New ViuTV series: The Gutter (歎息橋)

I’m back! Well, at least for now. About a year and a half ago, I had stopped posting on this blog mostly because my life’s priorities at that time had changed to the point that I knew I would no longer have time to dedicate to this blog. It also didn’t help that, with the continued decline of the HK entertainment industry these past few years, I felt that writing about the industry started to become a huge waste of time. I felt like there were better ways to spend the limited leisure time that I have each day and consistently maintaining this blog just wasn’t worth the time.

So you must be thinking — if that’s the case, why did I decide to post again? The answer to that question is a bit complicated. First of all, nothing has changed in terms of my priorities — everything I stated above still stands and I definitely don’t intend on keeping this blog updated long-term. The reason why I decided to resurrect this blog temporarily is because I recently started watching HK series again and finally found one that is not only worthy of my time to actually watch, but also inspiring enough to spur me to write about it.

The series is called The Gutter (歎息橋), which is a production that just started airing on ViuTV this week. The Gutter reunites the creative team behind ViuTV’s earlier series Margaret and David: Green Bean — directors 25 (楊承恩) and Fat Ball (李紹波), award-winning scriptwriter Norris Wong (黃綺琳) — along with actors Bowie Lam (林保怡) and Catherine Chau (周家怡). This time around, Bowie has also taken up the role of producer for the series, so his involvement goes beyond that of lead actor.

As one of the few people who actually enjoyed and appreciated the Green Bean series (which, for those who never heard of it, was another non-mainstream HK series that realistically portrayed relationships and was based on the book series written by Nam Fong Mo Ting), I of course was excited when I heard, as far back as 2 years ago, that Bowie has plans to collaborate with 25 and Fat Ball again on a new series — so basically, this series has been on my radar for awhile.

Since I just started watching and am only on episode 3 (there are 15 episodes total), it will be awhile obviously before I’m in the position to write any type of review (if I decide to write a review that is — I’m still thinking about it). But one thing I do intend on doing (hence the reason for resurrecting this blog) is to share my thoughts on the series as I watch it and also provide a platform for others who may also be watching this series to share their thoughts as well. 

Those of you who know me know that when become interested in a series, I don’t just “watch” the series — rather, I do my research and try to find out everything I can about the series, including reading / watching all the behind-the-scenes stuff about how the series was made, as it enhances my viewing experience (I do the same thing with books that I like....I spend a lot of time researching and reading up on stuff). With this series especially though, research is necessary because it’s not a typical “formulaic” HK series akin to the kind that TVB usually churns out. Instead, The Gutter is a series that requires those who watch to really pay attention, as there are a lot of nuances and nothing is clearly explained — the audience actually needs to think when they watch the series and reflect. According to Bowie (via various interviews he has done over the past week), this is a series that won’t be easily understood with only one viewing — I love the way he put it in his most recent interview for Mingpao Weekly: “If you are able to watch The Gutter only once and completely understand it, then you must be a genius!” Bowie said that he himself had to read the script twice in order for him to begin to understand the message the story is trying to convey.

My intention for this particular post is for it to be an “introduction” of sorts where I wanted to share some of the information I had gleaned while reading up on the series. I’m also sharing links to the 25 minute production special that gives a “making of” behind-the-scenes look at the series as well as interviews with cast and crew that give important insights into the series. I recommend watching those interviews and the production special before watching the series. 

Also, just a word of warning: in order to get the most out of the experience, you need to go into this series without any preconceived notions of what you typically see in traditional HK (specifically TVB) series — in other words, if you are used to watching TVB’s formulaic series and are looking for something similar, you’re not going to find it with this series. The Gutter is very much a character-driven story where the focus is on how each of the main characters evolve and become who they are later in life and how that shapes how each of them view certain events that happen in their lives. I personally love character-driven stories so this series is a perfect match for me, but I know not everyone feels the same way. Also, it has been made very clear in multiple interviews with the cast and crew that this is not a series that you can just turn on in the background and make dinner while watching, nor can you multi-task and do other things at the same time — in other words, this series makes the audience “work” for their reward, taking the position that the audience is intelligent enough to work out the meaning on their own and interpret as they see fit (as opposed to TVB’s series, which mostly takes the position that their audiences are either dumb or lazy or, at minimum, aren’t the type who want to think for themselves). If that’s not something you are up for at the moment (which is perfectly fine given we are in the middle of a pandemic and many people may not be in the mood), then I recommend putting off watching this until you’re ready.

For my thoughts on specific episodes, stay tuned to my blog, and subsequent posts will cover that. For now, here is some introductory info to note:

- First, the significance of the series’ title. The English title “The Gutter” comes from renowned poet and playwright Oscar Wilde’s 1892 play Lady Windermere’s Fan, which is about the events that unfold when the titular character (Lady Windermere), suspects that her husband is having an affair. The title comes from a quote in Act III of the play, where Lord Darlington (Lady Windermere’s friend) comments: “We are all in the gutter, but some of us are looking at the stars.” [Reference: https://en.m.wikipedia.org/wiki/Lady_Windermere's_Fan]

- The Chinese title 歎息橋 is literally translated as “Bridge of Sighs”, which is a real-life bridge located in Venice, Italy. Built in the 1600s, the bridge connected prison rooms to the government palace rooms where prisoners were interrogated. The bridge’s name refers to how “prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells.” [Reference: https://en.m.wikipedia.org/wiki/Bridge_of_Sighs]

- The style of the series takes inspiration from Japanese director Akita Kurosawa’s 1950 film Rashomon in that it applies “the Rashomon effect” to tell its story. Dictionary.com defines the Rashomon effect as “an instance when the same event is described in significantly different (often contradictory) ways by different people who were involved.”

- Each episode is told from the point of view of each of the 6 main characters (Thomas, Sammy, Ken, Joyce, Catherine, and Kevin).

- The first 15 minutes or so of each episode is dedicated to telling the back story of each character through some of the events that occurred when they were young. The purpose of these scenes is to show how things that happen in our youth, the environment we were raised in, etc., influence the type of person we become later in life. 

- Part of the series was filmed on location in Belgium (the entire series was filmed in early 2019, so prior to the coronavirus outbreak).

- The cast of this series is one of the best I’ve seen in years! From veterans to newbies, the cast is star-studded and from the few episodes I’ve watched so far, the acting is excellent! Even if you’re not keen on the story, I would suggest watching this for the cast alone.

Here’s a brief rundown of the main 6 characters and the actors who portray them: 

- Thomas (李子勇) is played by Bowie Lam (林保怡), younger version is played by Kelvin Chan (陳健朗)

- Sammy (方小薇) is played by Catherine Chau (周家怡), younger version played by Hedwig Tam (談善言)

- Joyce (何樂兒) is played by Michelle Wai (衛詩雅), younger version played by Renci Yeung (楊偲泳)

- Ken (胡啟源) is played by Hanjin Tan (陳奐仁), younger version played by Himmy Wong (黃定謙)

- Catherine (梁淑媛) is played by Christine Ng (伍詠薇), younger version played by Leila Tong (唐寧)

- Kevin (鍾家俊) is played by Kaki Sham (岑珈其)

Other supporting characters also important to the story are:

- Lau Siu Ming (劉兆銘) who plays Thomas’s father 李文滔 , younger version is played by Samuel Kwok (郭鋒)

- Paul Chun (秦沛) plays Joyce’s father 何永昌 , younger version played by Wilson Tsui (艾威)

- Poon Chan Leung (潘燦良) plays Catherine’s husband Ryan 鍾懷安, younger version played by Ling Man Lung (凌文龍)

- Bonnie Wong (黃文慧) plays Ken’s mother 胡彩雲, younger version played by Luna Shaw (邵美君)

- Alan Luk (陸駿光) plays Sammy’s boyfriend 黎銘南, younger version played by Yatho Wong (黃溢濠)

- Angie Cheong (張慧儀) plays Thomas’s mother, who dies early on (not a spoiler since it’s in the summary) 

Here’s a quick translation of the summary that is in the Wikipedia page for the series (though please note that the summary is very incomplete....I translated what was there but there is way more to the story than that): 

Source: https://zh.m.wikipedia.org/zh-hant/歎息橋_(電視劇)

Summary: 李子勇 Thomas (林保怡/陳健朗飾) 出生貧窮，年輕時為了賺取母親的醫藥費，拼命打工賺錢，認識了同在茶餐廳打工的少女 方小薇 Sammy (周家怡/談善言飾)，自此成了好朋友。母親離世後，Thomas開了一間餐應，生意不俗，與 好友兼拍檔 Sammy 一起打拼。一天，Thomas 重遇在比利時結識的 何樂兒 Joyce (衛詩雅/楊偲泳飾)。二人一拍即合，很快便走在一起，但種種跡象均顯示 Joyce 似對 Thomas 不忠。Thomas 決定要當場拆穿她，卻沒料到自己才是第三者。原來 Joyce 與 胡啟源 Ken (陳奐仁/黃定謙飾) 已拍拖八年，當意識到到 Ken 似乎沒有求婚的打算時，Joyce 決定與有主見、有見識的 Thomas 開始另一段新感情。Thomas 知道自己莫名奇妙地做了 Joyce 與 Ken 之間的第三者之後，識趣地離去，本來不想再介入二人的關係…

Translation: In order to raise money to pay his mother’s medical expenses, Thomas Lee, who grew up poor, takes up a job at a cafe, where he meets Sammy Fong, also a worker there. The two of them become close friends into adulthood. After the death of his mother, Thomas teams up with Sammy to open a restaurant, which does good business. One day, Thomas is reunited with with Joyce Ho, a girl he met many years ago when he was working as a poor artist in Belgium. The two of them hit it off immediately and begin dating. Soon however, Thomas starts to notice things that suggest Joyce has perhaps been unfaithful to him. When Thomas decides to confront Joyce, he makes the discovery that all along, he has actually been the third wheel in Joyce’s relationship with her boyfriend Ken. Joyce and Ken had actually been dating for 8 years, but when she gets the feeling that Ken has no intentions of marrying her, their relationship hits a snag. When Joyce sees Thomas again, she is attracted to his ambitious and hardworking nature and decides to enter a relationship with him. After Thomas finds out that Joyce is still seeing Ken, he no longer wants to come between them, so he breaks things off with her....

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Behind-the-scenes production special feature:

Cast and Crew Interviews:

Mingpao Weekly Interview: Sheren Tang on reprimanding TVB: “The deeper the love, the stronger the criticism”

As a follow up to my post from last week about Sheren Tang and Sunny Chan filming a series for ViuTV, I saw the below interview in this week's issue of Mingpao Weekly magazine and absolutely had to translate and share it right away!  MP printed a condensed version of this interview in their regular entertainment news section so in case you see parts of this interview elsewhere, know that the below is the actual full version as originally printed.

Sheren's interview speaks for itself but I have to say that I absolutely love the way she responded to all those media reports about her "betraying" TVB by filming for ViuTV (quite honestly, those reports pissed me off too so I'm happy to see Sheren putting those stupid media outlets in their place, lol!).  Also love what she said about the importance of speaking up when there are issues and not pretending that everything is fine when it's actually not.  And yes, when I read the part where Sheren gave her 愛之深，責之切 speech, I actually got out of my chair and did a happy dance because everything she said is EXACTLY what I've been saying about TVB for like the past 2 decades.  I'm sure those who follow my blog or any of my postings in other forums know how much I'm always criticizing TVB and calling them out on stuff (in my line of work, I call that type of feedback "constructive criticism") -- I've been asked many times whether I keep criticizing TVB because I hate them so much that I can't saying anything nice about them (which technically isn't true because I DO say nice things when it's appropriate, it's just that those "appropriate" times are few and far between -- hey, it's not my fault that TVB rarely does anything that warrants praise).  In response, I always give people my "constructive criticism" speech, which is essentially the same as Sheren's  愛之深，責之切 speech -- if I didn't care about TVB (and the HK entertainment industry in general), I wouldn't bother to give them feedback on what they're doing wrong in the hopes that they'll change it for the better.  One thing that my boss at work told me a long time ago that has always stuck with me is that the more someone cares about something/someone, the more critical they are going to be because they don't want to see that something/someone fail.  Of course, the way the criticism is given is important as well, but the gist of the message is that just because someone is critical of something (or someone else) doesn't necessarily mean that the person has malicious intent or is out to get the other person or whatnot -- there is such a thing as "constructive criticism" and hopefully those who believe that all criticism is bad can perhaps research this term and better understand what criticism is truly about.

Anyway, enjoy the interview and be sure to leave any comments / reactions you might have to it in the comments section below.  

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Sheren Tang on reprimanding TVB:  “The deeper the love, the stronger the criticism”

Source:  Mingpao Weekly, Issue # 2595

Published 8/4/2018

Translated by: llwy12

 

ViuTV has been recruiting heavily in recent days, securing veteran artists such as Amy Chan (陳秀雯) and Liu Kai Chi (廖啟智) to film a new series for them about HK’s school system. Their most successful recruitment recently though is persuading TV Queen Sheren Tang (鄧萃雯) to film a series for them — she will be teaming up with actor Sunny Chan (陳錦鴻) in a new series where they will play a married couple.  At the end of last year, when golden scriptwriter Chan Po Wah (陳寳華) returned to TVB with the intention of producing the new series Wonder Women (多功能老婆) for them, she had indicated that good friend Sheren Tang would be perfect in the role — however in the end, the role went to singer/actress Miriam Yeung (楊千嬅) instead. Now, after several months, Sheren personally clarifies what happened with that situation and why a previously rumored return to TVB ended up being a collaboration with ViuTV instead. 

--

Every time Sheren Tang is rumored to have a television project forthcoming, it’s usually a given that audiences excitedly anticipate her new series.  Last year, when scriptwriter Chan Po Wah announced she would be returning to TVB in early 2018 to prepare for a new series, she had expressed interest in inviting actress Sheren Tang to take up the starring role. Immediately, TVB’s assistant manager of production (non-drama department) Sandy Yu as well as deputy general manager Felix To personally reached out to Sheren to discuss the possibility of her returning to TVB to film Po Wah Jeh’s series.  However, in the end, the role went to Miriam Yeung and instead of returning to TVB, it was recently announced that Sheren will now be filming for ViuTV.  As soon as the news broke, various media outlets started reporting that Sheren, in filming for a rival station, has turned against TVB.

Towards this, Sheren responds: “I actually never turned down [Po Wah Jeh’s series] Wonder Women. In fact, I’m very grateful to Po Wah Jeh for considering me as her first choice to star in her series when it was confirmed last year that she would be returning to TVB. Usually, when a project is still in the discussion stage and I haven’t made the decision to accept yet, I don’t like to talk about it publicly — at the time, the discussion was actually only in very early stages, but as Po Wah Jeh’s good friend, I knew that she really wanted me to support her.  This was the first time she would be returning after so many years and I also admired TVB’s sincerity in inviting her back — all of us shared the same goal in wanting to film a truly good quality series and the fact that they were willing to really focus on the production was already worth supporting.  So I agreed to do that interview in support of Po Wah Jeh [TN: THIS is the interview Sheren is referring to] with the hope that it would bring more attention to the project — besides, I love HK series and am more than willingly to support a good quality production!  At the time, my intention was actually very simple.  After that, I actually didn’t hear anything more about the project and there was no further follow up.  I’m sure they [TVB] have their reasons for choosing Miriam. I’m actually happy for them because to me, the most important thing is being able to produce a quality series so that audiences can see that HK series are worth watching.”

In terms of multiple media outlets reporting that she “betrayed” TVB by agreeing to film for ViuTV and once again bringing up her past gripes with her former employer, Sheren responded:  “Many artists came from TVB and whenever any of them leave, the media always makes them out to be ‘traitors’ — honestly, this type of mindset is so outdated!  In today’s internet-driven world, with people watching series online now and so many different options, the HK market is already so small, why are we fighting amongst ourselves?  Sure, in series I film, there is often a lot of infighting, but in real life, my sights are set pretty far — what is the point of [each station] competing so aggressively against each other?  Does it really prove that you’re the best if you beat other HK series? If it’s really necessary to fight, why not try to beat American, Japanese, Korean, Mainland series instead?  People keep saying that I’m always reprimanding TVB — in response, I really want to tell them: ‘the deeper the love, the stronger the criticism’ [愛之深，責之切]!  If I didn’t love HK series, love my profession, I wouldn’t be so adamant about giving feedback and hoping for improvement – I could just stand back and let things happen without bothering.  All I want is for my colleagues and the entire industry to do well, to be an industry we can be proud of.  Not saying that TVB is regressing, but rather, the film and television industries in the rest of the world are all progressing, moving way ahead of us [HK].  When this is something that everyone can see, how can I possibly close my eyes and continue to pretend that TVB series are perfect, that nothing is wrong?  When even the reporters start to sense that something is wrong and they come ask me for my opinion, as an artist with experience, I am simply stating the truth of what I feel and know. HK series used to be the ‘big brother’, the leader [in Asia], so many people grew up watching TVB – it is because I love TVB a lot that I dare to reprimand them.  Actually, in the past, when having dinner with TVB colleagues and a few of the execs were present, I would pull the execs aside and take the opportunity to tell them about the problems I’ve seen [within the company], but unfortunately that never seemed to do any good.  When the reporters discover the same issues and come ask me, I’m sorry but I’m not a 3 year old who can just pretend nothing is wrong and blindly go along with things, especially when I’ve also seen those issues with my own eyes.  Good acting can’t cover up things that are so obviously visible to the naked eye, such as crude stage sets for example,  [TN:  Sheren is referring to the time when she filmed TVB series No Regrets where she complained that the stage sets looked really fake and also were falling apart right before her eyes – it was a distraction for her when she was trying to film her scenes], also declining ratings, audiences complaining they can’t understand the series, etc. -- in this situation, I cannot just bury my conscience and say everything is fine.  When it gets to the point where even reprimanding them no longer works, then I try a different method, go elsewhere in efforts to prove to them that the advice I am trying to give them can result in successes.  I hope that people will stop slandering me – I am actually the one who loves TVB the most!”

Received complete script prior to filming

Those who invite Sheren to film for them know that she has quite strict requirements, so the fact that she is willing to film for ViuTV means that they must have passed muster.  Sheren explained her decision to film with ViuTV:  “Actually, there were a few reasons why I decided to collaborate with them – I was impressed by their sincerity for one and two, I was attracted by the freshness of the script.  The story revolves around relationships and at its core, it’s about dealing with the various feelings and emotions surrounding this. I like this story’s theme because it fits with my personality – I’m the type of person who feels things especially strongly and acutely.  The character I’ll be playing has her complexities, only a handful of people surround her, yet their relationships [to each other] are linked in countless ways.  I honestly feel that playing characters in palace series, period pieces, even playing strong career women roles, is really not that difficult because at the end of the day, most audiences don’t really know what it is truly like.  Playing an ordinary person dealing with the complexities of marriage, that type of role is challenging because it’s so universal – you have to be very meticulous and careful with your performance in order to make your character resonate with audiences.  The other important piece to this is my physical ability to perform – for me, I need to have sufficient rest and sleep in order to be at my best performance level.  I’ve told you guys in the past that nowadays it’s impossible for me to work long hours day and night without sleep or rest and still be able to give a good performance.  With everything being high definition nowadays, I want the result that audiences see on-screen to be me at my prettiest and most alert, which is why it’s so important for me to get enough rest and sleep.  Also, my other requirement is that I must receive the entire script prior to starting filming – this is something that I refuse to compromise.  The reason for this is because if I don’t have the complete script, it’s impossible for me to fully understand and digest my character and figure out the best way to portray her.  I need sufficient time to prepare and study my character in depth and if I’m not given that time, it directly affects the quality of my performance.  In order to make a truly good series that is able to compete with the outside world, every position at every level is important and no detail can be overlooked.  We have to admit that the market in HK, as compared with the Mainland, is indeed very small, but that doesn’t mean we’re incapable of producing quality dramas that people can respect and approve of.  In order to make this happen, all of us need to play our part and put in the extra effort as well as take the production seriously.”

Since filming for ViuTV’s new series doesn’t start until September, Sheren is spending this next month preparing for her role.  “The producer Ruby [TN: book series “Margaret & David” author 南方舞廳] actually approached me about working with her around the same time that Po Wah Jeh did.  When it comes to production companies that approach me for collaboration, I don’t play favorites – if they are not able to meet my requirements, then I turn them down, it doesn’t matter who they are.  With Ruby and ViuTV, I told them that I must have the complete script in my hands before I agree to film and they were actually able to deliver – I received the entire script more than a month ahead of when filming is scheduled to start!  They told me that even if I didn’t request to have the completed script before filming, they would still do so anyway because they need time to prepare as well – we all have the same goal of wanting to put forth our best work.  Of course, the end result is not something we are able to control, but if a lot of people end up praising the series, that will be a reflection of the entire cast and crew’s efforts.  Our entertainment industry plays an important role in maintaining HK’s reputation.”

Breaking News: Sheren Tang, Sunny Chan, and Amy Chan to film new series for ViuTV

Saw this article and got super excited so figured I post now and elaborate later, lol.

https://m.mingpao.com/pns/dailynews/web_tc/article/20180731/s00016/1532974769985

Basically, I just found out that two of my favorite television actors/actresses – Sunny Chan and Sheren Tang – will be filming a new series for ViuTV.  The series will be produced by   南方舞廳   (whom most people may recognize as the name of the author who wrote the Margaret and David books, the entire franchise of which was turned into a series by ViuTV that aired over the past 2 or so years). 

Sheren and Sunny will play a married couple and the theme of the series will be about older couple relationships (kind of in the same vein as M&D, which was also about relationships except the central couple was younger).  I'm excited (first time I've felt excited for a series in a long time), since Sheren and Sunny are 2 of my favorite actors/actresses,  it's been a long time since I've seen them onscreen, the pairing is fresh (trying to remember but I don't think the two of them have collaborated before), and the theme / plot will be more relevant to society as well as different from typical HK series (no more TVB recycled formula – yay!).

According to the producer, Sheren's only requirement was that she receive the entire script in hand before commencing filming and they've already delivered on that!  Now it makes sense why Sheren didn’t take up the offer to film that new Chan Bo Wah series from TVB...they probably couldn’t meet whatever demands she had.

In related news, veteran actress Amy Chan Sau Man (another actress I like) will also be filming a series for ViuTV but not the same one as Sheren and Sunny.  Wow, ViuTV is really hitting it into the park with the veterans this year – after reuniting “Greed of Man” father and son Adam Cheng and Michael Tao in the Detective Psycho Prequel earlier in the month, now they're bringing on veterans that many of us have been waiting a long time to see again.  Hope they keep this up!!  I for one will definitely be keeping an eye out for their upcoming series!

More to come on this!!!

Entertainment Newsreel #4: More TV-related news….

Lots of TV news this past week!  Below are some of the highlights of TV industry related news that I read about this past week.  Again, this is not an all-inclusive list and most of this is being written from memory so there's a huge possibility I missed some stuff.  If there is anything I missed that you would like to know about, feel free to put in the comments and I'll either respond there or put it in the next post if I remember….

TV News

HMV (China 3D)

-          Hmv (China 3D) chairman Stephen Shiu Jr.  held a press conference last week announcing his intention to foray into TV series production (for those who are not familiar, his company currently produces movies and also music).  Stephen Shiu Jr. said that he is interested in doing web series because that's the largest media platform aside from movies – with movies, audiences spend 2 hours watching and that's it, but with TV series, they could spend 30 hours or more chasing a series.  He will be entering the web series arena (like pretty much every other HK production company out there nowadays) and his series will be available in OTT format as well as via phones and tablets.  One thing that Stephen Shiu Jr. said during an interview which I thought was interesting (and I'm assuming a huge reason why so many production companies nowadays are going into the "web series" market) is that he prefers web series because there are little to no limitations on what they are allowed to do, versus "regular" TV series (i.e. the kind TVB films) where target audience is more family-oriented and so they are limited by strict broadcast regulations.  He also said whether they continue on the series production route will depend on whether this first series is successful.

-          HMV's first series has already been filmed and is currently available on their platform HMVOD.  The series is called "Hong Kong West Side Stories" and will be 13 episodes at 30 minutes each.   Louis Cheung will star in the series as will Myolie Wu (in what is touted as her first official "comeback" since giving birth).  I still need to read up more on the series so not a whole lot of information to share at this point other than the series is a comedy and Louis plays an "animal whisperer" (someone who communicates with animals).

Fantastic Television (i-Cables free TV arm)

-          Awhile back ago, when ATV made its "comeback" as an internet TV station, one of the highly-touted "recruits" to join their venture is former TVB GM and current CRHK chairman (CEO? I'm bad with the terminology) Stephen Chan, who will be hosting the 2018 version of Who Wants to be a Millionaire for the station.  Nowadays, where Stephen Chan goes, we are likely to see his buddy Wong He as well, which is why I was not surprised in the least to see Wong He also attend ATV's launch party (filling in as host for Stephen Chan, who fell ill and couldn't attend) and confirming that he will be hosting a weekly program for them.  Well, it turns out that in addition to hosting programs for ATV, Wong He will have another responsibility soon – he was invited by the new COO of Operations for Fantastic Television (i-Cable's free-to-air TV arm that "quietly" launched last year) to be Creative Director overseeing production of their TV series (OTT format of course).  The announcement hasn't officially been made yet and while Wong He alluded to it in a recent FB post, it is pretty much still a "rumor" at this point (and apparently, not everyone at Fantastic Television knows, as HK01 interviewed someone who works there and they only know Wong He is joining but don't know what capacity).

-          Personally, I'm not too surprised, as Wong He has always been a talented (albeit opinionated) actor who obviously has his own ideas on how TV series should be produced (when he was with TVB, he was very vocal about stuff that he felt didn't make sense and had no problems approaching scriptwriters to "tweak" dialogue and such that didn't flow right).  In the years since leaving TVB, Wong He has continued to film stuff (movies, TV series, hosting programs etc.) and took the leap into behind-the-scenes work as well, writing scripts and also directing/producing stuff (this is what I've gathered from his interviews the past couple years – I don't have any specifics on what types of projects he has been involved with though).

-          It will be interesting to see what Fantastic Television's vision will be in terms of TV series with Wong He at the helm.  Since they launched last year (to pretty much zero fanfare), they have pretty much been in the shadows will not much coverage about them in the media (I follow some non-mainstream media outlets and only hear of the programs they produced occasionally).  I know they did produce a few series earlier on (I think they were idol-type series focused on love and relationships) but not sure if those series ever aired or whether they will continue in that direction in the future.

ViuTV

-          Ok, this one is technically not related to ViuTV (at least not yet), but since the artist I'm writing about currently still "works" for ViuTV (well, at least he still attends various ViuTV functions) and the news has to do with one of their series, I figured this was the most appropriate place to put this.

-          Earlier, when it was announced that former TVB producer Jonathan Chik (who has moved his career to Mainland) will be producing a brand new Mainland series with the cast from his 2011 TVB series "When Heaven Burns" (a series which fared dismally when it aired but was later pushed up by netizens as a "godly series"), there was much talk about the reunion between that series' main leads Charmaine Sheh, Moses Chan, and Kenny Wong.  However, one lead's name is glaringly missing from this list:  Bowie Lam.  Of course, people immediately started wondering whether Bowie will be in the new series or not, since he was instrumental as one of the 3 male leads (and technically it wouldn't be a true WHB reunion without him).  Well, according to HK01's interview with Bowie (which was in an article that came out early last week), Bowie will not be participating in Jonathan Chik's new series.

-          When asked about the new series, Bowie said that Jonathan Chik never approached him about it (interesting though not entirely surprising).  He said that even if Jonathan does approach him, he wouldn't be able to participate anyway because he will be producing and starring in a series of his own this year.  Bowie said that his series is in its preparation stage right now with the script still being worked on – cast hasn't been decided yet, all he knows is that he himself will be in it.  The series will be co-directed by 'fat ball' and '25', whom some of us here will recognize as the directors of the series that Bowie filmed for ViuTV earlier, "Margaret and David: Green Bean" – Bowie will serve as executive producer as well as main lead (not sure if he is writing the script too, as he didn't say specifically).  Bowie said that he hopes the series will be able to air at the end of this year.

-          I'm actually kind of excited because I was probably one of the few people who actually watched "Green Bean" and really liked it.  I didn't really follow the production too closely at the time but I had heard there had been problems during filming because of discord between the series' producer / author of the books the series was based on and the directors/cast (@sport – since you know more about this than me, feel free to comment), so it looks like this series gives the directors and Bowie the chance to do what they had wanted to do with M&D but couldn't?  I will definitely be keeping my ears open for more information on this.

And finally….TVB

-          The big news last week (which I'm sure everyone knows by now) was that TVB held a press conference on 3/9 "officially" announcing the return of golden screenwriter Chan Po Wah (she wrote many great series but the one all of us fans remember the most is of course "Blood of Good and Evil").  Technically, this is "old" news because Po Wah Jeh had already indicated in previous interviews last year that she would be returning, it's just that she was still working on the script for her new series at the time so nothing official was confirmed yet.  Based on those interviews, Po Wah Jeh will be returning for this one series only (as a favor for TVB) and will continue her career in Mainland (which has been very successful) once she's done.

-          The name of the series is "Wonder Women" and it will be a comedy.  Most of the cast had actually already been announced previously (male leads will be Raymond Wong and Pakho Chau) but TVB had (supposedly) kept the female lead top secret so they could announce on the day of the press con (more on this later).  Of course, everyone knows by now that Miriam Yeung was cast as female lead and will be returning to film this series for TVB after a 17 year hiatus (her last series was 2001's A Taste of Love).  Miriam will be pairing with Raymond in the series – this will be a reunion of sorts for them, as both of them collaborated previously in the movie Love Undercover.  The interesting part is that Raymond's character in this series has the same name as his character in that movie (which to me is a sign that TVB is playing up the Raymond/Miriam reunion and using their previous collaboration as a gimmick to hype the series).

-          Personally, I like Raymond – he has always been a solid actor in my book and was unfortunately under-utilized by TVB most of his career (I guess having a background in movies didn't help him much).  From the looks of things, it looks like Raymond will FINALLY be first lead in this series given that he will be pairing with Miriam – but of course, this is TVB after all so who knows….it's pretty obvious that TVB is trying to promote Pakho big time so they could very well make him first lead and Raymond is just co-lead like usual.  

-          Speaking of Pakho – I watched the his interview with reporters at the press con on the news the other day and he actually said that he knew in advance that Miriam was cast as the lead on the female side.  Normally this is no big deal, but the reason why I'm bringing it up here is because there was so much hoopla over TVB keeping the female lead a secret up until the press con – in fact, TVB made it quite clear that only the top execs and the series' producer/director knew who the female lead would be.  Raymond said that he had no clue who the female lead would be and only found out when he saw Miriam walk onto the stage during the presscon (though he said that when he heard his character's name in the series, he did suspect for a brief moment that it could be Miriam but he didn't think it was possible given her status now).  So if only the execs and producer were supposed to know and it's obvious no one else from the cast knew, how the hell did Pakho already know in advance?  Sounds suspicious – either Pakho is claiming to know when he really didn't or TVB chose to share the information with him only, which tells me that in their eyes, they are considering Pakho as the lead who gets privy to "inside" information (this is the way TVB usually does things – when they have someone they consider a big enough lead filming for them, they will share all sorts of information with them…I honestly don't consider Pakho a "big name" but I guess TVB has different standards, as usual).

-          Personally, I'm not excited at all.  Chan Po Wah is one of my favorite scriptwriters and prior to this announcement, I truly was looking forward to her new series, but as soon as the cast was announced, all interest went out the window.  I like Raymond, but not to the point where I would watch every series he is in.  I'm not a fan of Miriam's and though I feel she is a competent enough actress, she's not someone I would be excited to watch.  No comment on Pakho, since I didn't watch his previous series (though I heard that his performance was very wooden) but I've never been a fan of his singing either so him being in this series means nothing to me honestly.  For me, the biggest reason to skip this series is because Tony Hung and Rebecca  Zhu are also co-starring in this – both are artists I can't stand at all (I've taken to turning off the TV whenever I see Tony on screen now, lol).  So yea, this one is a definite skip for me.

-          By the way, for those who are wondering – yes, this is the series that Chan Po Wah had originally said she had "written especially for" Sheren Tang…and yes, this was the series that triggered all those rumors of Sheren returning to film for TVB again after the fallout they had earlier (I saw some websites back then "report" Sheren's return as "confirmed" and "for sure" which honestly pissed me off because I hate such irresponsible reporting – one of my biggest pet peeves is when people try to pass off rumors as "confirmed truth" without doing their due diligence to vet the info….how hard is it to put "rumored" in front of the information so people aren't misled??).  Anyway, looks like whatever the original plan was for Sheren to star in this, those plans fell through – I'm not sure what happened (I've been trying to dig on both sides but so far haven't come up with anything).  Reporters did ask Po Wah Jeh at the press conference about Sheren originally being slated to star in this series, but she gave a vague response, saying something along the lines of "Sheren and I will get the chance to collaborate again in the future".  From Sheren's side, I know in earlier interviews (late last year), she had talked about being really excited to work with Po Wah Jeh again and all indication at that time was that the likelihood of her returning for the series was high.  Since I like Po Wah Jeh, I am going to give her and TVB the benefit of the doubt in this instance and assume that Sheren couldn't participate due to schedule conflict (though of course I have no idea how it went down).

-          One last interesting fact – in previous interviews, Po Wah Jeh had thrown around the idea of casting Sheren and also Francis Ng as the leads for this series, but now the confirmed leads are Miriam, Raymond and Pakho.  I don't know about you but to go from Sheren and Francis to  Miriam / Raymond / Pakho is a HUGE downgrade in my opinion.  Just saying….

News Article: Hong Kong to liberalise rules for cross-media ownership in first major broadcasting policy change in 17 years

The big news in the HK television industry this week is the government's long-awaited move to "loosen up" the city's notoriously restrictive broadcasting rules.  

The article below explains it pretty well so I'm not even going to attempt to paraphrase things — you can read the details for yourself either below or in the link to the original article provided.

So what does this mean for the issuance of new free-to-air licenses?  Well, here's the thing — essentially the only major change the government is making in terms of licenses is that they will allow some of the companies that were previously banned from applying for TV licenses (newspaper outlets, advertising agencies, etc) to do so now.  With the "playing field" expanded now, this opens the door for more "players" to come in and apply for a TV license in HK, which means that there could potentially be more "contenders" for licenses than ever before.  With that said however, the other major rules (owners must be HK resident for minimum 7 years; final approval of license rests in the hands of Chief Executive) as well the license approval process in general don't change (at least not on paper), which means that the government can still decide to approve or not approve licenses at whim — in other words, the change may mean more applicants, but that doesn't necessarily equate to more licenses, since approval is still up to the government.

TVB is understandably okay with these "new rules" because 1) it doesn't really affect them much where competition is concerned, since government still has final say-so in terms of approvals and we all know that TVB has the government "in their pockets", ready to do their bidding; 2) it is actually more beneficial to TVB because one of the rules the government is doing away with is having to get their (govt) approval for non-HK residents to have a "controlling stake" in a free TV station (TVB's Mainland investor Li Rui-gang tried to do exactly this — officially "take over" the station — last year but had to abandon the effort because it violated this particular rule).  So now Li Rui-gang can renew his efforts without fear of being rejected and proceed to turn TVB into a Mainland station with expanded footprint into Hollywood (wait, wasn't TVB already going down this path anyway?).

The other 2 free TV operators in the city — ViuTV (NowTV) and Fantastic Television (I-cable) — haven't officially responded to this news but to be honest, it's not like they have much of a say anyway, since their footprint is so small right now that their opinion probably doesn't matter much in the eyes of the government.  

Who this really affects are those companies that currently have license applications still "pending" with the government (specifically HKTV) as well as any future companies that may decide to apply.  With the opening up to more applicants, a company like HKTV, which already got rejected once by the government and basically has been on their shxt-list ever since, stands even less chance of ever being approved for a license (the govt will now have more companies to compare against and claim that all of them are "more qualified" than HKTV).  Like I said in the previous article that I posted — more and more, it's looking like Ricky Wong made a wise decision to pull himself out and instead focus on e-commerce.  No doubt he will find more success there than the struggling HK television industry....

***

Source: SCMP

http://m.scmp.com/news/hong-kong/economy/article/2133993/hong-kong-ease-restrictions-domestic-tv-licensees-first-major

Hong Kong to liberalise rules for cross-media ownership in first major broadcasting policy change in 17 years

Cross-media ownership rules in Hong Kong will finally be liberalised under proposed changes to broadcasting regulations widely viewed as outdated since they have remained unchanged for 17 years.

If the suggested changes, laid out in a public consultation document released on Tuesday by the government, are approved by the Legislative Council, newspaper owners, advertising agencies and other media companies will be able to get into the free TV, pay TV or radio broadcasting business.

They had previously been banned from cross-media holdings to avoid editorial uniformity and a potential industry monopoly, but a rapidly changing media landscape and technological advances have prompted a total rethink.

However, the ban on awarding new broadcasting licences will remain in place for those already running free TV, pay TV or radio businesses.

And individuals who have yet to gain permanent residency through seven consecutive years of living in Hong Kong will not be given new licences either, making such businesses off-limits to overseas or mainland Chinese owners.

Besides relaxing cross-media ownership rules, the government also proposed to: refine restrictions on foreign control by allowing non-Hong Kong residents to own more shares in free TV companies without securing the government's approval; allow free TV and sound broadcasting licensees to be subsidiary, rather than independent companies; and keep the status quo in granting approval for broadcasting licenses.

Secretary for Commerce and Economic Development Edward Yau Tang-wah said "the proliferation of online infotainment covering a range of different tastes, focuses and stances" meant the risk of editorial uniformity in traditional media "had been significantly reduced".

"Our goal is to facilitate innovation of and investment in the industry to bring about greater benefits to the community," Yau said, adding that easing the rules could also help traditional media stay afloat amid increasing competition from their internet-based counterparts.

While the city's dominant free-to-air broadcaster, TVB, welcomed the government move as long overdue, some academics and experts were lukewarm about it, seeing the official approach as too conservative.

The three-month consultation announced on Tuesday is the first major bid to overhaul broadcasting regulations, which were introduced in 2000 when internet access was just expanding. Industry players have long called for a review of the rules, given the evolution of the media landscape.

Current restrictions resulted in mainland Chinese media tycoon Li Ruigang, a major shareholder of The Young Lion Holdings, seeking special approval from then chief executive Leung Chun-ying in 2016 to become a non-executive director of TVB because of his association with an advertising agency across the border and overseas.

In 2000, Richard Li Tzar-kai, a son of tycoon Li Ka-shing, had to obtain special approval from the government to buy Cable and Wireless HKT VOD services. It was because his father and his elder brother Victor, who control Hutchison Whampoa, now called CK Hutchison, are the ultimate owners of Metro Radio.

A TVB spokesman said: "We have, many times in the past, reflected to the government and the Communications Authority that some parts of the Broadcasting Ordinance … were too harsh and out of date."

Major pay TV service operator Cable Television said it was not prepared to comment at this stage.

The head of Shue Yan University's department of journalism and communication, Professor Leung Tin-wai, said: "Rapid advancement in technology is blurring the traditional boundaries between telecommunications and broadcasting. The government is too conservative. It should have removed all the licensing obstacles for media."

Francis Fong Po-kiu, president of the Hong Kong Information Technology Federation, echoed Leung's views: "Many newspapers now run videos to supplement their online reports. And TV stations also make use of the internet to reach out to more audience. It is a bit backward if the government still mulls ways to control the media by means of licensing."

Fong said the proposed changes were also meant to address the "imbalance" in the regulatory regimes for traditional broadcasting services and internet media, as the growth of internet-based TV and audio programme services in recent years had changed the business environment of Hong Kong's broadcasting industry.

According to government studies, the time a viewer spends on free TV dropped from 3.2 hours a day in 2009 to 2.3 hours last year.

In 2009, some 85.6 per cent of the audience would view free TV programmes every day, but the percentage dropped to 71.8 per cent in 2017.

TV advertising revenue fell from HK$13.4 billion (US$1.71 billion) in 2013 to HK$11.9 billion in 2016, while that of digital media rose to HK$5.2 billion in 2016, from HK$3.5 billion in 2013.

In its evaluation of the current regime, the government rejected public calls for the Communications Authority alone to approve free TV licence applications, maintaining that the chief executive in council should remain the authority for free or pay broadcasting services locally.

As for internet-based TV and sound programme services, the commerce minister referred to the experience of regulators overseas and stated the government's preference for such areas to continue operating without broadcast licensing controls.

The public consultation for changes to broadcasting regulations ends on May 19. Later this year, the government will consult the public on proposed amendments to telecommunications regulations, specifically relating to 5G services and the internet of things.

Lawmaker Charles Mok, who represents the IT sector, said the government had not addressed in its consultation paper the issue of quality of programmes in the media.

But he was pleased to see that officials had decided against a licensing scheme for internet-based media.

Entertainment Newsreel #1: Television and some movie news…

As promised in my previous post, here's my first entertainment news updates post for this blog..

I welcome feedback so feel free to leave any suggestions you may have.  Also feel free to bring up any other recent happenings you might have read about in the comments if you want to (remember that I only included tidbits that I was interested in and most of the below was done from memory, so it’s definitely NOT all-inclusive).

Movie industry news

HONG KONG FILM AWARDS

-          Louis Cheung may be banned by TVB (through no fault of his own) but his fans don’t need to worry, as his footing in the HK movie industry is pretty solid.  He will be co-hosting this year’s Hong Kong Film Awards alongside Charlene Choi.  Given that this hosting job traditionally goes to artists who are established in the film industry, this is actually a pretty big deal for Louis, though with his experience in hosting TV programs, I think he’ll do fine.  Look forward to seeing his performance!

-          Speaking of HKFA – the news that came out last week is that ViuTV was granted exclusive broadcasting rights for the awards ceremony this year.  HKFA chair Derek Yee said that he is impressed with ViuTV’s sincerity and commitment to HKFA, as the station has a lot of pre-awards show events and programs planned (i.e. exclusive interviews, special feature pieces on the nominees, etc.).  Basically, ViuTV is doing way more than TVB ever did when they held broadcasting rights (not surprising of course, as it’s obvious TVB doesn’t respect the HKFA awards show).  I will definitely be tuning in this year to see how ViuTV does!  Oh, by the way, HKFA nominations will be announced on February 6th, so for those interested, might want to check on that day to see if their favorite movies / artists got nominated.

Television industry news

OCTB

-          This is kind of “old news” from last week but those of us who are dying to find out who will be joining the OCTB cast for season 2 may not have to wait too much longer.  The show’s co-producer (and lead actor) Danny Chan Kwok Kwan attended a function for his new movie last week and when asked by reporters about OCTB season 2, he confirmed that they will commence filming for season 2 right after the Chinese New Year holiday (which means that the final cast will be announced before then).  Not surprisingly, the reporters also tried to get Danny to reveal who will be joining the cast for the new season (with focus on whether any of the rumored Y&D artists will join), but of course, Danny was tight-lipped and refused to drop names – HOWEVER he did say that he just got word that a big name veteran agreed to do a cameo for them in season 2.  Danny said that they had reached out to the veteran thinking that the person would never agree but turns out they were wrong – the veteran will be filming 1 day for them, though not sure what this equates to in terms of screen time.

-          More OCTB news…I think it was last month (end of December), several of the guys from the OCTB cast (most of whom had become best buds during filming) held a party at veteran actor Michael Chan’s house (he played triad leader “Godfather” in OCTB) – though it was not an official OCTB cast party, there were still quite a few people from the series’ cast and crew there.  Justin Cheung had shared some pics on his social media account and of course, netizens seized the opportunity to “read into” the possibility that the pics might reveal some clues as to upcoming cast.  One of the artists spotted in the pics was actor Chin Siu Ho, who was not part of the original OCTB cast, so instantly, there was speculation that perhaps he would be part of the season 2 cast.  True or not, I have no clue.  I guess we will find out in a few weeks.

-      Sidenote (not really news but just a fun little piece for fellow fans of the series) -- in terms of former Y&D cast joining OCTB, my money is on Michael Tse and/or Anthony Wong (those were 2 out of the 4-5 names circulating on the Internet the past couple months).  I'm basing this on stuff I had read over the past few months and also the little I know of the artists' schedules and backgrounds.  Of course, I could be totally wrong and that's fine, but just thought I would throw this in, lol.  :-)

ATV

-          ATV had their official “re-launch” party last weekend (on January 29^th).  I didn’t watch the program (which I heard was aired live on their app as well as their OTT thingie) but according to several media outlets, the program was a “disaster.” I won’t judge whether the “disaster” part holds any water, since I didn’t watch the show, but here’s a quick recap courtesy of HK01 and also Mingpao:

-           

o   First, the biggest name guest star in attendance at the ceremony was George Lam, who opened the night singing several of his classic hits

o   After that, former “golden MC” Ivan Ho chatted up a storm with a bunch of former TVB/ATV people, but instead of introducing any upcoming ATV programs, they mostly reminisced about the “good old days” of the entertainment industry, even mentioning a few iconic “classic” programs that their supposed rival TVB produced (hmmm, I thought this was ATV’s launch party, why would they mention TVB productions?  Well, I guess one thing they’ve got going for them is that they don’t “censor” the mere mention of their rival station’s name like, um, their “rival station” does, lol….)

o   There were a bunch more musical performances, but almost all of the performances were singers from the 70s/80s who sang classic songs that most of the current audiences (meaning the younger generation audiences that ATV is supposedly targeting) probably had never heard of.  [Sidenote:  I laughed when HK01 noted in one of their articles that they actually thought they were watching TVB’s “Cantopop at 50” (minus the hosts of course) because of the similarity in style (of the launch party) to that program as well as all the veteran singers who participated.]

o   Stephen Chan, whose newly revamped “Who Wants to Be a Millionaire” is one of the key “selling points” for ATV’s comeback, was noticeably absent from the launch party.  Supposedly, Stephen Chan fell sick and had to pull out of the show last minute, so his buddy Wong Hei (who will be hosting a variety program for ATV) stepped in to host the ceremony in his place.

o   For me, the biggest “takeaway” from the ceremony in terms of implication for future were:

1)      Singer/actor Richie Jen attended the launch party along with artists under his management company (though the biggest name there from his company was William So…Edmond Leung was originally scheduled to be there too but since his high profile arrest for drunk driving was just a few days prior to the ceremony, obviously he had to skip, since his career has been put on hold at the moment…).  So perhaps this means future collaboration between Richie's artists and ATV?

2)      China 3D’s Stephen Shiu Jr. was in attendance and when interviewed by reporters, he very candidly “talked about” TVB’s ban on his artists and outright said there is a “high probability” that his company will be collaborating with ATV in the future (as a reminder, some of the “bigger names” under his management are -- Chilam Cheung, Myolie Wu, Louis Cheung, Justin Cheung, Gregory Wong).  Don’t be surprised if you see any of these artists filming stuff for ATV in the near future!

-          In terms of the big 64 million dollar question – will ATV resume filming series?  Well, those of you who read my previous 2 posts about ATV’s comeback will probably know that they were originally planning on doing 2 remakes this year:  a TV series remake of John Woo’s iconic movie “A Better Tomorrow” (the one that starred Chow Yun Fat, Leslie Cheung, and Ti Lung) and also a remake of ATV’s own classic hit series “My Date With A Vampire”.  If you read the update to those same posts, you will probably also know that ATV hit a snag with both these planned remakes, as it looks like their new CEO Ng Yu didn’t do his homework prior to announcing their plans (he later admitted that he hadn’t finished going through all of ATV’s old paperwork/records yet, as he was only hired on by the Mainland company that currently owns ATV back in April of last year and so there was still a lot of work to be done in terms of “catching up” with ATV’s past history). 

o   At the re-launch party, Ng Yu confirmed that the remake of “A Better Tomorrow” will move forward despite actor/singer Stephen Fung’s company issuing a statement claiming they hold the rights to ABT and did not authorize ATV to do a remake.  Apparently, Stephen Fung’s company holds the rights to the original TV version while a different company holds the rights to the John Woo movie version – ATV did get permission from the company holding the rights to the John Woo version (that company is supposedly going to release a statement soon), so their remake will proceed.

o   The remake of MDWAV is still a no go (though there was no mention of this at the launch party – not surprising of course given the embarrassment).  Fox Asia still holds the rights to MDWAV (which ATV had sold to them a few years ago but the current execs conveniently forgot) and they are actually planning on remaking the series themselves, so pretty sure they are not going to authorize ATV to do any type of remake.  Ng Yu did say (back in December when Fox issued their statement) that they were going to discuss with Fox and see if they are open to a collaboration – if Fox agrees, then ATV still has a chance…I guess we shall wait and see.

o   Oh and to add salt to the wound -- the series that ATV had previously announced was going to be their “debut” series (Mainland series “The Legend of Ba Qing” starring Fan Bing Bing) which they supposedly spent big bucks to buy….well, it was announced last week that the air date in Mainland China will be delayed, as someone “reported” the series to the authorities and so the producer(s) now need to “fix” some stuff before it will be allowed to air (I had read that the number of episodes will be cut down but I didn’t pay a whole lot of attention to the details to be honest).  So ATV is basically in a holding pattern right now, with their execs probably “praying” that the issues will be resolved soon.  

  - What a mess for ATV!  I'm not normally superstitious but man, so many obstacles from the getgo can't be a good thing for a station that is trying to re-brand itself.  Not a good way to start their "re-launch" that's for sure!

TVB

 Of course there will be mention about TVB in a recap about entertainment news happenings – however one “disclaimer” that I would like to make:  most of you who have followed my blog for awhile and/or my comments in certain discussion forums probably know what my attitude is toward TVB nowadays.  Basically, when it comes to TVB, don’t expect to see the “latest and greatest” in terms of new upcoming series or whatnot because I barely follow that stuff anymore.  Nowadays, I don’t pay much attention to which new series are airing in TVB’s prime time “golden” timeslots since I don’t watch their (new) series much anymore.  If you’re looking for latest info on new series and/or current generation of TVB artists, there are plenty of fansites out there so feel free to check those out instead.

With that said, the 2 things I wanted to mention about TVB this week (note that most of my TVB mentions in these posts are along the lines of “WTH moments” -- basically stuff that I found "laughable"....):

-          So you guys remember that disaster of an anniversary series Heart and Greed (the 3^rd installment to the Heart Of Greed franchise), right?  Those who’ve been following entertainment news the past few weeks probably know that HAG’s ratings in HK sucked (though I heard their finale episode actually ended on a high note) and word of mouth was horrible as well.  Throughout the month or so that the series aired, it was pretty much “bashed” every day for one thing or another by netizens and audiences alike (and no, it’s not a coincidence that the series was completely shut out of the anniversary awards, despite the “high hopes” of the cast and crew going into the awards).  Given the above, I don’t think it would be a stretch to say that the series was NOT well-received and therefore, the franchise can officially DIE now…

o   Well, um, not quite….it was announced recently that there are plans for BOTH a movie version as well as stage play version of the series (the 3^rd installment specifically).  Not too many details on the movie yet, though I did see a rumor somewhere that Ha Yu might get pegged as the director for the movie version (which makes sense to me, since Ha Yu has his own production company and already directed/produced a few movies the past couple years).  If Ha Yu does end up being the director, the question I’m most interested in is whether his son Dixon Wong will be involved in the production again (as he was in Ha Yu’s previous works) – reason I ask is because Dixon Wong is a ViuTV-contracted artist currently so it will be interesting to see what will happen with that if the movie is still affiliated with TVB. 

o   As for the stage play, TVB already confirmed it’s definitely a go and the veterans – Ha Yu, Louise Lee, Susanna Kwan, etc. -- stated that they have already started planning for it.  Supposedly, the stage play version will be “comedy-heavy”, which I guess means that we will be spared all of those intensely dramatic arguing + crying scenes that were a “staple” of the franchise?  I guess we shall wait and see….

-          Turns out all the backlash that TVB got after the highly contested results of their 50^th Anniversary Awards “paid off” for them, as the ratings report came out last week and this year’s awards garnered 33.6 points (probably the highest ratings for ANY TVB program – series included – in all of 2017), which, according to the media, are the highest ratings the awards has gotten since 2014. 

o   Of course, TVB held a celebratory dinner to commemorate this (in which the behind-the-scenes crew as well as all award winners were in attendance) and the execs took the opportunity to give a bunch of “motivational” speeches.  I won’t repeat the exact content of their speeches (because quite honestly, some of the stuff they said made me want to puke, lol) but just know that, in typical TVB-style, the execs pretty much praised themselves for a job well-done and reiterated once again that the high ratings means that HK audiences still “love” them (yes, bring on the barf bags!!!)

And last but certainly not least….

HKTV

-          After not hearing anything for like 5 months, HKTV was finally “back in the news” last month (January), though depending on which side you’re on, you might be happy or sad at the reason why they are in the news again (personally, I’m both happy and sad, but that’s just me…).

o   As I stated in the comments to one of my recent blog posts, Ricky Wong gave a presentation last month about the launch of his new e-commerce related project (as you may recall from this blog post I wrote up back in August 2017, Ricky Wong sold his stake in HKTV to his partner, so he is no longer the CEO, however he still oversees the HKTVmall side of things).  In a nutshell, Ricky Wong is basically turning HKTV’s multi-million dollar studio in Tseung Kwan O (near where TVB City is located) into a “training ground” for media students with an interest in e-commerce – the students will be able to “rent” HKTV’s facilities and equipment for free to film essentially whatever they want (i.e. supermarket commercials, product promotional videos, etc.).  The purpose is to cultivate potential future business leaders (more specifically in the e-commerce field) while at the same time not letting the facilities go to waste. 

o   Here are links to the 2 articles (from HK01’s Finance/Business section) that has more details on the project: Article 1 and Article 2

o   Like I said elsewhere, from a business perspective, kudos to Ricky Wong for putting in the effort to cultivate a younger generation of potential business leaders – though of course, none of us should be surprised that RW decided to go this route given his background and the fact that he is known for his creativity and being innovative (the phenomenal success of his previous telecom business is proof that he knows what he is doing when it comes business development).  Personally, I feel that this project is a great idea and one that I wish HKTV (more specifically Ricky Wong) the utmost success on.

o   With that said however, the above news, coupled with the fact that Ricky Wong’s HKTVmall e-commerce business is doing extremely well (there is an article that actually had some impressive numbers in it but I didn’t post it because it’s buried in my list somewhere – if I’m able to dig it out anytime soon, I’ll try to at least post up the link to it) – means that for those of us who were looking forward to HKTV resuming production of their series (something that RW had promised would happen if their 2^nd application for a license is approved), the prospect of this happening has gotten a lot dimmer.   The longer the government continues to drag their feet with the second round of applications (it’s been like what, 3 years already since HKTV’s 2^nd application was submitted?), the likelihood of HKTV resuming filming gets dimmer and dimmer.  Personally, I don’t want to go into my spiel about whether I think it’s a good idea for HKTV to resume production or not, since that topic would take up a full post in and of itself, plus I think I already talked about it previously in my blog….but fellow HKTV supporters definitely feel free to express your thoughts on this in the comments below if you want.

That’s it for now, but note that since this is the first post in this particular series and I’m technically a little behind with it (most of the above news was from mid-to late January, some even from December), I will probably be doing another post in a couple of days to “catch up” with this past week’s news.  After that, the plan is to do these posts probably weekly (maybe bi-weekly depending on my schedule) with more current news.

Enjoy! :-)