Sunday, August 12, 2012

News Article: CRHK CEO Stephen Chan cancels Eileen Cha’s radio show; Elaine Ng chosen as replacement

Here's another interesting article from this week's issue of Mingpao Magazine.  I'm actually going to hold off on my comments about this article until later, as there have been some updates in the past day or two since this article was published.

(Basically, the latest is that Eileen Cha will be hosting a television program for TVB now that her radio program at CRHK was cancelled.  Hmmm.....).

****

CRHK CEO Stephen Chan cancels Eileen Cha’s radio show; Elaine Ng chosen as replacement



Translation:  llwy12




Ever since former TVB GM Stephen Chan (陳志雲) became CEO of Commercial Radio (CRHK) back in March, the station has gone through significant changes – to the point that rumors of him doing ‘major housecleaning’ [firing long-time CRHK employees and replacing them with people he favors] have been running rampant for months. Following the departures of CRHK’s head of production Vincent Wong (黃永) as well as artists / hosts Jerry Lamb (林曉峰) and Stephanie Che (車婉婉), it was rumored that singer/DJ Jan Lamb (林海峰) intends to quit as well due to dissatisfaction over the way his brother Jerry Lamb was ‘forced out’ of the station. However none of this seemed to faze ‘CEO Chan’ as he is used to seeing these types of ‘waves’ in his position – his plans to make CRHK a more ‘youthful’ station does not seem to be affected at all. Mr. Chan’s latest ‘target’ in his plans to ‘revamp’ the station is veteran radio personality and HK entertainment guru Eileen Cha (查小欣) – her radio talk show《巴巴閉邊個夠我查篤撐》, which has been on the air for 15 years, has been cancelled and will be replaced by the new radio show 《可圈可點》 hosted by actress Elaine Ng (吳綺莉).

It’s reported that CRHK’s commercial sponsors had already received promotional material introducing Elaine’s show – the timeslot indicated in the material is the exact same slot where Eileen Cha’s show is currently airing, which signified for them that Eileen has officially been ‘kicked out’.

Even though the new radio show doesn’t officially start until August 27th, Elaine Ng has already been preparing for the broadcast, attending various meetings at CRHK and also doing test runs of the program. On Thursday, our [Mingpao] reporters were finally able to catch up with Elaine as she showed up at CRHK’s headquarters to attend a meeting. Upon seeing our reporters waiting for her, Elaine was shocked and immediately made a phone call – a few minutes later, CRHK’s CEO Stephen Chan showed up to ‘help’ her. Asked whether he was ‘reforming’ Eileen Cha’s long-standing radio program, Mr. Chan frankly admitted it, explaining: “The primary reason is because the program has been on the air for a long time already, close to 15 years, so it’s time to rejuvenate it and make it more ‘lively’. The new program will have a different direction and will be much more diversified – in addition to information related to the entertainment industry, it will also dive into other areas as well; it will be more fast-paced and will also include various guest hosts.”


Transferred to ‘behind-the-scenes’ role

Asked whether Elaine Ng will essentially be replacing Eileen Cha then, Mr. Chan replied: “A lot of reports claim that CRHK is ‘firing’ Eileen Cha, but in reality, that’s not the case at all. Eileen will be one of the hosts of the new radio program as well and also will continue to host《娛樂酷辣辣》 [TN: a short ‘newsflash’ type segment summarizing the latest entertainment news headlines]. Also, her ‘professional entertainment critic’ status won’t change and if there are interview segments suited for her, she will continue to do them. Audiences will hear less of her voice on the air, as she will be working on more projects for us behind-the-scenes.” (What types of ‘behind-the-scenes’ projects?) “Tell you more about it later, as there are some new ideas that she will be taking the lead on. Actually, right now there really isn’t a separation between ‘cast’ and ‘crew’ – those behind-the-scenes might jump to the front and help host programs while those formerly in front might do behind-the-scenes work. Eileen has been in this profession for a long time already, so she has deep understanding of the entertainment industry and has her own network.”

Actually, there were already rumors awhile back ago that Eileen Cha’s ‘position’ at CRHK was in danger. An insider at CRHK revealed: “With Eileen Cha’s vast network in the entertainment industry, she should be able to take her show to a higher level, but unfortunately, it has remained quite stagnant. Other than relaying the latest entertainment news, the guests that she has come on her show are usually sought out by the behind-the-scenes crew – plus most of the guests are either singers or TV actors/actresses who usually go on to promote their latest projects. Therefore, our understanding is that CRHK was already seeking to make changes awhile back ago.”

With her regular radio program, Eileen originally had 1 ½ hours of air time all to herself, however with the new changes, her air time will be reduced to less than 30 minutes. The situation is actually very similar to the way CRHK’s former head of production and radio show host Vincent Wong’s air time was significantly reduced a few months ago when his program《在晴朗的一天出發》was cut and he was transferred behind-the-scenes as well – it was rumored at the time that his transfer was CRHK’s way of indirectly ‘forcing’ him out. Asked whether he is afraid that Eileen Cha might quit just like Vincent Wong did, Stephen Chan expressed: “Eileen has been in the industry a long time and is a very mature person. When I told her about the plan, she already knew that she would have other responsibilities to take on. I didn’t sense that she was unhappy about it.”


Happy to be compared

Elaine Ng was asked if she was afraid of constantly being compared to Eileen by the general public, to which she replied: “Eileen is my senior and she has lots of experience, how can I compare to her? If people truly do compare me to her, I would actually be very happy – after all, it’s Eileen!”

Elaine revealed that for the interview segment of her new program, the theme for the first show will be ‘Life Choices’ – she hopes that through candid conversation with her guests, she can bring to light some of the struggles, concerns, regrets, etc. that they had to go through when making certain life choices. Asked if she will invite her own friends as guests, she expressed: “I hope to have a variety of guests on the show – doesn’t matter if they are my friends or not, as everyone has their own life experiences and stories to tell. I actually feel that it’s better to interview non-friends because then you can spend time studying that person and understanding them more – with friends, there’s more pressure because you have to be careful what types of questions you ask and whether they will be unhappy if you ask certain questions. If I don’t know the person, I feel more comfortable asking difficult questions, as I don’t have to worry about whether the person will be mad at me afterwards. I also prefer not to set boundaries as to what questions I can or can’t ask because I feel that’s too limiting – pretty much interviewing for the sake of interviewing, no sparks at all! I’m actually still learning because my personality is more straightforward – I prefer for the interview to be more like a conversation between friends rather than a question and answer session.”


Need to be straightforward and brave

Stephen Chan also praised Elaine for being an enthusiastic person who throws herself completely into her work: “The amount of time and energy she throws into her work left a deep impression on me. She’s truly very passionate about her work – for example, if she’s doing a 30 minute interview, she doesn’t just work for that 30 minutes, but also she spends a lot of time preparing beforehand, having meetings with various people, giving her feedback and suggestions, etc. With this type of work, having enthusiasm is very important.” (How about her personal network?) “Every person has their own personal network and social circle.”

In addition to the interview segments, Elaine will also be doing a live chitchat segment with one of her co-hosts Terry Leung (梁泰來) in which they will discuss some of the ‘hot topics’ of the day. Even though she hasn’t officially started her program yet, Elaine has already expressed that there are many areas where she needs to improve: “During the test runs, I found that there were certain areas where I could make the content more colorful and interesting – also, I realized that I’m a bit long-winded, so that’s one area I’ll need to improve. Also, I tend to hold back a little when I ask questions, so I need to learn to be more straightforward and brave in my questioning.” Asked whether she would avoid topics related to Jackie Chan (成龍), she expressed: “Nope! I’ll still cover the topic. I’m just a normal person, what is there to be afraid of? Doesn’t matter who is the guest or what type of topic – it’s part my job.”


Hacken Lee to co-host a segment

For Elaine Ng’s new program, Stephen Chan plans to invite people from various industries and walks of life to serve as co-hosts. Explaining his plan, Mr. Chan states: “The program will consist of various short segments and so the pace will be quicker, sort of similar to the concept of an entertainment and lifestyle supplement to a magazine, except it will be the radio version. This style is very suitable for the new media toolbar because audiences can skip around to only the segments they are interested in listening to. Some segments will also be available in video format as well. As for seeking out people from various industries and walks of life, that’s because we want to expose audiences to more diverse content and make the listening experience more memorable. “

Even though Mr. Chan refuses to reveal who some of the co-hosts will be, insiders revealed a few ‘names’ that were discussed, such as: singer Hacken Lee (李克勤) – who, even though he has a rocky relationship with CRHK, still agreed to host a segment about life attitude; former singer/actress Cally Kwong (鄺美雲), who will talk about jewelry; singer Leo Ku, who will talk about the latest fashion trends. There will also be segments about topics such as feng shui, social etiquette, etc.


Jan Lamb has not tendered his resignation

Since becoming CRHK CEO, there have been endless rumors of Stephen Chan making significant changes to the station. The latest rumor is that due to Stephen Chan’s intention of reforming’ Chik Chak 903’s musical direction and policies by adding a new ‘artists’ management’ department as well as requiring them to start collecting commission, many of the staff from the 903 station are upset, including veteran DJ and singer Jan Lamb – it is rumored that Jan is thinking about leaving CRHK. Towards this, Mr. Chan expressed: “The rumor about collecting commission is baseless, as there was never any plans for that. As for creating an artists’ management department, the purpose is to more effectively and professionally promote our staff – those who do entertainment-related work as well as those who focus on lifestyle-related projects -- to audiences and sponsors so that they can have more exposure and opportunities outside of CRHK. For example, we have some staff who specialize in particular topics – with more professional and structured management for those staff, perhaps they can venture outside of radio and do some talk shows or even stage performances, which would give them more exposure overall.”

He continues: “As for the rumors of being at odds with Jan Lamb and that he will be leaving CRHK? No such thing! Those are fabricated reports, as I have not received a letter of resignation from Jan.” (So will you truly be ‘reforming’ Chik Chak 903?) “I feel that 903 has always been a station with its own direction and attitude -- its mechanism is effective, as songs are awarded based on airplay and the process is transparent – I don’t see the need for much change in this area. As for whether the format of some music programs need to change – well, I feel that any company needs to constantly be thinking about the possibility of improvement and whether there needs to be new direction in certain areas…there are still some discussions going on right now, however I have no intention of changing 903’s musical direction, as 903 already has its own position and niche.”

.***.

CRHK recent changes: Timeline of events

Since becoming CEO of CRHK in March 2012, Stephen Chan has made quite a few changes to the station in the span of 5 months. Some people have expressed dissatisfaction with the changes and quit while others have returned to ‘help out’. Here’s a quick timeline of events:

March 2012
Author / host and former actor Wong Yee Hing (王貽興) was the first person to follow his ‘mentor’ Stephen Chan in joining CRHK – together with Jim Yan (少爺占), he currently hosts the radio program 《讀賣Sunday!》.

April 2012
TVB’s reality show Bride Wannabees《盛女愛作戰》becomes a highly rated overnight sensation. Almost immediately, Stephen Chan hires one of the main ‘stars’ of the show Bonnie (繆婉嫻) as well as ‘life coach’ Winnie to host the newly created radio program 《大龍鳳》.

In addition, Stephen Chan also convinces celebrity chef (and renown host / DJ) So Sze Wong (蘇施黃) to return to CRHK and host 2 new programs.

June 2012
DJ and head of production Vincent Wong (黃永) and assistant deputy chairman Eric Yeung (楊振耀) are forced to withdraw from their hosting responsibilities for 《在晴朗的一天出發》and are transferred to different positions – their show is replaced by 《左右大局》which is hosted by Leung Wai Ling (李慧玲) and Kwok Chi Yan (郭志仁).

Also, Jerry Lamb and Stephanie Che’s radio show《巴巴閉Afternoon D》is criticized for having low ratings and is abruptedly cancelled at the end of June. Both artists also hosted a weekend show, however after their regular show was cancelled, both of them decided to leave CRHK.

July 2012
Stephen Chan invites Wayne Lai (黎耀祥), Anthony Wong (黃秋生), Elaine Jin (金燕玲), Andy Hui (許志安), Elisa Chan (陳潔玲), Nikki Chow (周麗淇), Alfred Hui (許廷鏗), Kary Ng (吳雨霏), etc. to participate in the special 45th anniversary edition of CRHK’s long-running radio drama 18th Floor, Apartment C 《18樓C座》, in the hopes of attracting a younger audience to tune in to the drama.

August 2012
Eileen Cha’s long-running radio show is cancelled and replaced with Elaine Ng’s new show.

Saturday, August 11, 2012

News Article: With both TVB and CTI fighting for her, Jessica Hsuan intends to ‘return’ to HK television on her own terms

The latest issue of Mingpao Magazine is out and there are actually quite a few interesting articles in it this time around (well, interesting to me, at least...LOL!).  Hopefully I'll have time to translate some of the other articles in this week's issue, but for now, here's an interesting article about one of TVB's former top fa dans from the 90s -- Jessica Hsuan.

Personally, I'm not a fan of Jessica's by any means (I like some of her series, but overall, as an actress, she's just not my cup of tea), however she is definitely an experienced, talented actress and I respect her for that.  Plus I've actually been watching the series Tiger Cubs the past couple weeks and must admit that the series is truly quite good, so I enjoyed reading this brief article about Jessica as well as the series itself. 

Anway, not really going to comment much on the article except to say that Jessica's contract with TVB ended last year and as a free artist, she has pretty much been focusing her career in the Mainland.  Ever since her contract ended, there has been speculation as to whether she will join one of the rival TV stations.  Well, now with the success of the Tiger Cubs series and TVB approaching Jessica to re-sign a per series contract with them, looks like the answer to that question is most likely 'no' -- after reading this article, it looks like the chance of Jessica re-siging with TVB is extremely high.

.***.

With both TVB and CTI fighting for her, Jessica Hsuan intends to ‘return’ to HK television on her own terms


Translation:  llwy12




Under the leadership of its chairmain Ricky Wong (王維基), City Telecom (CTI) has been aggressively expanding its footprint in the HK television circle these past few months. After successfully ‘poaching’ a large group of veteran and talent-path artists from rival TVB, CTI is now setting their sights on recruiting first line siu sangs and fa dans, which they currently lack. One of CTI’s latest recruitment ‘targets’ is actress Jessica Hsuan (宣萱), whose popularity once again soared recently due to the TVB series Tiger Cubs《飛虎》. After losing so many artists to rival stations as well as to the Mainland [China] market, it is said that TVB does not want to take any chances and so will likely use the ‘lure’ of a Tiger Cubs sequel to get Jessica to re-sign with them. Towards this, Jessica made her position very clear: “My number one request is for a good role and good script – otherwise, I wouldn’t have declined at least 5 TV series in HK and Mainland. To me, the chance to film the sequel [to Tiger Cubs] is not necessarily the most attractive offer.”

It has been rumored that Ricky Wong’s CTI has been consistently in contact with Jessica, giving her numerous scripts to review in the hopes of recruiting her to join their company. According to behind-the-scenes personnel [at CTI], many of the roles that were offered to Jessica for review were specially written for her and cater to her strength in playing ‘professional’ roles. Asked about this, Jessica expressed: “I have been in discussions with CTI, however the offers so far were to once again portray a cop and other ‘professional’ roles – this is the primary reason why I declined the offers. Tiger Cubs was the last series that I filmed in HK and since a large amount of time has passed, I hope that my return will give HK audiences a different feeling. It’s not that I won’t play a cop or lawyer ever again, but rather I prefer for my ‘return’ series to not be the same type of role.”


Declines offer to film 5 series, loses 8 figure earnings

Jessica continues: “As for TVB, we were in discussions previously and recently resumed discussions once again. However, I still need to look at suitability of the role and also a confirmed good script. There was talk of a possible sequel to Tiger Cubs, but all along, I’ve never been a fan of sequels. For example, back when Dicey Business 《賭場風雲》aired, the audience reaction was also very good, however as soon as the company suggested filming a sequel, I immediately said no. I feel that whether it’s a HK series, movie, or even a Hollywood film, sequels rarely ever live up to the original – I would much rather leave behind beautiful memories of the series and not wait until the story is filmed to death before stopping. Recently, I’ve given it some serious thought and asked myself if a sequel were to be filmed, what would be the most attractive ‘selling point’? But I will say that with the good ratings and word of mouth for Tiger Cubs, it truly does give me a feeling of accomplishment and satisfaction. If there truly is a sequel, I wouldn’t mind using my ‘friendship cards’ and invite friends such as Bobby [AuYeung] (歐陽震華), Louis [Koo] (古天樂), Gallen [Lo] (羅嘉良), etc. to participate.” (What do the salary offers look like from both sides?) “Of course CTI’s salary offer is more attractive than TVB’s, however I would not request an amount comparable to Mainland salary. More important for me is who I would be collaborating with – I’m not necessarily requesting to ‘choose’ who I want to collaborate with, but I do prefer working with artists who have more of a professional attitude. Right now, all I want is to be happy doing my work – if the people I work with can’t even meet the ‘basics’ of being punctual and studying their script, I don’t want to get myself all upset over it.”

If the amount of salary is not the most important, does that mean that Jessica has already earned enough money? She replied: “Earned enough? I don’t think anyone will ever say they’ve earned ‘enough’ money! As a kid, when I earned my first dollar, I would think how great it’d be if I earned 10 dollars, then when I have that 10 dollars, I would think about earning 100 dollars – when I started working and earned my first hundred thousand, I’d think about how satisfying it would be to earn more…it’s an endless cycle. However I also know that I can’t earn all the money in the world and slowly I realized that all these years, I’ve put so much focus on my work that I ended up missing out on a lot of things around me….earlier, I actually declined offers to film 5 series in both HK and Mainland – quite a lot of money involved.” (Loss of earnings in the 8 figures?) “Since I already declined the offers, no point in calculating.”


Ready anytime for new relationship

With all the time that Jessica has spent working, what does she feel are some of her ‘regrets’? Jessica expressed: “I missed out on the weddings of many many friends and it’s something that I can’t make up for anymore. In the past, work always took first priority – when my friends would invite me to their weddings, I would always tell them that I wasn’t sure if I’d be able to make it and in the end, I would choose work over attending the wedding. But things are different now…” (Missed out on [love] relationships as well?) “Yes, but it’s not entirely regrettable, as I believe in fate when it comes to relationships. I once had a 6 year relationship during which I asked myself whether I would regret it in the future if I were to give up my career for the relationship – the answer was: yes, I would regret it! If you were to ask me to choose again now, I would still make the same choice. I feel that modern women, even if married, still need to have a career – I would never be able to endure being locked into a housewife role at home with nothing to do! Doesn’t matter how much money you give me, I just can’t do it – I have my own interests such as going diving or meeting up with friends for dinner and such.”

In recent months, Jessica definitely appears more relaxed and happier, which caused many people to think that perhaps she’s in a new relationship – in reality, Jessica actually hired a personal trainer to help her get back into shape. Asked whether she is currently in a new relationship, Jessica replied: “Nope! Since I’m not currently tied down by any contracts, I figured I’d use the break to get myself back into shape and also to look after my health. Pretty much right now, I’m ready for whatever that may come my way – whether work or relationship. I’ve always been a bit on the skinny side and with age, my body doesn’t work as fast as it used too – therefore I felt it was necessary to tone myself up, do more exercise, upgrade myself. I must admit that after I started doing this, I’ve felt a lot more alert and energetic! Even my fans and other friends have asked me whether I’m dating – it’s quite funny actually!”

Since breaking up with her veterinarian boyfriend Ruan last year, Jessica has not started any new relationships yet. Towards this, Jessica laughed and replied: “Leave it up to fate! My life right now is very happy – I have a pretty steady circle of friends, both male and female. If I were to start a relationship, I’d have to find someone whom I can ‘click’ with – someone I could mutually rely on and take care of each other.” (Are you accepting of an ‘older woman/younger man’ relationship?) “It would depend upon whether the other person is mature in his thinking or not. If I have to ‘take care’ of him like a son, then no thanks! I already have 3 people that I ‘take care of’ at home: my elderly parents and a housekeeper who helped raise me since birth – sometimes I do wish that I had a shoulder to lean on, but if it’s not the right person, can’t force it! My 80 year old father used to nag me about finding a good man and getting married, but now, he actually tells me not to rush into things – if not compatible, then don’t get married…being happy is most important. Those are my sentiments exactly!”


Success of Tiger Cubs opens up a new timeslot for TVB

In the hopes of opening up a new weekend timeslot , TVB arranged for Tiger Cubs to be the inaugural series to help test the waters – the results were very successful, as the series beat out all of the variety shows with its unprecedented high ratings in that timeslot. Previously, the ‘grand production’ variety special TVB Singers Red and White Battle, in which more than 100 singers participated, only averaged 19 point ratings in the weekend timeslot – so far, Tiger Cubs has been able to garner peak ratings of 26 points in the Saturday timeslot, with ratings reaching 31 points in the Sunday timeslot, which is even higher than some of the regular series airing on the weekdays! It’s no wonder then that TVB would try so hard to persuade the series’ stars Joe Ma (馬德鐘) and Jessica Hsuan to re-sign filming contracts with them. Head of production Tommy Leung (梁家樹) has already confirmed that there are plans to film a Tiger Cubs sequel next year and he hopes that they will be able to maintain the original cast. Joe Ma has already re-signed a per series contract with TVB – now all they are waiting for is Jessica to give the green light to re-sign with them.

Friday, August 10, 2012

My ‘TVB Rant’ # 21: The 2012 HK Television Wars – Latest Updates and Analysis

Yup, it's time for another one of my 'rants' about TVB (well, kind of, since this post talks about more than just TVB-related stuff).....I know, I know -- it's been awhile since I've done one of my rants and some of you probably thought that I had stopped ranting because there hasn't been much to rant about recently. Well, the truth is -- there has actually been plenty to 'rant' about, it's just that I got super busy with work and life in general so I didn't have time. Now that I'm starting to get more 'caught up' with my stuff though, I figured it was a good time to do a 'catch-up rant / update' on some recent happenings in the HK television world.

Ok, so here we go....

Even though I've been quite busy recently, I've somehow still been able to fit in pockets of time to watch a few TVB series / variety shows here and there (haha...yup, that's the 'die-hard' television fanatic in me talking) as well as somewhat keep up with my daily 'habit' of reading HK entertainment news. Of course, there has been alot going on in the HK entertainment world recently, though much of it I don't really care to comment on -- but one thing I HAVE been continuing to keep tabs on is the whole HK television wars thing between the current free-to-air TV stations (TVB and ATV) and their upcoming competitors in the free-to-air market (CTI, NowTV, and i-Cable). I actually did a couple postings related to the television wars in the past few months based on the developments at that time, but with so many things that have changed, it's probably a good idea to do an 'update' at this point. Here's a quick 'rundown' of some recent happenings (note that the listing of the stations is completely random -- there is no particular rhyme or reason for why I listed it this way):

The current ‘players’:

ATV
This may sound harsh, but honestly, should we even consider ATV in this ‘battle’ anymore? I mean, the station has been plagued with problems for years already and with the rapid escalation of the issues these past 2 years, I’m surprised that they’re still even afloat!

First off, their decision to stop filming series and instead rely almost entirely on news, variety, and ‘specialty’ programs was really stupid because look where that has taken them? I mean, let’s face it: the reality is that HK television audiences are crazy about TV series – if they’re going to turn on their TVs, 90% of the time it’s going to be for the purpose of watching a TV series, not a variety show (the variety show is merely a ‘time-filler’ in between series)…it’s embedded in the culture and pretty much is never going to change, so why would the management even consider doing an ‘all news, all day’ channel and expect it to be successful?

Speaking of management….how many times has ATV ‘changed hands’ in terms of management over the past few decades? Heck, I think they should get recognized in the Guinness Book of World Records for being the TV station that’s had the most management turnover! (Ok, I’m being facetious, but you get the point). So much for job security! I really feel sorry for ATV’s employees – I mean, imagine having to work in such an unstable environment where you don’t know from one day to the next who your boss will be (or whether you will still have a job when you come in the next day). Oh and weren’t there rumors last year (or was it this year?) about ATV employees not getting paid on time for their work and in some cases, not even getting paid AT ALL? Wow….and I thought TVB sucked for paying their artists below minimum wage – compared to ATV not even paying their artists at all, the ‘few bucks’ that TVB pays doesn’t sound too bad after all, huh?

The conclusion – I don’t think it would be that much of a stretch to say that pretty much no one watches ATV anymore, right? Well, judging from the numerous ‘zero point ratings’ that ATV has logged in the past several months, I don’t think it’s too far off from the truth. By the way, when was the last time that ATV logged double digit ratings points? I honestly can’t think of a recent instance (if anyone does think of one, I’d be curious to know!). And if the virtually nonexistent ratings isn’t enough ‘proof’ of how badly ATV has deteriorated, maybe the recent ATV 50th Anniversary Gala will help convince the ‘doubters’ – go ask director Tsui Siu Ming and I’m sure he’ll give you first hand testimony on how he felt performing to an auditorium full of EMPTY chairs at the gala!


TVB
Let's just say that the TVB of today isn't what it used to be. It's obvious from the series they've put out in the past 2 years that they are SEVERELY lacking in talent -- both in front of the camera (actors and actresses) as well as behind-the-scenes (producers, directors, scriptwriters, etc.). It's definitely NOT a coincidence that most of TVB's series in the past 2 years consist mostly of the same cast over and over again (and not just the supporting cast, but the main leads as well) -- I mean, honestly, I've already lost count of how many times I've seen the same names on cast lists for series airing back to back.....to the point that I've gotten confused several times already when tuning in to a series in the middle of an episode and thinking I was watching a particular series when in fact it's a different series with the same cast (believe me, that rarely happened to me in past years). Yes, I understand that TVB has to work with the resources they've got and with the mass exodus of so many artists and behind-the-scenes personnel in recent years (especially last year with the whole 'poaching' thing by other stations), their resources have dwindled drastically -- but to be very honest, alot of that was TVB's own doing (not going to rehash all the 'reasons' right now though).

The 'lack of resources' was especially apparent last month when TVB did that whole "Amazing Summer" special event thing where they had pretty much all their artists drop what they were doing to participate in a group picture and a bunch of lame skits (which, by the way, I could probably rant about all day since I'm watching the skits currently and saying that they are a 'joke' is basically an understatement --- if you haven't watched the skits yet, my opinion is: DON'T!! It's a major waste of time as well as brain cells!). Looking at the group picture, I couldn't recognize the names or faces of probably half the artists who participated -- not to mention the 'standings' in the picture were ridiculous (some people who were in the first and second rows definitely didn't deserve to be there). If that's the best that TVB can do nowadays given the lack of resources, that's truly very sad....

Another thing I've noticed about TVB as of late is that they seem to be cramming as many 'familiar' / 'relatively known' artists into series as they possibly can, even having them take on nonessential 'filler' roles or roles that I would consider one level above an 'extra' (or 'ke le fe' if you want to use the Cantonese term). I already started noticing this with last year's series (Forensic Heroes 3 comes to mind right away) and even more so with this year's series (Witness Insecurity is the most recent example). I could sit here and speculate all day about the ‘reasons’ why TVB would ‘misuse’ their artists like that (i.e.: the lack of artists in general so the artists they do have need to wear different hats, TVB politics, etc. etc.), but the fact that it’s happening proves that something is amiss. [Sidenote: I’m not talking about the series where having various well-known artists ‘guest-star’ in a particular segment is part of the storyline – series such as Tiger Cubs for example. I’m referring to series where the characters can be completely written out of the script and no one would know the difference (WI is the best recent example of this that I can think of right now)].

Whatever the case, it’s obvious that things are not “fine and dandy” at TVB anymore and if they seriously want to come out of this war relatively unscathed (which is pretty much impossible at this point but I’ll still put it out there), they (meaning TVB management) really need to ‘clean house’ and start making all the right moves. The biggest advantage they have going for them right now is the ‘familiarity’ they have in HK audience’s households (and the certain amount of ‘loyalty’ that comes with it) as well as the ‘connections’ that they’ve established with ‘big name’ people who have worked for them in the past and who still have a relatively good relationship with them – people like film director Wong Jing for example, who has already confirmed that he will be writing and producing a series for TVB and casting his friend, multi-award winning Best Actress Deanie Ip as the female lead (smart move on TVB’s part considering how ‘well-connected’ Wong Jing is). It will be interesting to see what other ‘moves’ TVB will make in the face of the impending competition from the other stations – it’s pretty much their battle to lose (or win) at this point!


The ‘new’ players…

i-Cable
As I’ve said before, they’ve been relatively quiet throughout the ‘battle’ so far and out of the 3 companies that have applied for a free-to-air TV license, they’re the ones that we (the general public) know the least about in terms of their strategy in the face of the upcoming war.

As of right now, we still don’t know too much about their strategy, however in my opinion, their recent Olympic broadcasting rights ‘debacle’ does give us a little glimpse as to what they were ‘possibly’ thinking in terms of the whole TV license thing. Personally, I’ve lost all respect for i-Cable after seeing the crappy way that they handled the whole Olympics thing – not sure what they were trying to accomplish with their ridiculous proposal practically trying to force TVB and ATV to air i-Cable programming in their ‘golden’ timeslots (and playing ‘hardball’ by only giving the 2 stations 24 hours to respond). Well, the tactic backfired on them big time, since the government ended up having to intervene – the whole incident just made i-Cable management come across as incompetent and greedy! (The person at i-Cable who ‘authorized’ the lousy decision must be kicking himself right now…).

I’m curious to see what other ‘lame’ decisions i-Cable management will make in the coming months, especially once the free TV battle ‘heats up’.


NowTV
I’ve said it before and I’ll say it again – out of the 3 companies that applied for free-to-air licenses, I feel that NowTV has the most potential to succeed. True, they have not even started filming series yet and in reality, they don’t even have any artists officially ‘signed’ to them either (Bowie Lam and Wong Hei are signed to the management company ATN, which NowTV has a stake in but doesn’t completely own), however based on everything that they’ve revealed so far about their plans upon receiving their license, it looks like they are taking a more measured approach, which is smart given the circumstances.

By bringing on Ho Lai Chuen as the primary ‘executive’ to oversee their free-to-air operations (he had previously worked for TVB for 30 years and oversaw their non-drama department), NowTV definitely took a step in the right direction – not just because of HLC’s decades of experience in television, but primarily because he is well-connected (in terms of to artists and producers) and also he is pretty well-respected. Case in point -- no doubt that Ho Lai Chuen played a HUGE role in getting TVB’s former ‘golden’ producers Lau Ka Ho and Mui Siu Ching to agree to join NowTV last year (they will be overseeing the drama department at NowTV – similar to Catherine Tsang and Tommy Leung’s roles as production heads at TVB) – the husband/wife team of LKH and MSC are extremely well-respected in the television industry, they have a proven track record of producing numerous highly rated and highly acclaimed series, and the number of artists they collaborated with in the 25 years that they were at TVB (and who would be willing to collaborate with them again if asked) is tremendous!

NowTV recently held a press conference where Lau Ka Ho and Mui Siu Ching announced their upcoming plans for producing drama series in their new positions. Pretty much they are going to focus on breaking into the Mainland market with their series, as most of them will be collaborations with a Mainland company -- they will also choose artists to collaborate with based on suitability to their scripts (which they are also involved in creating / writing)…of course, they will utilize HK artists if the series is a good fit, however there is very little chance that their series will be in direct competition with the other HK TV stations (which is probably why up to this point, NowTV has been able to maintain such an amicable relationship with TVB). Wong Hei already confirmed that he will be filming a TV series for NowTV in early 2013 (who he will be collaborating with is unknown at this point, though there are rumors flying around that Steven Ma and Charmaine Sheh will also join NowTV – of course, this has yet to be verified so please do not treat it as truth!).

Overall, if you want my opinion on which station is most likely to succeed – well, my money is pretty much on NowTV. Out of the 3 new stations vying for a piece of the free-to-air market, I have the most respect for NowTV so far because up to this point, they’ve been making the right moves. Obviously they have not been as ‘aggressive’ with their plans as CTI has been (and they have maintained a relatively low profile this past year compared with CTI’s loud, high profile ‘storming’ into the HK television world). With that said though, NowTV has been able to maintain a certain amount of transparency with their plans, revealing just enough to keep the general public abreast of what to expect, but of course not completing giving away all the ‘secrets’. Most important of all though – unlike CTI -- NowTV has NOT outrightly poached any of TVB’s artists – all of the artists and producers who joined their company from TVB were approached only after their contracts with TVB had ended (Bowie Lam and Wong Hei) or they had already submitted their letters of resignation (Lau Ka Ho and Mui Siu Ching). Now that’s what I call ‘healthy’ competition!


CTI
Out of the 3 new TV stations coming into play soon, I probably know the most about CTI, primarily because the company (and its chairman Ricky Wong) has been ‘in the news’ the most often – almost as much as TVB.

I’m sure most people who have been following the whole TV station battle thing are well aware of what CTI’s plans are terms of breaking into the HK television market (for those who might be interested in reading up on them, check out the various blog posts I wrote under the label ‘City Telecom (CTI)’ or ‘Ricky Wong’) – therefore I’m not going to cover everything in this post. The important thing to note is that in the span of a little less than a year, CTI has been able to gather together a staff of close to 300 employees consisting of artists as well as behind-the-scenes personnel (or so they state – who knows, the number could be exaggerated) – PLUS, they have already started to film series as of several months ago (2 of the series already wrapped filming and are in post production, 3 are currently filming, and 1 more will start filming at the end of this month). That’s a pretty aggressive timeline for a company that doesn’t even have its license yet (and probably won’t get their license until 2013 at the earliest)!

A few things that set CTI apart from what is being viewed as their biggest competitor – TVB (and give them a huge competitive edge over the television powerhouse):

.-- Ricky Wong is definitely targeting TVB’s ‘pain points’ when it comes his tactics for building up his television empire: he’s luring artists to his company through promise of ‘more money’ than what the artists would ever make working for the ‘notoriously cheap’ TVB (I’ve read that in a few instances, the pay that some of the artists are getting is 10 times that of what they got at TVB!); he’s giving those who work for him the FREEDOM to also work for any other TV station they wish (something that TVB never allowed); and probably most important of all, he is taking the ‘sincere’ route by personally meeting with (or calling) every artist he plans to invite to join his company (what other CEO out there flies 30 hours round trip to Canada to personally meet with a second/third line veteran artist and spends a day ‘learning’ from him about how to ‘do’ television? Talk about being sincere! -- plus he makes them feel respected and valued. Compare this with TVB, where the artists management department is so freakin’ disorganized and its ‘fearless leader’ (Virginia Lok) is so busy arranging the schedules of only her own beloved ‘favorites’ that she lets many artists’ contracts expire without even knowing it (which means that those artists were never even contacted to discuss contract renewal). If you were one of those artists, which company would you choose?

.— So far, CTI has stuck to its ‘goal’ of pushing for creativity and innovation -- all of the series that CTI has in the works are varied in terms of theme / genre and there is some ‘unique’ aspect to pretty much each one of them: a vampire-themed idol drama (‘There’s Still Time to Love You Again’), a horror flick where pretty much every artist in the series gets to play 9 different characters (‘Frightful Century’), HK’s first TV series musical (‘Fantasy Love Song 201314), a heartwarming tale of encouragement that explores what happens if people got a second chance to live their lives (‘The Second Life’), a sophisticated undercover cop series where the artists get training using real guns (‘Police Cordon’), and a sci-fi/fantasy detective drama starring a highly anticipated father/daughter team (the series that Felix Wong will start filming this month with his daughter Adrian).

.-- The BIGGEST difference of all in comparisons to TVB – for all of CTI’s series, the scripts are 100% completed PRIOR to filming (which means that the artists get the entire script in their hands before they start filming so they have time to understand their character and prepare). Given TVB’s decades-long ‘tradition’ of writing scripts ‘on the fly’ (the whole ‘flying papers’ concept) and only giving their artists story summaries or partial scripts prior to filming (the artists pretty much get the rest of the script throughout the course of filming, since the scripts are usually not finished yet), this ‘concept’ of getting the full script prior to filming is definitely an attractive benefit to consummate actors/actresses who take their craft very seriously!

With the cast lists that were released for CTI’s latest series, I’ve heard a lot of people ‘complain’ about how the artists signed with CTI (or filming series for them) are mostly veterans who are ‘past their prime’ and are virtually ‘unknown’ to today’s audiences – in other words, the audiences don’t recognize more than half the names on the cast list because of their ‘lack of popularity’. My counter-argument to this is – well, the same can actually be said of TVB’s series, except replace the ‘veterans’ with ‘newbies’. I can very honestly say that I’ve looked at the cast lists for quite a few of TVB’s upcoming series (either already filmed, currently filming, or planning to film) and well, um, I probably don’t recognize half the names on the list – for someone like me who has followed TVB series for more than 2 decades, it has been years since I’ve looked through a cast list for TVB series and not be able to recognize majority of the names on there! So basically, my point is – with all the changes coming down the pike, it’s probably best to just keep an open mind and let the pieces fall where they may...

Thursday, August 2, 2012

Review of TVB series ''Witness Insecurity''《護花危情》(2012)

Producer: Lau Ka Ho (劉家豪)

Cast: Bosco Wong (黃宗澤), Linda Chung (鍾嘉欣), Paul Chun (秦沛), Ram Tseung (蔣志光), Ronald Law (羅鈞滿), Cilla Kung (樂瞳), Queenie Chu (朱慧敏), Rachel Kan (簡慕華), Eric Li (李天翔), Lee Kwok Lun (李國麟), Geoffrey Wong (黃子雄), Savio Tsang (曾偉權), Yeung Ching Wah (楊證樺), Lee Yee Man (李綺雯), Jonathan Cheung (張穎康), etc.


**SPOILER ALERT: For those who haven't watched this series and don't want to be 'spoiled' with knowing some of the details of the series beforehand, then I recommend not reading this review, as there are details mentioned that I feel are necessary in order for me to write this review properly. Not to mention there will also be some mention of the ending as well, especially since there was quite a bit of 'controversy' surrounding it.

Before I start, I will say that I am probably in the 'minority' in terms of people who really liked this series and felt that pretty much everyone (from the main leads to the supporting cast) did a good job with the acting. I know that certain artists in the series have a lot of anti-fans (which is quite obvious based on all the on-line comments I’ve read the past few weeks) and as a result, there may be quite a few people out there who refused to watch this series at all or if they watched, skipped majority of the scenes with particular artists – that’s definitely those audience’s prerogative and I have no intention of changing it. However the point that I want to make is that as a neutral bystander who neither likes nor dislikes the main leads, I am writing this review from the 'neutral' perspective and everything contained in it is my personal impression of the series, regardless of what my feelings are towards any of the artists – so basically, those who hate any of the artists in the series and can't bear to hear anything good said about them should just skip this review completely.

Ok, so with the 'disclaimers' out of the way, on to the actual review....

Witness Insecurity [referred to in the rest of this review as WI] just finished airing this past Friday and already, I’ve watched the series twice (partly because I liked the series but also because of the convenient timeslot that it airs here in the U.S., which allows for re-airing of each week’s episodes on the weekend). I will be the first to admit that I absolutely did not think that I would like this series, primarily because the premise of the series wasn't fresh or creative (the whole witness protection thing has definitely been done before, more than once in fact) and also I'm not a fan of Bosco or Linda (especially Linda, since her last few series left a bad taste in my mouth and so I didn't think that I would be able to tolerate her in this series). Therefore, I went into this series without any expectations whatsoever and to my surprise, I actually ended up liking the series quite a lot (I was pretty much hooked from episode 1 all the way to the end…)

In my opinion, one of the biggest things that made this series so good was the cast -- from the main leads (Bosco and Linda) to the 'heavy supporting' artists (Paul, Ram, Ronald, Cilla, Queenie, Lee Sing Cheong, Eric Li, Savio Tsang, etc.) to the 'lesser supporting' artists (Lee Yee Man, Jonathan, Lee Kwok Lun, Rachel, the rest of the artists who portrayed either WPU staff or police officers in the criminal investigation department, etc.) -- no matter how big or small the role, practically everyone put in good performances...THAT's really what left a deep impression on me in terms of this series (I’ll go into more detail about each person’s performance later on in this review). I know a lot of people might disagree with me here, but hey, it’s my opinion after all…

Of course, no series is without flaws and this series was definitely no exception -- in fact, I would have to say that there were plenty of flaws and 'inconsistencies' in the script as well as several moments where, while watching the series, I felt like I just wanted to 'kill' the scriptwriters (more about this later). Even though this did detract from the series overall, it wasn’t completely unsalvageable, at least not for me – I still continued watching the series and enjoyed it

.---.

SCRIPT / STORYLINE

My biggest complaint about the series is really with the script. The series actually started off quite good in the beginning, with the engaging storyline involving the WPU and the exciting action sequences as well as the 'setting up' of the romantic storyline between Hui Sir and Hailey -- plus the interaction and chemistry between the entire cast was at its best during these first 11-12 episodes or so: I especially enjoyed the chemistry between the WPU team and was really looking forward to seeing more of them....but unfortunately, during the second half of the series, the storyline sort of 'fell apart' in that the series moved away from the 'witness protection' theme (since the assignment to protect Hailey was over and Hui Sir was promoted and subsequently transferred) and focused primarily on the conflict between the Kiu brothers and Hui Sir. I probably would have been ok with this had they [the writers] developed the romantic relationship between Hui Sir and Hailey more in the second half (since, after all, that was the whole point of the series, right?) -- BUT, that didn't happen either....instead, we have this 'tortured' pseudo-romance storyline between the two main leads and even up until the tragic end, they don't officially even get together. It was definitely disappointing to see the second half of the series stray so far away from the original premise and theme of the series.

Don't get me wrong, there were still quite a few scenes in the second half of the series that I enjoyed, but as a whole, the first half was definitely way better -- the storyline in the second half was too messy and the direction that the writers decided to take was not really logical. Even though I still liked the series overall and continued to stick with it because I like the cast and also because I wanted to see how the relationship between Bosco and Linda's characters develop, I know that alot of people stopped watching the series after the storyline started straying off course, which is very unfortunate.

This series was produced by Lau Ka Ho and one thing I’ve noticed about his series in general is that a lot of times, the storylines veer off course and the scripts are not as tightly written as they could be. When I first started watching WI, I thought this series might be an exception, but now after finishing this series, turns out that it still followed a similar pattern – the only difference is that at only 20 episodes, this series is way shorter than many of LKH’s other ‘epics’ and so there was less room for the ‘dragginess’ that I typically see with his other series (most of which were 30 episodes or more). Given the way the script was written, perhaps this was a good thing? Personally though, I think this series would have benefited from having another 5 episodes at least -- I think that if that had occurred, then the storyline would have likely gone in a more ‘appropriate’ direction and the sub-stories as well as many of the other supporting characters could have been more properly developed.

One last thing about the script….maybe it’s just me, but with the way the script was written, there were quite a few characters in the series who were pretty much ‘useless’ and really were just ‘there’ for the sake of being there – for example: Brian Chu’s character as Jo Jo’s younger brother, Deno Cheung’s character as the leader of one of the police teams, Glenn Lee’s character as Mrs. Kiu’s (Rachel Kan) younger brother (he only appeared for like 2 scenes), etc. Even Rachel Kan’s character was kind of ‘nonessential’ if you ask me – though she gets plenty of screen time compared to some of the others, her character really didn’t do much. To me, these characters were basically just ‘fillers’, as they didn’t advance the storyline much at all and didn’t serve any real purpose in the series. It sort of made me wonder why the scriptwriters even bothered writing their characters into the script and ‘wasting’ precious ‘plot space’ (as well as screen time) that could have been used to develop other sub stories.

Speaking of characters, what an appropriate segue into a discussion of the cast….


CAST / CHARACTERS

As I said earlier, when I first read the cast list for this series, I wasn’t much impressed, as there were quite a few artists in the series that I didn’t particularly care for in terms of acting and the ones I do care about I didn’t think would have significant roles – but after watching some of the preview clips that had aired the week prior to the official premiere of the series (no, not the ‘fake’ promo clip that was pretty much just a ‘gimmick’ and had nothing to do with the series), I decided to give the series a chance, since I saw that a few of my favorite actors (namely Paul Chun and Ram Tseung) would have pretty ‘meaty’ roles in the series. Turns out I made the right decision!

In terms of cast, I definitely wouldn’t consider this one ‘all-star’, as there were quite a few ‘newer’ artists whose names I didn’t even know prior to watching this series. But as I’ve been noticing more and more the past few years, there doesn’t necessarily need to be a whole lot of ‘big names’ in a series in order for it to be a ‘good’ series – with the right combination of good acting, well-written characters, and a decently written script, a series can still have a strong impact on audiences and garner good word of mouth as well as high ratings (as this series did).

Again, unlike some of my past reviews, I’m not going to go into too much detail about the characters themselves but rather just focus on my thoughts toward the characters as well as the artists who portrayed them.

So without further adieu, here’s my ‘take’ on the main cast…


Bosco Wong (Hui Wai Sum / Hui Sir) – Bosco’s character is a cop who, for the first half of the series, is the leader of the Witness Protection Unit (WPU) and due to his success in that role, he’s promoted in the second half of the series and transferred to the criminal investigation unit to head up a team there. In my opinion, the character of ‘Hui Sir’ is definitely one of the biggest draws of this series, as his character is written in such a way that it’s really hard for audiences not to like him or be smitten by his charm. Personality-wise, Hui Sir is the epitome of ‘cool’ and ‘suave’ – he’s smart, handsome, and is pretty much a natural-born leader (which came about in part because of his independence at an early age due to him growing up in an orphanage). It can be said that Hui Sir was born to be a cop, as he has strong investigative instincts as well as an unwavering sense of righteousness and justice. One of the biggest traits that sets Hui Sir apart from others is his extremely high EQ – no matter how difficult a situation is, he is always able to handle it with a calm, composed disposition.

Bosco did a great job with his character in this series and definitely left a deep impression on me with his performance. I will admit that I was never really fond of some of the roles Bosco played in the past – in fact, in general, I can’t really even remember too many of his past performances (probably because I never really paid attention). Therefore, I was actually a little bit surprised myself that I came to like his character so much – of course, part of the credit goes to the writers for the way they developed the character, but Bosco should also be given credit for the way he portrayed the character – in other words, for the way he ‘acted’ the part. When I first started watching this series and read the description of the character, I was a bit concerned in the beginning on whether Bosco would be convincing enough in such a mature, serious role – mainly because most of his roles in the past were sort of catered to his boyish, ‘sunshine’ image (even the past roles where he played a ‘professional’ such as a cop or a fireman, he still had that ‘boyish’ trait to him – probably the only other role where I didn’t get that impression was his villain performance as ‘Bai Co’ in last year’s Lives of Omission).  However, it turns out that my concern wasn’t warranted, as Bosco handled the role of Hui Wai Sum extremely well.

What I liked most about Bosco’s performance in this series was how ‘natural’ and ‘comfortable’ the role came across –with the way his character was written, there was quite a lot of ‘inner acting’ involved, since there were many moments where his character doesn’t say much, but yet still manages to convey his thoughts and feelings through his facial expressions as well as the way he carried himself (this was especially apparent during the first half of the series). Though I’m not a fan of Bosco’s by any means, this was one performance that definitely changed my impression of him as an actor and made me realize that with all the similar roles he played, his potential wasn’t really properly tapped into in the past (which is not surprising since that’s TVB’s typical way of managing their artists). I feel that with the proper cultivation in the right direction, Bosco has the potential to take his acting to a higher level – at this point in his career, he really should be taking on more mature, challenging roles rather than the ‘playful’ ones that he’s had in the past. With his role in his series as well as in LOO last year, looks like he’s headed in the right direction (for now at least…).


Linda Chung (Kiu Ji Lam / Hailey) – Linda plays the daughter of a rich tycoon who has a mood (anxiety) disorder resulting from a few tragic events that she had encountered when she was a child. In the beginning of the series, she is very anti-social and doesn’t like to talk or interact with anyone – she relies on playing the cello to release her inner tensions and regularly sees a therapist for treatment. However, after meeting Hui Sir and the rest of the WPU team and interacting with them for a certain period of time (since they were assigned to protect her after she witnesses a shooting), she starts to open up more and becomes a more cheerful person. By the end of the series, her personality has completely changed from what it was in the beginning and she no longer needs to go through therapy treatments in order to live a ‘normal’ life.

Contrary to popular opinion, I feel that Linda actually did a pretty good job with her acting in this series (don’t shoot me!). That’s actually saying a lot given the fact that I’ve never been impressed with Linda’s acting because I’ve always felt that somehow, her acting tends to come across as ‘exaggerated’ and ‘fake’ to me – especially when she tries to take on roles that are outside of her realm (such as a ‘bad girl’ type character or someone who is mean-spirited for example). Of course, part of the reason why I’ve never really been able to tolerate most of Linda’s performances in the past is because I can’t stand weak, pathetic, weepy, wishy-washy type characters and somehow she almost always ends up playing these types of characters.

Interestingly enough, Linda’s portrayal of Hailey actually left a completely different impression on me. Some might say that the role of Hailey was not too different than Linda’s usual ‘good girl’ type roles (which I kind of agree with), but in my opinion, the character was a bit better written than some of her other roles and most importantly, the role really suited her well (I heard the role was especially written for her?). Now I will say that Linda’s acting in the first 3 episodes (when she’s supposed to have that mood disorder illness that caused her to be very anti-social and paranoid about everything) was truly not that good (and in a few scenes, were probably ‘cringe-worthy’), but starting with episode 4 up through the end of the series, she actually does get a lot better – to the point that I actually started liking her character and really was able to feel for her throughout the series. One thing that impressed me about Linda’s acting in this series is that she did the ‘I’ve got a huge crush on Hui Sir’ scenes quite well – those scenes were very convincing and sweet. Also, Linda’s crying scenes were more tolerable in this series versus her previous works – I’m guessing that she toned down her crying a bit after being criticized for so many years about it? Well, the improvement is pretty obvious because outside of the first 3 episodes, Linda’s crying scenes were adequately done throughout the rest of the series (at least I didn’t find her annoying in this series at all).

One area that I feel Linda has definitely improved on is her use of facial expressions – there were quite a few scenes throughout the series where I felt that Linda’s facial expressions were very ‘on the spot’ and conveyed just the right amount of emotion. Of course, she’s still young and her acting still has A LOT of room for improvement (for instance, I don’t feel that her acting is mature enough to handle certain roles yet) – hopefully she will continue to get better with time.

With all that said though, my opinion of Linda overall does not change in that I'm still not tremendously fond of her as an actress because I feel that she’s still too much of a ‘hit and miss’ when it comes to her acting and therefore really can't carry a series on her own yet. For me, whether I'm able to tolerate Linda in a series or not really depends upon her role in the particular series as well as who she is paired up with. With my overall low tolerance level, I definitely wouldn't purposefully seek out a series and watch it just because Linda is in it, but if a series of hers happened to come on TV, I wouldn't mind watching it -- in other words, I'm not the type of person to stop watching / not watch a series just because I dislike a particular artist....to me, the storyline matters alot too and without attempting to watch the series, it's hard to truly know whether the series will be any good. Most of the time, I usually give the series a try and let the acting / storyline 'persuade' me to keep watching (or not)....


Bosco / Linda pairing– I never thought I would say this, but I’m absolutely smitten with this pairing after watching this series (yes, once again, I was surprised myself at how much I grew to ‘love’ this pairing). The chemistry that Bosco and Linda had in this series was quite amazing! I can’t think of any other series where 1) the main ‘couple’ never even officially become a couple in the series (from the beginning until the very end, Hui Sir and Hailey never officially get together – their relationship was pretty much ‘doomed’ before it even started), and 2) the ‘love’ feelings are pretty much one-sided throughout the entire series (Hailey has a crush on Hui Sir and even though he later develops feelings for her, those feelings never really turn into ‘love’), yet so many audiences (myself included) loved their pairing. [And I’m not just saying this – the proof is in the numbers: when Linda posted a photo of herself and Bosco (as Hailey and Hui Sir) on her Weibo during WI’s finale week, it received over 40K ‘retweets’ and over 15K comments in less than a day!]

This was actually the third time that Bosco and Linda were paired together as a couple (the previous 2 times were in Gem of Life and Moonlight Resonance – I will be absolutely honest and say that I don’t remember anything about their previous 2 pairings whatsoever, even though I had watched both series. I’m sure they had plenty of ‘sweet scenes’ in those 2 series too, but I don’t remember a single one – either I didn’t really pay attention and completely missed their scenes (which is possible but highly unlikely) or they didn’t have as much chemistry onscreen back then as they did in this series. After watching WI, I ‘adore’ this couple a lot for some unexplainable reason – I enjoyed every single one of their scenes together (even the ‘painful’ ones where they part ways with each other) and every time there was a ‘sweet moment’ between these two (mostly through eye contact or some other subtle expression), I couldn’t help myself from going: “Aww, how sweet!” [Some examples of Hui Sir / Hailey ‘sweet’ moments: the garden scene in episode 4, the cactus scene in episode 6, the Disneyland scenes in episode 8, and of course, the scene in episode 7 when Hailey gets shot and Hui Sir catches her from falling to the floor just in time, then picks her up and protectively carries her in his arms and runs through door after door to get her to the car and to the hospital (and accidentally hurting himself in the process)....true, a bad situation had happened, but the way it was filmed made it more sweet than it was tragic! I even found the scenes where Hailey would ‘steal glances’ at Hui Sir (unbeknownst to him) to be very cute and sweet!].

I definitely miss this pairing now that the series is over (especially with the tragic way that the series ended) – hope that I’ll get to see this pairing again in the near future!


Paul Chun (Kiu Kong San / Big Mr. Kiu) -- Paul Gor’s character is a rich tycoon with a shady past who lost both his wife and his son earlier on, so he focuses all his effort on loving his daughter and giving her everything possible. To be honest, despite Kong San’s past, I really don’t feel that he’s truly a ‘villain’ in this series, as the ‘motivation’ for a lot of the ‘pushing the envelope’ stuff he does in the second half of the series was primarily out of love for his daughter – he just goes about it the wrong way. I actually like his character better in the first half of the series, as his love for his daughter as well as his younger brother (Ram Tseung’s character) was more apparent and the stuff that he did actually made sense – some of his actions in the second half were sort of questionable to me and overall just didn’t jive that well with the overall storyline. I mean, yes, the sub-story about Kong San’s past was intriguing, but I feel that the writers could have written that whole story arc a little tighter and not drag it out for so long.

In terms of the acting – well, what can I say? It’s Paul Gor after all -- he’s one of the best ‘elder’ / veteran actors out there! I grew up watching Paul Gor in movies and television series, so I’m already very used to his style of acting – I love his versatility as an actor and how he can play a wide range of roles: from the most cold-blooded of villains to one of the most benevolent, lovable fathers we’ll ever find. I can truly say that I enjoyed Paul’s performance throughout the entire series, even in the second half when the storyline started to unravel a little bit and strayed from the original theme. I’m actually really glad that Paul Gor had such a significant role in this series (his screen time was actually not that much less than Bosco’s) because even if I didn’t really like the direction of the series in the second half, I could at least still enjoy his acting!


Ram Tseung (Kiu Kong Hor / Little Mr. Kiu) – Ram’s character Kong Hor is the younger brother of Paul’s Kong San. The best way to describe Kong Hor is ‘laid-back’– he has a very friendly personality and playful sense of humor that helps him get along well with practically anyone. With the way that he’s always cracking jokes and taking pretty much everything that happens in stride (even something as ‘serious’ as getting shot in the head), he sort of reminds me of a hyper little kid in a man’s body. I really liked his character in the first half of the series especially, where he was the constant ‘comic relief’ and always managed to bring a smile to everyone’s face. His biggest flaw though was that he liked to ‘shoot off his mouth’, especially after he’s had a few drinks (this gets him into trouble early on and almost costs him his life). Unfortunately, his character changes a bit in the second half of the series – no, he doesn’t turn evil (thank goodness!), but his character does become a little more ‘serious’ and loses the humorous ‘charm’ that he consistently had through most of the first half. It’s too bad because I really did like his character and was looking forward to seeing more of his charm…

I actually was a bit surprised at how significant Ram’s role was in the series, especially in the first half – because the past few years, he had been relegated to playing lesser roles (or a villain role) for the most part. Not that I’m complaining though, since Ram has always been one of my favorite supporting actors – I always enjoy watching him in series because he always manages to bring his role to life with his performance, no matter how big or small his part is. In fact, whenever he’s in a series, I usually find myself watching most of the scenes that he’s in, even if I end up skipping the rest of the series because I can’t stand the storyline or the rest of the cast – and whether he’s playing a good guy or a villain, he’s always very convincing with his performance (yes, he’s THAT good!). He’s definitely very underrated as an actor and I really wish that TVB would give him more significant roles to play. Ah well – I’ll still continue to support him regardless of the types of roles he gets!


Ronald Law (Yeung Yiu Dong / Ba Da) – Ronald’s character is a young cop with a lot of potential who looks up to Hui Sir (Bosco) as a mentor and ‘big brother’ of sorts. He first met Hui Sir while at the academy and later when he was assigned to work with him in the WPU, they became best friends – Hui Sir treats him just like his own little brother (hence Ronald’s nickname in the series ‘Ba Da’). Ba Da is actually a very endearing character because he always has a certain earnestness and boyish charm about him – he’s a very sweet, super nice person who pretty much anyone would find likable (of course, those dimples of his help a lot too…LOL!) One of Ba Da’s most admirable traits is that he is extremely loyal and once he makes a decision to follow someone, he’s unwavering in his dedication and loyalty – he’s like that with Hui Sir as well as with Jo Jo (Hui Sir’s cousin), whom he has a huge crush on throughout the series. I actually really liked Ronald’s character in this series and enjoyed his interactions with Bosco’s character – I loved the ‘heart to heart’ conversations that they would have in the series where they would encourage one another and give each other advice (though more often than not it was more like Hui Sir giving Ba Da advice and trying to steer him in the right direction in terms of his life and career). The brotherly chemistry between the two was done very nicely!

In terms of acting, I would say that Ronald did a pretty good job considering he’s a newbie – of course he still needs polish, but he did come across quite natural in his role of you ask me (though part of that could have been because the role fit him well). Prior to this series, I really wasn’t too familiar with Ronald, as the only other series that I had seen him in was When Heaven Burns and his role in that series was definitely less significant compared to this one. I liked him in this series and from his strong performance, it looks like he has does have potential as an actor – give him a couple years and if developed correctly, I think he will do well.


Cilla Kung (Lee Hau Yan / Jo Jo) – Cilla’s character is a typical materialistic youth who is overly ambitious when it comes to climbing the social ladder and is constantly chasing the latest societal as well as fashion trends. Her goal in life is to marry a rich person in the future so that she can be set for life and also be ‘known’ in upper society -- which is why she is ecstatic when she finds out that her cousin Hui Wai Sum (Bosco) is assigned to protect Hailey (Linda), daughter of a rich tycoon. Not surprisingly, she becomes good friends with Hailey and even tries to serve as the ‘matchmaker’ for her and Hui Sir. Jo Jo actually isn’t a bad person by any means, she’s just a little bit annoying at times with her overzealousness in trying to become rich and famous. I was ok with her character, though I really didn’t like the way that she would treat Ba Da (basically leading him to think that he had a shot at being her boyfriend so that he would continue to give her gifts and such). Luckily she redeemed herself in the latter part of the series when she recognizes how wrongly she had treated Ba Da and resolves to be a more responsible person (though of course, it was too late to salvage her relationship with Ba Da, since he was killed off in episode 17). I don’t really have much opinion about Cilla as an actress because I haven’t watched enough of her performances to fairly judge. I will say though that she wasn’t too bad in this particular series – in fact she came across quite natural, since the character she played was probably close enough to her real age and seemed to suit her style.


Eric Li (Tong Jun Gai / Shawn) – Eric’s character Shawn actually does not have a whole lot of screen time, but his character is quite significant in terms of story development. He consistently appears in the first few episodes, then pretty much disappears for awhile and doesn’t appear again until the final 2 episodes. In the beginning, I was a little confused in terms of Shawn’s character and what his relationship was with the Kiu family (they never really properly introduced him) – at first, I thought that he was some sort of relative of the family, but it turns out he’s not related to them at all. Basically, he’s the son of a deceased tycoon whom Kong San takes under his wing and provides for him (we only find out the real reason why Kong San provides for Shawn later on in the series). To be honest, I don’t really like the way Shawn’s character was written because he was kind of all over the place and it was not really clear until the end of the series what the significance was of his character – I think his character could have definitely been developed more and perhaps have the story arc focus more on him in the second half of the series (rather than just in the last 2 episodes). To me, it seemed kind of ‘random’ the way he would pop in and out throughout the series and sort of made it difficult to really get into his character.

I was actually hoping that Eric wouldn’t have to play the villain again in this series, especially after his awesome performance as a good guy in Bottled Passion earlier in the year. Unfortunately, he does go down the ‘villain’ path in this series as well – though I guess if we want to get technical, he wasn’t exactly the ‘bad guy’ in the traditional sense of the word. He basically becomes a totally different person in the last 2 episodes of the series because of the stuff he encounters (losing all his money, taking drugs, etc.) and that’s really what affects his actions – I guess we could say that he was more a confused drug addict than he was a murderous villain. I’ve really got to hand it to Eric for his performance in this series – despite his limited screentime and the not very well-written character, he was quite excellent in his role. He really shined in the last 2 episodes of the series when his character returned as a delirious drug addict – he had changed so much physically that I actually was not able to recognize him from the pictures and spoiler scenes that I had seen prior to those episodes airing! He really played the drug addict role well (couldn’t help but laugh at his “my doctor told me to take lots of medication (drugs)” dialogue). I know, I should probably hate Shawn after what he does to our beloved Hui Sir, but I’m sorry – I like Eric too much as an actor recently that it’s really hard for me to be mad at him for long….


Add’l Cast / Characters

With the way the storyline developed primarily around the Kiu family and Hui Sir, there were actually quite a few artists who participated in the series on a lesser scale with relatively minor roles. Here are a few ‘honorable mentions’ (note that one ‘common theme’ with the below characters is that all of them could really have benefitted from being furthered developed – instead, many of them were ‘short-changed’ due to the way the script was written).

Rachel Kan (Tina) – Kong San’s second wife, Hailey’s stepmother. As mentioned earlier, I sort of felt Rachel’s character was ‘nonessential’ in that she really doesn’t do anything to further the plot except for maybe have a few ‘minor’ conflicts with Hailey in the first few episodes. After that, I don’t see much significance in her character – during the second half of the series, she’s basically just ‘there’. Even after finishing the series, I was still scratching my head and wondering what the writers’ / producer’s purpose was for including Rachel in this series. Don’t get me wrong – she did do a decent job with the acting given what she had (though honestly, I don’t think Rachel is that much older than Linda so for her to play her stepmother was a little bit far-fetched), but it was sort of a waste, I feel

Queenie Chu (Kelly) – Hailey’s therapist and also good friend. Compared to some of the other series she’s been in, Queenie has a relatively minor role in here as Kelly, the therapist / psychiatrist who is responsible for treating Hailey (Linda). Maybe her character wasn’t written well or something because I honestly didn’t really like her character much – I mean, she was a good friend for Hailey and goes beyond what a normal therapist would do by accompanying her on trips and other events, but as a psychiatrist / therapist, I didn’t feel that Kelly was ‘professional’ enough. The ‘advice’ that she gives Hailey throughout the series is sort of ‘suspect’ in that it wavers back and forth – to the point that at times, I felt that Kelly was being insincere (it was like she just tells Hailey what she wants to hear to appease her). I don’t know too much about psychiatry / therapy, so I’m probably not the best person to comment about it, but overall, her character just came across a little strange to me, that’s all.

Lee Sing Cheong (Ho Siu Leung) – Kiu Kong San’s ultra-loyal assistant. Ah Leung is the person whom Kong San (Paul) trusts the most outside of his own brother. He has worked for Kong San for decades and is super loyal to him, even willing to sacrifice his own life for him. In the first half of the series, his role is relatively minor, but near the middle / end of the series (for probably about 2-3 episodes), he becomes more of a critical character. Even though his role was small in this series, Lee Sing Cheong definitely delivered the goods (as usual) – his few ‘essential’ scenes in episodes 15 to 17 were done really well, especially the crying scenes. Lee Sing Cheong is another veteran actor whom I grew up watching – his villain roles are generally quite good and very convincing….too bad his role was relatively minor, as I would have liked to see more significant screen time from him.

Savio Tsang (Poon Sir) – As the head of the criminal investigation unit, Savio’s character only appears once in the first half of the series – it’s not until Bosco’s character Hui Sir is transferred to Poon Sir’s department that he takes on a more significant role (since Hui Sir reports to Poon Sir directly). With that said however, Savio actually doesn’t have a whole lot of screen time either, which was a little disappointing for me because I like him as an actor and his character had good room for development. I liked how Poon Sir was a very cool, understanding boss who goes very much by the rules, but still is able to maintain a good relationship with his subordinates. I also liked the way he interacted with his staff, especially with Hui Sir, whom he treated more as a friend than as his staff. Though I can understand why his role was less significant in the scheme of things, I really would have liked to see more of him as well.

Joseph Lee Kwok Lun (Sapura) – Rich tycoon from Indonesia with ties to the Kiu brothers’ past. He only appears in a few episodes during the second half of the series and even after he dies, most of the storyline in that segment of the series revolves around his case. This was yet another ‘run of the mill’ villain role for Joseph – a role so easy that he could have probably done it with his eyes closed (especially with his acting experience and skill). Again, I’m not really complaining because Joseph is another one of my long-time favorite veteran actors and I’m happy to still see him in series nowadays – but his appearance just seemed way too short…

Law Lok Lam (Yung Sui Bong) – Another actor I like a lot, but unfortunately his character was kind of insignificant as well. He’s one of the rich tycoons in the series on the same level as Paul Chun’s character, but we really don’t get to see much of him and when we do, it’s usually at some sort of gathering with Kong San and his other rich tycoon friends. Law Lok Lam is definitely underutilized in this series, which is really a shame because he’s too good of an actor to be given such a minor role. TVB should have just had someone else play this role instead and not waste LLL’s time!

WPU team: Jonathan Cheung (Wong Chi Tong / ‘Flat Tire’), Lee Yee Man (Cheung Lai Kuen / ‘See Jie’), Yeung Ching Wah (Chan Ka Si / ‘Sa See’), etc. – Considering the WPU team consisted mostly of newbies and artists whose names I didn’t even know, I was surprised by how much I liked watching this team interact with each other. As a team, they really did a great job of bringing to light a lot of the ‘essential elements’ of the WPU – including team spirit and cooperation, reacting quickly to unexpected situations that arise, being constantly on alert and ready to take action, etc. – they were very ‘serious’ about their work when they needed to be, but outside of that, they were a playful bunch. The chemistry between the entire team and their leader (Bosco) as well as with the other ‘main players’ (i.e. Linda’s and Ram’s characters, etc.) was excellent and very well portrayed – in fact, I was quite saddened to learn that we wouldn’t be seeing anymore of this team after episode 10 (well, except for a brief appearance in episode 17 at Ba Da’s funeral) because I really really liked them as team. Together, they were key in making the first half of the series so good and even though a few of them get pulled over to the criminal investigation department along with Hui Sir, it just wasn’t the same ‘feeling’ anymore. Definitely makes me wish that the writers would have kept to the witness protection theme in the second half of the series as well and somehow still incorporate the team into the rest of the series…

.---.

THE ENDING / CONCLUDING THOUGHTS

Ok, I decided not to completely give away the ending after all (though it probably doesn’t make a difference at this point since the ending was already plastered all over Weibo and entertainment news sites even before the finale aired last Friday). All I’m going to say with regard to the ending is that it wasn’t really as bad as people made it out to be – true, I didn’t want the series to end the way it did given how much I loved the character of Hui Sir as well as the Bosco / Linda pairing, but I actually felt that the ending was appropriate given the circumstances. I mean, it was pretty much already a given that a ‘happy’ ending was impossible given everything that had occurred leading up to that point – and to be honest, forcing a ‘happily ever after’ ending would have been worse because it would have been too fake. Though the ending was tragic and yes, some parts of it was a bit overdramatic, I would have to say that overall, it was a fitting ending and appropriate ‘closure’ to the Hui Sir / Hailey relationship – the ending made sense and most important of all, it was both bittersweet and memorable (though not exactly favorable). [I’ll probably talk more about the ending later on in the comments section, since I don’t want to ruin it for those who haven’t watched the series].

As for the the massive ‘movement’ of netizens to push for a sequel or change the ending to the series – I’m actually on the opposite side of the fence in that I absolutely do NOT want a sequel (because TVB would just screw it up like they do with all their other sequels – plus the chemistry won’t be the same anyway) and do NOT want the ending changed (I’ve never been a fan of alternate endings because most of the ones that I’ve seen have been lame and stupid). What’s done is done, so just leave the series the way it is please!

So do I recommend this series? Obviously, yes!! As I mentioned earlier, the script is a bit flawed and as a result, the flow is a little inconsistent, but taken as a whole, this was definitely one of the better series of the year so far. The series has a good enough combination of action sequences, suspense, romance, family drama, investigative scenes, etc. that there should hopefully be something in there for all interests. The first half of the series was especially awesome and almost guaranteed to go by quickly (most of the big action sections are in the first half) – it’s only when we reach the second half of the series that things slow down a little bit too much (for me it wasn’t really a problem, but some people found the change in pace annoying). If the inconsistencies in the script is a big issue for you, then I recommend watch this series for the cast – as I said earlier, the performances from pretty much everyone were quite good….even those whom I’m usually not too fond of I ended up liking in this series.

Despite its flaws, I felt that this was a great series overall – one that I would rewatch in a heartbeat and still enjoy it as much as I did the first time!