Saturday, June 24, 2017

Breaking news: Scriptwriter Chan Po Wah to write and produce new series for TVB

I just read the "hot off the press" news from Mingpao Weekly magazine today about famed scriptwriter Chan Po Wah returning to TVB to write and produce a new series for them.   Sheren Tang is also "implicated" in the news, as she is good friends with Chan Po Wah and is considering returning to film this one series to support her.  Details are below.

I am actually super excited about this news because Chan Po Wah is actually one of my favorite scriptwriters.  I'm sure most of you who follow my blog probably know that Chan Po Wah was the scriptwriter responsible for writing one of my all-time favorite TVB series, The Blood of Good and Evil.  Po Wah Jeh actually left TVB many years ago and currently enjoys a successful career in Mainland China (I didn't know this but she is currently the highest paid Hong Kong scriptwriter in China).  I remember "golden" producer Lee Tim Sing once said when he retired that if TVB wants to "save" the quality of their TV series, they need to bring back scriptwriters Chan Po Wah and Cheung Wah Biu -- well, looks like TVB took Tim Gor's advice to heart, as they have supposedly been in talks with Chan Po Wah to return since more than a year ago.  I wouldn't be surprised if Cheung Wah Biu agrees to return to at some point later on down the line too!

In the interests of time, I'm not going to translate the article word for word, but will summarize the highlights below.

Source:  Mingpao Weekly, Issue 2537 (published June 24, 2017)

Article entitled:  Returning to TVB to support Chan Po Wah, Sheren Tang requests that she gets to sleep

-- Chan Po Wah states that the main reason she agreed to return for this one series is because it is TVB's 50th anniversary, plus she felt that Felix To and Sandy Yu (both of whom were tasked with convincing Po Wah Jeh to return) were sincere in persuading her to come back.  She is considering this as her "gift" to TVB for their 50th birthday.

-- Po Wah Jeh already signed the contract on June 6th with TVB to film 1 series for them.  She will return to HK in October to start prep work for the script.  Cast will be confirmed at later date and filming likely won't commence until 2018, as Po Wah Jeh states that she needs several months to work on the script.

-- Po Wah Jeh will be putting all her Mainland projects on hold for this series after October so she can focus on writing the script.

-- Po Wah Jeh didn't give a whole lot of details on what the series will be about, but she did reveal that it will be a female-oriented story about a wife with "many functions" (not sure if literal or figurative sense) and will be a subject that women in society can relate to.

-- She says that this idea has been floating around in her head for awhile already, but she does not want to film it as a Mainland series because she is familiar with how they operate and in the end, it will no longer be what she intended it.  She wants to film this series as a HK series so it will be done entirely the way she envisioned it.

-- Expanding on the above point, Po Wah Jeh said that TVB is giving her 100% control over the series.  She will be the main scriptwriter for the series as well as the main producer and will have complete control  of the production from a "creativity" as well as "executive (management)" standpoint.

-- Po Wah Jeh's last series with TVB was Loving You, which starred her good friend Sheren Tang.  The reporter interviewing her asked if she would invite Sheren to be the lead in her new series.  Po Wah Jeh said that would be ideal and if Sheren agrees to film it, she will tailor the script specifically for her.  She also said that if Sheren were to be the female lead, then the ideal male lead for the series would be Francis Ng.  However, she said that the script hasn't been written yet and so casting won't even be considered until after she returns to HK in October.

-- Sheren was also interviewed and this was her response:

     - She said it is great news that Po Wah Jeh is willing to return to TVB to write a new series, as a good script is hard to come by nowadays.  She said she really really wants to collaborate with Po Wah Jeh again.

     - Asked if she has already cleared her schedule for this series, Sheren said that there are alot of things to consider and besides she is still waiting to see the script.  The reporter told her what Po Wah Jeh said the story would be about, to which Sheren replied that she only found out about it now, as Po Wah Jeh didn't tell her that part yet.  Hearing the subject matter for the series, Sheren said she is definitely interested.

     - Sheren said that if she were to return to TVB to film a series, her one request is that she gets sufficient rest (sleep).  She said she was already very clear about this back when she came back for the TVB Anniversary Awards last year.  She said that it has nothing to do with her whether she is willing to endure long hours, but rather that at this point in her life, having to film the old way is impossible for her physically.  She mentioned that her last series with TVB (Beauty at War) took a huge toll on her physically that took a long time for her to recover and it was a warning sign that she can't overexert her body that way anymore.

     - Sheren said that some people think that she is unwilling to return because of the money, but she said in reality, that is the last thing she looks at.  She said she has no problems returning to TVB in order to support Po Wah Jeh or to support the HK television industry or whatever reason, but if she has to sacrifice sleep (rest), then that would be a deal-breaker.

     - Sheren actually gave specifics on what she expects in terms of rest (listen up TVB!!!) -- she said that the schedule should be no more than 12 to 13 hours daily, including make-up, costume, etc. Also, she said that she has to have complete script prior to filming -- in other words, no "flying papers" (TVB's usual practice of writing up the script and handing it to artists last minute, resulting in artists not having time to prepare).  Sheren said that script-wise, she is not worried, as she knows Chan Po Wah will have the script ready prior to filming.

     - Sheren said that alot of people have been asking her when she will return to HK to film series -- her response is that she has not forgotten about the HK television industry and if everything is "properly aligned" (schedule, script, whom she will be collaborating with, whether her requirements will be met, etc.), she will return in a heartbeat!


Monday, June 12, 2017

HK Television Wars update: New ratings system in the coming year!



So, I was catching up on my reading and one of the articles I came across last week talked about how the HK television industry is switching to a completely different, more unified ratings structure at the beginning of next year (January 2018).  I've posted a link to the article below in case anyone wants to read the original Chinese version of it, since I don't plan on translating this particular article word for word like I usually would (mostly because of time constraints, as I've got a few other projects I need to work on).   With that said though, I do recommend that those who are able to read Chinese (more specifically Cantonese, since most of HK01's articles are written in the local HK style and language) should read the article in its entirety, as there are some really good points and perspectives brought up in the article about the television wars that you probably won't find in the mainstream papers.

Instead of translating the whole thing, I decided to sum up / paraphrase only the part about the ratings system, since that's what this post that I'm writing is about:

-          Starting in January of next year (2018), all 3 free-to-air TV stations (TVB, ViuTV, Fantastic TV) will be participating in a newly appointed 3rd party ratings survey. 

-          For the first time ever, the ratings calculations will take into account viewing data from mobile phones and tablets, which includes "re-watches" of the same program within a 7 day period.

-          The ratings will be divided into 3 categories:  TV Live (traditional TV platform such as Jade channel), OTT Live (Over-the-top streaming platform such as MyTV Super and set-top boxes), and OTT Re-watch (same platform as OTT Live except counting "re-watch" data)

-          Changing to this system will hopefully result in a more fair, more objective, and more uniform comparison of the 3 free-to-air TV stations' ratings and thereby eliminate all the current issues that stem from each station calculating their own ratings.

-          Unfortunately, the government-owned RTHK's TV channel(s) will not be included in this ratings survey


Source:  HK01

Link to original article:


So here's my two cents:

On the one hand, I feel it's a good thing that all the TV stations in HK will finally be using the same ratings system after decades of each station doing their own thing.  Those who've followed my posts the past few years know that I don't give a rat's you-know-what about ratings (not going to rehash my viewpoint here – if you're interested, check out the other blog posts I've written in the past about the HK ratings system)….especially ratings in the HK television world, which have always had a reputation for being inaccurate and farcical due to each station's "habit" of calculating the ratings in whichever way they so please and then announcing those numbers to the world as though they were fact.  This was an issue even back during the TVB vs ATV days -- I honestly can't tell you how many times I've laughed at the 2 stations' absurdity over the years "arguing" over their ratings numbers, with TVB always beating ATV to the chase in announcing "both" stations' ratings (not sure why TVB was calculating ATV's ratings but they always did even though ATV had their own 3rd party system that did it for them), followed by ATV always crying a river about TVB "deliberately" misrepresenting their numbers and ATV management insisting that it was "absolutely impossible" for their station to consistently receive only single digit ratings (in the Wong Ching era of ATV, the ratings was just one of the bajillion things that ATV management was constantly "in denial" about).    Sure, now ATV is officially out of the picture, but that hasn't stopped all the "arguments" over the ratings, since there are now two new free-to-air TV stations in town to pick up where ATV left off (in the ratings argument, that is).   Currently, each station still does their own thing when it comes to ratings and there is no consensus whatsoever on whose numbers are truly accurate (though most of HK – media, general population, etc. -- goes with TVB's ratings calculations because, hey, they are the biggest and longest running TV station in HK now that ATV is gone, plus they monopolize the TV industry anyway, so how dare anyone NOT use their ratings?  Yeah, whatever…)

The other side of the coin of course is that this whole ratings system change is "too little, too late".  Yes, it makes sense to incorporate the viewing numbers from other platforms given that's how majority of audiences watch TV nowadays and yes, it's a more accurate representation – I absolutely agree with this.  However, the part I'm irked about is that the HK television industry should have made this change 5 to 10 years ago instead of waiting until now to do it.  Honestly, what difference does it make now to have a more "accurate" set of ratings all coming from the same source?  Does anyone really care?  TVB certainly doesn't, since, in their eyes, they will always be "ratings king" and no one will ever be able to surpass them, no matter how hard they try….which of course makes it not surprising at all that TVB has chosen to essentially "give up on" the HK market and instead focus its sights on the Mainland.  This brings me to the crux of my sentiment on why changing the ratings system is "too little, too late":  Not sure how many people heard the news that came out a few days ago about TVB choosing to air Unlawful Justice Squad in Mainland China before airing in HK, which is being viewed as yet another indication of TVB not giving a crap about HK audiences (like all the backlash they’ve been getting the past few weeks about the decision to air Phoenix Rising in their golden timeslot is not enough).   I guess getting hundreds of thousands of “hits” for their series on the internet from Mainland audiences is more important than the “measly” tens of thousands of HK audiences who actually have to go through the trouble of turning on the TV set…

Of course, it can be argued that the other 2 free-to-air TV stations – ViuTV and the just-launched Fantastic Television – do care about the ratings so changing the system will benefit them.  Um, not really…we all know that both stations are way too new and there is no way for them to catch up to TVB anytime soon where ratings are concerned.  Maybe 10 years down the road (if either station lasts that long), they might have a chance of "breaking even" with TVB, but by that time, it truly won't matter anymore because TVB will likely have given up the HK market completely by then, plus who knows if there will even be any more HK audiences around to be a part of the ratings count?  As this article very aptly stated, the "trend" in HK when it comes to majority free-TV audience viewing habits is to either turn on the TV to watch TVB, or turn off the TV and watch nothing at all.  If TVB's programs suck (which has been mostly the case for the past decade at least), most audiences in HK don't automatically turn to other free-TV channels even if the alternative exists – it has been this way for decades and, as the saying goes, it's hard to break old habits.  Yea, I know it's weird and probably hard for people who didn't grow up with the HK television industry to accept, but it's very much a reality – watching TVB has become a "way of life" for most HK folks and unfortunately, as much as I hate to say it, this is never going to change unless the day comes when TVB no longer exists….so basically any talk about ratings is pointless and meaningless.