should be completely separate from entertainment and therefore – in my opinion anyway – it’s dumb to refuse to watch a movie just because the producer’s political views differ from one’s own).  I dislike Wong Jing as a person mostly because of his aggressive attitude toward people as well as his forever childish behavior (the guy is like in his 60s I think, yet he always acts like he’s 10 or something with all the tantrums he throws, especially when people criticize him or disagree with him) – oh and of course, his ‘annoying as hell’ arrogance doesn’t help things either.  From a filmmaker perspective, I’ve actually always felt that Wong Jing is overrated – like I mentioned above, he’s actually one of the few directors/scriptwriters/producers in the industry whose formula has not changed one bit in the 40+ years he has been in the industry…he basically recycles and rehashes his stories/plots/gimmicks over and over again, to the point that there is no need to watch all of his works because they all end up looking similar anyway…if you’ve seen one of his movies/TV series, you’ve pretty much seen them all.  As with most of his movies, the script for Vegas III was penned by Wong Jing himself, so no doubt this will be more of the same (which, as of this writing, has been confirmed by those who’ve actually seen the movie – the basic sentiment is that the script is HORRIBLY written).

So why do I want to watch this movie then?  One reason (actually, the first and foremost reason) is because of Jacky – he rarely ever films movies nowadays so every opportunity I get to see him in a movie, I am absolutely taking advantage of it (call me a crazy fan if you want -- when it comes to Jacky, I have no qualms about being labeled as such!).  While it’s true that Jacky actually doesn’t have a whole lot of screen time in this movie (technically, his role is less than supporting but more than cameo), the time that he does have is well-used and his acting still manages to stand out amongst all the ‘greats’ in this movie.  Amidst all the criticism toward the movie itself (since the movie premiered, the feedback has been all over the place – some people like the movie and feels it lives up to CNY standards, some hate it and hugely criticize it for being nonsense and ridiculous, some are neutral and see it no better or worse than other run-of-the mill CNY movies), there have been 2 ‘elements’ of the movie that have been consistently praised in both positive as well as negative reviews of the movie:  the first is Jacky’s acting/performance and the second is the sub-theme song he sings at the end of the movie (people have commented that listening to the sub-theme song paired with watching the final scene of Jacky’s character’s demise in the  movie truly moved them to tears, which is unusual for a CNY film that is supposed to be comedic rather than tragic).  Those who have watched the movie have noted Jacky’s meticulous acting, with special mention of his on-the-spot facial expressions – despite the horribly written script, Jacky managed to make his crazy, schizophrenic character Yik Tin Hang amazingly convincing.  Of course, I am not surprised at the positive feedback toward Jacky’s performance, as he has always been a solid actor who is hugely underrated (mostly because everyone – including Jacky himself – focus more on his singing career rather than his acting).  The last few days I’ve actually read quite a few reviews as well as media reports on the movie (from various sources, both in HK and Mainland) and interestingly enough, there has been one particular common sentiment amongst all those reports:  ‘Jacky Cheung is the only actor amongst the star-studded main cast who actually took the acting piece seriously and it shows’ (basically meaning that everyone else still delivered the goods, but didn’t put as much emphasis on the acting since this is a CNY movie after all and most audiences won’t care as long as they are ‘entertained’).  In other words, Jacky’s performance is one of the ‘highlights’ in an otherwise forgettable movie.  Again, I am not surprised, as Jacky is a ‘perfectionist’ when it comes to his work and has high standards towards all his performances – whether it involves singing or acting – so of course he is going to take it seriously (one of the articles actually said that it’s obvious from the end result that Jacky put 120% effort into his performance).  As a fan, I am of course happy to see all the praise for Jacky’s performance, though too bad it was for such a lame movie overall.  However, it does make me proud know that my decision to watch the movie mainly because of him was definitely not in vain. 

Lastly, to touch on the second reason why I want to watch this movie – the nostalgia factor.  For someone like me who grew up watching HK movies in the 80s/90s, this movie will actually have a little more significance in that I will be able to recognize a lot of the ‘classic’ scenes / dialogues / songs, etc. incorporated into the movie.  Also, there are a BOATLOAD of veteran artists and other familiar faces (whom long-time HK movie-goers will for sure recognize) that make cameo appearances in the movie.  The nostalgia piece is actually a unique component of this particular installment of Vegas that was absent from the previous 2 installments – though to be honest, I’m pretty sure it’s not lost on anyone that the nostalgia piece is a ‘gimmick’ on Wong Jing’s part to get audiences who have fond memories of ‘the good old days’ to watch the movie. Ah well – it is what it is, I guess….

3)      Ten Years (十年)

Cast:  Liu Kai Chi, Leung Kin Ping, Courtney Wu Zerisawa, Peter Chan, Wong Ching, Lau Ho-Chi, Ng Siu Hin, Tanzela Qoser, etc.

Directors:  Kwok Zune, Wong Fei Pang, Jevons  Au, Chow Kwun Wai, Ng Ka Leung

Distributed by:  Ten Years Studio (low budget independent film)

Premier date:  12/17/2015 in Hong Kong

Trailer:

Since probably not many people have heard of this film, I will attempt to give a brief summary of it (though I also attached an article from SCMP that does a pretty good job of summing it up, plus there’s also Wikipedia for those who want more detail). 

Anyway, this is a low budget independent movie consisting of 5 short films directed by 5 newbie directors (from the younger generation obviously, given the movie’s theme).  Basically, the movie is a political satire that attempts to depict what Hong Kong might be like ten years from now, in 2025 (hence the very fitting title).  Though largely ‘fictional’ in nature, the very realistic portrayal of political and social issues that HK has been facing (with some of what has been depicted in the movie eerily ‘coming true’ already) has made this film a haunting reminder of Mainland China’s increasingly suffocating stronghold on HK. 

Initially, this film did not draw much attention, especially since all the directors are young newbies, plus the cast is largely unknown (except for a few veteran supporting artists such as Liu Kai Chi and Leung Kin Ping, though if you read up on the film, there are other familiar faces who do have cameos, it’s just not highly publicized).  Not long after its release though, ticket sales went through the roof, with sales surpassing the new Star Wars movie at one point in a few theaters.  That’s when mainstream media started reporting on the movie more, giving it much needed publicity.  In the short amount of time the movie has been in theaters, it managed to rake in $5 million HKD in ticket sales, which is virtually unheard of for an independent film helmed by unknowns (plus the film only cost $600,000 HKD to make, so the directors definitely got a return on their investment).  So far, this film has gotten wide critical acclaim (in HK of course) and has been touted as a film that all Hong Kongers must watch.  Those who’ve watched the film praise its daring yet relevant portrayal of HK’s political and social issues – the film is powerful on many fronts, but ‘disturbing’ and scary at the same time due to how closely it hits home with its candid commentary of the HK-Mainland conflict as well as the CCP’s ominous influence.

As a Hong Konger, I am definitely interested in watching this movie.  For the record, I have always taken a ‘neutral’ stance when it comes to politics and nothing will ever change that.  I refuse to involve myself with politics or associate myself with any party / political faction because to me, there is no party out there that will ever jive completely with my views and value system – therefore I prefer to remain ‘neutral’ so that I can both understand and appreciate both sides of the argument, so to speak.  Besides, as I mentioned above, I have always taken the position that politics should be separate from entertainment, so I don’t allow my entertainment choices (whether in television, movies, music, books, etc.) to be ‘influenced’ by any political leanings.  With all that said, I am interested in watching Ten Years mainly due to its artistic merit and critical acclaim – I want to see for myself whether this movie is as poignant and powerful as everyone has said it is.  Regardless of its heavy socio-political theme, if the movie is good, then it’s absolutely worthwhile to watch -- no amount of criticism, whether politically-laced or not, will discourage me from watching a worthy film!