Not sure how many people read the news today, but looks like
there is a pretty big ‘controversy’ brewing on Weibo right now and since I
haven’t blogged about the HK music industry in quite some time, I figured this
would be a good ‘relevant’ topic to write about…
First, here’s the ‘gist’ of what happened….
Food connoisseur (and former actor as well as entertainment
reporter) Benny Li (李純恩) wrote an opinion piece for a local magazine entitled “The
Death of the HK Music Industry”. In his
editorial piece, Benny states his opinion that the ‘death’ of the HK music
industry is due to the lack of musical talent in HK currently, with majority of
the blame being placed on songwriters (specifically lyricists) for their ‘messy’
lyrics that in many cases, boil down to ‘nonsensical jibberish’. He claims that many songwriters nowadays lack
the ability to write lyrics that truly resonate on an emotional level with
music fans – unlike past songwriters who actually wrote songs that were
meaningful and had the ability to move people.
After Benny Li reposted his opinion piece on Weibo, HK
lyricist Wyman Wong (黄偉文) replied to his post with a ‘scathing’ post of his own,
pretty much scolding Benny for what he wrote and also insisting that Benny
doesn’t know what he is talking about.
Based on his response, looks like Wyman took personal offense to Benny’s
post and even went so far as to ‘infer’ that Benny was referring specifically
to him….even Benny asked Wyman on Weibo ‘Wyman, was I referring to you
specifically in my post?’ to which Wyman replied ‘What do you think?’ (um, ok,
to be fair, Wyman’s name wasn’t even mentioned in Benny’s post – as an ‘outsider’
reading the article, I actually felt that he was speaking more in a general
sense rather than targeting anyone in particular).
Well, the ‘controversial’ part is that almost immediately
after Wyman’s response, many HK lyricists as well as singers such as Anthony
Wong, Hacken Lee, Kay Tse, Richie Ren, etc. responded to the issue on Weibo – pretty
much all of them expressed similar sentiments as Wyman and insisted that the HK
music industry is ‘not dead’.
Honestly, I don’t see what the big deal is. Benny Li was just expressing his personal
opinion of the HK music industry – true or not, it’s his opinion based on his
experience. Therefore, to me, Wyman
overreacted – not sure why he would take offense to Benny’s post or why he felt
that Benny was referring specifically to him (based on Wyman’s response on
weibo, sounds to me like he harbors a personal dislike of Benny and so took
this opportunity to chastise him??).
Besides, it’s not like what Benny said is false – he actually
does have quite a few valid points in his post…and come on, I’m sure anyone who
isn’t blind can see that the HK music industry has deteriorated greatly from
what it was in the past. Sure, saying
that the music industry is ‘dead’ might be a bit too exaggerated, since there
are still some truly great talents left in the industry – but let’s face it,
the music industry isn’t exactly ‘flourishing’ either.
Personally, the part that I find disappointing is how so
many people within the music industry are ‘jumping on the bandwagon’ to defend
Wyman and bash Benny – that just shows me that a lot of industry people are
still in ‘denial’ mode about the state of the music industry….I mean, if people
within the music industry refuse to even acknowledge the problem, then how much
hope is there that things will get better?
Of course, I can also see why the music industry people
would respond the way they did – after all, they don’t want the younger
generation and others still active in the music industry to feel disheartened
or discouraged from making music. BUT
STILL….it goes back to my original point – I’m not faulting anyone for trying
to be positive and optimistic, but there comes a point when we have to face
reality….besides, the below is Benny's personal opinion -- if his opinion doesn't matter and he doesn't know what he's talking about, then why should anyone feel 'discouraged' by what he said?
.***
Anyway, below is Benny Li’s editorial piece in Chinese (didn’t
get a chance to translate it yet, so my apologies to those who aren’t able to
read it…if I get a chance later on, I’ll translate it and re-post it back up):
Edit: Here's the translation of Benny's editorial:
HK Headline Editorial:
The ‘Death’ of the HK Music Industry
Written by: Benny Li
While eating dinner at a restaurant, a charity fundraising program started
airing on the restaurant’s television set.
The program featured performances from many of the HK music industry’s newbie
singers and as they were singing, the lyrics to their songs were displayed on
the screen as well. Reading the lyrics
to some of their songs, nine out of 10 were ‘unintelligible’ – I couldn’t identify
a single song whose lyrics were clear and coherent. And to think that those singers tried to sing
those songs with as much emotion as they could muster.
When it comes to a song, the melody is what attracts people to it and
the lyrics are what moves people emotionally – in this world, there is not a
single ‘classic’ where only the melody is nice to listen to but the lyrics are
unintelligible. The reason why the HK
music industry is ‘dead’ now is because lyrics are ‘dead’. If lyrics are ‘dead’, then they can no longer
move people emotionally and without this trait, a song naturally ‘dies’ as
well. In today’s HK music industry, the
lyrics to many ‘works’ can’t even fulfill the ‘basic’ requirement of being
coherent and intelligible – most of the lyrics don’t even flow and in many
cases, are merely sounds mixed in with musical notes. With these songs, it’s hard enough for the singers
to even remember the lyrics, let alone expecting them to resonate with and move
audiences. Given this problem, how is it
possible for these ‘works’ to continue to be passed down to future generations?
The HK music industry was once a thriving, flourishing industry that
had a significant impact on the Chinese community all over the world. So many classic hits were passed down from
one generation to the next and continued to remain strong even as the years
passed, to the point that even people who didn’t understand Cantonese could
still sing the songs. The reason for
this is because the lyrics to many of those songs resonated with the masses and
therefore were able to touch people’s hearts.
Today, the music industry is very different. Even in Taiwan and Mainland China, there are
many great memorable songs, yet the younger generation of HK singers don’t seem
to have very many songs that people actually remember. Why?
Well, one of the main reasons is that people don’t even know what in the
world these singers are singing because the lyrics are ‘messy’ and pointless –
when we look at the lyrics to a lot of these songs, they are merely a bunch of
Chinese characters strung together haphazardly.
The weird thing is that many of the HK songwriters nowadays seem to be ‘illiterate’
and don’t know how to write. If not, how
else can we explain why our music industry produces so many such ‘unintelligible’
songs? This is what I call a ‘self-inflicted
calamity’ and as the saying goes, ‘when we bring calamities upon ourselves, no
one can save us from it!’ With the HK
music industry being ‘dead’ to this point – all I can say is: serves us right!
And below is Wyman’s response on Weibo:
黄伟文:公道自在人心，李先生是個連「自黎彼得以後香港就再沒有好歌詞」這樣的話也說得出的人，到底是我在呃版税瞎填一通，還是他在騙稿費胡言亂吠，就交給大家評價了。
Translation: Wyman Wong’s response: Facts speak louder than words! Mr. Li is the same person who also claims that ‘after Peter Lai (黎彼得), there are no good lyricists in HK’ – the type of person who makes such outrageous statements! So does this mean that I’m just blindly writing jibberish songs in order to cheat royalty fees or is he [Benny] trying to cheat writer’s fees with his nonsensical barking? I’ll let you guys be the judge.
.*****
What are your thoughts on this issue?
