My ‘TVB Rant’ # 23: Recap of My Thoughts on 2012’s TVB Series

I know this post might be a little ‘early’ considering there are still 2 TVB series for 2012 that have yet to air [the 2 anniversary series Silver Spoons Sterling Shackles (名媛望族) and The Confidant (大太監) ] but I wanted to do this post anyway, especially since all the other series have already aired (for the most part) so I feel it’s appropriate to share my thoughts on those – plus I’m only interested in watching 1 of the 2 anniversary series anyway and there’s no point holding back this post because of that one series.

Before I go into my commentary on this year’s series, there are a few ‘disclaimers’ that I have to make (yes, I’m anal about this kind of stuff, so my apologies if this seems too long-winded):

** When I refer to ‘2012 series’ in this post, I am using TVB’s Anniversary Awards as the ‘basis’ for the timing – so that means the series aired right after last year’s Anniversary Awards (which took place at the beginning of December last year) are considered 2012 series, even if they technically aired in 2011 (which is why I included both Bottled Passion and When Heaven Burns in this post) .

** Those who’ve been following my ‘rants’ for awhile probably know that my definition of ‘watching’ a series is different from most people’s and the ‘criteria’ I apply for whether I like a series or not is most likely different from mainstream audiences. This has especially been the case in the past decade or so when the quality of TVB’s series started to decline year after year and so I couldn’t bring myself to continue watching their series as ‘religiously’ as I used to (hey, my time is precious nowadays so I’m not going to waste it).

Out of all the series that aired this year, I’ve only actually ‘watched’ 4 to 5 of them in their entirety -- meaning that I watched the entire series from the beginning to end without skipping a single episode or a single scene. All the rest of the series I either only watched partially (which could range from a few episodes only to as much as 2/3rds of the series) or didn’t even bother watching period.

** As with all of my TVB rants, the below is strictly my personal opinion and doesn’t represent majority opinion. Therefore, those reading this post are welcome to disagree with me, as I respect different opinions and don’t mind hearing what others have to say (that is, as long as you don’t bash me for having an opposing opinion). It most likely won’t change my opinion, but it does give me some good ‘food for thought’.

** The below is only a summary of thoughts that come to mind about each of the series and is NOT considered a review of any of the series whatsoever (actually, this ‘recap’ is my LAZY way of sharing my thoughts without having to write a lengthy review…LOL). However, if I did happen to write a review for any of the series mentioned, I included the link to it as well in case anyone was interested in reading it.

** Note that I didn’t comment on every single series aired – only the ones that I felt like saying something about. However, I did list the rest of the series that aired this year at the bottom of this post just as a point of reference.

**Lastly, there is NO particular reasoning behind the way I listed the series – I pretty much just went with what came to mind as I was writing up this post.

Ok, so with all that out of the way, here’s a recap of my thoughts on some of this year’s series:


1) Bottled Passion (我的如意狼君)
Now that majority of 2012’s series have aired, I can safely say that BP was definitely my favorite series of the year! True, the ending absolutely sucked and I wish producer Lee Tim Sing (as well as the scriptwriters) would have done a better ending because of how negatively the ending detracted from the series – but overall (with exception of the ending), the series was quite well-written and pretty much the entire cast put in excellent performances (if it weren’t for the ending, I would have voted this series as the ‘Best Series of the Year’ in terms of awards and such…LOL). Also, this is the first series in probably the last 5 years or so that was truly an emotional roller coaster for me when watching it – I cried a lot during most of Raymond Wong and Niki Chow’s scenes (especially near the middle and end of the series) as well as some of the other heartwarming scenes in the series, but at the same time, I also couldn’t help smiling at some of the ‘light-hearted’ moments interspersed throughout the series (most of the Raymond Cho / Claire Yiu scenes as well as the Raymond Wong / Eric Li scenes).

I’m actually not going to comment too much on the series in this post, since I already wrote a lengthy review about it back in January after the series finished airing. But I will say that I’m currently re-watching BP again and enjoying every minute of it (it’s been less than a year since the series debuted and this is already the 3rd time that I’ve re-watched the series…goes to show how much I liked the series…LOL). Too bad that this series (and its cast) won’t get much recognition at the Anniversary Awards, since most audiences seem to have forgotten about this series already due to it airing so early (and in a ‘cannon fodder’ timeslot I must add)…such a pity!

Link to Series Review: Bottled Passion
Link to Themesong Lyrics translation: ‘Dawn Blossoms Picked at Dusk’


2) The Hippocratic Crush (On Call 36小時)
Out of all the series that have aired this year so far (not counting the 2 anniversary series), I feel that this series truly deserves to be called ‘Best Series of the Year’ because it was the most well put together in so many aspects -- from the near flawless script (a lot of the dialogue in this series was very beautifully written), to the logical plot and flow of storyline (the flow actually made sense and I found very little to criticize), to the good performances from majority of the cast (with a few exceptions of course)….combined with a great ending, this series had all the elements necessary to make it ‘best series’ in my opinion! It’s rare to have a series (especially nowadays) that blends all the elements so well (usually the cast is great but the script sucks or vice versa or both), plus have an ending that is very well done and ties up most of the loose ends without using the traditional cheesy TVB formula (i.e.: tragic ending, group BBQ, wedding scene, etc.) – in my opinion, the ending to THC was the best ending of the year!

Again, I won’t comment too much about this series here because I already said most of what I wanted to say in the review I wrote several months ago. In all likelihood, I will probably be re-watching this series again very soon (especially if the upcoming new series being aired don’t pique my interest). Oh, and just for the record – I am NOT looking forward to the sequel…in fact, I probably won’t even watch the sequel out of ‘protest’ because I was so adamantly opposed to TVB doing a sequel in the first place (I list out the reasons why in my review).

Link to Series Review: The Hippocratic Crush
Link to Themesong Lyrics translation: ‘Serial Drama’


3) Witness Insecurity (護花危情)
Despite a lot of the bad reviews for this series and the fact that the script was hugely flawed and the ending sucked as well, I actually did like this series overall – especially the first half of the series (I do state in detail in my review the reasons why I liked this series, so again, not going to say much here).

Currently this series is still in the number one spot on the ratings chart for this year (whether the series deserves it or not is another story) and if it can maintain its spot, it’s probably a good sign that the series or its cast will be a force to be reckoned with at the Anniversary Awards in December (though to be honest, I highly doubt that WI will stay in its position given that Highs and Lows is still airing and the 2 anniversary series will very likely be ratings winners – all 3 have the potential to knock WI out of the number one spot). Either way, I personally don’t really care, since ratings are not a factor that I consider anyway when I watch series (though of course it’s a driving force in the entertainment industry and for TVB when they determine who to give awards to). To me, whether the series is enjoyable to watch is more important…

Link to Series Review: Witness Insecurity
Link to Themesong Lyrics translation: ‘The Most Blissful Thing’


4) Tiger Cubs (飛虎)
This was another series this year that I liked enough to watch from beginning to end – and pretty much the only one where I will look forward to watching a sequel WITH THE ORIGINAL CAST if they decide to make one (if you haven’t figured it out already, I’m generally very much opposed to making sequels to series – especially TVB series – so the fact that I’m advocating a sequel to this series shows that it makes sense to do one).

It has actually been a long time since TVB has taken a production this seriously – from the costumes to the script to the action sequences, etc. – it was obvious that a lot of effort had been put into research and prep work. I also liked the fact that they (the production team / scriptwriters) stayed true (for the most part) to the concept of what the SDU truly does (tactical operation team that doesn’t get involved in the investigation of cases) rather than try to change things to suit their needs (like other series sometimes do).

Oh and I’m definitely glad that for this particular series, TVB chose to forego the whole romantic storyline thing and instead put most of the focus on the actual profession itself (SDU team) – the way that they kept the romantic storylines at a minimum (they touch on it, but don’t develop in detail) and focus more on the SDU missions and the police investigations made the series more fast-paced and meaningful (I actually learned a thing or two from watching this series…LOL!).

Too bad this series was aired on the weekends though because that timeslot really killed the ratings overall…true, it ‘broke records’ in terms of ratings for that particular timeslot, but the overall ratings sucked – the series didn’t even make it into Top 10, which means it likely won’t get much recognition at awards time (not that I care much about the awards anyway….but it annoys me to see good performances possibly not get recognized…)


5) When Heaven Burns (天與地)
I will admit that I barely watched a third of this series because, well, frankly speaking, the series that producer Jonathan Chik + scriptwriter Chow Yuk Ming have come up with in recent years just don’t appeal to me (I can’t even remember the last Jonathan Chik / Chow Yuk Ming series that I watched entirely from beginning to end – last one might have been back in the 90s some time….). But the ending was pretty good though and the MV concept was quite well-done (though I actually had to read commentary afterwards in order to truly understand the ending…haha…).

Of course I didn’t write a review on this series (since I barely even watched it), but I did put together some overall thoughts about the little I did watch back when I translated and posted the sub-theme song lyrics on my blog (link to that post here). That post pretty much sums up my thoughts on this series.


6) Gloves Come Off (拳王)
Given the sports-oriented theme, I definitely would NOT have chosen to watch this series on my own accord (sorry, but I generally find sports-oriented series / movies very boring, probably because I’m not into sports myself). The main cast also didn’t appeal much to me either, but since I like most of the supporting cast (i.e. Raymond Wong, Power Chan, Nancy Wu, Eric Li, Lau Kong, etc.), plus the series came on TV, I ended up watching it. In all honesty, the first half of the series was pretty good – in fact, the first few episodes especially were very well done. Unfortunately though, in typical TVB fashion, the series pretty much ‘fell apart’ in the second half – that’s the part when they started focusing on relationship issues between the main characters and so the series started to get extremely draggy…plus it didn’t help that the main story (about the whole boxing thing) started to go nowhere and didn’t really come back into play again until near the end of the series. Also, some of the characters were very poorly written and lacked development, which was annoying and definitely detracted from my overall viewing experience with this series – basically the only character who I feel was appropriately developed and stood out to me was Nancy Wu’s deaf girl character….everyone else I pretty much found were either underdeveloped or their characters ended up being annoying. Needless to say, I ended up skipping a lot of the series – to the point that I didn’t even bother tuning in to the finale episode (though I still found out about how the series ended later on).


7) Daddy Good Deeds (當旺爸爸)
This was actually one of the more watchable series from this year -- for a light-hearted comedy, this series definitely does deliver the goods. One of the things I enjoyed most was the witty dialogue, which was delivered with the right amount of comedic timing by the cast – the unique thing about the script was the rhyming dialogue that was interspersed throughout the series, which I felt was quite clever, especially since the way they worked that dialogue in, it sounded very natural and effortless (at certain points, I didn’t even realize the dialogue rhymed until someone pointed it out to me).

The other thing I liked about the series were the pop culture references, many of which were unique to HK culture. This is where I need to give props to the scriptwriters for being brave enough to go down this route because it’s definitely risky, since having too many HK pop culture references and ‘inside jokes’ that most likely only Cantonese-speakers would understand / appreciate limits the potential for this series to break out into other markets. But I guess as long as the HK audiences are able to relate and appreciate the series, that’s what matters most, since the ratings are based on HK audiences. Oh, and I have to mention the ‘guest star’ thing that they did in this series – though it wasn’t unique (TVB has done it before in other series), it was definitely fun to see who would pop up next and under what circumstances. I had read somewhere that some audiences felt the ‘guest star’ thing was merely a ‘gimmick’ to get people to continue chasing the series (curiosity factor) -- yes, that’s probably true but my thought on this is that as long as they incorporated the guest stars in a way that made sense (and didn’t just put them in randomly for the heck of it), then gimmick or no gimmick, I’m fine with it.

One last note….originally, I decided to watch this series primarily because of Steven Ma (since this was his last series with TVB) and Ha Yu (just because I grew up watching his series…haha) – of course, both of them didn’t disappoint in terms of their performances and I definitely enjoyed watching them….but in terms of ‘breakthrough’ performance in this series, Edwin Siu was definitely the one – he absolutely deserves some praise for his portrayal of ‘Ah Yap’, as he was truly pretty funny and his ‘obsession’ with finding his long-lost sweetheart was quite cute (plus his ‘chemistry’ with Steven and the rest of the cast was quite good). Overall, I’d say that this was an enjoyable series!


8) The Greatness of a Hero (盛世仁傑)
Even though I liked this series a lot (to the point of having re-watched it a few times already), I’m not going to comment much on it in this post because I actually don’t consider this a 2012 series. The series was actually produced 3-4 years ago and had already aired overseas (outside of HK) way back in 2009. I have no clue why TVB decided to warehouse this series in the first place or why they decided to all of a sudden air this series in their ‘golden’ timeslot so many years later (especially since some of the artists in the main cast no longer work for TVB). To me, it’s kind of stupid to air a series overseas and even release it on DVD, then ‘premiere’ it in HK years later as though it were a ‘brand new’ series -- given today’s technology, most HK audiences probably already saw the series on the internet back when it aired overseas anyway, so what’s the point of airing it as a ‘new series’ in HK? Kind of awkward if you ask me….seemed more like a space-filler series than anything else….


9) King Maker (造王者)
I’m generally not into ‘political thriller’ type series, but I decided to watch this one primarily because of the strong cast (when I say ‘strong’, I’m referring to the ‘acting’ piece, since the main cast consisted of established character actors who are known for their acting skills). Plus this was supposed to be a ‘follow up’ series to The Greatness of a Hero because of the collaboration between Kent Cheng and Wayne Lai – since both actors are among my favorites, I was definitely looking forward to watching the 2 of them match wits again!

To be honest, I can’t really say that I ‘enjoyed’ watching this series because some parts were a bit too slow and draggy, but overall I was able to ‘appreciate’ the series for the great acting performances from most of the cast (save for a few). Kent was excellent in his portrayal of ‘Tung Chiu’ and even though some audiences felt his acting was ‘exaggerated’, I actually beg to differ – his character was very complicated from a mental / emotional standpoint and in my opinion, the way Kent chose to portray the character was perfect…I actually don’t feel that anyone else would have been able to bring forth the ‘frustration and anguish’ component of his character as well as he did. Wayne was good too in his role, but I sort of felt he didn’t stand out much because the character of ‘Yu Jing’ seemed too much like the ‘usual fare’ for him – his character definitely wasn’t as complicated and interesting as Kent’s. As for the rest of the cast – let’s just say that overall, I was fine with most of the performances pretty much except for Natalie Tong….sorry, but I just can’t stand her in ancient series because she’s not a good fit for them – the way she says her lines and her body language, etc. are just way too ‘modern’ and it makes her performance unconvincing (just like she did back during Life and Times of a Sentinel, I felt that she was ‘reciting’ her lines rather than actually ‘performing’ her lines – maybe that’s why I felt there was little emotion to her performance…).

In comparisons to its supposed ‘sister’ series TGOAH, I have to say that King Maker is on a completely different level altogether – the plot and storyline for KM was way more complicated and the dialogue was more arduous. Both series are worth watching though!


10) Divas in Distress (巴不得媽媽…)
Ok, I will be honest and say that I initially had absolutely no intention of watching this series whatsoever, since I can’t stand Liza Wang (never liked her, both as an actress and as a person) and I knew she would be playing another one of those irritating bxxch characters again in this series, which meant that I would be forwarding through majority of her scenes so I wouldn’t get a headache from listening to her yell and scream at people (LOL). I also wasn’t too fond of most of the cast either (um, sorry, but Chin Ka Lok and newbie actress Eliza Sam being cast as the leads in the series really turned me off)…. so even less motivation to watch.

I actually decided to watch this series primarily because of producer Poon Ka Tak (he also produced THC as well as a lot of my favorite series from the 90s, such as DIF and UE) and even though I was disappointed with the series overall (the script was all over the place and a few of the characters were underdeveloped….plus there were other things as well), there were some good things that came out of the series – for example, the overwhelming support and recognition that veteran actor Koo Ming Wah got for his portrayal of ‘So Kei’! He was absolutely the highlight of this series and if it weren’t for him, I definitely would not have even bothered sitting through the series at all (I did forward through majority of the episodes though, so I guess I technically didn’t sit through the ‘entire’ series per se…LOL). I also did end up liking some of the other supporting cast’s performances too though (i.e. Lee Sing Cheong, Mimi Chu, King Sir, etc.)

Interestingly enough, the series got high ratings and surprisingly, even made it into Top 3 on the ratings chart! Though on the one hand, the high ratings is a ‘good’ thing for supporters of Koo Ming Wah (like myself) in that it raises the chances for him to get the Best Supporting Actor award at the Anniversary awards ceremony (he’s pretty much the most deserving one to snatch that award so far this year), but on the other hand, that also means the other less outstanding (and less deserving) performances in the series also have a bigger chance at getting an award (not going to name names but I’m sure most people know which ‘performances’ I’m talking about). Ah well – I’m probably not going to like the results of this year’s anniversary awards anyway, so it doesn’t really matter, I guess….


11) Highs and Lows (雷霆掃毒)
I wasn’t planning on watching this series either since I don’t like majority of the cast, but due to Michael Miu and Ben Wong, plus a potentially interesting storyline, I decided to give the series a shot. Quite honestly, the series did start off pretty strong with the action-packed scenes and the interesting first case, but the plot really started to drag around the 5th or 6th episodes and unfortunately, it continued to drag throughout the rest of the 2nd week of airing. Also, the ‘wishy-washy’ nature of the plot – especially the whole thing about trying to figure out who is the ‘black cop’ and who isn’t -- really started to frustrate me…in addition, quite a few elements of the plot don’t make any sense and the slow pace of some of the cases made the middle part of the series difficult to sit through. I also feel that the storyline surrounding Michael is very poorly developed – it started off strong in the first few episodes with him going undercover and such, but lately, it seems the focus is more on his relationship struggles with Elaine Ng (another actress I can’t stand). Oh and maybe it’s just me, but the plot and characters in this series reminds me too much of Lives of Omission….I’m starting to wonder if TVB’s scriptwriters got lazy again and lifted ideas from LOO, then repackaged it into a different series thinking that we audiences won’t notice? In any case, I already dropped the series….though I’ll probably still tune in for the finale just to see what happens (and to see whether the ‘spoilers’ that just came out about the ending are true or not….)


12) The Last Steep Ascent (天梯)
You would think that based on producer Lee Tim Sing’s good name alone (plus seeing how much I loved his previous series Bottled Passion and TLSA is supposed to be similar in terms of the love story theme and the pre-modern genre), that would be enough motivating factor for me to give this series a try? Under normal circumstances, that probably would have been the case, especially since there are quite a few of Tim Gor’s past series that I liked – but with this series…well, um, NO. Why? Two main reasons:

.—The story: TLSA is supposed to be ‘loosely based’ on the real life story of a husband who built a 6000 step ‘ladder of love’ for his wife. I’ve read the original [real-life] story (several times in fact) and it truly is a very touching love story – it brings tears to my eyes every time I read it. Unfortunately though, the series itself pretty much has NOTHING to do with the original story except for like the first and last episodes – everything else in the story is pretty much made up. In fact, producer Lee Tim Sing himself said that he had to add other elements to the story (such as the family inheritance battle and love triangle storylines) because the original ‘love ladder’ story itself is not enough material for a 20+ episode series (he said that if he were to stick only to the original story, it would only be enough for 5 episodes or less). Call me hard-headed if you want, but I’m just one of those people who can’t stand adaptations (whether TV series or movies) that stray too far from their original works (unless I haven’t read the original story or book yet – in which case I’m less likely to care). Plus, as much as I like Lee Tim Sing, he unfortunately has a track record for taking huge liberties when it comes to producing series based on original stories / books (most of the series that I like of his are non-adaptations) – based on everything I’ve read, this series is no exception in terms of the ‘huge liberties’ part…so in order not to frustrate myself, I chose to pass on this series after only watching the first 2-3 episodes.

.—The cast: The other reason why I’m not interested in watching this series is because I don’t like majority of the main cast. Maggie Cheung is a good actress, but she’s just not my ‘cup of tea’ in terms of actresses that I like to watch onscreen (don’t ask me why, but she’s just never appealed to me for some reason) – I don’t dislike her, so I have no problems watching a series with her in it, but I definitely wouldn’t ‘purposefully’ watch a series just because of her. As for Moses Chan….well, to be honest, I’m sort of sick of him now and can’t bear to watch him onscreen anymore – he’s had way too many OTT roles over the past few years, to the point that nowadays when he tries to go back to those serious, dramatic-type roles, it’s just not convincing anymore (plus I find his performances bland and boring nowadays anyway so even more reason not to watch). Kenny Wong is a decent actor, but unfortunately, he’s extremely boring to watch (not sure if it’s him or the characters he’s given to play), so knowing that he is the second male lead in this series diminished my desire to watch. And lastly, there’s Aimee Chan, who is considered the second female lead in this series – no offense to her fans, but I really can’t stand Aimee’s acting….yes, part of it is the poor Cantonese (which is one of my pet peeves and annoys the hell out of me), but also something about her acting just comes across very unnatural and ‘fake’ to me (I heard that her acting had actually improved in this series, but um, sorry, still not interested). Outside of the main cast, I heard that the supporting cast performances have been quite good though….

** Spoiler Alert***

Even though I haven’t been watching TLSA, I’m still planning on tuning in for the finale episode, primarily because that’s one of the few episodes that actually talks about the original ‘love ladder’ story (curiosity factor for me) – plus I just found out that there will be a special guest star in the last episode: Raymond Wong will be making a cameo appearance as one of Maggie’s grown sons – I read that he will be in at least half of the last episode (I’ve been re-watching Bottled Passion again lately, so obviously I’m in the ‘Raymond’ mood right now…LOL).


13) Ghetto Justice 2 (怒火街頭2)
I started watching this series only because my mom was watching it and I was curious to see if it would live up to the ‘hype’ of the first installment (which I actually didn’t finish watching either). Given the fact that I’m NOT a Kevin Cheng or Myolie Wu fan (in fact, I can’t stand either of them in terms of acting), I’m actually not surprised that I dropped this series barely a third of the way into it (though I did continue watching some of the Raymond Cho scenes throughout the rest of the series because I just love the guy too much…haha!)

The biggest turnoff with this series for me was the fact that TVB cast so many ‘non-Cantonese’ speakers in this series and gave a few of them pretty heavy roles. As mentioned earlier, this is one of my biggest pet peeves because, well, when I watch a series, I want to be able to understand what the characters are saying without having to resort to subtitles (having to read subtitles distracts from the viewing experience and is extremely annoying!). I know people will probably think I’m anal for harping on this point, but I don’t care – to me, the language thing is a ‘basic requirement’: if you’re going to film a Cantonese series, then learn to speak decent Cantonese – otherwise, don’t take on a ‘lead’ role and ‘torture’ us audiences with having to listen to your broken Cantonese in every episode! (I’m actually more ticked off at TVB on this one than at the artists, since the casting decisions lie with TVB). For some of the episodes, I felt like I should have just put the sound on mute and read the subtitles instead (yes, it was THAT bad) – needless to say, I’m glad I dropped this series as quickly as I did!


14) L’Escargot (缺宅男女)
Obviously, I watched this series because of Michael Miu and even though his performance was good (Sonjia Kwok’s performance wasn’t bad either), the overall plot / storyline wasn’t anything to shout about. I mean, it was interesting in the beginning to see how Michael’s huge family handled living together in such a small, cramped space and the various challenges they faced because of it, but halfway through the series, that premise started getting ‘old’. Plus I felt the plot was all over the place, so not surprisingly, I lost interest in the series fairly quickly.

With that said though, there were definitely a few standout performances in the series , mostly from Oscar Leung and Mandy Wong (though to be honest, I sort of got annoyed with Mandy’s character after awhile). But the thing that REALLY ruined this series for me was the stupid love triangle storyline thing between Ron Ng, Linda Chung, and Michael Tse! Linda’s character was just downright annoying and throughout the series, I just felt like slapping her silly (I ended up forwarding through a lot of her scenes in the second half); no comment on Ron’s performance because I never pay attention to him anyway in any of the series he’s in (for some odd reason, I always find his performances bland and boring); and Michael Tse – well, let’s just say that I was still in my ‘boycott Laughing Gor’ mood back when I watched this series, so I didn’t pay much attention to him either (plus his character in the series was a jerk anyway).

Overall, I guess you could say that I didn’t like this series much so it was probably wise that I forwarded through majority of the series and only watched a few episodes here and there….would have been a time-waster for me to sit through majority of it!


15) No Good Either Way (衝呀！瘦薪兵團)
I barely watched half of this series, so I’m probably not the best person to be commenting on it. But I will say that the first thought that comes to mind about this series is that I felt like I was watching a sitcom rather than an actual series (perhaps because several of the cast members -- for example, Stephen Au, Florence Kwok, Celine Ma, etc -- are ‘sitcom regulars’?). Plus there were quite a few people from the sitcom Be Home For Dinner in this series as well, so I guess it’s not too surprising that I would get the ‘sitcom feel’ from it.

Overall, I felt that the series was decent and I actually did like the pairing of Ruco Chan and Kristal Tin – but I also sort of felt this series was a waste of their talent because the characters they portrayed really weren’t that interesting. I mean, I’m happy that both of them got lead roles, but still….I definitely prefer to see them collaborate in a more interesting series if possible…

.---.

To round out the list, here are the rest of the series (not including sitcoms) that aired this year (in no particular order)….I don’t have anything particular to say about these series because I barely watched them – I basically included them in this post merely as a point of reference :

Wish & Switch (換樂無窮)
Let it Be Love (4 in Love)
Queens of Diamonds and of Hearts (東西宮略)
House of Harmony and Vengeance (耀舞長安)
Three Kingdoms RPG (回到三國)
Master of Play (心戰)

.****.

That pretty much does it for my ‘recap’ of this year’s series….I may end up doing a follow up post after I watch The Confidant, but not sure yet at this point….depends on whether I end up liking the series or not….

YCWB Interview with Ram Tseung: “The entertainment industry suits me, but I’m not suited to the entertainment industry”

This article actually came out almost 2 weeks ago, but I didn't get the chance to translate it back then because I got busy. Now that I'm slowly getting caught up on stuff, I wanted to make sure that this article got pushed to the top of my "to translate" list, primarily because it's an interview with an actor whom I adore: Ram Tseung. [Note: I've also seen Ram's last name spelled 'Chiang' in English, which is probably the more correct translation of his surname, but since he has been known to me as 'Ram Tseung' for the past 2 decades, that's the name I'm sticking with...LOL!]

Ram is absolutely one of my most favorite veteran supporting actors (definitely in my Top 5) -- in fact, I'm not ashamed to admit that I adore the guy to pieces! Not only is he one of the nicest guys you'll ever meet, he's also an extremely talented (but very underrated) actor as well as singer. I'm the type who really values 'versatility' when it comes to acting and Ram definitely meets the requirement (actually, he exceeds the requirement...LOL) -- no matter what type of character he plays (be it a 'professional' character such as lawyer, forensics expert, doctor, etc., an ordinary 'everyman' type character, a comedic sidekick,a benevolent father, a ruthless villain, etc.), Ram never fails to deliver the goods.

I've always felt that Ram has inborn acting talent because right from the start, I found his acting to be incredibly convincing. The first series that I saw him in was Files of Justice 2 (which I believe was also his very first TVB series?) where he played the deaf lawyer Chow Siu Chung (Eric) who was eventually paired up with Eugenia Lau's lawyer character Kong Sing Jou (Helen). [Sidenote: I loved Ram's character in the series, so obviously I hated TVB for the way they developed his character so poorly in subsequent installments and eventually killed him off so horribly in FOJ 5....still can't forgive TVB even now!!!]. I was impressed by Ram's acting from the beginning and since then, in all the series that I've watched of his, he has never once disappointed me with his awesome acting. As I said in my earlier review of the series Witness Insecurity, I always enjoy watching Ram in series because he always manages to bring his role to life with his performance, no matter how big or small his role is -- in fact, whenever I happen to be watching a series with him in it, I usually find myself watching most of his scenes in the series, even if I end up skipping the rest of the series because I can't stand the storyline or the rest of the cast (yes, there have definitely been numerous times where I've sat through series I disliked / hated just because of Ram!).

Needless to say, I absolutely enjoyed reading the below interview that a Mainland paper did with Ram and only wish that there was a video version of the interview too (I’m not familiar with this particular paper so if anyone knows if they actually do publish video versions of their interviews somewhere, I would be curious to know.)

Hope you enjoy this interview as much as I did! :-)

.*******.

YCWB Interview with Ram Tseung:   “The entertainment industry suits me, but I’m not suited to the entertainment industry”

Source: Yang Cheng Evening Paper

Article originally published on August 3, 2012

Translation: llwy12

He almost always plays ‘small potato’ characters, but yet he says he is very happy; his path [to fame] always seems to be slower than others, but yet he says he doesn’t regret it….

You might not know his name, but you will definitely recognize his face. Ram Tseung (蔣志光) has appeared in countless TVB series throughout his 20 year acting career – from the effeminate James in the hit sitcom War of the Genders《男親女愛》(2000) to drama fanatic Law Ka Fai in the comedy Life Begins at Forty《花樣中年》(2003) to the likably cute Eunuch Po in 2009’s anniversary series Beyond the Realm of Conscience《宮心計》, to the playful and humorous ‘Little Mr. Kiu’ in the recently aired Witness Insecurity《護花危情》(2012) -- in his 2 decades as a ‘green leaf’ (supporting) actor, he has ‘changed’ many faces. Yet how many people remember that many years ago, Ram had actually started in the entertainment industry as a singer / songwriter who was responsible for bringing us the golden classic (and karaoke favorite), Met As Strangers, Once Acquainted 《相逢何必曾相識》— his famous duet with singer Rita Carpio (韋以珊). [TN: the English translation of the song title is purely my interpretation and NOT the ‘official’ translation by any means.] Even though his career ‘changed’ from music to television, one thing that hasn’t changed for this ‘second-line drama king’ is his philosophy on life – it also has not extinguished the desire in his heart to pursue his ultimate dream.

YC = Yang Cheng Evening Paper
RT = Ram Tseung


Recounting the days of old

In 3 of the series that just finished airing on TVB -- Master of Play 《心戰》, Witness Insecurity 《護花危情》, and Three Kingdoms RPG《 回到三國》—Ram Tseung played his usual ‘green leaf’ roles. For die-hard TVB fans, Ram might be a familiar face, however not everyone might be familiar with his singer / songwriter past or his ‘golden’ classics Met As Strangers, Once Acquainted 《相逢何必曾相識》 and Queen’s Road East《皇后大道東》[his duet with Taiwanese singer/songer Lo Da Yu (羅大佑)].

YC: A lot of people don’t know that you actually started in the industry as a singer. Can you tell us a little bit about your experience in this area?

RT: I believe the year was 1979 – at that time, I was doing behind-the-scenes work for movies. I had actually gone through many different positions, with the highest being assistant director. Later, the HK movie industry slumped and it was almost impossible to survive doing independent film – for 6 months, I didn’t have any work, so I decided to switch to doing behind-the-scenes work in music. At that time, I would mostly sing ‘saliva songs’ [TN: songs so common that everyone knew how to sing them] and do imitations of other singers such as Leslie Cheung (張國榮), George Lam (林子祥), etc. – I still remember there was a line in the movie C’est La Vie, Mon Cheri《新不了情》(1993) that went something like this: ‘Ram Tseung merely started in the industry singing saliva songs too!’ [laughs] It wasn’t until 1985, during George Lam’s concert, when I pretended to be a monkey imitating him singing, that people started knowing of me. Not long after that, I signed with record company Polygram [now Universal] and participated in the “Asian Region Pop Song Competition” and later released my first EP album. At that time, Polygram had 3 singers they wanted to promote – Ram Tseung, Hacken Lee (李克勤), and Chris Wong (黄凯芹). The company had the 3 of us release albums at the same time and told us that whoever’s album sells well, they will get the chance to continue releasing albums. The result was that both Chris and Hacken’s albums sold well, but mine didn’t. Later on, I signed with another record company and formed the band ‘Second Generation Wind and Cloud’ with 2 other artists, however the company wanted me to release a solo album, so that’s when I wrote the song Met As Strangers, Once Acquainted.

YC: After that song, your singing career started to take flight, however not long after that, you announced that you would be leaving the music industry. Why?

RT: The main reason was because I discovered that my foundation in music was not strong enough. To be a successful singer, I had to guarantee that each of my albums will sell better than the previous one – the pressure was too great. Plus the music industry at that time was already very different from what it was in the past and so I could already anticipate that a future in singing was not very optimistic. In addition, I was a pretty picky person and didn’t get along too well with others, so I decided to leave the music industry.

YC: Did you struggle with the decision?

RT: No. My thinking at the time was -- rather than continuing to remain in the industry until you dry up, why not just withdraw when there’s still a chance?

YC: After you left the music industry, there was a long period of time where you wouldn’t sing at all on any shows or programs. Was this because in your mind, there was a sort of ‘mental resistance’ to singing?

RT: No, it wasn’t resistance. The HK entertainment industry is very weird – they like to ‘label’ all their artists as either ‘actors’ or ‘singers’. As an artist, if you are able to act and sing well, it’s supposed to mean that you’re a multi-talented person, however in HK, it’s different – if your status isn’t clearly classified into one of those categories, it’s like you’re out of place. My philosophy has always been: either I do the best job or I don’t do it at all – since I wanted to be a good actor, I had to give up on singing. Even now, at this point in my career, I hope for people to remember me as an actor more than as a singer. In the future, if people bring up the name ‘Ram Tseung’ and feel that I was both a good actor and a good singer, of course it would give me even more of a sense of accomplishment.

YC: It wasn’t until Lo Da Yu’s (羅大佑) concert in 2004 that you finally got up on the stage and sang again. Did you feel at that time that you could finally throw out your apprehensions about singing?

RT: No. Actually, I originally didn’t even plan on participating in the concert, but then Patrick Tang (鄧健泓) asked me: ‘Perhaps look at it as an opportunity to go see your old friend again and reminisce with him about the old days?’ I thought: ‘true, that makes sense’, so I decided to go. Nowadays, I still occasionally perform on stage here and there to earn some extra money, but to me, that’s purely a method of earning money. If you ask me, I would still tell you that I am an actor.


Towards Acting…

After leaving the music industry, Ram Tseung took with him the dream of one day becoming a director and eventually joined TVB, becoming an actor instead. At first, he saw becoming an actor as a ‘stepping stone’ for a different career path and so he took a ‘passing through’ attitude toward acting. What he didn’t expect was that he would go from waiting impatiently for each work day to end to, 20 years later, truly developing a love for acting. Having resigned himself to the fact that he ‘doesn’t have the fate to be male lead’, Ram has found a certain type of joy in playing a variety of different ‘small potato’-type characters.

YC: After withdrawing from the music industry, why did you choose to join TVB?

RT: Because I wanted to continue cultivating my creativity. I felt that this industry was closer to my dream – I always tell people that my ultimate goal is in movies, so I decided to give up my singing career to pursue acting. Thinking back on this path now, I feel that I made the right decision.

YC: For someone like you who didn’t graduate from the Acting Classes, did your acting get criticized a lot in the beginning?

RT: I consider myself lucky in that all the roles I’ve gotten have been ones that I’m able to handle. However I will admit that in the beginning, I didn’t apply 100% dedication to acting because what I really liked most was behind-the-scenes work. But, there’s a saying in our industry that gets circulated quite often: ‘Never think about just acting for a few years and then leaving, because as soon as you say this, you won’t be able to leave for a number of years.’ It described my situation perfectly – I thought I would just be ‘passing through’, but in the blink of an eye, I’ve already been acting for 20 years.

YC: How did you ‘endure’ these past 20 years?

RT: In the beginning, I was truly just waiting for each work day to end. Then when I started filming A Kindred Spirit 《真情》, I got to know Louise Lee (李司棋) . She treated the filming studio like her own home, often bringing pillows , newspapers, magazines, etc. almost every day. I asked her why she did that -- she told me that filming series is a long-term job and if we constantly thought if it as temporary and just waited to get off work everyday, it would definitely be a painful experience for us. It was like a light suddenly went on: I came to realize that there’s no point in constantly looking at the clock and wondering when the day will be over – instead, just enjoy the moment and the work at hand. A few years later, I was filming a series with Patrick Tam (譚耀文) and all of a sudden, I told him that I’ve come to love acting. After so many years of thinking that my work is dull and dry, to all of a sudden have feelings for it, definitely very interesting – from that moment on, my attitude toward work changed completely.

YC: Having played so many characters throughout the years, which one is your favorite?

RT: Looking back at it now, I feel that every character I played is very interesting and ‘cute’. For example, the character of James in War of the Genders, Sheung Jing Man in Safeguards《鐵血保鏢》, Leung Cham in A Fistful of Stances《鐵馬尋橋》. Even in Files of Justice《壹號皇庭》and A Kindred Spirit, my characters may not have stood out much, but the experiences were happy ones.

YC: Do you have a special fondness for these types of ‘small potato’ characters?

RT: Primarily because the producers believe in me and feel that I’m able to portray these types of characters well. I already don’t have the looks, so if I can’t even play these types of ‘small potato’ characters well, then it would definitely be impossible to survive [in the industry]. That’s why I feel that I need to firmly grasp the path of being a ‘character actor’! (Laughs)

YC: To be able to portray these types of characters well is not easy. Do you have a particular method to it?

RT: Normally, I would find myself a ‘reference’ that I could base the character off of. For example, in Witness Insecurity, I modeled the character of ‘Little Mr Kiu’ after Eric Tsang (曾志偉) and would think about him when playing the character. However, costume dramas are actually harder to find a ‘reference’ – for example, the character of Eunuch Po in Beyond the Realm of Conscience. I feel that Eunuch Po’s ‘partner’ in the series [the character played by Michelle Yim (米雪)] is a woman with a naturally more masculine personality, so Eunuch Po has to be more ‘feminine’ in order to reach a good balance that complements each other. Therefore, I discussed this at length with producer Siu Ching Jie [Miu Siu Ching (梅小青)] and as a result, we have this unique character.

YC: The roles you’ve had in the past few years have been quite well-received by audiences. Ever thought about getting an award?

RT: Never thought about it and feel that there is no need. Of course, I wouldn’t oppose it if it were to happen, but I feel that it’s better to be more practical in life – I would rather the company give me a pay raise! (Laughs)

YC: After so many years as a supporting actor, have you thought about doing lead roles?

RT: I feel that anyone can have the chance to be male lead. If a particular script were to have the ‘small potato’ character be the focal point of a series, I would perhaps have a chance. But in a commercialized society such as ours, there are many things that need to be taken into consideration. In HK, the ‘definition’ of a male lead is usually someone who is tall and handsome, young and suave. Mainland series on the other hand generally give middle-aged and even older actors more chance for development, but HK series generally don’t.

YC: Do you follow any Mainland series?

RT: I usually watch the historical series, such as Three Kingdoms 《三国》or Water Margin 《水浒传》. Whether it’s the scope or content, these types of series are usually quite spectacular – as an actor, it’s rare to get the opportunity to participate in these types of productions. If there’s ever the chance to collaborate with such ‘masters’ of acting in a series, it would definitely be a huge honor!


Towards His Dreams….

Despite having experienced many ups and downs in his long television career, Ram Tseung’s ‘movie dream’ has never faded. Whenever he has some leisure time, Ram would work on creating scripts, however up to this point, he has not found anyone to ‘share’ his creative ideas with. When it comes to creativity, Ram is very much a perfectionist, sometimes to the point of being ‘stubbornly persistent’ – it’s no wonder then, that he would ‘downplay’ his own ability by saying: “the entertainment industry suits me, but I’m not suited to the entertainment industry.”

YC: In the fickle world of the entertainment industry, being persistent in your ‘movie dream’ is not easy, right?

RT: TVB doesn’t have fixed monthly salaries and to be honest, my pay is not very high, but luckily my workload has been quite consistent so the money I make is enough to live off of. I’m not a materialistic person, so to have what I do now, I’m already very grateful. My family has also been very supportive of my decisions – they pretty much never watch TV, but whenever I’m in a series, they would always tune in to watch my performance. For me, this is already enough.

YC: Earlier, Ricky Wong (王维基) [CTI chairman] poached quite a few people. Ever thought about leaving to another station?

RT: I’m not that kind of person. At TVB, there’s a more stable environment and steady income, so I don’t feel it’s necessary to worry too much about the other stuff. I’ve been with the company many years, so of course I’ve already established a certain bond with them. [Rather than going to a different company], I actually hope to have the opportunity to film series in the Mainland.

YC: How about your ‘movie dream’? Still something you’d like to pursue?

RT: All these years, my ultimate goal is still to become a movie director one day. I’ve actually been working on a script all this time too, however my creative thought is pretty much the same as most of the ordinary HK scriptwriters – usually the beginning part of the script is awesome, but then 45 minutes into it, I feel helpless and hesitant…haha! If there’s money, then we can shoot a few more big action scenes, then wait for the story to end…if there’s no money, very hard to continue the story….(Laughs).

YC: If the script comes to fruition, would you seek out investors for it?

RT: Looking for investors is a huge lesson in itself. Many times, after you find an investor, you will discover that most of the script doesn’t belong to you anymore. (Laughs) I once read a report that talked about how production costs for Mainland films as well as actors’ fees continue to increase more and more, however the quality of the films get worse and worse. There’s a joke about it…someone once asked me: ‘Ram, if you could film a movie right now, how much money would you need?’ I replied: ‘2 to 3 million is enough’ to which the other person replied: ‘If you wanted 20 to 30 million, then it might be a possibility.’ The reason behind this type of thinking is that most ordinary people feel if you only invest 2 to 3 million into a movie, it must be bad quality -- but in reality, all that money really isn’t necessary. When you have a good script, you have to find someone who understands how to appreciate the art of a film to invest in it – if the investor is just an ordinary businessman who is more concerned about box office sales and return on investment than about the film itself, that’s not the result I want. Even if I’m not able to find an investor for a long time, I won’t feel it’s a pity because throughout the creative process, I’m happy and satisfied.

YC: But when a dream is ‘too perfect’, oftentimes it’s very hard to achieve.

RT: In this industry, perhaps not everyone is able to realize their dreams, but those who have the talent and ability will definitely be able to survive. Not everyone will move with the tide – some people are like cornerstones, strong foundational support who may not necessarily attain great status and wealth.

YC: But those who ‘move with the tide’ seem to have quicker results. You’ve never regretted it [taking the slower path]?

RT: I truly have not regretted it. I always say that the entertainment industry is suited to me, but people like me are not suited to the industry. The entertainment industry is suited to me because the creative space in the industry is really brilliant – being able to combine music and video images as one is truly a beautiful thing and makes this world [entertainment industry] so rewarding. But at the same time, this same ‘beautiful’ world is filled with fighting and vying for one’s own interests – that’s why I say that someone like me is not suited to exist in this type of world.

Review of TVB series ''Witness Insecurity''《護花危情》(2012)

Producer: Lau Ka Ho (劉家豪)

Cast: Bosco Wong (黃宗澤), Linda Chung (鍾嘉欣), Paul Chun (秦沛), Ram Tseung (蔣志光), Ronald Law (羅鈞滿), Cilla Kung (樂瞳), Queenie Chu (朱慧敏), Rachel Kan (簡慕華), Eric Li (李天翔), Lee Kwok Lun (李國麟), Geoffrey Wong (黃子雄), Savio Tsang (曾偉權), Yeung Ching Wah (楊證樺), Lee Yee Man (李綺雯), Jonathan Cheung (張穎康), etc.


**SPOILER ALERT: For those who haven't watched this series and don't want to be 'spoiled' with knowing some of the details of the series beforehand, then I recommend not reading this review, as there are details mentioned that I feel are necessary in order for me to write this review properly. Not to mention there will also be some mention of the ending as well, especially since there was quite a bit of 'controversy' surrounding it.

Before I start, I will say that I am probably in the 'minority' in terms of people who really liked this series and felt that pretty much everyone (from the main leads to the supporting cast) did a good job with the acting. I know that certain artists in the series have a lot of anti-fans (which is quite obvious based on all the on-line comments I’ve read the past few weeks) and as a result, there may be quite a few people out there who refused to watch this series at all or if they watched, skipped majority of the scenes with particular artists – that’s definitely those audience’s prerogative and I have no intention of changing it. However the point that I want to make is that as a neutral bystander who neither likes nor dislikes the main leads, I am writing this review from the 'neutral' perspective and everything contained in it is my personal impression of the series, regardless of what my feelings are towards any of the artists – so basically, those who hate any of the artists in the series and can't bear to hear anything good said about them should just skip this review completely.

Ok, so with the 'disclaimers' out of the way, on to the actual review....

Witness Insecurity [referred to in the rest of this review as WI] just finished airing this past Friday and already, I’ve watched the series twice (partly because I liked the series but also because of the convenient timeslot that it airs here in the U.S., which allows for re-airing of each week’s episodes on the weekend). I will be the first to admit that I absolutely did not think that I would like this series, primarily because the premise of the series wasn't fresh or creative (the whole witness protection thing has definitely been done before, more than once in fact) and also I'm not a fan of Bosco or Linda (especially Linda, since her last few series left a bad taste in my mouth and so I didn't think that I would be able to tolerate her in this series). Therefore, I went into this series without any expectations whatsoever and to my surprise, I actually ended up liking the series quite a lot (I was pretty much hooked from episode 1 all the way to the end…)

In my opinion, one of the biggest things that made this series so good was the cast -- from the main leads (Bosco and Linda) to the 'heavy supporting' artists (Paul, Ram, Ronald, Cilla, Queenie, Lee Sing Cheong, Eric Li, Savio Tsang, etc.) to the 'lesser supporting' artists (Lee Yee Man, Jonathan, Lee Kwok Lun, Rachel, the rest of the artists who portrayed either WPU staff or police officers in the criminal investigation department, etc.) -- no matter how big or small the role, practically everyone put in good performances...THAT's really what left a deep impression on me in terms of this series (I’ll go into more detail about each person’s performance later on in this review). I know a lot of people might disagree with me here, but hey, it’s my opinion after all…

Of course, no series is without flaws and this series was definitely no exception -- in fact, I would have to say that there were plenty of flaws and 'inconsistencies' in the script as well as several moments where, while watching the series, I felt like I just wanted to 'kill' the scriptwriters (more about this later). Even though this did detract from the series overall, it wasn’t completely unsalvageable, at least not for me – I still continued watching the series and enjoyed it

.---.

SCRIPT / STORYLINE

My biggest complaint about the series is really with the script. The series actually started off quite good in the beginning, with the engaging storyline involving the WPU and the exciting action sequences as well as the 'setting up' of the romantic storyline between Hui Sir and Hailey -- plus the interaction and chemistry between the entire cast was at its best during these first 11-12 episodes or so: I especially enjoyed the chemistry between the WPU team and was really looking forward to seeing more of them....but unfortunately, during the second half of the series, the storyline sort of 'fell apart' in that the series moved away from the 'witness protection' theme (since the assignment to protect Hailey was over and Hui Sir was promoted and subsequently transferred) and focused primarily on the conflict between the Kiu brothers and Hui Sir. I probably would have been ok with this had they [the writers] developed the romantic relationship between Hui Sir and Hailey more in the second half (since, after all, that was the whole point of the series, right?) -- BUT, that didn't happen either....instead, we have this 'tortured' pseudo-romance storyline between the two main leads and even up until the tragic end, they don't officially even get together. It was definitely disappointing to see the second half of the series stray so far away from the original premise and theme of the series.

Don't get me wrong, there were still quite a few scenes in the second half of the series that I enjoyed, but as a whole, the first half was definitely way better -- the storyline in the second half was too messy and the direction that the writers decided to take was not really logical. Even though I still liked the series overall and continued to stick with it because I like the cast and also because I wanted to see how the relationship between Bosco and Linda's characters develop, I know that alot of people stopped watching the series after the storyline started straying off course, which is very unfortunate.

This series was produced by Lau Ka Ho and one thing I’ve noticed about his series in general is that a lot of times, the storylines veer off course and the scripts are not as tightly written as they could be. When I first started watching WI, I thought this series might be an exception, but now after finishing this series, turns out that it still followed a similar pattern – the only difference is that at only 20 episodes, this series is way shorter than many of LKH’s other ‘epics’ and so there was less room for the ‘dragginess’ that I typically see with his other series (most of which were 30 episodes or more). Given the way the script was written, perhaps this was a good thing? Personally though, I think this series would have benefited from having another 5 episodes at least -- I think that if that had occurred, then the storyline would have likely gone in a more ‘appropriate’ direction and the sub-stories as well as many of the other supporting characters could have been more properly developed.

One last thing about the script….maybe it’s just me, but with the way the script was written, there were quite a few characters in the series who were pretty much ‘useless’ and really were just ‘there’ for the sake of being there – for example: Brian Chu’s character as Jo Jo’s younger brother, Deno Cheung’s character as the leader of one of the police teams, Glenn Lee’s character as Mrs. Kiu’s (Rachel Kan) younger brother (he only appeared for like 2 scenes), etc. Even Rachel Kan’s character was kind of ‘nonessential’ if you ask me – though she gets plenty of screen time compared to some of the others, her character really didn’t do much. To me, these characters were basically just ‘fillers’, as they didn’t advance the storyline much at all and didn’t serve any real purpose in the series. It sort of made me wonder why the scriptwriters even bothered writing their characters into the script and ‘wasting’ precious ‘plot space’ (as well as screen time) that could have been used to develop other sub stories.

Speaking of characters, what an appropriate segue into a discussion of the cast….


CAST / CHARACTERS

As I said earlier, when I first read the cast list for this series, I wasn’t much impressed, as there were quite a few artists in the series that I didn’t particularly care for in terms of acting and the ones I do care about I didn’t think would have significant roles – but after watching some of the preview clips that had aired the week prior to the official premiere of the series (no, not the ‘fake’ promo clip that was pretty much just a ‘gimmick’ and had nothing to do with the series), I decided to give the series a chance, since I saw that a few of my favorite actors (namely Paul Chun and Ram Tseung) would have pretty ‘meaty’ roles in the series. Turns out I made the right decision!

In terms of cast, I definitely wouldn’t consider this one ‘all-star’, as there were quite a few ‘newer’ artists whose names I didn’t even know prior to watching this series. But as I’ve been noticing more and more the past few years, there doesn’t necessarily need to be a whole lot of ‘big names’ in a series in order for it to be a ‘good’ series – with the right combination of good acting, well-written characters, and a decently written script, a series can still have a strong impact on audiences and garner good word of mouth as well as high ratings (as this series did).

Again, unlike some of my past reviews, I’m not going to go into too much detail about the characters themselves but rather just focus on my thoughts toward the characters as well as the artists who portrayed them.

So without further adieu, here’s my ‘take’ on the main cast…


Bosco Wong (Hui Wai Sum / Hui Sir) – Bosco’s character is a cop who, for the first half of the series, is the leader of the Witness Protection Unit (WPU) and due to his success in that role, he’s promoted in the second half of the series and transferred to the criminal investigation unit to head up a team there. In my opinion, the character of ‘Hui Sir’ is definitely one of the biggest draws of this series, as his character is written in such a way that it’s really hard for audiences not to like him or be smitten by his charm. Personality-wise, Hui Sir is the epitome of ‘cool’ and ‘suave’ – he’s smart, handsome, and is pretty much a natural-born leader (which came about in part because of his independence at an early age due to him growing up in an orphanage). It can be said that Hui Sir was born to be a cop, as he has strong investigative instincts as well as an unwavering sense of righteousness and justice. One of the biggest traits that sets Hui Sir apart from others is his extremely high EQ – no matter how difficult a situation is, he is always able to handle it with a calm, composed disposition.

Bosco did a great job with his character in this series and definitely left a deep impression on me with his performance. I will admit that I was never really fond of some of the roles Bosco played in the past – in fact, in general, I can’t really even remember too many of his past performances (probably because I never really paid attention). Therefore, I was actually a little bit surprised myself that I came to like his character so much – of course, part of the credit goes to the writers for the way they developed the character, but Bosco should also be given credit for the way he portrayed the character – in other words, for the way he ‘acted’ the part. When I first started watching this series and read the description of the character, I was a bit concerned in the beginning on whether Bosco would be convincing enough in such a mature, serious role – mainly because most of his roles in the past were sort of catered to his boyish, ‘sunshine’ image (even the past roles where he played a ‘professional’ such as a cop or a fireman, he still had that ‘boyish’ trait to him – probably the only other role where I didn’t get that impression was his villain performance as ‘Bai Co’ in last year’s Lives of Omission).  However, it turns out that my concern wasn’t warranted, as Bosco handled the role of Hui Wai Sum extremely well.

What I liked most about Bosco’s performance in this series was how ‘natural’ and ‘comfortable’ the role came across –with the way his character was written, there was quite a lot of ‘inner acting’ involved, since there were many moments where his character doesn’t say much, but yet still manages to convey his thoughts and feelings through his facial expressions as well as the way he carried himself (this was especially apparent during the first half of the series). Though I’m not a fan of Bosco’s by any means, this was one performance that definitely changed my impression of him as an actor and made me realize that with all the similar roles he played, his potential wasn’t really properly tapped into in the past (which is not surprising since that’s TVB’s typical way of managing their artists). I feel that with the proper cultivation in the right direction, Bosco has the potential to take his acting to a higher level – at this point in his career, he really should be taking on more mature, challenging roles rather than the ‘playful’ ones that he’s had in the past. With his role in his series as well as in LOO last year, looks like he’s headed in the right direction (for now at least…).


Linda Chung (Kiu Ji Lam / Hailey) – Linda plays the daughter of a rich tycoon who has a mood (anxiety) disorder resulting from a few tragic events that she had encountered when she was a child. In the beginning of the series, she is very anti-social and doesn’t like to talk or interact with anyone – she relies on playing the cello to release her inner tensions and regularly sees a therapist for treatment. However, after meeting Hui Sir and the rest of the WPU team and interacting with them for a certain period of time (since they were assigned to protect her after she witnesses a shooting), she starts to open up more and becomes a more cheerful person. By the end of the series, her personality has completely changed from what it was in the beginning and she no longer needs to go through therapy treatments in order to live a ‘normal’ life.

Contrary to popular opinion, I feel that Linda actually did a pretty good job with her acting in this series (don’t shoot me!). That’s actually saying a lot given the fact that I’ve never been impressed with Linda’s acting because I’ve always felt that somehow, her acting tends to come across as ‘exaggerated’ and ‘fake’ to me – especially when she tries to take on roles that are outside of her realm (such as a ‘bad girl’ type character or someone who is mean-spirited for example). Of course, part of the reason why I’ve never really been able to tolerate most of Linda’s performances in the past is because I can’t stand weak, pathetic, weepy, wishy-washy type characters and somehow she almost always ends up playing these types of characters.

Interestingly enough, Linda’s portrayal of Hailey actually left a completely different impression on me. Some might say that the role of Hailey was not too different than Linda’s usual ‘good girl’ type roles (which I kind of agree with), but in my opinion, the character was a bit better written than some of her other roles and most importantly, the role really suited her well (I heard the role was especially written for her?). Now I will say that Linda’s acting in the first 3 episodes (when she’s supposed to have that mood disorder illness that caused her to be very anti-social and paranoid about everything) was truly not that good (and in a few scenes, were probably ‘cringe-worthy’), but starting with episode 4 up through the end of the series, she actually does get a lot better – to the point that I actually started liking her character and really was able to feel for her throughout the series. One thing that impressed me about Linda’s acting in this series is that she did the ‘I’ve got a huge crush on Hui Sir’ scenes quite well – those scenes were very convincing and sweet. Also, Linda’s crying scenes were more tolerable in this series versus her previous works – I’m guessing that she toned down her crying a bit after being criticized for so many years about it? Well, the improvement is pretty obvious because outside of the first 3 episodes, Linda’s crying scenes were adequately done throughout the rest of the series (at least I didn’t find her annoying in this series at all).

One area that I feel Linda has definitely improved on is her use of facial expressions – there were quite a few scenes throughout the series where I felt that Linda’s facial expressions were very ‘on the spot’ and conveyed just the right amount of emotion. Of course, she’s still young and her acting still has A LOT of room for improvement (for instance, I don’t feel that her acting is mature enough to handle certain roles yet) – hopefully she will continue to get better with time.

With all that said though, my opinion of Linda overall does not change in that I'm still not tremendously fond of her as an actress because I feel that she’s still too much of a ‘hit and miss’ when it comes to her acting and therefore really can't carry a series on her own yet. For me, whether I'm able to tolerate Linda in a series or not really depends upon her role in the particular series as well as who she is paired up with. With my overall low tolerance level, I definitely wouldn't purposefully seek out a series and watch it just because Linda is in it, but if a series of hers happened to come on TV, I wouldn't mind watching it -- in other words, I'm not the type of person to stop watching / not watch a series just because I dislike a particular artist....to me, the storyline matters alot too and without attempting to watch the series, it's hard to truly know whether the series will be any good. Most of the time, I usually give the series a try and let the acting / storyline 'persuade' me to keep watching (or not)....


Bosco / Linda pairing– I never thought I would say this, but I’m absolutely smitten with this pairing after watching this series (yes, once again, I was surprised myself at how much I grew to ‘love’ this pairing). The chemistry that Bosco and Linda had in this series was quite amazing! I can’t think of any other series where 1) the main ‘couple’ never even officially become a couple in the series (from the beginning until the very end, Hui Sir and Hailey never officially get together – their relationship was pretty much ‘doomed’ before it even started), and 2) the ‘love’ feelings are pretty much one-sided throughout the entire series (Hailey has a crush on Hui Sir and even though he later develops feelings for her, those feelings never really turn into ‘love’), yet so many audiences (myself included) loved their pairing. [And I’m not just saying this – the proof is in the numbers: when Linda posted a photo of herself and Bosco (as Hailey and Hui Sir) on her Weibo during WI’s finale week, it received over 40K ‘retweets’ and over 15K comments in less than a day!]

This was actually the third time that Bosco and Linda were paired together as a couple (the previous 2 times were in Gem of Life and Moonlight Resonance – I will be absolutely honest and say that I don’t remember anything about their previous 2 pairings whatsoever, even though I had watched both series. I’m sure they had plenty of ‘sweet scenes’ in those 2 series too, but I don’t remember a single one – either I didn’t really pay attention and completely missed their scenes (which is possible but highly unlikely) or they didn’t have as much chemistry onscreen back then as they did in this series. After watching WI, I ‘adore’ this couple a lot for some unexplainable reason – I enjoyed every single one of their scenes together (even the ‘painful’ ones where they part ways with each other) and every time there was a ‘sweet moment’ between these two (mostly through eye contact or some other subtle expression), I couldn’t help myself from going: “Aww, how sweet!” [Some examples of Hui Sir / Hailey ‘sweet’ moments: the garden scene in episode 4, the cactus scene in episode 6, the Disneyland scenes in episode 8, and of course, the scene in episode 7 when Hailey gets shot and Hui Sir catches her from falling to the floor just in time, then picks her up and protectively carries her in his arms and runs through door after door to get her to the car and to the hospital (and accidentally hurting himself in the process)....true, a bad situation had happened, but the way it was filmed made it more sweet than it was tragic! I even found the scenes where Hailey would ‘steal glances’ at Hui Sir (unbeknownst to him) to be very cute and sweet!].

I definitely miss this pairing now that the series is over (especially with the tragic way that the series ended) – hope that I’ll get to see this pairing again in the near future!


Paul Chun (Kiu Kong San / Big Mr. Kiu) -- Paul Gor’s character is a rich tycoon with a shady past who lost both his wife and his son earlier on, so he focuses all his effort on loving his daughter and giving her everything possible. To be honest, despite Kong San’s past, I really don’t feel that he’s truly a ‘villain’ in this series, as the ‘motivation’ for a lot of the ‘pushing the envelope’ stuff he does in the second half of the series was primarily out of love for his daughter – he just goes about it the wrong way. I actually like his character better in the first half of the series, as his love for his daughter as well as his younger brother (Ram Tseung’s character) was more apparent and the stuff that he did actually made sense – some of his actions in the second half were sort of questionable to me and overall just didn’t jive that well with the overall storyline. I mean, yes, the sub-story about Kong San’s past was intriguing, but I feel that the writers could have written that whole story arc a little tighter and not drag it out for so long.

In terms of the acting – well, what can I say? It’s Paul Gor after all -- he’s one of the best ‘elder’ / veteran actors out there! I grew up watching Paul Gor in movies and television series, so I’m already very used to his style of acting – I love his versatility as an actor and how he can play a wide range of roles: from the most cold-blooded of villains to one of the most benevolent, lovable fathers we’ll ever find. I can truly say that I enjoyed Paul’s performance throughout the entire series, even in the second half when the storyline started to unravel a little bit and strayed from the original theme. I’m actually really glad that Paul Gor had such a significant role in this series (his screen time was actually not that much less than Bosco’s) because even if I didn’t really like the direction of the series in the second half, I could at least still enjoy his acting!


Ram Tseung (Kiu Kong Hor / Little Mr. Kiu) – Ram’s character Kong Hor is the younger brother of Paul’s Kong San. The best way to describe Kong Hor is ‘laid-back’– he has a very friendly personality and playful sense of humor that helps him get along well with practically anyone. With the way that he’s always cracking jokes and taking pretty much everything that happens in stride (even something as ‘serious’ as getting shot in the head), he sort of reminds me of a hyper little kid in a man’s body. I really liked his character in the first half of the series especially, where he was the constant ‘comic relief’ and always managed to bring a smile to everyone’s face. His biggest flaw though was that he liked to ‘shoot off his mouth’, especially after he’s had a few drinks (this gets him into trouble early on and almost costs him his life). Unfortunately, his character changes a bit in the second half of the series – no, he doesn’t turn evil (thank goodness!), but his character does become a little more ‘serious’ and loses the humorous ‘charm’ that he consistently had through most of the first half. It’s too bad because I really did like his character and was looking forward to seeing more of his charm…

I actually was a bit surprised at how significant Ram’s role was in the series, especially in the first half – because the past few years, he had been relegated to playing lesser roles (or a villain role) for the most part. Not that I’m complaining though, since Ram has always been one of my favorite supporting actors – I always enjoy watching him in series because he always manages to bring his role to life with his performance, no matter how big or small his part is. In fact, whenever he’s in a series, I usually find myself watching most of the scenes that he’s in, even if I end up skipping the rest of the series because I can’t stand the storyline or the rest of the cast – and whether he’s playing a good guy or a villain, he’s always very convincing with his performance (yes, he’s THAT good!). He’s definitely very underrated as an actor and I really wish that TVB would give him more significant roles to play. Ah well – I’ll still continue to support him regardless of the types of roles he gets!


Ronald Law (Yeung Yiu Dong / Ba Da) – Ronald’s character is a young cop with a lot of potential who looks up to Hui Sir (Bosco) as a mentor and ‘big brother’ of sorts. He first met Hui Sir while at the academy and later when he was assigned to work with him in the WPU, they became best friends – Hui Sir treats him just like his own little brother (hence Ronald’s nickname in the series ‘Ba Da’). Ba Da is actually a very endearing character because he always has a certain earnestness and boyish charm about him – he’s a very sweet, super nice person who pretty much anyone would find likable (of course, those dimples of his help a lot too…LOL!) One of Ba Da’s most admirable traits is that he is extremely loyal and once he makes a decision to follow someone, he’s unwavering in his dedication and loyalty – he’s like that with Hui Sir as well as with Jo Jo (Hui Sir’s cousin), whom he has a huge crush on throughout the series. I actually really liked Ronald’s character in this series and enjoyed his interactions with Bosco’s character – I loved the ‘heart to heart’ conversations that they would have in the series where they would encourage one another and give each other advice (though more often than not it was more like Hui Sir giving Ba Da advice and trying to steer him in the right direction in terms of his life and career). The brotherly chemistry between the two was done very nicely!

In terms of acting, I would say that Ronald did a pretty good job considering he’s a newbie – of course he still needs polish, but he did come across quite natural in his role of you ask me (though part of that could have been because the role fit him well). Prior to this series, I really wasn’t too familiar with Ronald, as the only other series that I had seen him in was When Heaven Burns and his role in that series was definitely less significant compared to this one. I liked him in this series and from his strong performance, it looks like he has does have potential as an actor – give him a couple years and if developed correctly, I think he will do well.


Cilla Kung (Lee Hau Yan / Jo Jo) – Cilla’s character is a typical materialistic youth who is overly ambitious when it comes to climbing the social ladder and is constantly chasing the latest societal as well as fashion trends. Her goal in life is to marry a rich person in the future so that she can be set for life and also be ‘known’ in upper society -- which is why she is ecstatic when she finds out that her cousin Hui Wai Sum (Bosco) is assigned to protect Hailey (Linda), daughter of a rich tycoon. Not surprisingly, she becomes good friends with Hailey and even tries to serve as the ‘matchmaker’ for her and Hui Sir. Jo Jo actually isn’t a bad person by any means, she’s just a little bit annoying at times with her overzealousness in trying to become rich and famous. I was ok with her character, though I really didn’t like the way that she would treat Ba Da (basically leading him to think that he had a shot at being her boyfriend so that he would continue to give her gifts and such). Luckily she redeemed herself in the latter part of the series when she recognizes how wrongly she had treated Ba Da and resolves to be a more responsible person (though of course, it was too late to salvage her relationship with Ba Da, since he was killed off in episode 17). I don’t really have much opinion about Cilla as an actress because I haven’t watched enough of her performances to fairly judge. I will say though that she wasn’t too bad in this particular series – in fact she came across quite natural, since the character she played was probably close enough to her real age and seemed to suit her style.


Eric Li (Tong Jun Gai / Shawn) – Eric’s character Shawn actually does not have a whole lot of screen time, but his character is quite significant in terms of story development. He consistently appears in the first few episodes, then pretty much disappears for awhile and doesn’t appear again until the final 2 episodes. In the beginning, I was a little confused in terms of Shawn’s character and what his relationship was with the Kiu family (they never really properly introduced him) – at first, I thought that he was some sort of relative of the family, but it turns out he’s not related to them at all. Basically, he’s the son of a deceased tycoon whom Kong San takes under his wing and provides for him (we only find out the real reason why Kong San provides for Shawn later on in the series). To be honest, I don’t really like the way Shawn’s character was written because he was kind of all over the place and it was not really clear until the end of the series what the significance was of his character – I think his character could have definitely been developed more and perhaps have the story arc focus more on him in the second half of the series (rather than just in the last 2 episodes). To me, it seemed kind of ‘random’ the way he would pop in and out throughout the series and sort of made it difficult to really get into his character.

I was actually hoping that Eric wouldn’t have to play the villain again in this series, especially after his awesome performance as a good guy in Bottled Passion earlier in the year. Unfortunately, he does go down the ‘villain’ path in this series as well – though I guess if we want to get technical, he wasn’t exactly the ‘bad guy’ in the traditional sense of the word. He basically becomes a totally different person in the last 2 episodes of the series because of the stuff he encounters (losing all his money, taking drugs, etc.) and that’s really what affects his actions – I guess we could say that he was more a confused drug addict than he was a murderous villain. I’ve really got to hand it to Eric for his performance in this series – despite his limited screentime and the not very well-written character, he was quite excellent in his role. He really shined in the last 2 episodes of the series when his character returned as a delirious drug addict – he had changed so much physically that I actually was not able to recognize him from the pictures and spoiler scenes that I had seen prior to those episodes airing! He really played the drug addict role well (couldn’t help but laugh at his “my doctor told me to take lots of medication (drugs)” dialogue). I know, I should probably hate Shawn after what he does to our beloved Hui Sir, but I’m sorry – I like Eric too much as an actor recently that it’s really hard for me to be mad at him for long….


Add’l Cast / Characters

With the way the storyline developed primarily around the Kiu family and Hui Sir, there were actually quite a few artists who participated in the series on a lesser scale with relatively minor roles. Here are a few ‘honorable mentions’ (note that one ‘common theme’ with the below characters is that all of them could really have benefitted from being furthered developed – instead, many of them were ‘short-changed’ due to the way the script was written).

Rachel Kan (Tina) – Kong San’s second wife, Hailey’s stepmother. As mentioned earlier, I sort of felt Rachel’s character was ‘nonessential’ in that she really doesn’t do anything to further the plot except for maybe have a few ‘minor’ conflicts with Hailey in the first few episodes. After that, I don’t see much significance in her character – during the second half of the series, she’s basically just ‘there’. Even after finishing the series, I was still scratching my head and wondering what the writers’ / producer’s purpose was for including Rachel in this series. Don’t get me wrong – she did do a decent job with the acting given what she had (though honestly, I don’t think Rachel is that much older than Linda so for her to play her stepmother was a little bit far-fetched), but it was sort of a waste, I feel

Queenie Chu (Kelly) – Hailey’s therapist and also good friend. Compared to some of the other series she’s been in, Queenie has a relatively minor role in here as Kelly, the therapist / psychiatrist who is responsible for treating Hailey (Linda). Maybe her character wasn’t written well or something because I honestly didn’t really like her character much – I mean, she was a good friend for Hailey and goes beyond what a normal therapist would do by accompanying her on trips and other events, but as a psychiatrist / therapist, I didn’t feel that Kelly was ‘professional’ enough. The ‘advice’ that she gives Hailey throughout the series is sort of ‘suspect’ in that it wavers back and forth – to the point that at times, I felt that Kelly was being insincere (it was like she just tells Hailey what she wants to hear to appease her). I don’t know too much about psychiatry / therapy, so I’m probably not the best person to comment about it, but overall, her character just came across a little strange to me, that’s all.

Lee Sing Cheong (Ho Siu Leung) – Kiu Kong San’s ultra-loyal assistant. Ah Leung is the person whom Kong San (Paul) trusts the most outside of his own brother. He has worked for Kong San for decades and is super loyal to him, even willing to sacrifice his own life for him. In the first half of the series, his role is relatively minor, but near the middle / end of the series (for probably about 2-3 episodes), he becomes more of a critical character. Even though his role was small in this series, Lee Sing Cheong definitely delivered the goods (as usual) – his few ‘essential’ scenes in episodes 15 to 17 were done really well, especially the crying scenes. Lee Sing Cheong is another veteran actor whom I grew up watching – his villain roles are generally quite good and very convincing….too bad his role was relatively minor, as I would have liked to see more significant screen time from him.

Savio Tsang (Poon Sir) – As the head of the criminal investigation unit, Savio’s character only appears once in the first half of the series – it’s not until Bosco’s character Hui Sir is transferred to Poon Sir’s department that he takes on a more significant role (since Hui Sir reports to Poon Sir directly). With that said however, Savio actually doesn’t have a whole lot of screen time either, which was a little disappointing for me because I like him as an actor and his character had good room for development. I liked how Poon Sir was a very cool, understanding boss who goes very much by the rules, but still is able to maintain a good relationship with his subordinates. I also liked the way he interacted with his staff, especially with Hui Sir, whom he treated more as a friend than as his staff. Though I can understand why his role was less significant in the scheme of things, I really would have liked to see more of him as well.

Joseph Lee Kwok Lun (Sapura) – Rich tycoon from Indonesia with ties to the Kiu brothers’ past. He only appears in a few episodes during the second half of the series and even after he dies, most of the storyline in that segment of the series revolves around his case. This was yet another ‘run of the mill’ villain role for Joseph – a role so easy that he could have probably done it with his eyes closed (especially with his acting experience and skill). Again, I’m not really complaining because Joseph is another one of my long-time favorite veteran actors and I’m happy to still see him in series nowadays – but his appearance just seemed way too short…

Law Lok Lam (Yung Sui Bong) – Another actor I like a lot, but unfortunately his character was kind of insignificant as well. He’s one of the rich tycoons in the series on the same level as Paul Chun’s character, but we really don’t get to see much of him and when we do, it’s usually at some sort of gathering with Kong San and his other rich tycoon friends. Law Lok Lam is definitely underutilized in this series, which is really a shame because he’s too good of an actor to be given such a minor role. TVB should have just had someone else play this role instead and not waste LLL’s time!

WPU team: Jonathan Cheung (Wong Chi Tong / ‘Flat Tire’), Lee Yee Man (Cheung Lai Kuen / ‘See Jie’), Yeung Ching Wah (Chan Ka Si / ‘Sa See’), etc. – Considering the WPU team consisted mostly of newbies and artists whose names I didn’t even know, I was surprised by how much I liked watching this team interact with each other. As a team, they really did a great job of bringing to light a lot of the ‘essential elements’ of the WPU – including team spirit and cooperation, reacting quickly to unexpected situations that arise, being constantly on alert and ready to take action, etc. – they were very ‘serious’ about their work when they needed to be, but outside of that, they were a playful bunch. The chemistry between the entire team and their leader (Bosco) as well as with the other ‘main players’ (i.e. Linda’s and Ram’s characters, etc.) was excellent and very well portrayed – in fact, I was quite saddened to learn that we wouldn’t be seeing anymore of this team after episode 10 (well, except for a brief appearance in episode 17 at Ba Da’s funeral) because I really really liked them as team. Together, they were key in making the first half of the series so good and even though a few of them get pulled over to the criminal investigation department along with Hui Sir, it just wasn’t the same ‘feeling’ anymore. Definitely makes me wish that the writers would have kept to the witness protection theme in the second half of the series as well and somehow still incorporate the team into the rest of the series…

.---.

THE ENDING / CONCLUDING THOUGHTS

Ok, I decided not to completely give away the ending after all (though it probably doesn’t make a difference at this point since the ending was already plastered all over Weibo and entertainment news sites even before the finale aired last Friday). All I’m going to say with regard to the ending is that it wasn’t really as bad as people made it out to be – true, I didn’t want the series to end the way it did given how much I loved the character of Hui Sir as well as the Bosco / Linda pairing, but I actually felt that the ending was appropriate given the circumstances. I mean, it was pretty much already a given that a ‘happy’ ending was impossible given everything that had occurred leading up to that point – and to be honest, forcing a ‘happily ever after’ ending would have been worse because it would have been too fake. Though the ending was tragic and yes, some parts of it was a bit overdramatic, I would have to say that overall, it was a fitting ending and appropriate ‘closure’ to the Hui Sir / Hailey relationship – the ending made sense and most important of all, it was both bittersweet and memorable (though not exactly favorable). [I’ll probably talk more about the ending later on in the comments section, since I don’t want to ruin it for those who haven’t watched the series].

As for the the massive ‘movement’ of netizens to push for a sequel or change the ending to the series – I’m actually on the opposite side of the fence in that I absolutely do NOT want a sequel (because TVB would just screw it up like they do with all their other sequels – plus the chemistry won’t be the same anyway) and do NOT want the ending changed (I’ve never been a fan of alternate endings because most of the ones that I’ve seen have been lame and stupid). What’s done is done, so just leave the series the way it is please!

So do I recommend this series? Obviously, yes!! As I mentioned earlier, the script is a bit flawed and as a result, the flow is a little inconsistent, but taken as a whole, this was definitely one of the better series of the year so far. The series has a good enough combination of action sequences, suspense, romance, family drama, investigative scenes, etc. that there should hopefully be something in there for all interests. The first half of the series was especially awesome and almost guaranteed to go by quickly (most of the big action sections are in the first half) – it’s only when we reach the second half of the series that things slow down a little bit too much (for me it wasn’t really a problem, but some people found the change in pace annoying). If the inconsistencies in the script is a big issue for you, then I recommend watch this series for the cast – as I said earlier, the performances from pretty much everyone were quite good….even those whom I’m usually not too fond of I ended up liking in this series.

Despite its flaws, I felt that this was a great series overall – one that I would rewatch in a heartbeat and still enjoy it as much as I did the first time!