Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts

Monday, May 1, 2017

SCMP article: A book about HK Cantopop history

Most of you probably know that I'm an avid reader, especially of books pertaining to the HK entertainment industry.  I guess you could say I'm a "collector" of sorts, as I'm always on the lookout for new books that come out pertaining to the industry and make sure I buy whatever I can before the books go out of print.  I've amassed a pretty large collection of entertainment industry-related books over the years and the intention is always to read them all as quickly as possible, but of course life and work get in the way and things kind of go downhill from there where "finding time to read" is concerned. 

Unlike the "regular" books I normally read – which are all in English – almost all of the entertainment books I have are written in Chinese.  This should come as no surprise, since almost all of the books were published in Hong Kong and written by people whose first language is not English.  Some of the books I had to order online but majority of them I picked up during my trips back to HK (I think I've written blog posts before about my habit of visiting bookstores whenever I return to HK to visit relatives).  Some books were only recently published while others were written several decades ago and were passed down to me from other family members (I am fortunate to be a part of a large family of HK entertainment fanatics!).

While I have no problems communicating  in Chinese due to being fluent in the language for many years already, I am admittedly a much slower reader when it comes to Chinese books.  The main reason is of course due to my first language being English, since my family immigrated here (to the U.S.) when I was a baby (most people don't believe me when I tell them that I'm an "OBC" – our conversation usually ends with people trying to force the "ABC" label on me, lol).  Not surprisingly, my brain is also wired to think in English so sometimes when I'm reading in Chinese, my brain will go into "auto-translate" mode and try to "default" itself back to English, lol (luckily this only happens when I read books, so I can get through Chinese newspapers and magazines pretty quickly).

This is why when I saw the below book review in SCMP about a book being released this year on the history of Hong Kong Cantopop written entirely in English, I was ecstatic and couldn't wait to get my hands on the book (finally, a book about the HK entertainment industry written in English by a native Hong Konger!).  I put in my order several weeks ago and the book finally arrived (via snail mail) yesterday!  Based on the SCMP review, it does sound like the book is more academic in nature (which isn't surprising given it's written by a University of Hong Kong professor as part of a research project) and I'm assuming that, while there is no doubt that the book will cover the entire timeline of Cantopop's history from its inception to current time, it looks like the tone will be more factual than anecdotal.  Regardless, I am still looking forward to reading this (I've got a few other books I need to finish up first though) and hopefully I can put a more personal spin to the content when I do my review of the book (which I will absolutely share on this blog).

For now though, fellow Cantopop fans can take a quick trip down memory lanel with the below article (note that I did not copy over the pictures that were in the article so if you're interested in them, please click on the Source link to read the article directly on SCMP's website).

Enjoy! 

Photo of the book's front cover that I took last night.

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Article: Hong Kong Cantopop is a serious book on a genre that people don't take seriously

Source: SCMP

Hong Kong Cantopop: A Concise History
by Yiu-Wai Chu


Hong Kong University Press


There's a library of books about pop music's role in modern history and culture – from The Rolling Stone Encyclopedia of Rock & Roll to niche titles such as Mark James Russell's K-POP Now! The Korean Music Revolution. But until now there hasn't been a full documentation of Canto-pop – at least not in English.

Hong Kong Cantopop: A Concise History, by Yiu-Wai Chu, a professor at the University of Hong Kong's School of Modern Languages and Cultures, is a serious book about a topic most people don't take too seriously.

The Canto-pop stereotype is of stars who are prized more for their looks and acting chops than for their singing, while the songs themselves are cloying and formulaic. But Canto-pop is more than just a collection of catchy tunes sung by heartthrobs – it has been a unique soundtrack. As Hong Kong rapidly developed from a war-torn colony into an economic powerhouse, generations grew up with Canto-pop blasting from taxis and televisions.

Hong Kong Cantopop is an academic work that begins by citing the doctoral thesis on the genre by James Wong Jim aka "Uncle Jim". Wong was a lyricist who, along with composer Joseph Koo Ka-fai, created songs that helped define Hong Kong's identity, such as 1979's Below the Lion Rock.

Just a year earlier, Billboard magazine's Hans Ebert had coined the term "Canto-pop", giving a name to one of Asia's biggest music trends of the late 20th century. Chu traces the roots of Canto-pop back far further, however – to wartime anti-Japanese songs and local Chinese opera halls.

In the 1950s, singers started combining Hong Kong's dialect with Western pop melodies. A good example is Teddy Boy in the Gutter (1967), sung to the tune of Three Coins in the Fountain, which won the Academy Award for best original song in 1954.

By the 60s, local pop music had taken off, the discs being cut by EMI's Hong Kong subsidiary getting airplay on local radio stations. It was a revelation that modern pop or rock – like that produced by The Beatles, who performed in Hong Kong in 1964 – could be sung in the tongue used by 90 per cent of the population.

The 70s saw the rise of Sam Hui Koon-kit, the godfather of Canto-pop, and an explosion of TV shows and movies. By the 80s and 90s, Canto-pop was a trendsetting, multimillion-dollar industry. 

After it opened in 1983, the Hong Kong Coliseum frequently held sold-out shows by stars of the genre, who became the dominant pop-culture force across Chinese society, from Taiwan to the world's Chinatowns.

Fans were riveted by the rivalry between Alan Tam Wing-lun and Leslie Cheung Kwok-wing. Anita Mui Yim-fong was crowned the "Madonna of Asia" for her outrageous costumes and stage shows while Beyond brought rock guitar to the mix.

This was the era of Canto-pop's Four Heavenly Kings – Jacky Cheung Hok-yau, Andy Lau Tak-wah, Aaron Kwok Fu-shing and Leon Lai Ming.Cheung's albums sold millions of copies worldwide and Kwok had a major advertising contract with Pepsi.

Then came a generation of starlets, such as Karen Mok Man-wai, Kelly Chen Wai-lam and Sammi Cheng Sau-man.

In the 2000s, up popped the Twins, the photogenic, teeny-bopper duo of Charlene Choi Cheuk-yin and Gillian Chung Yan-tung.

But Canto-pop was in decline by the mid-90s, writes Chu. Record sales fell from HK$17 billion in 1997 to HK$560 million in 2006. Billboard signalled the beginning of the end with a 1999 article, "The Cantopop Drop".

Much of Hong Kong's pop culture – from kung fu flicks to art-house movies – rose out of a vacuum, at a time when China was still largely poor and isolated. But as the mainland modernised and opened up, Hong Kong's role diminished. The 1997 handover and the Asian financial crisis that same year pushed Canto-pop into further decline. Mando-pop was in the ascendency before the cultural tsunami that was K-pop eclipsed them both.

And then came 2003, a devastating year for Canto-pop fans. On April Fool's Day, Leslie Cheung committed suicide by jumping from the 24th floor of the Mandarin Oriental Hotel, in Central. In December, Mui died of cervical cancer.

Hong Kong Cantopop is well written, well researched and fills an important gap in cultural studies, but it doesn't fully capture the essence of a genre that was funny, bawdy and tugged at the heartstrings. It mentions the deaths of Cheung and Mui but it doesn't convey the deep shock and heartbreak of a community that still mourns them. Nor does it adequately describe the sheer joy of the all-dancing, all-singing, strobe-lit extravaganza that is a Canto-pop concert.


Hong Kong Cantopop would have benefited from historical photographs, or musical clips on a CD, but perhaps this was beyond the scope of its academic publisher. It would be rewarding to see Chu's research made into an interactive exhibit, website or documentary film.

With former Canto-pop stars such as Denise Ho Wan-see having branched out into new styles, what does the future hold for the genre? As Chu writes at the end of the book, "Whether the sunset can be turned into a new dawn, only history will be able to tell."

Friday, May 6, 2016

Book Review series “Now and Then” (從零開始)  -- Revival and Poll

Back in 2010, I started a book review series on a set of 3 book compilations called “Now and Then” (從零開始).  The books are written by veteran Mingpao reporter Wong Lai Ling where she essentially compiles all the interviews she has done with numerous celebrities over the past 3 decades and adds her personal anecdotes to create a semi-biographical first-person account of her experiences with those celebrities.   She covers many aspects of the celebrity’s career as well as personal life, often including her own personal stories and background information on HK entertainment history.  As a means of clarification, Wong Lai Ling is NOT the average unethical entertainment gossip reporter that we see way too many of nowadays -- she was actually a pretty reputable and respected reporter back then and still is even now.  I feel this clarification is important, especially in this day and age when it’s so easy to become jaded with the endless trash and false reports that the gossip rags dish out daily about celebrities big and small.  I don’t want people getting the wrong impression that this is just another one of those gossip rag compilations because it is absolutely NOT!  Granted, some of the stuff mentioned in the books may not be 100% true, since it IS from a reporter’s point of view after all, plus there will undoubtedly be certain biases and perspectives that not everyone will agree with (i.e.:  I had read some Anita Mui fans’ comments that they didn’t like how the segment on Anita talked more about her family than about her career – personally, I didn’t have a problem with it, as I felt the way the author put that segment together actually helped to highlight even more how great of a person Anita was despite having such a horrible family).  At the end of the day, each person’s interpretation and opinion will be different and there really isn’t a right or wrong in my opinion….

I will say that one of the things I appreciate about this book series is the fact that Wong Lai Ling tries, as much as possible, to include all or part of the original interviews that she had done with the celebrities themselves (so readers can hear from those celebrities directly) – she also provides background information on each interview, which helps chronicle each celebrity’s thoughts and feelings during that time and in some cases, even helps to explain why some of them made certain decisions that they did.  It pretty much reads like an extended story, complete with pictures from Mingpao’s photo vault that accompany each chapter in a chronological timeline format.

Another thing I like about this book series as opposed to other entertainment books released in recent years is that its focus (for the most part, with the exception of the 3rd book) is on veteran entertainers from HK’s ‘golden age’ time period, written by a reporter who actually experienced that era and knew these celebrities personally.  In recent years, I’ve seen too many newer reporters who have no knowledge of that era outside of what others have told them -- they try to write about these celebrities and oftentimes, the stuff they put out lacks depth and substance (some of it even amounts to mere ‘hearsay’, since many of those reporters weren’t even born yet when most of these celebrities were most active in the industry).   Having been one of those people who personally experienced that ‘golden era’ of HK entertainment myself, it kind of irks me to read watered-down accounts of that era from people who will never understand how things were truly like back then.  This is why I love reading stuff from veteran reporters such as Wong Lai Ling (as well as her other counterparts at MP such as Tsui Yong Yong, Charles Chak, etc.), as it brings back so many great memories of that era and essentially takes me on a fantastic journey down memory lane.

There are a total of 3 books in the series and each book focuses on 10 celebrities (for a total of 30 celebrities, though some of the books have ‘bonus’ material that is in addition to the regular content – such as the third and final book of the series where Wong Lai Ling writes a special tribute to Leslie Cheung, whom she had known for over 20 years and was close friends with – she had actually already written about him in the first book, but since the third book was written around the 7th anniversary of his death, she decided to put in a special chapter in honor of him).

I started writing a review series for these books on my blog back in 2010 and got through a handful of celebrities, but then I started getting really busy with life and work, so never got around to continuing the series.  In addition, with the amount of detail in the books and how picky I am about my writing and translations, doing this review series was actually quite draining on me, which is another reason why I haven’t picked it back up the past few years.  With all that said though, I’ve received a tremendous number of inquiries about the series the past couple years, with the interest level peaking especially in the last 2 to 3 years due to the HK entertainment industry reaching such a dismal state and more and more people jumping onto the nostalgia bandwagon (which, of course, I don’t blame them for since there truly is nothing much worth ‘following’ nowadays in the HK entertainment industry). 

Because of the above, I feel that I owe it to the dedicated readers and followers of my blog to revive this review series again.  However, instead of continuing where I left off 5 years ago, I would like to get feedback from you guys, on which celebrities you most want to read about.  Just to be clear though, there will be a few caveats, as there are celebrities that I really don’t care much about, so I prefer not to waste time writing about them, especially given how much time it takes for me to get one of these posts done (though being soft-hearted that I am, lol, if there are celebrities in this category that you absolutely are dying to read about, let me know and I might consider doing a brief, condensed version – but it will be way lower priority).

Here’s the list of celebrities featured in each of the 3 books.  The ones I already wrote about are in BOLD (planning to hyperlink the posts that I wrote, but won’t get a chance to until later – meanwhile, if you’re interested in reading these, please click on the ‘Now and Then’ tag in the sidebar to access the posts). 

Please feel free to indicate your choices and any other feedback in the comments section.

**Note:  Celebrity names are not listed in any particular order!

Book One:

Jacky Cheung (I only did a partial writeup though – I plan on doing a more in-depth piece later on)

Carina Lau

Alan Tam

Leslie Cheung (I will probably update later with the additional ‘special tribute’ that Wong Lai Ling wrote a few years after the first one)

Wong Kar Kui (Beyond)

Jackie Chan

Sammi Cheng

Teresa Teng

Veronica Yip

Brigitte Lin

 
Book Two:

Tony Leung Chiu Wai

Maggie Cheung Man Yuk

Andy Lau

Cherie Chung

Chow Yun Fat

Faye Wong

Danny Chan

Shu Qi

Stephen Chow

Anita Mui

 
Book Three:

Lydia Shum

Eason Chan

Sylvia Chang

Josephine Hsiao

Cecilia Cheung

Daniel  Wu

Sandy Lam

Joey Wong

Rosamund Kwan

Anthony Wong Yiu Ming

*plus special tribute to Leslie Cheung

Monday, October 31, 2011

Book Review: 從零開始 (Now and Then) -- post #6…Leslie Cheung (張國榮)

Continuing with my 'book review' of "Cong Ling Kai Shi (Now and Then)", the next 80s/90s artist I would like to write about is late singer / actor Leslie Cheung.

** Disclaimer #1: The below is a recap of one of the chapters in the book and is written from my perspective – it is not by any means a direct translation of the entire chapter. For a detailed description of what this particular book is about, please refer to post #1.

** Disclaimer #2: This book does NOT tell the entire life story of Leslie, but rather focuses only on certain aspects of his life and career gathered from previous interviews with him (as well as the writer's own knowledge of him). Therefore, please understand that the below recap won't be 'all-inclusive'.


.--.

April 1st, 2003 -- a day when we tragically lost one of the HK entertainment industry's biggest stars: singer/actor Leslie Cheung. It was a sad day, one that most Hong Kongers (as well as Leslie’s fans everywhere) will never forget.

Though I don't live in HK, I've been an avid 'follower' of HK entertainment my entire life -- even before I knew how to talk, I was already watching HK TV series, movies, show and listening to HK music (though I didn't really know what was going on at the time) -- so for me, the HK entertainment industry has always been a huge part of my life. I grew up in the 80s, so there is definitely a special place in my heart for anything related to that time period -- including the artists who were active in the industry during that time. And of course, Leslie was one of them -- he was one of the biggest names in the HK music world at the time (and was already an established television actor prior to that) so of course everyone knew who he was. Though I can't really call myself a "fan" (in the true sense of the word, since I have a certain 'definition' in my mind of what being a 'fan' is about), I still adored Leslie, just like I adored all the other talented artists from that generation.

I remember vividly where I was and what I was doing the day news came out that Leslie had died. I had just gotten in my car and was driving to work (since I'm in the U.S., it was actually morning for me), listening to the radio (the local Cantonese language station that I normally listen to). As I stopped at a traffic light, my hand reached over to turn up the volume on the radio when an announcement came through (interrupting the program I was listening to): superstar Leslie Cheung had committed suicide, jumping to his death from the 24th floor of a famous HK hotel. The first thought that went through my mind at the time was: Is this some sort of cruel April Fool's joke? Because if it is, then whoever made it up should be sought out and publicly ridiculed for the rest of their life! Apparently, the hosts of the program thought the same thing and were even commenting on how "not funny" that news was and reprimanding the colleague who had given them the information. Not too long after that, as I parked my car in front of our building, the "confirmation" that none of us wanted to hear came through the radio: the report of Leslie's death was true. As some of the details started coming through, I just sat there in a state of shock, with my ears practically glued to the radio....needless to say, it was pretty difficult to concentrate at work, but I made it through and when I got home, the rest of the night was spent watching / reading the news and finding out as much information as I could.

Just like many of Leslie’s fans and other close friends have stated throughout the past 8 years: even now, so many years later, it’s still hard to accept the reality of Leslie truly being gone. Sometimes, when I watch his past performances, I can’t help but feel saddened at what we (the Chinese community as a whole) had lost.

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INTRODUCTION

To his many friends, colleagues, and fans, Leslie was known by the nickname ‘Gor Gor’ (elder brother). In terms of the story behind how Leslie got this nickname, there have actually been a few different ‘versions’ over the years, but in my opinion, the 2 ‘versions’ recounted in the book seem to be the most plausible, so those are the 2 that I’ve chosen to go with all these years.

.—Version 1: In 1993, Leslie collaborated with popular Taiwanese actress Brigitte Lin (林青霞) in the movie “The Bride with White Hair” (白髮魔女傳) directed by Ronny Yu. It was said that the cast and crew on the set liked to call Brigitte (who was a big star at the time) ‘Jie Jie’ (Big Sister) – therefore, in a joking manner, Leslie would say to her: “If you’re Jie Jie, then that means I’m Gor Gor!” From that moment on, the 2 ‘superstars’ would refer to each other as ‘Jie Jie’ and ‘Gor Gor’ – after awhile, people started getting used to the nickname and soon enough, Leslie started to become ‘Gor Gor’ to everyone else as well.

.—Version 2: In 2008, during the musical tribute concert that was specially organized to commemorate the 5 year anniversary of Leslie’s death, his good friend So Sze Wong (蘇施黃) recounted a completely different story about how Leslie got his nickname. We all know that Leslie loves to play Mahjong whenever he has time and many of his friends in the entertainment industry are his Mahjong ‘buddies’. As the story goes, a bunch of his Mahjong buddies were having a conversation one day and it was mentioned that someone in their group had the nickname ‘Gor Gor’ – actress Carina Lau (one of Leslie’s good friends and Mahjong buddies) mistakenly thought that the ‘Gor Gor’ they were referring to was Leslie. The friends didn’t bother to correct her and let her continue to believe that the ‘Gor Gor’ they were talking about was indeed Leslie (probably as a joke?) – therefore, from that point on, everyone started referring to Leslie as Gor Gor.

Interestingly enough, Leslie is affectionately known as ‘elder brother’ to almost everyone, however in his own family, he was actually the youngest child in the household.


CHILDHOOD / PERSONAL LIFE

Born the youngest of 10 children (3 of his siblings died at birth), Leslie’s original name at birth was Cheung Fat Chung (張發宗 ) – it wasn’t until later that he changed his name to Cheung Kwok Wing. His father (Cheung Wut Hoi) was a well-known tailor whose clients included many Hollywood stars who didn’t mind taking the long trip to HK to have him specially fit their suits for them. Leslie’s parents were very busy people and rarely had time to see their children – therefore, the children were placed under the care of their grandmother and it was only during special occasions (such as Chinese New Year) when the entire family would gather together for dinner. Leslie in particular was actually raised by his nanny, Luk Jie (六姐) and for him, she was one of the most important women in his life (aside from his mother) – Luk Jie loved and cared for Leslie as though he were her own son. It’s no surprise then that when Luk Jie passed away in 1991, Leslie was deeply grieved.

In terms of his relationship with his parents, Leslie once described it this way: “A lot of people ask me – Leslie Cheung, now that you already have everything, there should be no more regrets in life, right? Actually, in my childhood, I did not receive adequate love from my parents – to me, this is a huge regret.”

Even though Leslie’s relationship with his parents was not very close, he still loved his mother dearly. Unfortunately, the same couldn’t be said about his father – to the Cheung family, the father was viewed as the ‘source’ of much unhappiness for them and in fact, a few of the children were even estranged from him at some point (when Leslie’s eighth brother got married in 1986, he refused to invite his father to the wedding). In 1986, the author (Wong Lai Ling) asked Leslie whether he had a certain fear of marriage due to the way his parents’ marriage turned out, to which Leslie replied: “Yes, perhaps because my parents’ marriage was not happy, it affected me. When my dad was young, he was a ‘player’ who had many women – I actually had 2 mothers and both lived under the same roof at one point. But because there were too many conflicts, the mistress moved out right before I was born – she only has one adopted daughter and I haven’t seen either of them in over 20 years…if I were to bump into them in the street, I would not know who they are.” Leslie continued: “All along, my mom loved my dad very much, so a lot of times, she would just endure the pain he caused without a word. However, several years ago, my dad did something that my mom could not take and finally, they separated. Amongst the seven of us [Leslie & his siblings], only myself as well as another brother are still willing to call him ‘dad’. As far as the issues between my mom and dad, I’ve always tried to maintain a neutral position – after all, no matter what, he is still my dad.”

In his early teens, Leslie went to study in London – he attended a boarding school there and during his days off, he would go live at the home of a long-time family friend (the friend was late actor Alexander Fu Sheng’s sister) and also work part time at her restaurant, which had a band that performed regularly. It was at this restaurant that Leslie ‘performed’ publicly for the first time, singing with the band on the weekends.

After 4 years in England, he returned to Hong Kong, but due to the difference in education levels between the 2 regions, he ended up having to repeat certain courses – plus his exam results were not very good, so he decided to give up on school and try his luck in singing instead. He participated in the HK region pre-qualification round of the ‘Asia Singing Contest’ held by Rediffusion Television (ATV’s predecessor) in 1977 and with his rendition of the song ‘American Pie’, he won second place and was allowed to advance to the final level of the contest, representing HK. Despite his singing skill, Leslie was not able to make it into top 3 in the final contest, but not because he didn’t sing well (one of the judges on the panel of the contest had actually ‘rigged’ the scoring in favor of his own country’s contestants, so none of the contestants from HK made it into any of the top positions). Even though he lost the contest, Leslie’s talent was recognized by RTV and so he signed a 2 year contract with them, thereby officially becoming an RTV artist. That same year (1977), he also signed with his first record company (Polydor) and released his first album, ‘Day Dreaming’. With this, Leslie ‘officially’ began his career in the entertainment industry.


RELATIONSHIPS: THE WOMEN LESLIE ONCE LOVED

It’s no secret that when it came to his sexual orientation, Leslie was bisexual – even though he denied it early on, he did admit this fact later on in his career. Of course, we all know that the ‘significant other’ who accompanied Leslie during most of his life was his same sex partner Daffy Tong (唐鶴德). I’ll talk more about Leslie and Daffy’s relationship later on in this post, since there is a huge section about it in the book and this relationship was definitely an important one in Leslie’s life. However, for now, the focus will be on the women who were once a part of Leslie’s life: the girlfriends that he had after he entered the entertainment industry starting in the late 70s (and prior to meeting Daffy).


Teresa Mo: his first girlfriend

In 1977, while filming the series “Love Story” for RTV, rumors surfaced that 20 year old Leslie had fallen in love with his 17 year old co-star, Teresa Mo (毛舜筠). When asked about this, Leslie graciously admitted the relationship to reporters: “Yes! At first, it was only a promotional tactic for the series – when filming the promotional clip, we were asked to hold each other’s hand, so I jokingly told Teresa: ‘I’ll be your boyfriend, ok?’, to which she replied ‘Ok!’. After we finished filming the series, I felt that she was a very good girl, very cute, and we got along well, so I invited her to watch a movie together and hang out. Even though neither of us have ever expressed that we are really really in love with each other, I truly do like her a lot and I believe that she feels the same way about me. But, she has a lot of boyfriends. She and I are different in that regard – I am very dedicated and once I like a girl, I will continue to be good to her only.” Leslie also emphasized: “We are very serious about our relationship.”

Teresa was Leslie’s first girlfriend after he entered the entertainment industry (though she was not the first woman in his life – his ‘first love’ occurred when he was studying in England, but he was only with the girl for 2 weeks and they broke up). Even though he may not have realized it at first, Leslie was definitely smitten with Teresa the first time he saw her, to the point that he wanted to marry her not too long into their romance: “Towards her [Teresa], you can say that it was love at first sight. Not too long after we met, I was already in front of her with flowers, asking her to marry me.” Unfortunately, Leslie’s good intention backfired, as his sudden proposal actually scared Teresa, causing her to drift away from him. Of course, it’s understandable why Teresa would reject Leslie’s marriage proposal, as she was only 17 at the time, not even at legal age – plus Leslie was very young as well, so it probably wasn’t a good idea to get married at such a young age. Even though the romance between Leslie and Teresa did not last, the 2 still remained good friends even after they broke up (in fact, Leslie is good friends with Teresa’s current husband Tony Au Ding Ping).

Years later, during a TV program that she hosted for i-Cable, Teresa invited her good friend Leslie for a one-on-one interview, during which both very openly discussed their previous relationship. During that interview, Leslie told Teresa: “If back then you had agreed to marry me, it very possibly would have changed my life forever.”


Shirley Yim: a short-lived romance

In 1979, Leslie met a young woman while dancing at a local disco – her name was Shirley Yim (雪梨), the younger sister of actress Michelle Yim (米雪). Shirley was also an actress herself, just getting her start in the TV industry around that time. A year after that first meeting, Leslie and Shirley bumped into each other again during a charity sport event and that same evening, Leslie gave her a ride home. Not long after that, rumors started to surface that the two were dating. The next time the author met up with Leslie, she asked him about his relationship with Shirley and he graciously admitted it: “She can’t be counted as tremendously pretty, but she is very refined and a very interesting person. She told me that people usually call her by her nickname ‘baby elephant’.”

Again, this relationship was short-lived, as Leslie and Shirley were still young at the time and to a certain extent, were not entirely compatible. The couple tried hard to adapt to each other’s interests – Shirley liked to dance, so Leslie would accompany her to discos and Leslie liked for women to wear dresses, so Shirley would wear them occasionally to please him (even though she hated wearing dresses). However, having to constantly accommodate each other eventually took a toll on the relationship and it pretty much ended not too long after it started.


Ngai Si Pei: sweet young love

In 1981, while filming the RTV series “Agency 24”, Leslie again fell in love with his co-star, but this time it was actress Ngai Si Pei (倪詩蓓). A year later, when Ngai Si Pei was involved in a bitter contract dispute with RTV, Leslie immediately came to her defense and it was around that time that their relationship was made public. Their relationship lasted only two years.

Many years later, when asked about her relationship with her former lover, Ngai Si Pei praised Leslie for being a very romantic, good man: “When we were dating, neither of us had drivers licenses. Every time we went on a date, he would come pick me up and show up at the doorstep with a bouquet of yellow roses because he knew I liked that type of flower. We dated for close to 2 years – later on, I went to England to study fashion design and our relationship eventually dissolved.”

I personally don’t know too much about Ngai Si Pei, and unfortunately, there is very little information out there about her nowadays. In my research, I discovered that in addition to being one of Leslie’s former girlfriends, she was also linked to actor Kent Tong at one point (though it’s my understanding that they didn’t have a very good relationship at all). She married Asia’s ‘Cartoon King’ Wang Yuk Long in the late 1990s and they divorced 6 years later.


Cindy Yeung: from lovers to friends

In 1985, the author asked Leslie about his current love life and he revealed to her that his new girlfriend is someone he has known for 7 years already, but was never romantically involved with until now. The ‘girlfriend’ he was referring to was Cindy Yeung (楊諾思), the eldest daughter of Emperor Entertainment Group’s chairman Albert Yeung. In 1984, Leslie went to Albert Yeung’s house often, as he was a friend of the family’s and that year, he had to borrow the family’s swimming pool to film the cover of his latest album. With more opportunity to meet up and get to know each other better, Leslie and Cindy eventually started dating – however, they parted ways amicably a year later, though they still continued to remain good friends.

Currently, Cindy is a successful businesswoman overseeing part of her father’s business empire (she is in charge of Emperor Watch and Jewelry Company).


CAREER: THE LONG AND DIFFICULT ROAD TO FAME

Even with his natural talent and hard work, Leslie’s path to success in the entertainment industry was not an easy one at all. Despite a steady acting career in television, Leslie did not do too well on the music front early on in his career – not only were his first 2 albums (‘Day Dreaming’ from 1977 and ‘Lover’s Arrow’ from 1979) poorly received by the general public, he also did not have much luck with his performances or position in the music industry either. He once told the author: “I admit that at one point, I felt discouraged and disappointed – I would ask myself why I always ended up in a ‘secondary’ position? But I continued to bear with it and persevere. I remember one performance in particular where, in the hopes of accommodating the atmosphere at the time, I tossed the hat that I was wearing out into the audience – to my surprise, the hat was immediately tossed back up to me. I was very hurt and embarrassed by this and at the time, I just wanted to dig a hole in the ground and bury myself in it.”

Fortunately for Leslie, he had a chance meeting with Florence Chan (陳淑芬) in 1982; working for record company Capital Artists at the time, Mrs. Chan (as she is known in the industry) knew that Leslie had just ended his contract with Polygram and so she invited him to join Capital Artists as a singer. This proved to be the beginning of a ‘golden’ partnership, as it was after Leslie signed with Capital Artists and Mrs. Chan became his manager that he started to achieve fame and success as a singer. Their first collaboration in 1983, when Leslie released the song 風繼續吹 (‘The Wind Blows On’) was an instant hit and the next year (1984), Leslie’s singing career reached new heights with his first award-winning hit ‘Monica’. In 1985, with the release of his album 為你鍾情 (‘For Your Love Only’), he set records when the album achieved ‘double platinum’ status not long after it was released. [Note that currently, an album achieves Platinum status when it sells more than 1 million units – back in the 80s, I believe that number was higher, so for an album to achieve ‘double platinum’ in such a short amount of time is definitely a huge achievement!] That same year (1985), Leslie held his very first concert at HK Coliseum.

Another important person in Leslie’s career was music composer / producer Michael Lai (黎小田). Michael was actually one of the judges of the ‘Asia Singing Contest’ (the HK pre-qualification round) back when Leslie participated in the contest (Michael was RTV’s music director at the time). Michael remembered Leslie so vividly at the time because Leslie was the only contestant who actually dared to argue with him; Michael admired Leslie’s personality and respected his persistence – from that moment forward, they developed a close friendship (Michael became Leslie’s ‘god-father’) and they subsequently collaborated frequently on albums and concert performances.

To conclude this section about Leslie’s music career and his relationship with Florence Chan, I felt the need to include the subsequent paragraph recounting the final moments of Leslie’s life – after reading this section, I have to say that I admire Mrs. Chan’s strength in overcoming the tragedy of Leslie’s death:

Indeed, it can be said that Florence Chan was truly the one responsible for Leslie becoming the ‘superstar’ that he is. From 1982 on, Mrs. Chan became Leslie’s manager as well as close friend and confidante – for the next 2 decades, Mrs. Chan would become one of the most important women in Leslie’s life – their relationship was akin to that of mother and son. With the closeness of Leslie and Mrs. Chan’s relationship, I’m sure we can understand how painful it must have been for her to ‘witness’ Leslie’s death on that fateful day. As most of us know, Mrs. Chan was the last person to speak with Leslie on the phone prior to his death – she was scheduled to meet up with Leslie for tea that evening and had actually arrived at the Mandarin Oriental Hotel a few minutes before their scheduled time of 6pm. When Mrs. Chan checked the usual places at the hotel where Leslie usually frequented, she was not able to find him, so she called him to find out where he was. Leslie told her that he had stepped out for a bit and would be back shortly, so Mrs. Chan decided to wait for him (in reality, Leslie had not stepped out – he was actually on the 24th floor, writing a note and making a few phone calls). A few minutes before 6:41pm HKT (the moment Leslie jumped from the hotel), Leslie calls Mrs. Chan and tells her to wait for him near the entrance of the hotel – she immediately heads toward the specificed location and waits there for Leslie. Five minutes later, she hears a huge ‘thud’ sound and sees a crowd forming a few feet away from her – from where she was standing, she could vaguely make out the outline of a human body near where the crowd was -- she thought that perhaps there was an accident of some sort, but she did not dare move from the area she was standing to go look because she was afraid Leslie wouldn’t be able to find her once he arrived…..little did she know that her waiting would be in vain. Tragically, by the time she realized what had happened, Leslie was already gone.

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ANITA MUI: LESLIE’S BELOVED ‘LITTLE SISTER’

Of course, it is impossible to write about Leslie without mentioning his long-time friend and ‘sister’ Anita Mui (梅艷芳). Leslie and Anita had a very special relationship, one that was rare and probably will never occur again in the HK entertainment industry. Leslie met Anita for the first time in 1982, when he signed with Capital Artists; that was also the same year that Anita won the New Talent Singing Contest and had also signed to the same record company – so it can be said that the two of them started on their path to fame together.

Prior to her death, Anita had described her relationship with Leslie this way: “A lot of people think that I’m a very ‘tough’ person -- it is only in front of Gor Gor [Leslie] that I can completely become myself once again. I can be a ‘woman’ again and no longer need to pretend to be strong, because I have him here to protect me – he is an elder brother who truly truly loves me and dotes on me very much.” She continues: “[Gor Gor] and I are great partners and confidantes. We started out together, working from scratch at Capital Artists. All I know is that when I have him around, I feel most at ease, and by the same token, when he has me around, he is also most at ease.”

In 1985, when Leslie held his first HK Coliseum concert, his special musical guest was none other than his ‘little sister’ Anita. It was actually Leslie’s idea to invite Anita as musical guest (not the company’s idea, as some people might think)…at the time, Leslie himself stated: “[Anita] and I are good friends and in the near future, she will be holding her own concerts, so I felt that she should have the opportunity to ‘test the waters’ and see how the audience reacts – for a singer, this is very important. During the show, when I heard the applause and cheers that the audiences gave to Anita, I thought in my heart: ‘Anita, you’ve succeeded!’” Thinking back to those early days in both their careers, Leslie and Anita constantly talked about how the two of them would travel all over the world together, performing at various venues and going through ‘thick and thin’ together – no matter how tiring or difficult things became, they had the assurance of knowing that they were in it together. Even during their travels, when they would stay at hotels, they would make sure to book rooms that had a common door so that in the event anything happened, they could be there for each other.

Having endured hardship and success together, it’s no surprise that Leslie and Anita developed such a strong bond. They were truly a ‘perfect match’ and ‘dream team’ in every aspect (except romantically), even though their personalities and hobbies were complete opposites. Anita was the bold, adventurous type who enjoyed high risk activities such as roller coasters and thrill rides, whereas Leslie could barely stand to go near those types of things because he had an incredible fear of heights (ironically, he chose to end his life by jumping off a building). Nevertheless, their different personalities did not prevent them from enjoying each other’s company and developing a ‘non-romance’ closeness that was practically unheard of (especially between a man and a woman) at the time. In describing how much Leslie meant to her, Anita stated that he knew her better than her own family – in fact, every time she met a new boyfriend, she would make sure to take him to meet her protective ‘big brother’ Leslie so he could give his blessing.

When Leslie passed away, Anita not only cried endless tears for him, she also was so upset that she was not able to eat for the longest time: “The first few days after his passing, my heart hurt so badly, I was barely able to speak – I felt that all of a sudden, I had aged 10 years. I would ask the Heavens non-stop: ‘Why did it have to be like this?’” During the last few months of Anita’s life, when she herself was courageously battling cancer, she met with the author one last time – during that interview, she stated: “[Leslie] is forever my elder brother! Our relationship is as close as……” she was not able to find an appropriate word to describe the relationship… “In any case, it’s not something that can be expressed in a few words; he is forever branded in my heart.”

On December 30th, 2003 – 8 months after her beloved Gor Gor passed away – Anita was finally reunited with him in Heaven.


RETIREMENT AND COMEBACK

It was in 1987, while at the height of his career, that Leslie told his friends for the first time that he wanted to retire from singing (though it was something that he had thought about numerous times in the past). At the time, most of Leslie’s friends didn’t believe that he was serious about retiring, but it turns out that his mind was already set: on December 21, 1988, Leslie kicked off his Farewell Concert Tour – his way of saying goodbye to his fans – and during the very last show held on January 22, 1990, he performed a special ‘hanging up the microphone’ ceremony to show that from then on, he would leave his singing career behind him.

After he left the music industry (as a singer that is), Leslie invested a lot more time into his movie career, as he wanted to focus on acting and also try his hand at directing some day. It definitely seemed that he had made the right decision to retire at that time, as his movie career started to soar (well, technically he was already a well-known movie actor by that time anyway, but it was in the early 90s that he truly achieved ultimate success in acting in terms of awards and international recognition).

I’m actually not going to go too much into Leslie’s movie career, as this is one area that most people are already familiar with. Instead, I am going to skip to the year 1995, when Leslie made his official comeback to the music industry. (The reason why I decided to focus on this aspect is because I feel it’s more important to understand Leslie’s inner thought process with regard to his retirement and comeback rather than recount which films he had starred in.) Just like starting off in the industry was not easy for him, returning was even more difficult – primarily because of all the ‘pressure’ that he had to deal with from the Media. During the contract-signing event marking his ‘official’ return in 1995, Leslie was surrounded by reporters who started firing questions at him left and right, asking him if he felt that he was ‘going back on his word’ by making a comeback…. Leslie patiently responded to the reporters’ questions: “My thought process has definitely changed. Back then, I was insistent on retiring, but I have matured now, so my thinking is no longer the same. After filming movies for so many years, I would be lying if I told you that I had not thought about singing again. You can say that I am going back on my word – regardless, my thought process has changed.” Indeed, Leslie’s decision to come out of retirement was not a brash one, as he had already considered it for 2 years before actually proceeding. During his return concert in 1997, Leslie told his fans: “Leaving the stage for 7 years, I have never regretted it – at the time, I had left wholeheartedly…having another concert now is a good thing, as I feel that my foundation is deeper – hopefully I can reach another peak in my career. If everyone where to ask me how long I hope to continue singing, I would respond: Forever….” (Though the Media did not seem to share in his ‘happiness’ of returning to singing, at least his fans did!)

One thing I don’t understand is -- with Leslie’s popularity and talent, shouldn’t people be happy that he decided to come out of retirement and release albums again? Since when is coming out of retirement and returning to the music industry a bad thing? Personally, it’s hard for me to understand the Media’s (and general public to some extent) method of thinking in this regard…why should it matter whether Leslie coming out of retirement meant that he ‘went back on his word’? I find it sad that the Media would choose to focus on the ‘negative’ aspect of his decision rather than the more important piece of how much joy his return brought to fans. Once again, this is another example of what is wrong with HK Media (a point that I had talked about earlier in the post about Danny Chan). It’s no surprise then that Leslie felt so disappointed in the Media at the time.

Unfortunately though, this would not be the last time that Leslie would be ‘hurt’ by the Media (in fact, this was only the beginning). In 2000, Leslie held what would eventually be the very last concert of his career and life (due to his passing 3 years later). His ‘Passion Tour’ concert series had special meaning for Leslie, as it marked the first time that he would serve as art director as well as singer for a concert -- to demonstrate how important the concert was to him, he specially invited renowned designer Jean Paul Gaultier to design all the costumes for the concert. One of Leslie’s goals for this concert was to express himself artistically (hence the long haired wig and the beard) – to some extent, he was able to achieve this goal, as many of his colleagues and industry people who saw the concert praised his efforts and told him that his concert was “true art”. After the opening show, when he happily met with reporters, all of them praised him in unison as well, telling him how great the show was – this gave Leslie confidence and truly made him believe the show was near perfection artistically….never in a million years could he have imagined that the reporters that night were merely giving him ‘lip service’: when the Media reports came out the next day, the ‘praise’ turned into severe criticism – a completely opposite reaction from what the reporters told him to his face the night before. Towards this, he was extremely disappointed and heartbroken. Even though the ‘Passion Tour’ eventually became a huge success on the international front and Leslie won many awards because of it, the HK Media’s harsh criticism had already done its damage…..

In November 2000, during his acceptance speech for the “Grand Salute Award” bestowed on him by Mingpao Weekly (for his work on the Passion Tour concerts), Leslie finally spoke the words that had been in his heart for several months [my apologies for the long excerpt, but this speech is a very important one and in order to do it justice, I felt the need to include the entire quote that was in the book]: “After the opening night performance, there were a lot of reporters who came backstage – the reaction I had gotten from them at that time was: ‘the show was absolutely awesome!’ However, the next day, when I opened the newspaper, what I saw was: ‘the long hair means that he is Zhen Zi [TN: a female ghost from a horror flick] and wearing a skirt means that he is a woman’, as well as other criticisms -- all of this only shows how superficial the Media is….sometimes, I feel that entertainers at our level should try things that no one else has done before and help set precedence; to be honest, during my 1997 concert, when I wore high heels onstage, I could understand being called a woman, but during this concert [Passion Tour], I never once thought of myself as a woman! Perhaps they [the Media] did not pay close enough attention – the ‘woman’ that they talked about in their reports actually has a mustache!”

Leslie continues: “On the 3rd day of the concert, Jean-Paul Gaultier [the renown designer who was responsible for Leslie’s wardrobe for the concert] emailed me from France – after I read the email, I almost fell to the floor. He wrote: ‘You Hong Kong people are ridiculous! In the future, NO international level designer will ever collaborate or work on HK shows again.’ I feel that this is something the HK Media needs to self-reflect upon because there are many of us entertainers whose level has already reached international standards. I recently held 10 shows in Japan and afterwards, the Japanese Media used the word ‘FANTASTIC!’ to describe the shows – at the same time, I was asked by other international Media outlets and concert organizers: ‘why is it that the Media in Hong Kong would choose to destroy and hurt its entertainers [with its reporting]?’”

Leslie’s words at that time were truly a reflection of what was in his own heart, but I’m sure that he also expressed the sentiments of all HK entertainers as well. He was very blunt in his criticism of the HK Media and I admire as well as respect him for that. Leslie’s personality has always been very straightforward and genuine -- it’s part of what endears him to so many people. Towards his personality, Leslie had this to say: “All these years, whether I encounter success or failure, I’ve always spoken what is in my heart. Unfortunately, this type of personality has brought me much pain and suffering.”


DAFFY TONG: LESLIE’S PARTNER UNTIL THE END

In January 1997, at the end of the 24th show of his post-retirement concert, Leslie publicly thanked 2 of the ‘most beloved’ people in his life. The first person was his mother Mrs. Cheung and the second one was his long-time partner, Daffy Tong: “Over 10 years ago, when I was at the lowest point in my life and had problems financially, this particular friend took several months worth of his salary and lent it entirely to me, helping me get through my crisis. Actually, I don’t have to say it, as you guys probably already know. Mom, he is your god-son, Mr. Tong.” Then, in 1999, during an interview with a radio show, Leslie once again spoke of the 2 most important people in his life – with this revelation, speculations over Leslie’s sexual orientation that had been running rampant for many years -- finally ended.

On April 1, 2003, Leslie’s sudden death not only shocked the entire entertainment industry, but also the entire Asian community worldwide. Unfortunately, within just hours after his death, the rumor mill was ‘ignited’ again: all kinds of speculations and rumors concerning Leslie’s death spread like wildfire, with the most ‘hurtful’ rumors coming from local gossip magazines and tabloids, which focused on Leslie’s sexual orientation and possible relationship issues as ‘reasons’ for his suicide. Due to the intensity of the rumors and the strong desire to allow Leslie to rest in peace, his family – including his partner Daffy – had to take a moment out of their immense grieving to refute some of the rumors that surfaced (shame on the Media for inflicting so much pain on a grieving family!!).

The below passages translated directly from the book demonstrate the frustration and anguish that Daffy especially had to go through :

With Leslie’s sudden death, Daffy was more hurt and grieved than anyone – yet in order to dispel rumors that were already surfacing, he agreed to be interviewed by reporters through the screen door of his home the morning of April 2nd (just hours after Leslie’s death). Daffy was wearing a white bathrobe, his eyes were red and swollen, his face was tired and worn. He told reporters: “Our relationship of more than a decade has always been good – there was never a ‘third party’ in our relationship and my feelings for him have never changed; all these years, my love for him has never wavered.” He also revealed that the first time Leslie had attempted to end his own life was back in November of last year (2002) – he said that Gor Gor suffered from depression and had been seeing various doctors for awhile already.

Unfortunately, Daffy’s confirmation of Leslie’s illness did not do much to dispel the ruthless rumors and speculations that continued to run rampant in the Media. In an attempt to quell the rumor mill, Leslie’s close confidante and manager Florence Chan stepped forward in Daffy’s (and Leslie’s) defense: “Leslie and Daffy met back in 1982 and since then, have been through thick and then together – their relationship all these years has always been good. In the past year that Leslie has been ill, Daffy has stood by him unwaveringly, taking care of him without complaint, their relationship stronger than ever. Leslie is already gone and Daffy is already in tremendous pain – what’s the point of inflicting even more pain on him? Leslie has always been very loyal in his relationships – in the past 20 years, his feelings for Daffy have never changed.”

In an interview with the author several days later, Daffy once again reiterated the unchanging devotion that he and Leslie had for each other – and he once again implored that the Media allow Leslie to rest in peace: “….In the past, whenever there were rumors about us, both Leslie and I would choose to remain silent and instead dispel those rumors through our actions – for example, going out together publicly to watch a movie or have dinner….but now, this is no longer possible…Leslie is already gone, there is no way for him to defend himself or refute the rumors, yet some people still choose to use written or verbal words to attack his spirit! The dead is already gone, let the rumors be buried as well! Instead [of focusing on the rumors], I hope that everyone can appreciate Gor Gor’s contributions and his great love and passion for his work….let’s allow Leslie to truly leave in peace!”

Sadly, to this day, there are still many rumors and speculations surrounding Leslie’s death, though the intensity of those speculations has (fortunately) died down. Despite Leslie’s own confession in his suicide note that he was suffering from depression as well as confirmation of this from his closest friends and relatives (it was also mentioned at his funeral), some people (perhaps out of ignorance or lack of understanding of the disease?) still refuse to accept the fact that it was this illness that drove Leslie to take his own life and instead continue to conjure up various other ‘reasons’ to explain it– as an HK entertainment fan, it’s definitely upsetting and at the same time frustrating to see this type of thinking. Hopefully, this post will help those who are still of this particular mindset gain better clarification.


OTHER INTERESTING FACTS

The book actually clarified a few things regarding Leslie that devoted fans may already know, but most of the general public might not -- therefore, I felt it was appropriate to include a few of these ‘interesting facts’ in this particular post:

.-- At one point in time, it was thought that actor/singer Dicky Cheung (張衛健)was Leslie's cousin. This is actually not true -- even though both Dicky and Leslie have the same surname, they are not related to each other at all. Below is a direct quote from Leslie on how the whole thing about Dicky being his cousin came about:

He [Leslie] has a heart of gold – in order to help others, he does mind telling a well-intentioned ‘untruth’. In 1984, Leslie was already a well-known first-line singer – in that year’s New Talent Singing Competition, there was a kid named Dicky Cheung who was rumored to be a cousin of his. It wasn’t until after Dicky won the gold award that Leslie refuted the rumors of Dicky being a relative: “Dicky and I met a year ago. Not sure how he got my phone number, but he called me and we agreed to meet up. At the time, he was singing at restaurants in order to support his entire family. For a period of time, he didn’t have any work opportunities while I would do occasional restaurant gigs myself, so I figured I would help introduce him to the restaurant people I knew. At first, I introduced him as my friend, but that didn’t seem to help, as he still didn’t get many opportunities, so I figured why don’t I just claim him as my cousin – after that, I was able to help him find quite a few jobs.”

Leslie later clarified in an interview that Dicky wasn’t his cousin – but he chose to do it way after Dicky won the NTSA competition, as he didn’t want to affect Dicky’s chances and also didn’t want to hurt his feelings.

.-- Alot of people say that Roger Kwok (郭晉安) – in his younger days especially -- bore a striking resemblance to Leslie and some even mistakenly thought that perhaps they are related. The truth is that they are NOT related, but Roger definitely did look a little like Leslie back in the 80s, especially between 1986 and 1988. Roger's fellow colleagues at TVB apparently thought so as well: during TVB's Anniversary Gala in 1988, Leslie was one of the special musical performers at the end of the show -- while he was performing, a bunch of people pushed Roger out to the front of the stage where Leslie was. Roger had a (cute) slightly embarrassed smile on his face -- being the good sport that he is, Leslie hugged Roger and said loudly into the microphone: "My Brother!" (Aww, such a sweet moment! I remember that particular Anniversary Gala show, as I've seen it several times -- it's among my favorites in terms of TVB galas).

.-- Leslie is very good friends with [my idol] Jacky Cheung. Part of the reason is because of Anita, since Jacky is Anita's 'brother-in-law' and of course, Anita is Leslie's close friend and 'sister' -- plus they all started around the same time (in the 80s) and all had mutual friends, so they hung out together alot and also collaborated alot onscreen (in music and movies) as well. But of course, the other 'common link' between Leslie and Jacky is Florence Chan -- as already stated above, Mrs. Chan was Leslie's manager for most of his singing career (starting in the early 80s) and in the mid-90s, she became Jacky's concert manager (Jacky's manager in the 80s and early 90s was 'golden' manager Willie Chan), a position she continues to hold currently. (When Leslie made his comeback to the music industry, Mrs. Chan continued her role as his manager, up until the point of his death in 2003). So with the added relationship of being Mrs. Chan's 'sons', it's no surprise that Jacky and Leslie were close.

In 2001, during a celebration dinner for Mrs. Chan’s birthday, Leslie talked with Jacky about the 2 of them doing a musical together as their mutual gift to Mrs. Chan for her birthday. By the next year, Jacky had already completed the initial script for the musical and had even showed it to Leslie for review. Unfortunately, before Jacky was able to complete the final revisions to the script, Leslie was already gone. …

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CONCLUDING THOUGHTS

I’m sure everyone would agree that even when he was alive, Leslie was already an ICON in every sense of the word – with his passing, he has become more than just an icon….he has become a LEGEND.

In a sense, this post can be viewed as a ‘coping mechanism’ to help those (like me) who still struggle from time to time in accepting the fact that Leslie is truly gone…. but most importantly though – just like with my previous posts on Anita and Danny -- it’s also my way of paying tribute to a legend. I hope that whoever gets the chance to read this post – whether you’re a Leslie fan or not – can benefit from it in some way: whether it’s learning things about Leslie that you may not have known previously, or, in the case of his fans, simply serving as a reminder of why your love for Leslie continues to remain strong and steadfast so many years after his death. In putting together this post, I myself have definitely gained a better appreciation for Leslie, both as an artist and as a person.

One last thing…..

I wish I could include some of the pictures from the book in these posts, as each chapter shows a collection of pictures from Mingpao’s archives that are relevant to the people or events being discussed. One of the many things I like about this book is that the author really took the time to look through her picture archives and choose pictures that created a ‘historical chronology’ of sorts for each artist (for example, the section talking about the artist’s childhood included baby pictures and other family pictures, the section about the artist’s relationships has pictures of their significant other(s), all with detailed captions and the year the picture was taken). For me, while reading this book, looking through all the pictures and reading the captions that accompanied each picture was almost as good as reading the book itself!

Tuesday, August 2, 2011

Book Review: 從零開始 (Now and Then II) -- post #5…Danny Chan (陳百強)

Continuing with my 'book review' of "Cong Ling Kai Shi", the next 80s/90s artist I would like to write about is late singer / actor Danny Chan.

Danny's story is a tragic one -- another instance of a talented artist who died way too young. In the 18 years since he passed away (can't believe it has been almost 2 decades already), whenever I hear mention of him every year around the anniversary of his death, I can't help but think about what could have been. It especially saddens me knowing that his career as an entertainer (basically the pressures that come with it) is ultimately what led him down the 'path of no return' -- and reminds me once again that being in the entertainment industry is not as 'glamorous' as some people may think (and definitely not suited for everyone)....

** Disclaimer #1: The below is a recap of one of the interviews in the book and is written from my perspective – it is not by any means a direct translation of the entire interview. For a detailed description of what this particular book is about, please refer to post #1.

** Disclaimer #2: This book does NOT tell the entire life story of Danny, but rather focuses only on certain aspects of his life and career gathered from previous interviews with him (as well as the writer's own knowledge of him). Therefore, please understand that the below recap won't be 'all-inclusive'.


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INTRODUCTION

In my previous post about Anita Mui, I had mentioned that 2003 was a bad year for HK, not only because of SARS, but also because the HK entertainment industry lost two of its biggest stars – Leslie Cheung and Anita Mui. Unfortunately, 2003 was not the first time that we lost 2 big stars in the same year…exactly a decade earlier, in 1993, the HK music industry was rocked by major tragedy – the deaths of 2 hugely talented singer / songwriters -- pop/rock group Beyond’s lead male vocalist Wong Kar Kui, who died from a tragic accident on June 30th, followed later on in the year by Danny Chan, who died on October 25th after being comatose for 17 months (both died in their 30s).

It can be said that Danny’s introverted personality perhaps made him unsuited for the complicated, oftentimes ‘dark’, and almost always stressful world that is the entertainment industry, though there are certainly other factors that contributed to his mostly ‘strained’ relationship with the industry – for example, his childhood, family background, life experiences, etc. In the book, the introduction that was written to the chapter about Danny best sums up his personality as well as the tragedy of his life:

Danny was a ‘child at heart’ who was very much in need of love. His god-brother [fellow singer] Kenny Bee described him as ‘the entertainment industry’s protected species’. [Cantopop Queen] Anita Mui once said: “Leslie [Cheung] is my older brother, someone who is able to take good care of me; Danny is my younger brother, I need to protect him.” Though Danny was a man brimming with musical talent and creativity, he unfortunately had a naturally ‘sensitive’ disposition –‘happy’ times were always very few but ‘unhappy’ times occurred very often. On May 18th, 1992, Danny collapsed at his home and was rushed to the hospital…during the ambulance ride, his heart had stopped once, but was resuscitated. From that moment on, he slipped into a coma and never woke up again.

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CHILDHOOD / PERSONAL LIFE

Danny was born into a middle class family – his father was the owner of a watch shop and his mother was a typical housewife. On the surface, it appears that Danny would have a happy childhood, and I guess in a sense, you could say that he did to some extent. But one factor that set his family apart from other typical middle class families – Danny’s father had 2 ‘wives’ (though under HK law, the first wife is the official one and the second wife is only the ‘mistress’). Therefore, even though Danny technically had 3 older brothers, 1 older sister, and 1 younger brother, all of them were actually half-siblings born to his father and ‘official’ wife….his own mother only bore 1 child (him). Growing up, Danny lived separately with his mother and did not see his siblings much, so unfortunately, his childhood was one of loneliness.

Danny’s mother Mrs. Chan was a very benevolent mother, doting on her only son ever since he was born and also fiercely protective of him. Danny attended the best schools growing up and before he even graduated from high school, he had the opportunity to study abroad in the U.S. (in the state of Nevada) – however after 6 months of living abroad, he could not get used to the new (and different) environment, so he returned to HK. Not long after enrolling in 11th grade at a prestigious international school in HK, he decided to quit school completely.

As a youth, Danny’s musical talent was already obvious. In the mid-70s, when the electric keyboard started to become popular, Danny taught himself how to play the instrument and just like that, started composing songs. The first song that he wrote was actually a birthday gift to one of his high school classmates – unfortunately though, the sheet music to that first song has long been lost, so it never got a chance to be part of Danny Chan’s official music repertoire.

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CAREER / LOVE LIFE

Danny ‘officially’ entered the music industry back in 1977, when he participated in a songwriting talent contest and also won first place in the HK Electronic Keyboard Contest (not sure what the actual name of the contest was). In 1979, Danny released his first album entitled {Tears Cried for You}, which became an immediate hit and almost overnight, Danny became a star, idolized by many youth throughout HK. When a reporter asked him where his inspiration for writing music came from, Danny replied: “Whenever I feel unhappy, I would lock myself in a room, take the unhappy mood that I’m in, and vent it out through the process of creating a song.”

At the age of 21, Danny was already a ‘star’ in his own right, but at the core, he was an ordinary person, just like you and me. With that being said, of course, as an ordinary person, he also had his idols whom he looked up to and admired as a fan. Not sure how many people knew this, but Danny’s idol was popular Japanese actress/singer Yamaguchi Momoe (山口百惠) – Danny adored her and like any dedicated fan, he was devoted to her and jumped at any opportunity to meet her. Fortunately for him, he had entertainment industry friends in Japan and throughout his life, he had the opportunity to meet the Japanese superstar 3 times. Danny admired the relationship that Yamaguchi had with her husband and felt that the love that they shared was something that he may never experience himself. During an interview, Danny once stated: “All along, I’ve had the desire to truly truly love someone – unfortunately, after searching for half my life, I’ve never found someone to love.”

Indeed, for most of his life, Danny had been unlucky in love. Even back during his high school days, when he would encounter someone he liked and tried to pursue her, it always turned out that the girl either didn’t like him or she already had a boyfriend. After Danny entered the industry, despite his popularity and talent, he experienced the same failures in the pursuit of love, to the point that the outside world (i.e. the Media and general public) started to speculate about his sexual orientation (typical Media reaction, though unfortunately the speculations will have a huge impact on him later on).

In 1982, Danny collaborated with popular actress (at the time) Mary Jean Reimer (翁靜晶) on the movie {Encore} (one of the few films that Danny starred in). To promote the film, Danny and Mary Jean would appear together at events constantly, oftentimes holding hands and looking like a sweet young couple. When people asked him about his relationship with Mary Jean, he was very honest about his feelings: “I like her and we get along quite well together…especially physically, we are very compatible, just like Yamaguchi Momoe and [her husband] Miura Tomokazu. However, we are not dating – her personality is a bit coyish and is used to being pampered, while I’m a bit of a chauvinist.”

A decade later, in 1992, as Danny was comatose in the hospital, Mary Jean went to visit him and broke down into almost inconsolable tears. Not too long after that, during a rare interview, she finally discusses the special relationship she had with Danny that basically boiled down to a ‘youthful infatuation’ and not a true love / romance relationship. While it was obvious that Danny cared a lot about Mary Jean and she also cared about him (she cried genuine tears of pain and sadness at his funeral), and perhaps at one point there may have been feelings that went beyond that, it didn’t amount to anything in the end. Mary Jean Reimer eventually married martial arts teacher and director Lau Kar Leung (who was 30 years her senior) in 1984 and her relationship with Danny officially ended.

The following excerpt from the book best describes the relationship between Danny and Mary Jean – a passage I decided to include because I feel that it is important in helping us understand some of the things Danny went through in his life (and perhaps helped shape his future):

For the two ‘little friends’, days of happiness eventually came to pass. She [Mary Jean] felt that Danny was becoming more and more unhappy – he was no longer that playful ‘big kid’ who liked to play jokes on others. As for herself, she seemed to ‘grow up’ faster than he was able to and eventually she chose the more mature Lau Kar Leung. With his ‘little friend’ falling in love with someone else, Danny was very upset and for many years after that, refused to speak to her.

Looking back at the past, Mary Jean Reimer still can’t say for sure whether she and Danny could be considered ‘lovers’. She says: “The most ‘affectionate’ we ever got was merely holding hands and kissing on the cheek—our relationship was very pure and innocent. This type of friendship, I don’t believe it will happen again in my lifetime.”


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PERSONAL STRUGGLES: “A Precious Flower That Wilted Too Early”

After Danny passed away at the young age of 35 (on October 25, 1993), one of his half-brothers summarized his life struggles in this way:

“Danny was a man of much sensibility and was constantly in pursuit of perfection – even the tiniest blemish was taken to heart and would cause him to brood over it. All this time, he has been pursuing what he wanted in life – eventually he had fame, and he had fortune, and after that, he no longer knew what else he could pursue. Actually, at that time, he didn’t need to pursue anything more, however he began to constantly worry that one day, he would eventually fall. This was a worry that weighed heavily on his mind and in his heart.”

From the start of his career in the late 70s, it can be said that Danny’s career was pretty smooth in that he quickly became popular and was able to attain fame and fortune fairly early. However, the one aspect of being in the entertainment industry that Danny was never quite able to come to terms with was the constant pressure placed on entertainers by the Media and general public. In the mid 1980s, Danny’s fellow entertainment industry ‘brother’ and good friend Leslie Cheung started to rise in popularity and not surprisingly, the Media and general public started comparing the 2 artists constantly. In response to such sentiment from the outside world, Danny once told the author (Huang Li Ling) during an interview: “I hate it when people ask me ‘Leslie Cheung is so popular now, how do you feel about that?’ How do they expect me to feel? Am I supposed to be jealous of him? Am I expected to constantly think of ways to overtake him? We were once under the same manager and I personally saw how he overcame adversity to achieve the success he has now – I will only be happy for him!” When I read this section, I genuinely felt saddened at how frustrated Danny must have felt back in those days having to constantly deal with the unending questions and ‘pestering’ from the Media. Unfortunately, almost 2 decades later, nothing has changed in terms of the Media and how ‘public figures’ are treated – the Media still has the same ‘old-school’ mindset.

Even though Danny did feel frustrated over constantly being asked about Leslie, that was only a minor irritation in comparisons to the emotional and mental ‘beating’ that Danny endured from the Media (and general public) in 1985 (which many feel that he never fully recovered from). The anguish that he felt during that time eroded his confidence and it took him more than 2 years to regain the strength and confidence he needed to continue on with his career (and life). Reading this section of the book really upset me because even though I am fully aware of the ‘cruelty’ that the HK Media and paparazzi are capable of (it’s hard not to be aware after following the entertainment industry for so many years), I can’t help but feel angry at their actions (and the whole ‘it comes with the territory of being in the industry’ type mentality, which I personally feel is a bunch of BS!). In the following section, I will attempt to recount the struggles that Danny went through in 1985 and the impact it had on him subsequently, as it will provide much insight into what led him down the path he took that eventually cost him his life.

In September 1985, Danny had to enter a hospital for a few days. Almost immediately, all sorts of horrible rumors and speculations started to surface – including rumors that he had contracted AIDS (remember that people had speculated about his sexual orientation at one point) and even rumors that he had died! Just when the rumors became more and more intense as well as horrific, Danny finally re-appeared in public and ended all speculation….unfortunately though, the damage was already done. The below excerpt from the book describes Danny’s feelings during this period and the impact that the rumors had on him (sorry for including such a long passage, but I feel that it’s important to hear Danny’s words directly rather than paraphrase…):

Knowing that Danny was safe and sound, I [the author Huang Li Ling] called him up to see how he was doing. He said: “I am very upset – those rumors truly crossed the line! I don’t understand why those people had to say those types of things!” After a short silence, he muttered: “It’s really difficult being an artist.”

Sensing the tiredness and worrisome anger in his voice, I asked him what had truly happened. He replied: “My biggest issue is that I don’t have a place to live. A few months ago, a geomancer told me that my house [in Happy Valley] has bad feng shui, so I planned to move out, but the better houses are too expensive, so I decided to temporarily move back to my father’s house to live. Unfortunately, my ears are way too sensitive – if there is even a tad bit of noise, I am unable to sleep. Not sleeping well for a period of time, I will naturally be moody and in bad spirits.”


Asked why he went to the hospital, Danny’s sensitive nature started to surface: “What is unusual about a person going in to get a physical examination? My heart was beating faster than usual, but other than that, everything else was fine physically. My mood gets tense and nervous very easily – it’ s my personal issue and doesn’t have anything to do with anyone else, so there’s no need to pull innocent people ‘into the water’. I’m sure you understand what I mean?” [The ‘innocent person’ that Danny was referring to was Leslie Cheung, as Leslie had jokingly made some comments about Danny at his concert earlier – in good fun, since they were both good friends and ‘brothers’ – however the Media took the words out of context and made it into a big issue, trying to make it seem like Danny and Leslie did not get along when that was far from the truth. Danny was upset at the Media’s actions, however the Media spun it to make it seem like he was upset at Leslie].

To combat the rumors, even Danny’s god-mother Mrs. So as well as his own mother Mrs. Chan couldn’t help coming to his defense:

Mrs. So: “Danny has a serious case of insomnia – even if we were to walk by in slippers, that little bit of noise would still wake him.”

Mrs. Chan: “A musician’s ears are truly very sensitive. Our entire family is already helping him try to find a place to live. This son really causes me to worry about him.”


When the author (Huang Li Ling) met up with Danny again in 1988, she could tell that he was still very unhappy. Indeed, during an interview at that time, he indicated to her that he would sit at home during the night, look out at the beautiful view outside the window, and feel lonely. The author even commented that the last time she saw the playful, happy Danny was in 1984 and since then, things had changed drastically…..

He [Danny] admitted that the nasty rumors from 1985 had indeed knocked him down quite severely. I told him that he should have come out and said something at that time, as that would have shut people’s mouths quickly, to which he replied: “Unfortunately, I am a bit foolish and also very weak – the more people said things, the more I would retreat and eventually close myself up to others. That was the worst torture I had ever endured, the worst curse. Ever since I entered the industry, my path had been relatively painless, so to all of a sudden encounter such a situation, I didn’t know how to handle it. At that time, Katie Chan [Danny’s manager in the later part of his career – she was also his close friend; currently, she is manager to Faye Wong and Eason Chan] wasn’t my manager yet and so I didn’t have anyone to help me or anyone to talk with, so I became silent.”

He thought a little more, then continued: “The person who first started the rumors seemed to have purposefully timed it, to purposefully ‘chop down the flower’ and make me no longer able to exist in the industry. Nevertheless, I should probably thank that person, because at least that situation made me somewhat stronger – though I am still not as strong as I need to be. It took me 2 years to regain my confidence – that time period was truly very difficult for me.”


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CONCLUDING THOUGHTS

Without a doubt, Danny had tremendous talent when it came to music – unfortunately though, he was not cut out for a career in the oftentimes cruel and unjust world that is the entertainment industry. Knowing what I do about Danny, I sometimes wonder whether his fate would have been different if he had gone into a different field. And thinking about this, along with the other HK entertainers who have left us over the years, I can’t help but lament the plight of the industry.

Three years after he had entered the industry (in the early 80s), Danny considered leaving the industry for the first time – but he held on and persevered. After having endured a particularly difficult year for him (1991 was a low point for him in terms of his career), Danny finally decided in 1992 that he would retire from the industry for good. In March 1992, he held 3 concert shows in Shanghai, China – this was to be the first leg of his farewell concert tour, his last before retiring. During the last segment of the show, when he ended with his classic song {一生何求} [the themesong to “Looking Back in Anger”], the entire audience stood up and clapped to the beat of the song – a particularly poignant and touching moment that meant a lot to Danny…in his words, this was “a moment I will never forget for my entire life.” The next month, in April 1992, Danny performed at a special event in Shanghai (along with other artists) to promote environmentalism – this was his last appearance in public and also the last time that he would perform on stage.

I would like to end this post with an excerpt from the book – a particularly well-written section that, through a mother’s words, recaps the struggles her son faced in life while at the same time, relays her heartbreak and pain at the tremendous loss of a precious life – a sentiment that I’m sure everyone who cared about Danny (whether a fan of his music or not) shared:

On May 18, 1992, he [Danny] collapsed at his home and after being rushed to the hospital, remained in a comatose state; it was reported that his collapse was due to consuming a particular medication after drinking alcohol. His mother, Mrs. Chan, went to the hospital every day to sit by his bedside and keep him company, patiently waiting for the day when a miracle would happen. She would tell me: “the ‘reborn’ Danny definitely will not be the same Danny as the past – he definitely will NOT remain in the entertainment industry. He will leave all the gossips and unhappiness behind him and be an ordinary person. In the past, I would always encourage him to ignore what people say and don’t be concerned about all the gossips….but he couldn’t find the strength and allowed himself to sink deeper…..” Day after day, the benevolent mother continued to sit by Danny’s bedside and whisper words of encouragement in his ear – but unfortunately she was not able to rouse him. 17 months later, he passed away.

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Danny is truly a legend and is truly missed by all of his friends, family, and fans! Rest in peace, Danny!

Thursday, April 7, 2011

Book Review: 從零開始 (Now and Then II) -- post #4…Anita Mui (梅艷芳)

** Disclaimer: The below is a review of one of the interviews in the book and is written from my perspective – it is not by any means a direct translation of the entire interview. For a detailed description of what this particular book is about, please refer to post #1.**

The next 80s/90s artist I chose to write about in my continuing book review series on 從零開始 is the late HK Cantopop Queen Anita Mui.

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INTRODUCTION

2003 was a bad year for Hong Kong....the nation was already reeling from an invasion of SARS and everyone was already in low spirits. As if that weren't enough, even worse news came later that year – the deaths of 3 ‘legends’ in the HK music industry that pushed everyone’s spirits to the lowest point possible and also changed the entertainment industry forever. On April 1st, the industry lost superstar singer / actor Leslie Cheung when he jumped off the 24th floor of the Mandarin Oriental Hotel in HK; then on November 16th, they lost award-winning songwriter / lyricist Richard Lam Chun Keung (brother of Eunice Lam) to lymphatic cancer; and finally, on December 30th, they lost legendary music queen Anita Mui to cervical cancer.

This post will focus primarily on various aspects of Anita’s life, love, and relationship (through her own words in interviews with Mingpao compiled for this book). Of course, given the relationship between Anita and Leslie, there will undoubtedly be some information related to Leslie in this post, however I will also be dedicating an entire post to Leslie’s life and career later on in the year.

To be honest, it is impossible to tell the story of Anita’s life in 1 blog post, so I am not even going to attempt to do so (in fact, this post won’t talk too much about her career, since that is the part that most people know about Anita). Instead, with this post, I hope to bring to light some of the struggles that Anita faced throughout her life as well as hopefully let those who may not be as familiar with her understand why she is indeed the ‘big sister’ in the HK music world. Most importantly though, I hope to demonstrate why Anita was (and still is) so respected in the entertainment industry – not just because of her singing or acting, but also because of who she was as a person.

Eric Tsang actually said it best when he talked about Anita’s passing during his “Be My Guest” interview: right before Anita passed away, she was able to see all of her friends for the very last time – several floors of the hospital that she was staying at were packed with her friends from the entertainment industry who came to see her and be with her on the last leg of her short, but meaningful life journey (those who were working in another country immediately dropped what they were doing and flew back to HK). The love and support that Anita received during those last days was unprecedented and as Eric said, even until the end, Anita remained strong – she refused to succumb to her illness until after she saw every last one of her friends and said her goodbyes to them.

When most people think of Anita Mui, they probably think first about her extraordinary strength and endurance as well as her strong, outspoken personality and natural tendency to speak out against injustice. Even Anita herself once said: “I feel that I was naturally born to be one of those noble warriors from Jin Yong’s novels – the only thing is that I was born in the wrong time period.”

True, this was the public’s perception of Anita and in a sense, it was also her own perception of herself. BUT those who knew Anita well also saw the deeper side of her – a side that she rarely showed to others.

The following quote from the book is very fitting in the way it describes the inner conflict that Anita struggled with her entire life as well as the ‘tragedy’ of her life beneath all that glamour:

She [Anita] is open and candid, dares to love and dares to hate. On the surface, she gives the impression of being very strong and brave (In her words: “I have the personality of a man in a woman’s body.”) In reality though, underneath that bold, heroic exterior lies the loneliness and sensibility of a woman’s heart – her only weakness is that she is too used to undertaking responsibility, to the point that those around her start to view it [Anita taking up responsibility on all matters] as an expectation. One time – feeling that the burden on her shoulders was especially heavy – Anita said to me: “I am only a woman.”

On December 30th, 2003, Anita Mui left this world. ‘Towards a Quieter Life (往生靜土)’ – these are not just 4 words on Anita’s funeral shrine, but also something that Anita constantly hoped for. Now, every time I think of her, in addition to missing her, there are also feelings of sympathy and sorrow mixed in. My heart is also full of question marks – why is it that even in her last action of establishing a will for herself, she was not able to get the respect that she rightfully deserved?

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CHILDHOOD / PERSONAL LIFE

It is hard to believe that in 1982, when 18 year old Anita Mui won the 1st annual New Talent Singing Competition, she had already been ‘in the industry’ for 14 years! Anita’s mother was the head of a performance troupe that went around performing at various venues, mainly at nightclubs and disco halls. So at the young age of 4 years old, Anita stepped onto the stage for the first time and along with her older sister Ann, had a constantly busy schedule performing and singing. As Anita herself states: “My childhood was very different from other children’s, so I was always envious of the ordinary lives that other children were able to lead…compared to others of the same age, I always felt very old – perhaps because I have been working since I was very little! I feel that youth [young people] have a special characteristic – that is, to just let it all out and be carefree….but I’ve been carrying a heavy burden since a young age, so in a sense, I never experienced ‘youth’ at all.” In addition to not having a childhood, Anita also had to give up her education – during her first year of high school, she fell extremely ill and had to pull out of school for a long period of time. Unfortunately, after she recovered, she was not able to keep up with the school work and ended up dropping out of school – but she did continue to self-educate herself throughout her life so that she never stopped learning completely.

One thing that Anita longed for throughout her life (but sadly, never got) was love from her family. Despite being the youngest in the family and the ‘little sister’ in the household, Anita did not receive the love or support that one would expect from their family – in fact, the only ‘sane’ (I will explain later why I chose this word) person in the family who truly loved and cared for Anita was her older sister Ann, who was closest to her in age. Anita’s mother was constantly working (or rather ‘scheming’ up ways to earn as much money as possible) and Anita was never close with her 2 older brothers (more on them later), primarily due to the huge gap in their ages.

Of course, it wouldn’t be fair to write about Anita’s life without mentioning her family, as they played a huge role in shaping the person she became. Before I go any further though, I feel that I need to APOLOGIZE in advance for any comments I make in this post in relation to Anita’s family that may be offensive to people, as it is definitely out of character for me to ‘diss’ someone’s family, but I really can’t help myself in this case. I myself am a very filial daughter and love my family very much, plus I have a lot of respect for elders and in general, I’m a pretty mellow person. BUT even someone like me (and I don’t even count myself as one of Anita’s ‘fans’), cannot help being completely disgusted and abhorrent / loathsome towards Anita’s family (with the exception of her sister Ann). I cannot believe that people like her imbecilic, money-crazy mother and bastard (also money-crazy) brothers exist on the face of this earth – and I feel EXTREMELY sorry for both Anita and Ann for being born into such a bad family!

I’ll talk more later on in this post about why I despise Anita’s mother and brothers, but for now, this direct quote from Anita (from one of her past interviews) should give people some insight as to why Anita’s relationship with her mother was so strained:

“I grew up in an ‘abnormal’ household. Mother always locked us up behind the screen door and I was only able to watch from within the confines of our house as the neighbors’ kids went out to play. Towards my family, I’ve always only felt a sense of alienation and estrangement, very little warmth. Whenever I’d try to speak to my mother, she would tell me to stop, shut up, not allowed to speak – so now, I have no words to say to her. I will not go and criticize her, but that DOESN’T mean that I agree with everything she does. No matter what, she is my mother after all – that fact will never change.”

With such strained relations to her biological family, it is no wonder then that when she met Leonard Ho (founder of famous HK production company Golden Harvest) and his wife, she was finally able to possess the parental love that she was never able to obtain from her own family. In the mid-1980s, Anita became the god-daughter of Mr. and Mrs. Ho – even though the Ho’s already had a biological daughter of their own, that did not prevent them from treating Anita as their own daughter, showering her with love and support.

As a sidenote, former actress May Lo (God of Songs Jacky Cheung’s wife) was also Mr. and Mrs. Ho’s god-daughter – that is actually how she became so close with Anita and why they ended up becoming sworn sisters (hence, Anita referring to Jacky as her brother-in-law). During Anita’s funeral service in January 2004, Mrs. Ho (Mr. Ho passed away in 1997) as well as May and Jacky sat in the ‘family members’ section – Jacky also gave a eulogy at the funeral and was also one of the pall bearers who accompanied Anita’s casket to her final resting place.

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In 1988, Anita filed a complaint in court accusing her oldest brother Mui Kai Ming of extortion and embezzlement. At the time, Anita’s mother (Mrs. Mui) told her daughter Anita to give her brother some money as a form of investment to open a pet store and dog training facility – in less than 1 year, the business posted losses of close to 4 million HKD. It was said that ‘someone’ (Anita’s brother) used the company to borrow money from others and also misappropriate funds, which caused Anita much grief and disappointment. In the end, Anita did not ask her brother to return the money he took from her (since she was her brother after all), however she did make her stance clear that she was not going to give him any money and that she did not want to see him again. From that moment on, Mui Kai Ming did not dare to show his face in front of Anita again while she was alive (what a COWARD!!!!). Anita’s mother also took part in numerous ‘questionable’ financial practices as well and throughout the years, had ‘spent’ a lot of Anita’s hard-earned money.

Ironically, the moment Anita passed away, Mui Kai Ming suddenly ‘reappeared’ again and has become a fixture by his mother’s side these past 8 years. Along with Anita’s other brother Mui Tak Ming, the mother and sons have been in and out of court these past 8 years, protesting Anita’s will and filing appeal upon appeal. They refuse to accept the fact that Anita bequeathed majority of her ‘estate’ to charity in her will (even though she did request that her mother be given a certain amount of money every month as an allowance) and have continued to fight the will in court in attempts to get more money, thereby draining Anita’s estate almost down to the penny.

The following excerpt was taken directly from the book – I decided to include this long passage from the book because it does a good job of illustrating exactly the type of person Anita’s mother was:

Even though her mother’s actions throughout the years brought Anita nothing but trouble and the two were never very close (in fact, Anita always referred to her mother as ‘Mrs. Mui’), Anita continued to fulfill her utmost filial obligations to her mother. In 2003, despite suffering from severe illness, Anita drafted a will that arranged for her mother to receive 70,000 HKD every month in living expenses for the rest of her life until death – Anita made these monthly arrangements to prevent her mother from spending all her money in one shot and possibly descending into poverty in the future. Unfortunately, Mrs. Mui did not understand one bit the filialness that Anita had toward her. In 2005, Mrs. Mui sold the property that she owned jointly with her daughter and despite rendering profits of close to 5 million HKD, she repeatedly requested for the courts to increase the amount bequeathed to her for living expenses. Due to Mrs. Mui repeatedly losing the inheritance case each time it was challenged in court and subsequently filing appeal upon appeal, the funds in the inheritance account established by Anita’s will slowly dwindled and by October 2008, there was only 8500 HKD left in the account, which was not enough to pay for Mrs. Mui’s living expenses. Asked about the funds barely being enough to finance her lifestyle, Mrs. Mui responded: “So? What kind of stormy seas have I not encountered and conquered? It’s simple – I’ll just apply for public assistance!” Oh, and what about the older brother (Mui Kai Ming) who, while Anita was alive, did not dare show his face? From the moment his youngest sister Anita died, he resurfaced once again, accompanying his mother everywhere and becoming her ‘right-hand man’. By July of 2009, Mrs. Mui’s living expenses increased to 150,000 HKD per month.

When I read the section in the book that talked about Mrs. Mui’s actions, I was deeply saddened but at the same time, it also made my blood boil! How could a mother possibly be so cruel? Is it not enough that she did not show any love toward her daughter throughout the 40 short years of her life and instead treated her like a money tree, yet Anita continued to be filial to her and even left money for her in her will? How can it be that when her daughter dies, the only thing that the mother cares about is money and does not even have the decency to respect her daughter’s will?

If you thought Mrs. Mui’s actions in fighting Anita’s will and bilking her money were bad, you haven’t heard the worst of it! Not sure if anyone noticed, but in the 8 years since Anita’s death, there have not been any ‘official’ tribute shows or concerts in her memory (in comparisons, there were dozens of tributes for Leslie, Roman, and even legendary composer James Wong). How is this possible, given Anita’s tremendous popularity and iconic status in the HK entertainment industry? Well, we all pretty much have Mrs. Mui to thank for the ZERO tributes to Anita! Not long after Anita died, there was a fierce ‘verbal battle’ between Mrs Mui (escorted by her cohorts, the Mui brothers) and Anita’s former manager as well as all her apprentice students and close friends (think of it as ‘Mrs Mui versus the HK entertainment industry’). At the time, Mrs. Mui publicly declared that she would not allow ANYONE to hold any tributes or concerts in Anita’s honor because doing so would be equivalent to “making money off a dead person” (in reality, she was probably just bitter that SHE wouldn’t be able to make money off of any tribute/concert shows, since Anita’s friends know how she is and would most likely donate the money to charity instead, so she figured she’d ruin it for everyone). Not only that, she also pretty much ‘threatened’ anyone who ‘dared’ to make money off her daughter in that manner (concerts, tribute shows, etc.) with legal action (plus they would surely ‘rot in hell’ for doing so, as Mrs. Mui so vehemently proclaimed!). So what was the entertainment industry’s (aka Anita’s apprentice students and friends) reaction to Mrs. Mui’s unreasonable, stupid nonsense? As much as they were opposed to Mrs. Mui’s tirades and were disappointed with how badly she was tarnishing her daughter’s memory, they decided to take the ‘high road’ and abide by Mrs. Mui’s wishes – not because they were afraid of a senile old lady, because she was Anita’s mother after all, so they let things be out of respect for Anita and her memory.

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Anita’s relationship with her mother and brothers may have been strained, but amazingly, her relationship with her sister Ann was completely opposite – the 2 sisters were very close. I actually think that Ann was born into the wrong family because she was so different from the rest of them – she was very feminine, sweet, and just an overall wonderful person! And we can actually thank Ann for giving us Anita, as it was because of her that Anita entered the New Talent Contest -- Ann was also a singer and when a friend told her she should enter the competition, she felt more comfortable having her sister there with her, so she submitted an application for her (Anita actually didn’t want to do it). Ironically, Ann never made it past the semi-finals, but as we all know, Anita did – not only that, but she went on to win the competition itself. Even though Ann did not make it to the finals, she was not bitter – in fact, she was extremely happy for her sister and on finals night when Anita’s name was announced as the winner, Ann was right there in the stands, crying tears of joy that her sister had made it (she had always felt that her little sister was naturally talented in the area of singing and was destined to be an entertainer).

As the older sister, Ann always felt an obligation to take care of her younger sister (even though they weren’t too far apart in terms of age) and when reminiscing about their childhood, she admits that it was a difficult – two little girls having to ‘sell’ their singing at such a young age in order to earn money for the family. In past interviews, Anita herself lamented the difficult childhood that she and her sister had to endure: “In our family, the females had to work very hard and do all the difficult jobs, but the males didn’t have to work at all – if the males did work, it was for themselves and they were not obligated to bring money home....we were all born to the same mother, all healthy and able-bodied, we should be equals! Why is it then that I have to work so much harder than them?”

Indeed, Ann was the only ‘sane’ person in the family and the only positive influence (within the family, that is) that Anita had. Unfortunately though, the relationship was not destined to last – in April 2000, Ann Mui died of cervical cancer (the same illness that Anita would eventually die from 3 years later). Anita was devastated by the loss of the sister whom she loved so dearly and vowed to take care of her sister’s family forever, no matter what happened (Ann was survived by her husband and 2 children – fortunately, they did not need Anita to take care of them, as Ann’s husband was a doctor, I believe, so the family did not have to worry financially at least). Her sister’s death made her think hard about life and in an interview that year, Anita stated: “[Her death] made me reflect and changed my perspective on life. I realized that I need to be strong. No matter what difficulties, setbacks, or unhappiness comes my way, I will tell myself: It’s nothing! There is nothing more important than life itself – as long as I’m still alive, I can still start over!”

In March 2003, as Anita herself was silently battling cancer (at this point, none of her friends knew yet, except Eddie Lau), she perhaps recognized that she may not live much longer. In an interview, she stated: “There are so many distressing things in life…I myself have experienced all 4 ‘spices’ in life [sweet, sour, bitter, tart]. In the next life, I would rather be a little bird, flying freely up in the skies.”


RELATIONSHIPS: The men in Anita’s life

The men in Anita Mui's life can pretty much be divided into 3 categories -- her lovers (those with whom she had a romantic relationship), her brothers (those who were not related to her by blood and whom she was not involved with romantically whatsoever, but was very close to -- so close that they can be considered 'family'), and her friends (pretty much everyone else who did not fall into the other 2 categories).

*For the purposes of this post, I will not be talking about the 3rd category, as Anita has alot of friends (as I mentioned earlier) in the industry and it would take a long time to discuss her relationship with each one of them. Also included in the 'friends' category are all of her apprentice students (for the purposes of this post at least), which I'm not going to talk much about either (maybe some other post?).*


For such a huge celebrity, Anita was actually quite open when it came to admitting to her romantic relationships. The boyfriends that she had after entering the industry include: actor Michael Miu(with whom she filmed her one and only TVB series, “Summer Kisses, Winter Tears”), wealthy young socialite Stephen Chau Sai Lung(yes, the same man whom Barbara Yung was involved with back in 1985), part-time model Michael Lau (not really considered part of the industry, since he only modeled part-time for commercials and such), a man known only as Paul, whom she met at the gym while preparing for her concert in 1990 (not part of the industry), actor Ben Lam Kwok Bun (a martial arts instructor turned third/fourth line actor who had minor roles in movies and such), mainland actor and martial artist Vincent Zhao WenZhuo(Anita was actually older than him, so at the time, the media went crazy over the whole older woman/younger man romance), and Japanese singer/actor Kondo Masahiko(sorry, don’t know too much about him, since I don’t follow Japanese entertainment).

So out of all her boyfriends, which one was truly the ‘love of her life’? Anita was asked this question in March 2003, when she was in the last stage of her life, reflecting on her past. Her response: “I won’t say who specifically…all I can say is – the one with whom I had the long-distance relationship. If I were given a second chance to choose, I would still choose to love him. In other words, that was the relationship most worthy of remembering fondly.” The only ‘long-distance relationship’ that Anita publicly admitted to was with Japanese artist Kondo Masahiko – and throughout their courtship, it was very obvious to everyone (she even admits it herself) that she was extremely in love with him, flying to Japan often to meet up with him. So it is safe to say then that he was the ‘love of her life.’

In January 2004, as Anita’s friends gathered at her funeral to pay their last respects to her, something that is rarely seen in the entertainment industry occurred: pretty much all of Anita’s past boyfriends (except for the ones who were outside of the industry) were in attendance at the funeral – including Kondo Masahiko, who had purposely flown to HK from Japan to attend. Regardless of how her relationship was with each of her past boyfriends or what their reasons were for breaking up, it is obvious that in the end, with Anita’s passing, all misunderstandings and differences were buried along with her. Personally, I was touched to hear about Anita’s former boyfriends attending her funeral – it was definitely a very sweet gesture!

Despite the seemingly endless line of suitors, all of Anita’s romantic relationships were short-lived. Throughout her entire life, Anita longed to be loved, but ironically, she never found the love that she longed to have. She once said that she would give up everything she had in a heartbeat in exchange for true love, but it was not meant to be. She had once talked about being with the man she loved, having children, starting a family – in the end though, knowing that she did not have much longer to live, she decided to be ‘married’ to her work (show business)… ironically, Anita finally did get to wear a wedding dress – during her very last concert in November 2003, she wore a wedding dress with a long train, walked up the long flight of stairs while singing her classic song “Treasure the Time We Meet Again”, and – after looking back one final time to bid everyone farewell, she turned around and walked out into the darkness (backstage), the huge doors to the set shutting behind her.

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Aside from the various romantic relationships she had, Anita also had quite a few male friends with whom she was very close – a few of them she was especially close with, to the point that she considered them ‘family’. Anita’s entertainment industry ‘brothers’ included: Leslie Cheung, Danny Chan, Jacky Cheung, Eddie Lau, and Andy Lau (I’m sure there were probably more, but the book only touches on those who were more publicly known in terms of their brotherly relationship with Anita).

Leslie Cheung: True to his nickname ‘Gor Gor’ (big brother), Leslie was indeed like an ‘older brother’ for Anita – they were very close. The unique thing about Leslie and Anita’s relationship was that they always had awesome chemistry both on and off the stage. When Anita heard the news about Leslie’s suicide in April 2003, she was absolutely devastated and cried endlessly – at his funeral, Anita was so upset that her friends had to accompany her throughout the entire time, gently holding her by the arm and helping her make it through. Her closest friend and confidante, designer Eddie Lau, once said that upon seeing Leslie’s lifeless body not long after he died, Anita was heard telling him: “I will be coming to keep you company soon!”

Danny Chan: Back in the 1980s, Danny was like a ‘younger brother’ to Anita. The two of them were brought together through their love of dancing – in fact, even outside of work, they would sometimes bump into each other at discos and end up dancing to the music together. In the 1980s, the two of them would often be musical guests at each other’s concerts and undoubtedly, dancing would play a huge role in those concerts. One thing to note is that Danny is actually older than Anita, however in Anita’s heart, she felt that she needed to protect Danny from harshness of the industry, so she always considered him a younger brother whom she protected and loved.

Jacky Cheung: I already talked about Jacky’s relationship with Anita earlier in my post – he is Anita’s ‘brother-in-law’, as she is sworn sisters with Jacky’s wife May. One of the reasons that Jacky was so close with Anita is because she has always been very supportive of him throughout the 20 plus years they knew each other. Back in the late 80s, when Jacky was struggling with alcoholism and constantly got into fights with his then girlfriend May, Anita was the one who would be the ‘peacemaker’ between them. And the few times when Jacky and May broke up after getting into arguments, Anita was the one who got them back together.

Eddie Lau: Eddie was definitely the most important man in Anita’s life. Eddie was one of HK’s most famous fashion designers in the 80s and he was responsible for designing / dressing all of the biggest names in the entertainment industry. Eddie was an instrumental part of each of Anita’s concerts and he was the only person she trusted to design her attire. Out of all the men in her life (those who were not her boyfriends), Eddie was closest with her – he was Anita’s brother, friend, confidante – she pretty much told him everything and he knew exactly what made her tick. Whenever Anita felt down or needed someone to talk to, the first person she would call was Eddie. He was also the first one to find out that Anita had cancer and for almost a year, he was the only one who knew. And he was the only male who was able to go in and out of her house whenever he wanted. The relationship between Eddie and Anita was very unique, especially in the entertainment industry where it’s very hard for a male and female to be so close and not be romantically involved whatsoever.

Andy Lau: To make things absolutely clear – Andy and Anita NEVER DATED!! The reason why Andy always got linked up to Anita in the tabloids was because Anita admired Andy a lot as a person and being the straightforward person that she is, she would publicly praise him a lot. During an interview in the early 90s, Anita ‘hinted’ that she had a little bit of a crush on someone – she never revealed who that someone was, but it was widely speculated in the media and tabloids that the ‘someone’ was Andy. In fact, Andy’s relationship with Anita was more like a brother than anything else. True, she did admire Andy a lot, but that does not mean she had a crush on him…in fact, when she was being hounded by reporters about the issue, she once said: “No crush. Truthfully, I have a lot of admiration for Andy, but admiration is NOT the same thing as having a crush. It is possible to admire someone from afar.” Now that Anita is gone, we may never know for sure, but based on my understanding of how Anita is and her personality, I believe her when she says that she did not have a crush on Andy.

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CONCLUSION

After best friend and ‘brother’ Leslie Cheung died in April 2003, Anita’s grief caused her to reach her lowest point emotionally – but despite her pain, she still continued to care about society: “The SARS situation is very serious and dire. Leslie’s death awakened me and made me realize the importance of life. In front of the Buddhist altar, I asked Leslie to give me strength – I don’t want to waste anymore time. I hope to do something for Hong Kong.” Anita put her words into action – as the first female chairman of the HK Artistes Guild, Anita led the entire HK entertainment industry in arranging the 1:99 concerts to raise money for the victims of SARS.

In August 2003, as rumors of Anita’s illness circulated like wildfire in the media, she decided to end all the speculation. In a press conference where she was surrounded by many of her long-time friends, she told the world about her cancer and vowed to fight the illness until the very end.

Not too long after that, Anita realized that her cancer was getting worse and so during the last leg of her life journey, she decided to fulfill her biggest dream: to meet up with her friends and fans for one last time and say farewell – and, most importantly, to don a wedding dress and ‘get married’. Despite being very weak physically from her chemo-therapy, Anita showed almost unbelievable determination and strength in completing 8 shows at the HK Coliseum in November 2003 (about a month before her death). Even her doctors said the fact she was able to complete the shows was a miracle, a gift that the Heavens especially gave to her.

Though I did not get a chance to watch Anita’s final concerts in person, I did watch on DVD afterwards and I will admit that I was absolutely in tears almost the entire time. Her performances during those last shows were absolutely flawless in my book and I will forever remember that last concert of hers, more than any other concert she has done in the past.

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As I said earlier, there is so much to talk about when it comes to Anita that this post is only a small scratch on the surface in terms of knowing what type of person Anita was. And indeed, there is so much more that I could write about her – for example, her singing and movie career, her charity work, her relationship with her other friends, etc. etc. With this post, I simply want to give some insight into the life of a woman who was so instrumental in shaping the HK entertainment industry – an icon and legend who will truly be missed, but whose legacy will love on for decades to come. Rest in peace, Anita!